CHAPTER I

Transcribed from the 1900 Macmillian and Co. Edition by David Price,

email ccx074@pglaf.org

LAVENGRO

THE SCHOLAR, THE GYPSY, THE PRIEST

BY

GEORGE BORROW

ILLUSTRATED BY E. J. SULLIVAN

WITH AN INTRODUCTION BY AUGUSTINE

BIRRELL, Q.C., M.P.

London

MACMILLAN AND CO., LIMITED

NEW YORK: THE MACMILLAN COMPANY

1900

_All rights reserved_

_First published in_ "_Macmillan's Illustrated Standard Novel_," 1896

_Reprinted_ 1900

{picture:George Borrow: page0.jpg}

INTRODUCTION

The author of _Lavengro_, _the Scholar_, _the Gypsy_, _and the Priest_

has after his fitful hour come into his own, and there abides securely.

Borrow's books,--carelessly written, impatient, petulant, in parts

repellant,--have been found so full of the elixir of life, of the charm

of existence, of the glory of motion, so instinct with character, and

mood, and wayward fancy, that their very names are sounds of enchantment,

whilst the fleeting scenes they depict and the deeds they describe have

become the properties and the pastimes for all the years that are still

to be of a considerable fraction of the English-speaking race.

And yet I suppose it would be considered ridiculous in these fine days to

call Borrow a great artist. His fascination, his hold upon his reader,

is not the fascination or the hold of the lords of human smiles and

tears. They enthrall us; Borrow only bewitches. Isopel Berners, hastily

limned though she be, need fear comparison with no damsel that ever lent

sweetness to the stage, relish to rhyme, or life to novel. She can hold

up her head and take her own part amidst all the Rosalinds, Beatrices,

and Lucys that genius has created and memory can muster. But how she

came into existence puzzles us not a little. Was she summoned out of

nothingness by the creative fancy of Lavengro, or did he really first set

eyes upon her in the dingle whither she came with the Flaming Tinman,

whose look Lavengro did not like at all? Reality and romance, though

Borrow made them wear double harness, are not meant to be driven

together. It is hard to weep aright over Isopel Berners. The reader is

tortured by a sense of duty towards her. This distraction prevents our

giving ourselves away to Borrow. Perhaps after all he did meet the tall

girl in the dingle, in which case he was a fool for all his pains, losing

a gift the gods could not restore.

Quite apart from this particular doubt, the reader of Borrow feels that

good luck, happy chance, plays a larger part in the charm of the

composition than is quite befitting were Borrow to be reckoned an artist.

But nobody surely will quarrel with this ingredient. It can turn no

stomach. Happy are the lucky writers! Write as they will, they are

almost certain to please. There is such a thing as 'sweet

unreasonableness.'

But no sooner is this said than the necessity for instant and substantial

qualification becomes urgent, for though Borrow's personal vanity would

have been wounded had he been ranked with the literary gentlemen who do

business in words, his anger would have been justly aroused had he been

told he did not know how to write. He did know how to write, and he

acquired the art in the usual way, by taking pains. He might with

advantage have taken more pains, and then he would have done better; but

take pains he did. In all his books he aims at producing a certain

impression on the minds of his readers, and in order to produce that

impression he was content to make sacrifices; hence his whimsicality, his

out-of-the-wayness, at once his charm and his snare, never grows into

wantonness and seldom into gross improbability. He studied effects, as

his frequent and impressive liturgical repetitions pleasingly

demonstrate. He had theories about most things, and may, for all I know,

have had a theory of cadences. For words he had no great feeling except

as a philologist, and is capable of strange abominations. 'Individual'

pursues one through all his pages, where too are 'equine species,' 'finny

tribe'; but finding them where we do even these vile phrases, and others

nearly as bad, have a certain humour.

This chance remark brings me to the real point. Borrow's charm is that

he has behind his books a character of his own, which belongs to his

books as much as to himself; something which bears you up and along as

does the mystery of the salt sea the swimmer. And this something lives

and stirs in almost every page of Borrow, whose restless, puzzling,

teasing personality pervades and animates the whole.

