[Illustration: THE BALMAT-SAUSSURE MONUMENT IN CHAMONIX (Mont Blanc in

the distance)]

[Illustration: ROOFED WOODEN BRIDGE AT LUCERNE]

[Illustration: THE CASTLE OF CHILLON]

[Illustration: CLOUD EFFECT ABOVE INTERLAKEN Courtesy Swiss Federal

Railway]

[Illustration: DAVOS IN WINTER]

The way up the valley is that which follows the River Visp. It is a

delightful journey. The little stream is never still. It will scarcely

keep confined to the banks or within the stone walls which in many

places protect the shores. The river dances along as if seeking to be

free. For the most part it is a torrent, sweeping swiftly past the

solid masonry and descending the steep bed in a series of wild leaps or

artificial waterfalls, with wonderful effects of sunlight seen in the

showers of spray. Fed as it is by many mountain streams, the Visp is

always full, and the more so, when in summer the melting ice adds to its

volume.

Then it is a sight long remembered, as roaring, rollicking, rushing

along it is a brawling mass of waters, often working havoc with banks,

road, village, and pastures. If one never saw a mountain, the sight of

the Visp would more than repay, but, as it is, one's attention is taxed

to the uttermost not to miss anything of this little rushing river and

at the same time get the charming views of the Weisshorn, the Breithorn,

and the other snow summits which appear over the mountain spurs

surrounding the head of the valley.

The first impression on reaching the Zermatt is one of disappointment.

Maps and pictures generally lead the traveler to think that from the

village he will see the great semicircle of snow peaks which surround

the valley, but upon arrival he finds that he must go further up to see

them, for all of them are hidden from view except the Matterhorn.

This mountain, however, is seen in all its grandeur, fierce and

frowning, and to an imaginative mind bending forward as if threatening

and trying to shake off the little snow that appears here and there on

its side. It dominates the whole scene and leaves an indelible impress

on the mind, so that one can never picture Zermatt without the

Matterhorn.

Zermatt as a place is a curious combination; a line of hotels in

juxtaposition with a village of chalets, unsophisticated peasants

shoulder to shoulder with people of fashion! There are funny little

shops, here showing only such simple things as are needed by the

dwellers in the Valais, there exhibiting really beautiful articles in

dress and jewelry to attract the summer visitors, while at convenient

spots are the inevitable tea-rooms, where "Thé, Café, Limonade,

Confiserie" minister to the coming crowds of an afternoon....

Guides galore wait in front of all the large hotels; ice-axes, ropes,

nailed boots, rucksacks, and all the paraphernalia of the mountains

are seen on every side, and a walk along the one main thoroughfare

introduces one into the life of a climbing center, interesting to a

degree and often very amusing from the miscellaneous collection of

people there.

Perhaps the first thing one cares to see at Zermatt is the village

church, with the adjoining churchyard. The church, dedicated to Saint

Maurice, a favorite saint in the Valais and Rhône district, is plain

but interesting and in parts is quite old. Near it is a little mortuary

chapel. In most parts of Switzerland, it is the custom, after the bodies

of the dead have been buried a certain length of time, to remove the

remains to the "charnel house," allowing the graves to be used again

and thus not encroaching upon the space reserved and consecrated in the

churchyard, but we do not think this custom obtains at Zermatt.

In the churchyard is a monument to Michel Auguste Croz, the guide, and

near by are the graves of the Reverend Charles Hudson and Mr. Hadow.

These three, with Lord Francis Douglas were killed in Mr. Whymper's

first ascent of the Matterhorn.[39] The body of Lord Francis Douglas

has never been found. It is probably deep in some crevasse or under the

snows which surround the base of the Matterhorn....

For the more extended climbs or for excursions in the direction of the

Schwarzsee, the Staffel Alp or the Trift, Zermatt is the starting point.

The place abounds in walks, most of them being the first part of the

routes to the high mountains, so that those who are fond of tramping but

not of climbing can reach high elevations with a little hard work, but

no great difficulty. Some of these "midway" places may be visited on

muleback, and with the railway now up to the Gorner-Grat there are few

persons who may not see this wonderful region of snow peaks.

The trip to the Schwarzsee is the first stage on the Matterhorn route.

