AND TO THE OFFICERS OF

THE RIFLE BRIGADE

(Formerly 95th Rifles)

*Preface*

Mr. Herbert Strang has asked me to write a few words explanatory of the

title he has chosen for this book.

"The Light Brigade" was the name given to the first British Brigade of

Light Infantry, consisting of the 43rd Light Infantry, 52nd Light

Infantry, and the 95th Rifles, which were trained together as a

war-brigade at Shorncliffe Camp in the years 1803-1805, just a century

ago, by General Sir John Moore, the Hero of Corunna.

These regiments subsequently saw much service together in various

quarters of the globe; they were engaged in the Expedition to Denmark in

1807, the Campaign in Portugal in 1808 under Sir Arthur Wellesley,

including the Battle of Vimeiro, and the famous Corunna Campaign under

Sir John Moore.

In July, 1809, The Light Brigade, consisting of the same three corps,

was re-formed under the gallant Brigadier-General Robert Craufurd

(afterwards slain at their head at the storming of Ciudad Rodrigo in

1812), at Vallada, in Portugal, and it was in the same month that it

made the forced march, famous in all history as "the March of the Light

Division", of some fifty miles in twenty-four hours to the battle-field

of Talavera. In June, 1810, when at Almeida, in Spain, "The Light

Brigade" was expanded into "The Light Division" by the addition of

Ross's "Chestnut Troop" of Horse Artillery,[#] the 14th Light

Dragoons,[#] the 1st King's German Hussars, and two regiments of

Portuguese Cacadores.

[#] The present "A" Battery, R.H.A., which bears its proud title of "The

Chestnut Troop" in the army lists to this day.

[#] The present 14th (King's) Hussars. Charles Lever, the novelist,

recounts some of their gallant deeds in _Charles O'Malley, the Irish

Dragoon_.

It was as "_The_ Light Division", throughout the long and bloody

struggle in the Peninsula, and up to the Battle of Toulouse, fought in

April, 1814, that the regiments of the old "Light Brigade" maintained

their proud position, so well described by Sir John Kincaid (who was

adjutant of the 1st Battalion at the Battle of Waterloo) in his

delightful book, _Adventures in the Rifle Brigade_. He writes of the

95th Rifles in the Peninsula as follows:--

"We were the Light Regiment of the Light Division, and fired the first

and last shot in almost every battle, siege, and skirmish in which the

army was engaged during the war.

"In stating the foregoing, however, with regard to regiments, I beg to

be understood as identifying our old and gallant associates, the

Forty-third and Fifty-second, as a part of ourselves, for they bore

their share in everything, and I love them as I hope to do my better

half (when I come to be divided); wherever we were, _they_ were; and

although the nature of our arm[#] generally gave us more employment in

the way of skirmishing, yet, whenever it came to a pinch, independent of

a suitable mixture of them among us, we had only to look behind to see a

line, in which we might place a _degree of confidence almost equal to

our hopes in heaven_; nor were we ever disappointed. There never was a

corps of Riflemen in the hands of such supporters!"

[#] The Baker rifle, a short weapon with a flat-bladed sword-bayonet

known as a "sword", very like the present so-called "bayonet", only

longer. Hence the Rifleman's command, "Fix swords!" The three

battalions of the 95th were (with the exception of the 5th battalion of

the 60th Regiment) the only corps in the British army armed with rifles

at the period of the Peninsular War, all others carrying long

smooth-bore muskets, known as "Brown Bess", with long three-sided

bayonets. The Baker rifle fired with precision up to 300 yards, whereas

"Brown Bess" could not be depended upon to hit a mark at one-third that

range.

Such was the "Light Brigade" which gives its title to this book.

The story deals with a period full of interest to Englishmen. Napoleon,

having overrun Spain with some 250,000 men, swept away and defeated all

the Spanish armies, and occupied Madrid, had set his hosts in motion to

re-occupy Portugal and complete the subjugation of Andalusia. At this

critical moment in the history of Spain, Sir John Moore, who had landed

in the Peninsula with a small British army only about 30,000 strong,

conceived the bold project of marching on Salamanca, and thus

threatening Napoleon's "line of communications" with France--whence he

drew all his supplies and ammunition. The effect was almost magical.