He is the true adventurer who leads his life, not on the Stock Exchange

amidst the bulls and bears, or in the House of Commons waiting to clutch

the golden keys, or in South Africa with the pioneers and promoters, but

with himself and his own vagrant moods and fancies. There was no need

for Borrow to travel far afield in search of adventures. Mumpers' Dell

was for him as good an environment as Mexico; a village in Spain or

Portugal served his turn as well as both the Indies; he was as likely to

meet adventures in Pall Mall as in the far Soudan. Strange things happen

to him wherever he goes; odd figures step from out the hedgerow and

engage him in wild converse; beggar-women read _Moll Flanders_ on London

Bridge; Armenian merchants cuff deaf and dumb clerks in London counting-

houses; prize-fighters, dog-fanciers, Methodist preachers, Romany ryes

and their rawnees move on and off. Why should not strange things happen

to Lavengro? Why should not strange folk suddenly make their appearance

before him and as suddenly take their departure? Is he not strange

himself? Did he not puzzle Mr. Petulengro, excite the admiration of Mrs.

Petulengro, the murderous hate of Mrs. Herne, and drive Isopel Berners

half distracted?

Nobody has, so far, attempted to write the life of George Borrow. Nor

can we wonder. How could any one dare to follow in the phosphorescent

track of _Lavengro_ and _The Romany Rye_, or add a line or a hue to the

portraits there contained of Borrow's father and mother--the gallant

soldier who had no chance, and whose most famous engagement took place,

not in Flanders, or in Egypt, or on the banks of the Indus or Oxus, but

in Hyde Park, his foe being Big Ben Brain; and the dame of the oval face,

olive complexion, and Grecian forehead, sitting in the dusky parlour in

the solitary house at the end of the retired court shaded by lofty

poplars? I pity 'the individual' whose task it should be to travel along

the enchanted wake either of Lavengro in England or Don Jorge in Spain.

Poor would be his part; no better than that of Arthur in 'The Bothie':--

And it was told, the Piper narrating and Arthur correcting,

Colouring he, dilating, magniloquent, glorying in picture,

He to a matter-of-fact still softening, paring, abating,

He to the great might-have-been upsoaring, sublime and ideal,

He to the merest it-was restricting, diminishing, dwarfing,

River to streamlet reducing, and fall to slope subduing:

So it was told, the Piper narrating, corrected of Arthur.

George Borrow, like many another great man, was born in Norfolk, at East

Dereham, in 1803, and at an early age began those rambles he has made

famous, being carried about by his father, Captain Borrow, who was

chiefly employed as a recruiting officer. The reader of _Lavengro_ may

safely be left to make out his own itinerary. Whilst in Edinburgh Borrow

attended the High School, and acquired the Scottish accent. It is not

too much to say that he has managed to make even Edinburgh more romantic

simply by abiding there for a season. From Scotland he went to Ireland,

and learnt to ride, as well as to talk the Irish tongue, and to seek

etymologies wherever they were or were not to be found. But for a famous

Irish cob, whose hoofs still sound in our ears, Borrow, so he says, might

have become a mere philologist. From Ireland he returned with his

parents to Norwich, and resumed studies, which must have been, from a

schoolmaster's point of view, grievously interrupted, under the Rev.

Edward Valpy at King Edward's School. Here he seems to have been for two

or three years. Dr. Jessopp has told us the story of Borrow's dyeing his

face with walnut juice, and Valpy gravely inquiring of him, 'Borrow, are

you suffering from jaundice, or is it only dirt?' The Rajah of Sarawak,

Sir Archdale Wilson, and the Rev. James Martineau were at school with

'Lavengro.' Dr. Jessopp, who in 1859 became headmaster of King Edward's

School, and who has been a Borrovian from the beginning, found the school

tradition to be that Borrow, who never reached the sixth form, was

indolent and even stupid. In 1819,--the reader will be glad of a

date,--Borrow left school, and was articled to a solicitor in Norwich,

and sat for some eight hours every day behind a lofty deal desk copying

deeds and, it may be presumed, making abstracts of title,--a harmless

pursuit which a year or two later entirely failed to engage the attention

of young Mr. Benjamin Disraeli in Montague Place. Neither of these

distinguished men can honestly be said ever to have acquired what is

called the legal mind, a mental equipment which the younger of them had

once the effrontery to define as a talent for explaining the

self-evident, illustrating the obvious and expatiating on the

commonplace. 'By adopting the law,' says Borrow, 'I had not ceased to be

Lavengro.' He learnt Welsh when he should have been reading Blackstone.