It leads through the village, past the Gorner Gorges (which one may

visit by a slight détour) and then enters some very pretty woods, from

which one issues on to the bare green meadows which clothe the upper

part of the steep slope of the mountain. As one mounts this zigzag path,

it sometimes seems as if it would never end, and for all the magnificent

views which it affords, one is always glad that it is over, as it

exactly fulfils the conditions of a "grind."

From the Schwarzsee (8,495 feet, where there is an excellent hotel),

there is a fine survey of the Matterhorn, and also a splendid panorama,

on three sides, one view up the glaciers toward the Monte Rosa, another

over the valley to the Dent Blanche and other great peaks, and still

another to the far distant Bernese Oberland. Near the hotel is a little

lake and a tiny chapel, where mass is sometimes said. The reflection in

the still waters of the lake is very lovely.

From the Schwarzsee, trips are made to the Hörnli (another stage on the

way to the Matterhorn), to the Gandegg Hut, across moraine and glacier

and to the Staffel Alp, over the green meadows. The Hörnli (9,490 feet

high) is the ridge running out from the Matterhorn. It is reached by a

stiff climb over rocks and a huge heap of fallen stones and debris. From

it the view is similar to that from the Schwarzsee, but much finer, the

Théodule Glacier being seen to great advantage. Above the Hörnli towers

the Matterhorn, huge, fierce, frowning, threatening. Every few moments

comes a heavy, muffled sound, as new showers of falling stones come

down. This is one of the main dangers in climbing the peak itself, for

from base to summit, the Matterhorn is really a decaying mountain, the

stones rolling away through the action of the storms, the frosts, and

the sun.

PONTRÉSINA AND ST. MORITZ[40]

BY VICTOR TISSOT

The night was falling fine as dust, as a black sifted snow-shower, a

snow made of shadow; and the melancholy of the landscape, the grand

nocturnal solitude of these lofty, unknown regions, had a charm profound

and disquieting. I do not know why I fancied myself no longer in

Switzerland, but in some country near the pole, in Sweden or Norway. At

the foot of these bare mountains I looked for wild fjords, lit up by the

moon.

Nothing can express the profound somberness of these landscapes at

nightfall; the long desert road, gray from the reflections of the starry

sky, unrolls in an interminable ribbon along the depth of the valley;

the treeless mountains, hollowed out like ancient craters, lift their

overhanging precipices; lakes sleeping in the midst of the pastures,

behind curtains of pines and larches, glitter like drops of quicksilver;

and on the horizon the immense glaciers crowd together and overflow like

sheets of foam on a frozen sea.

The road ascends. From the distance comes a dull noise, the roaring of a

torrent. We cross a little cluster of trees, and on issuing from it the

superb amphitheater of glaciers shows itself anew, overlooked by one

white point glittering like an opal. On the hill a thousand little

lights show me that I am at last at Pontrésina. I thought I should

never have arrived there; nowhere does night deceive more than in the

mountains; in proportion as you advance toward a point, it seems to

retreat from you.

Soon the black fantastic lines of the houses show through the darkness.

I enter a narrow street, formed of great gloomy buildings, their fronts

like a convent or prison. The hamlet is transformed into a little town

of hotels, very comfortable, very elegant, very dear, but very stupid

and very vulgar, with their laced porter in an admiral's hat, and their

whiskered waiters, who have the air of Anglican ministers. Oh! how I

detest them, and flee them, those hotels where the painter, or the

tourist who arrives on foot, knapsack on his back and staff in hand, his

trousers tucked into his leggings, his flask slung over his shoulder,

and his hat awry, is received with less courtesy than a lackey.

Besides those hotels, some of which are veritable palaces, and where the

ladies are almost bound to change their dress three times a day, there

is a hotel of the second and third class; and there is the old inn; the

comfortable, hospitable, patriarchal inn, with its Gothic signboard....

On leaving the village I was again in the open mountain. In the distance

the road penetrated into the valley, rising always. The moon had risen.

She stood out sharply cut in a cloudless sky, and stars sparkling

everywhere in profusion; not like nails of gold, but sown broadcast like

a flying dust, a dust of carbuncles and diamonds. To the right, in the

depths of the amphitheater of the mountains, an immense glacier looked

like a frozen cascade; and above, a perfectly white peak rose draped in

snow, like some legendary king in his mantle of silver.