Napoleon was compelled instantly to stay the march of his immense

armies, whilst at the head of over 80,000 of his finest troops he hurled

himself on the intrepid Moore. The latter, thus assailed by

overwhelming numbers, was forced to order a retreat on his base at

Corunna, a movement which he conducted successfully, despite the

terrible privations of a rapid march in mid-winter through a desolate

and mountainous country, with insufficient transport and inadequate

staff arrangements. Thrice he turned to bay and thrice did he severely

handle his pursuers. Finally, at Corunna, after embarking his sick and

wounded, he fought the memorable battle of that name, and inflicted on

the French such heavy losses that his army was enabled to re-embark and

sail for England with but little further molestation. The gallant Moore

himself was mortally wounded, and died the same night. The effects of

the Corunna campaign were to paralyse all the Emperor's plans for nigh

three months, during which time the Spaniards rallied and regained

confidence, and the war took a wholly different turn, although it was

only after five years' constant fighting that the French invaders were

finally driven out of the country.

The Spaniards, on the other hand, animated by the presence of their

English allies, once again took up arms in all directions and made a

desperate resistance. No struggle was of more appalling or sustained a

nature than was their second defence of Saragossa, which, in the words

of the French soldiers engaged in the siege, was defended not by

soldiers but by "an army of madmen".

The following story has thus a double interest. In its account of

Moore's great Retreat it illustrates what we did for Spain in her dark

days of 1808-1809; while in the pages dealing with the heroic Defence of

Saragossa it illustrates what Spain did for herself.

*Contents*

_Chapter_ I

CORPORAL WILKES WANTS TO KNOW

_Chapter_ II

SOME INTRODUCTIONS

_Chapter_ III

PALAFOX THE MAN, PALAFOX THE NAME

_Chapter_ IV

A DELICATE MISSION

_Chapter_ V

A ROADSIDE ADVENTURE

_Chapter_ VI

MONSIEUR TABERNE

_Chapter_ VII

PEPITO INTERVENES

_Chapter_ VIII

DON MIGUEL PRIEGO

_Chapter_ IX

SOME SURPRISES

_Chapter_ X

THE EMPEROR'S DESPATCH

_Chapter_ XI

NAPOLEON IN PURSUIT

_Chapter_ XII

CORPORAL WILKES ON GUARD

_Chapter_ XIII

DON MIGUEL'S MAN

_Chapter_ XIV

AN INCIDENT AT CACABELLOS

_Chapter_ XV

THE GREAT RETREAT

_Chapter_ XVI

THE BATTLE OF CORUNNA

_Chapter_ XVII

IN THE GUADALQUIVIR

_Chapter_ XVIII

A SQUIRE OF DAMES

_Chapter_ XIX

PALAFOX THE MAN

_Chapter_ XX

A DAY WITH TIO JORGE

_Chapter_ XXI

NIGHT ON THE RAMPARTS

_Chapter_ XXII

JUANITA

_Chapter_ XXIII

THE FIGHT IN THE RUINS

_Chapter_ XXIV

"A BON CHAT, BON RAT"

_Chapter_ XXV

PEPITO FINDS A CLUE

_Chapter_ XXVI

WANTED: DON MIGUEL PRIEGO

_Chapter_ XXVII

THE ELEVENTH HOUR

_Chapter_ XXVIII

THE LAST FIGHT IN SARAGOSSA

_Chapter_ XXIX

FRENCH LEAVE

_Chapter_ XXX

THE WHIP HAND

_Chapter_ XXXI

DOCTOR GRAMPUS AND A FRENCH COOK

_Chapter_ XXXII

THE PRISONER AT BAYONNE

_Chapter_ XXXIII

PALAFOX THE NAME

_Chapter_ XXXIV

DEAD MEN TELL NO TALES

_Chapter_ XXXV

DOOM

_Chapter_ XXXVI

SERGEANT WILKES WANTS TO KNOW

*Glossary of Spanish Words*

*List of Illustrations*

Plate I

THE 95TH CHARGE HOME . . . . . . . . . Frontispiece

Plate II

A QUESTION OF SUPPLY

Plate III

JACK CAPTURES A DRAGOON

Plate IV

JACK MAKES AN OPPORTUNE APPEARANCE

Plate V

FRANCISCO FALLS FROM THE PLANK

Plate VI

JACK HAS A NARROW ESCAPE

Plate VII

JACK LEADS A FORLORN HOPE

Plate VIII

MIGUEL ESCAPES FROM THE GARDEN

*Maps and Plans*

1. Map of Spain and Portugal, showing the positions of the French,

Spanish, and British forces at the commencement of Moore's retreat from

Sahagun

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