He studied German under the direction of the once famous William Taylor

of Norwich, who in 1821 wrote to Southey: 'A Norwich young man is

construing with me Schiller's _William Tell_, with a view of translating

it for the press. His name is George Henry Borrow, and he has learnt

German with extraordinary rapidity. Indeed, he has the gift of tongues,

and though not yet eighteen, understands twelve languages--English,

Welsh, Erse, Latin, Greek, Hebrew, German, Danish, French, Italian,

Spanish, and Portuguese. He would like to get into the office for

Foreign Affairs, but does not know how.'

It only takes five years to make an attorney, and Borrow ought therefore,

had he served out his time, to have become a gentleman by Act of

Parliament in 1824 or 1825. He did not do so, though he appears to have

remained in Norwich until after 1826. In that year appeared his

_Romantic Ballads from the Danish_, printed by Simon Wilkins of Norwich

by subscription. Dr. Jessopp opines that the _Romantic Ballads_ must

have brought their translator 'a very respectable sum after paying all

the expenses of publication.' I hope it was so, but, as Dr. Johnson once

said about the immortality of the soul, I should like more evidence of

it. When Borrow left Norwich for London, it is hard to say. It was

after the death of his father, and was not likely to have been later than

1828. His only introduction appears to have been one from William Taylor

to Sir Richard Phillips, 'the publisher' known to all readers of

_Lavengro_. Sir Richard was one of the sheriffs of London and Middlesex,

and in addition to sundry treatises on the duties of juries, was the

author of two lucubrations, respectively entitled _The Phaenomena called

by the name of Gravitation proved to be Proximate Effects of the

Orbicular and Rotary Motions of the Earth and On the New Theory of the

System of the Universe_. In Watt's _Bibliotheca Britannica_, 1824, Sir

Richard is thus contemptuously referred to: 'This personage is the editor

of _The Monthly Magazine_, in which many of his effusions may be found

with the signature of "Common Sense."' It is not too much to say that

but for Borrow this nefarious man would be utterly forgotten; as it is,

he lives for ever in the pages of _Lavengro_, a hissing and a reproach.

Authors have an ugly trick of getting the better of their publishers in

the long run. After leaving London Borrow began the wanderings described

in _Lavengro_ and _The Romany Rye_. Those concluded, probably in 1829 or

1830, he crossed the British Channel, and like another Goldsmith,

wandered on foot over the Continent of Europe, visiting France, Italy,

Austria, and Russia. Of his adventures in these countries there is

unhappily no record. In St. Petersburg he must have made a long stay,

for there he superintended the translation of the Bible into Mandschu-

Tartar, and published in 1835 his _Targum_; _or Metrical Translations

from Thirty Languages and Dialects_. In 1835 Borrow returned to London,

and being already known to the Bible Society for his biblical labours in

Russia, was offered, and accepted, the task of circulating the Scriptures

in the Spanish Peninsula. As for his labours in this field, which

occupied him so agreeably for four or five years, are they not narrated

in _The Bible in Spain_, a book first published by 'Glorious John Murray'

in three volumes in 1843? This is the book which made Borrow famous,

though his earlier work, _The Zincali_; _or an Account of the Gypsies of

Spain_ (two vols. 1841), had attracted a good deal of notice. But _The

Bible in Spain_ took readers by storm, and no wonder! Sir Robert Peel

named it in the House of Commons; its perusal imparted a new sensation,

the sensation of literature, to many a pious subscriber to the Bible

Society. The book, wherever it went,--and it went where such like books

do not often go,--carried joy and rapture with it. Young people hailed

it tumultuously and cherished it tenderly. There were four editions in

three volumes in the year of publication. What was thought of the book

by the Bible Society I do not know. Perhaps 'he of the countenance of a

lion,' of whom we read in the forty-fifth chapter of _Lavengro_, scarcely

knew what to say about it; but the precise-looking man with the

ill-natured countenance, no doubt, forbade his family to read _The Bible

in Spain_.