Bending under my knapsack, and dragging my feet, I arrive at last at the

hotel, where I am received, in the kindest manner in the world, by the

two mistresses of the establishment, two sisters of open, benevolent

countenance and of sweet expression.

And the poor little traveler who arrives, his bag on his back and

without bustle, who has sent neither letter nor telegram to announce his

arrival, is the object of the kindest and most delicate attentions; his

clothes are brushed, he gets water for his refreshment, and is then

conducted to a table bountifully spread, in a dining-room fragrant with

good cookery and bouquets of flowers....

Beyond Campfer, its houses surrounding a third little lake, we come

suddenly on a scene of extraordinary animation. All the cosmopolitan

society of St. Moritz is there, sauntering, walking, running, in

mountain parties, on afternoon excursions. The favorite one is the walk

to the pretty lake of Campfer, with its shady margin, its resting places

hidden among the branches, its châlet-restaurant, from the terrace of

which one overlooks the whole valley; and it would be difficult to find

near St. Moritz a more interesting spot.

We meet at every step parties of English ladies, looking like

plantations of umbrellas with their covers on and surmounted by immense

straw hats; then there are German ladies, massive as citadels, but

not impregnable, asking nothing better than to surrender to the young

exquisites, with the figure of cuirassiers, who accompany them; further

on, lively Italian ladies parade themselves in dresses of the carnival,

the colors outrageously striking and dazzling to the eyes; with

up-turned skirts they cross the Inn on great mossy stones, leaping

with the grace of birds, and smiling, to show, into the bargain, the

whiteness of their teeth. All this crowd passing in procession before us

is composed of men and women of every age and condition; some with the

grave face of a waxen saint, others beaming with the satisfied smile of

rich people; there are also invalids, who go along hobbling and limping,

or who are drawn, in little carriages.

Soon handsome façades, pierced with hundreds of windows, show themselves

in the grand and severe setting of mountains and glaciers. It is St.

Moritz-les-Bains. Here every house is a hotel, and, as every hotel is

a little palace, we do not alight from the diligence; we go a little

farther and a little higher, to St. Moritz-le-Village, which has a much

more beautiful situation. It is at the top of a little hill, whose sides

slope down to a pretty lake, fresh and green as a lawn. The eye reaches

beyond Sils, the whole length of the valley, with its mountains like

embattled ramparts, its lakes like a great row of pearls, and its

glaciers showing their piles of snowy white against the azure depths of

the horizon.

St. Moritz is the center of the valley of the Upper Engadine, which

extends to the length of eighteen or nineteen leagues, and which

scarcely possesses a thousand inhabitants. Almost all the men emigrate

to work for strangers, like their brothers, the mountaineers of Savoy

and Auvergne, and do not return till they have amassed a sufficient

fortune to allow them to build a little white house, with gilded

window frames, and to die quietly in the spot where they were born....

Historians tell us that the first inhabitants of the Upper Engadine were

Etruscans and Latins chased from Italy by the Gauls and Carthaginians,

and taking refuge in these hidden altitudes. After the fall of the

Empire, the inhabitants of the Engadine fell under the dominion of the

Franks and Lombards, then the Dukes of Swabia; but the blood never

mingled--the type remained Italian; black hair, the quick eye, the

mobile countenance, the expressive features, and the supple figure.

GENEVA[41]

BY FRANCIS H. GRIBBLE

Straddling the Rhone, where it issues from the bluest lake in the world,

looking out upon green meadows and wooded hills, backed by the dark

ridge of the Salève, with the "great white mountain" visible in the

distance, Geneva has the advantage of an incomparable site; and it

is, from a town surveyor's point of view, well built. It has wide

thoroughfares, quays, and bridges; gorgeous public monuments and

well-kept public gardens; handsome theaters and museums; long rows

of palatial hotels; flourishing suburbs; two railway-stations, and a

casino. But all this is merely the façade--all of it quite modern;