In 1840 Borrow married the widow of a naval officer and settled in

Norfolk, where his aged mother was still living. His house was in Oulton

Broad; and here he became a notable, the hero of many stories, and the

friend of man, provided he was neither literary nor genteel. Here also

he finished _Lavengro_ (1851), and wrote _The Romany Rye_ (1857), _Wild

Wales_ (1862), and _Romano Lavo-Lil_: _the Word-Book of the Romany_

(1874). For a time Borrow had a house in London in Hereford Square,

where his wife died in 1869. He died himself at Oulton in August 1881,

leaving behind him, so it is frequently asserted, many manuscript

volumes, including treatises on Celtic poetry, on Welsh and Cornish and

Manx literature, as well as translations from the Norse and Russ and the

jest-books of Turkey. Some, at all events, of these works were

advertised as 'ready for the press' in 1858.

_The Bible in Spain_ was a popular book, and in 1843, the year of its

publication, its author, a man of striking appearance, was much feted and

regarded by the lion-hunters of the period. Borrow did not take kindly

to the den. He was full of inbred suspicions and, perhaps, of

unreasonable demands. He resented the confinement of the dinner-table,

the impalement of the ball-room, the imprisonment of the pew. Like the

lion in Browning's poem, 'The Glove'--

You saw by the flash on his forehead,

By the hope in those eyes wide and steady,

He was leagues in the desert already,

Driving the flocks up the mountain.

He began to write _Lavengro_ in London in 1843. His thoughts went back

to his old friend Petulengro, who pronounced life to be sweet: 'There's

night and day, brother, both sweet things; sun, moon, and stars, brother,

all sweet things. There's likewise a wind on the heath. Life is very

sweet, brother; who would wish to die?' Yes, or to live cribbed,

cabined, and confined in a London square! No wonder 'Lavengro' felt

cross and uncomfortable. Nor did he take much pleasure in the society of

the other lions of the hour, least of all of such a lion as Sir John

Bowring, M.P. Was not Bowring 'Lavengro' as much as Borrow himself? Had

he not--for there was no end to his impudence--travelled in Spain, and

actually published a pamphlet in the vernacular? Was he not meditating

translations from a score of languages he said he knew? Was he not,

furthermore, an old Radical and Republican turned genteel? Were not his

wife and daughters more than half suspected of being Jacobites, followers

of the Reverend Mr. Platitude, and addicted to 'Charley o'er the

Waterism'? Borrow did not get on with Bowring.

When Borrow shook the dust of London off his feet, and returned into

Norfolk with _Lavengro_ barely begun on his hands, he carried away with

him into his retreat the antipathies and prejudices, the whimsical

dislikes and the half-real, half-sham disappointments and chagrins which

London, that fertile mother of megrims, had bred in him, and dropped them

all into the ink with which he wrote his famous book. Gentility he

forswore. Whatever else Lavengro might turn out, genteel he was not to

be; and sure enough, when Lavengro made his appearance in 1851 genteel he

most certainly was not.