hardly any of it more than half a century old. The real historical

Geneva--the little of it that remains--is hidden away in the background,

where not every tourist troubles to look for it. It is disappearing

fast. Italian stonemasons are constantly engaged in driving lines

through it. They have rebuilt, for instance, the old Corraterie, which

is now the Regent Street of Geneva, famous for its confectioners' and

booksellers' shops; they have destroyed, and are still destroying, other

ancient slums, setting up white buildings of uniform ugliness in place

of the picturesque but insanitary dwellings of the past. It is, no

doubt, a very necessary reform, tho' one may think that it is being

executed in too utilitarian a spirit. The old Geneva was malodorous, and

its death-rate was high. They had more than one Great Plague there, and

their Great Fires have always left some of the worst of their slums

untouched. These could not be allowed to stand in an age which studies

the science and practises the art of hygiene. Yet the traveler who wants

to know what the old Geneva was really like must spend a morning or two

rambling among them before they are pulled down.

The old Geneva, like Jerusalem, was set upon a hill, and it is toward

the top of the hill that the few buildings of historical interest are to

be found. There is the cathedral--a striking object from a distance, tho'

the interior is hideously bare. There is the Town Hall, in which, for

the convenience of notables carried in litters, the upper stories were

reached by an inclined plane instead of a staircase. There is Calvin's

old Academy, bearing more than a slight resemblance to certain of the

smaller colleges at Oxford and Cambridge. There, too, are to be seen a

few mural tablets, indicating the residences of past celebrities. In

such a house Rousseau was born; in such another house or in an older

house, now demolished, on the same site--Calvin died. And toward these

central points the steep and narrow, mean streets--in many cases streets

of stairs--converge.

As one plunges into these streets one seems to pass back from the

twentieth century to the fifteenth, and need not exercise one's

imagination very severely in order to picture the town as it appeared

in the old days before the Reformation. The present writer may claim

permission to borrow his own description from the pages of "Lake Geneva

and its Literary Landmarks:"

"Narrow streets predominated, tho' there were also a certain number of

open spaces--notably at the markets, and in front of the Cathedral,

where there was a traffic in those relics and rosaries which Geneva was

presently to repudiate with virtuous indignation. One can form an idea

of the appearance of the narrow streets by imagining the oldest houses

that one has seen in Switzerland all closely packed together--houses at

the most three stories high, with gabled roofs, ground-floors a step or

two below the level of the roadway, and huge arched doors studded with

great iron nails, and looking strong enough to resist a battering-ram.

Above the doors, in the case of the better houses, were the painted

escutcheons of the residents, and crests were also often blazoned on the

window-panes. The shops, too, and more especially the inns, flaunted

gaudy signboards with ingenious devices. The Good Vinegar, the Hot

Knife, the Crowned Ox, were the names of some of these; their tariff is

said to have been fivepence a day for man and beast."....

In the first half of the sixteenth century occurred the two events

which shaped the future of Geneva; Reformation theology was accepted;

political independence was achieved. Geneva it should be explained, was

the fief of the duchy of Savoy; or so, at all events, the Dukes of Savoy

maintained, tho' the citizens were of the contrary opinion. Their view

was that they owed allegiance only to their Bishops, who were the

Viceroys of the Holy Roman Emperor; and even that allegiance was limited

by the terms of a Charter granted in the Holy Roman Emperor's name by

Bishop Adhémar de Fabri. All went fairly well until the Bishops began

to play into the hands of the Dukes; but then there was friction,

which rapidly became acute. A revolutionary party--the Eidgenossen, or

Confederates--was formed. There was a Declaration of Independence and a

civil war.

So long as the Genevans stood alone, the Duke was too strong for them.

He marched into the town in the style of a conqueror, and wreaked his

vengeance on as many of his enemies as he could catch. He cut off the

head of Philibert Berthelier, to whom there stands a memorial on the

island in the Rhone; he caused Jean Pecolat to be hung up in an absurd

posture in his banqueting-hall, in order that he might mock at his

discomfort while he dined; he executed, with or without preliminary

torture, several less conspicuous patriots. Happily, however, some of

the patriots--notably Besançon Hugues--got safely away, and succeeded in

concluding treaties of alliance between Geneva and the cantons of Berne

and Fribourg.