There was not the same public to welcome the Gypsy as had hailed the

Colporteur. The pious phrases which had garnished so plentifully the

earlier book had now almost wholly disappeared. There is no evidence

that Lavengro ever offered Petulengro a Bible. Even the denunciations of

Popery have a dubious sound. What is sometimes called 'the religious

world' were no longer buyers of Borrow. Nor was 'the polite world' much

better pleased. The polite reader was both puzzled and annoyed. First

of all: Was the book true--autobiography or romance? A polite reader

objects to be made a fool of. One De Foe in a couple of centuries is

enough for a polite reader. Then the glorification of ale and of gypsies

and prize-fighters--would it not be better at once to dub the book

vulgar, and so have done with it for ever? An ill-regulated book, a

strange book, a mad book, a book which condemns the world's way. If I

may judge from the reviews, this is how _Lavengro_ struck many, but by no

means all. The book had its passionate admirers, its lovers from the

first. Men, women, and boys took it to their hearts. Happy day when

_Lavengro_ first fell into boyish hands. It brought adventure and the

spirit of adventure to your doorstep. No need painfully to walk to Hull,

and there take shipping with Robinson Crusoe; no need to sail round the

world with Captain Cook, or even to shoot lions in Bechuanaland with that

prince of missionaries, Mr. Robert Moffat; for were there not gypsies on

the common half a mile from one's homestead, and a dingle at the end of

the lane? But the general verdict was, '"Lavengro" has gone too far.'

Borrow was not the man to whistle and let the world go by. His advice to

his country men and women was: 'To be courteous to everybody as Lavengro

was, but always independent like him, and if people meddle with them, to

give them as good as they bring, even as he and Isopel Berners were in

the habit of doing; and it will be as well for him to observe that he by

no means advises women to be too womanly, but, bearing the conduct of

Isopel Berners in mind, to take their own parts, and if anybody strikes

them to strike again.'

This is not the spirit which is patient under reproof. Borrow was not

going to be sentenced by the gentility party. He would fulfil his

dukkeripen. _Lavengro_ having ended abruptly enough, Borrow took .up the

tale where he had left it off; and though he kept his admirers on the

tenter-hooks for six years, did at last in 1857 give to the world _The

Romany Rye_, to which he added an Appendix. Ah! that Appendix! It is

Borrow's Apologia, and therefore must be read. It is interesting and

amusing, and is therefore easily read. But it is a cruel and outrageous

bit of writing all the same, proving, were proof needed, that it is every

whit as easy to be spiteful and envious in dells as in drawing-rooms, and

as vain and egotistical on a Norfolk Broad as in Grosvenor Square. In

this Appendix Borrow defends 'Lavengro,' both the book and the man, at

some length, and with enormous spirit. At gentility in all its

manifestations he runs amuck. The Stuarts have a chapter to themselves.

Jacobites, old and new; Papists, old and new; and, alas! Sir Walter Scott

as the father of 'Charley o'er the Waterism,' all fall by turn under the

lash of Lavengro. The attack on the memory of Sir Walter is brutal. Not

so, we may be sure, did Pearce, and Cribb, and Spring, and Big Ben Brain,

and Broughton, heroes of renown, win name and fame in the brave days of

old. They never struck a man when he was down, or gloated over a rival's

fall. However, it will not do to get angry with George Borrow. One

could never keep it up. Still, the Appendix is a pity.

Next to Borrow's vagabondage, which, though I tremble to say it, has a

decidedly literary flavour, and his delightful _camaraderie_ or

willingness to hob-a-nob with everybody, I rank his eloquence. Great is

plot, though Borrow has but little, and that little mechanical;

delightful is incident, and Borrow is full of incident--e.g. the

poisoning scene in Chapter LXXI., where will you match it, unless it be

the very differently-treated scene of the robbers' cave in _The Heart of

Midlothian_? and glorious, too, is motion, and Borrow never stagnates,

never gathers moss or mould. But great also is eloquence. 'If a book be

eloquent,' says Mr. Stevenson, that most distinguished writer, 'its words

run thenceforward in our ears like the noise of breakers.' Eloquence is

a little unfashionable just now. We are not allowed very much of it in

our romances and travels. What are called 'situations' grow stronger

every day, and language is strong too, but outbursts, apostrophes,

rhapsodies no longer abound. Perhaps they are forbidden by Art. Nobody

is ever eloquent in real life. A man's friends would not put up with it.

But a really eloquent book is a great possession. Plots explode, and

incidents, however varied and delightful, unless lit up by the occasional

lightning-flash of true eloquence, must after a while lose their

freshness. Borrow was not afraid to be eloquent, nor were other writers

of his time. The first Lord Lytton is now a somewhat disparaged author,

nor had Borrow any affection for him, considering him to belong to the

kid-glove school; but Lytton's eloquence, though often playing him shabby

tricks, now dashing his head against the rocks of bathos, now casting him

to sprawl unbecomingly amongst the oozy weeds of sentiment, will keep him

alive for many a long day. As I write, a passage in _The Caxtons_ comes

to my mind, and as it illustrates my meaning, I will take down _The

Caxtons_ and transcribe the passage, and let those laugh who may. I will

likewise christen it 'By the Fireside':--

O young reader, whoever thou art, or reader at least who has been

young, canst thou not remember some time when, with thy wild troubles

and sorrows as yet borne in secret, thou hast come back from that

hard, stern world, which opens on thee when thou puttest thy foot out

of the threshold of home, come back to the four quiet walls, wherein

thine elders sit in peace, and seen with a sort of sad amaze how calm

and undisturbed all is there? That generation which has gone before

thee in the path of passion, the generation of thy parents (not so

many years, perchance, remote from thine own), how immovably far off,

in its still repose, it seems from thy turbulent youth. It has in it

a stillness as of a classic age, antique as the statues of the Greeks,

that tranquil monotony of routine into which those lives that preceded

thee have merged, the occupations that they have found sufficing for

their happiness by the fireside--in the arm-chair and corner

appropriated to each--how strangely they contrast thy own feverish

excitement! And they make room for thee, and bid thee welcome, and

then resettle to their hushed pursuits as if nothing had happened!

Nothing had happened! while in thy heart, perhaps, the whole world

seems to have shot from its axis, all the elements to be at war! And

you sit down, crushed by that quiet happiness which you can share no

more, and smile mechanically, and look into the fire; and, ten to one,

you say nothing till the time comes for bed, and you take up your

candle, and creep miserably to your lonely room.

This is not the eloquence of Borrow, though the thought might have been

his; it may not be in that grand style of which we hear so much and read

so little, but--and this is the substance of the matter--it is

interesting, it is moving, and worth pages of choppy dialogue. You read

it, first of all, it may be in your youth, when your heart burnt within

you as you wondered what was going to happen, but you can return to it in

sober age and read it over again with a smile it has taken a lifetime to

manufacture. And then Miss Bronte's books! what rhetoric is there! And

_Eothen_! Why has not _Eothen_ gone the way of all other traces of

Eastern travel? It has humour--delightful humour, no doubt, but it is

its eloquence, that picture of the burning, beating sun following the

traveller by day, which keeps _Eothen_ alive.

Borrow's eloquence is splendid, manly, and desperately courageous. What

an apostrophe is that to old Crome at the end of the twenty-first

chapter! _Lavengro_ is full of riches. As for his courage, who else

could begin a passage 'O England,' and emerge triumphantly a page and a

half lower down as Borrow does in _The Bible in Spain_?

O England! long, long may it be ere the sun of thy glory sink beneath

the wave of darkness! Though gloomy and portentous clouds are now

gathering rapidly round thee, still, still may it please the Almighty

to disperse them, and to grant thee a futurity longer in duration and

still brighter in renown than thy past! Or if thy doom be at hand,

may that doom be a noble one, and worthy of her who has been styled

the Old Queen of the water! May thou sink, if thou dost sink, amidst

blood and flame, with a mighty noise, causing more than one nation to

participate in thy downfall! Of all fates, may it please the Lord to

preserve thee from a disgraceful and a slow decay; becoming ere

extinct a scorn and a mockery for those self-same foes who now, though

they envy and abhor thee, still fear thee, nay, even against their

will, honour and respect thee!