The men of Fribourg marched to Geneva, and the Duke retired. The

citizens passed a resolution that he should never be allowed to enter

the town again, seeing that he "never came there without playing the

citizens some dirty trick or other;" and, the more effectually to

prevent him from coming, they pulled down their suburbs and repaired

their ramparts, one member of every household being required to lend a

hand for the purpose.

Presently, owing to religious dissensions, Fribourg withdrew from the

alliance. Berne, however, adhered to it, and, in due course, responded

to the appeal for help by setting an army of seven thousand men in

motion. The route of the seven thousand lay through the canton of Vaud,

then a portion of the Duke's dominions, governed from the Castle of

Chillon. Meeting with no resistance save at Yverdon, they annexed the

territory, placing governors of their own in its various strongholds.

The Governor of Chillon fled, leaving his garrison to surrender; and in

its deepest dungeon was found the famous prisoner of Chillon, François

de Bonivard. From that time forward Geneva was a free republic, owing

allegiance to no higher power.

THE CASTLE OF CHILLON[42]

BY HARRIET BEECHER STOWE

Here I am, sitting at my window, overlooking Lake Leman. Castle Chillon,

with its old conical towers, is silently pictured in the still waters.

It has been a day of a thousand. We took a boat, with two oarsmen, and

passed leisurely along the shores, under the cool, drooping branches of

trees, to the castle, which is scarce a stone's throw from the hotel. We

rowed along, close under the walls, to the ancient moat and drawbridge.

There I picked a bunch of blue bells, "les clochettes," which were

hanging their aerial pendants from every crevice--some blue, some

white....

We rowed along, almost touching the castle rock, where the wall ascends

perpendicularly, and the water is said to be a thousand feet deep. We

passed the loopholes that illuminate the dungeon vaults, and an old

arch, now walled up, where prisoners, after having been strangled, were

thrown into the lake.

Last evening we walked through the castle. An interesting Swiss woman,

who has taught herself English for the benefit of her visitors, was our

"cicerone." She seemed to have all the old Swiss vivacity of attachment

for "liberté et patrie." She took us first into the dungeon, with the

seven pillars, described by Byron. There was the pillar to which, for

protecting the liberty of Geneva, Bonivard was chained. There the Duke

of Savoy kept him for six years, confined by a chain four feet long. He

could take only three steps, and the stone floor is deeply worn by the

prints of those weary steps. Six years is so easily said; but to live

them, alone, helpless, a man burning with all the fires of manhood,

chained to that pillar of stone, and those three unvarying steps! Two

thousand one hundred and ninety days rose and set the sun, while seed

time and harvest, winter and summer, and the whole living world went

on over his grave. For him no sun, no moon, no stars, no business, no

friendship, no plans--nothing! The great millstone of life emptily

grinding itself away!

What a power of vitality was there in Bonivard, that he did not sink in

lethargy, and forget himself to stone! But he did not; it is said that

when the victorious Swiss army broke in to liberate him, they cried,

"Bonivard, you are free!"

"And Geneva?"

"Geneva is free also!"

You ought to have heard the enthusiasm with which our guide told this

story!

Near by are the relics of the cell of a companion of Bonivard, who made

an ineffectual attempt to liberate him. On the wall are still seen

sketches of saints and inscriptions by his hand. This man one day

overcame his jailer, locked him in his cell, ran into the hall above,

and threw himself from a window into the lake, struck a rock, and was

killed instantly. One of the pillars in this vault is covered with

names. I think it is Bonivard's pillar. There are the names of Byron,

Hunt, Schiller, and many other celebrities.

After we left the dungeons we went up into the judgment hall, where

prisoners were tried, and then into the torture chamber. Here are the

pulleys by which limbs are broken; the beam, all scorched with the irons

by which feet were burned; the oven where the irons were heated; and

there was the stone where they were sometimes laid to be strangled,

after the torture. On that stone, our guide told us, two thousand Jews,

men, women, and children, had been put to death. There was also, high

up, a strong beam across, where criminals were hung; and a door, now

walled up, by which they were thrown into the lake. I shivered.

"'Twas cruel," she said; "'twas almost as cruel as your slavery in

America."[43]

Seeing Europe with Famous Authors, Volume 6 Germany, Austria-Hungary and Switzerland, part 2 · 第 6 / 12 段