Arouse thee, whilst yet there is time, and prepare thee for the combat

of life and death! Cast from thee the foul scurf which now encrusts

thy robust limbs, which deadens their force, and makes them heavy and

powerless! Cast from thee thy false philosophers, who would fain

decry what, next to the love of God, has hitherto been deemed most

sacred, the love of the mother land! Cast from thee thy false

patriots, who, under the pretext of redressing the wrongs of the poor

and weak, seek to promote internal discord, so that thou mayest become

only terrible to thyself! And remove from thee the false prophets who

have seen vanity and divined lies; who have daubed thy wall with

untempered mortar, that it may fall; who have strengthened the hands

of the wicked, and made the hearts of the righteous sad. O, do this,

and fear not the result, for either shall thy end be a majestic and an

enviable one, or God shall perpetuate thy reign upon the waters, thou

old Queen!

George Borrow,--and this is the last of his virtues with which I shall

weary you,--had a true English heart. He could make friends with anybody

and be at home anywhere, but though he had a mighty thirst he had never,

in the words of the elder Pitt, 'drunk of the potion described in poetic

fictions which makes men forget their country.'

I have the permission of the Rev. A. W. Upcher to reprint the following

letter addressed by him some time ago to the Athenaeum .--

One summer day during the Crimean War we had a call from George

Borrow, who had not enjoyed a visit to Anna Gurney so much as he had

expected. In a walking tour round Norfolk he had given her a short

notice of his intended call, and she was ready to receive him. When,

according to his account, he had been but a very short time in her

presence, she wheeled her chair round and reached her hand to one of

her bookshelves and took down an Arabic grammar, and put it into his

hand, asking for explanation of some difficult point, which he tried

to decipher; but meanwhile she talked to him continuously; when, said

he, 'I could not study the Arabic grammar and listen to her at the

same time, so I threw down the book and ran out of the room.' He

seems not to have stopped running till he reached Old Tucker's Inn at

Cromer, where he renewed his strength, or calmed his temper, with five

excellent sausages, and then came on to Sheringham. He told us there

were three personages in the world whom he always had a desire to see;

two of these had slipped through his fingers, so he was determined to

see the third. 'Pray, Mr. Borrow, who were they?' He held up three

fingers of his left hand and pointed them off with the forefinger of

the right: the first, Daniel O'Connell; the second, Lamplighter (the

sire of Phosphorus, Lord Berners's winner of the Derby); the third,

Anna Gurney. The first two were dead and he had not seen them; now he

had come to see Anna Gurney, and this was the end of his visit. I

took him up to the Hall, he talking of many persons and occasionally

doubling his fist, and giving a sort of warning like that of his

Isopel Berners (in _Lavengro_) to give the Flaming Tinman 'Long

Melford' with his right hand. As soon as we reached the Hall a battle-

piece by Wouvermans was the first thing that caught his eye and

greatly interested him. He told me of a descendant of Wouvermans--an

officer in the Austrian army--whom he knew. Then entering the drawing-

room and looking out of the bay-window through the oak wood on the

deep blue sea beyond, he seemed for some time quite entranced by the

lovely, peaceful view, till at last I felt I must arouse him, and

said, 'A charming view, Mr. Borrow!' With a deep sigh he slowly

answered, 'Yes!--please God the Russians don't come here.'

PREFACE

In the following pages I have endeavoured to describe a dream, partly of

study, partly of adventure, in which will be found copious notices of

books, and many descriptions of life and manners, some in a very unusual

form.

The scenes of action lie in the British Islands;--pray be not displeased,

gentle reader, if perchance thou hast imagined that I was about to

conduct thee to distant lands, and didst promise thyself much instruction

and entertainment from what I might tell thee of them. I do assure thee

that thou hast no reason to be displeased, inasmuch as there are no

countries in the world less known by the British than these selfsame

British Islands, or where more strange things are every day occurring,

whether in road or street, house or dingle.

The time embraces nearly the first quarter of the present century: this

information again may, perhaps, be anything but agreeable to thee; it is

a long time to revert to, but fret not thyself, many matters which at

present much occupy the public mind originated in some degree towards the

latter end of that period, and some of them will be treated of.

The principal actors in this dream, or drama, are, as you will have

gathered from the title-page, a Scholar, a Gypsy, and a Priest. Should

you imagine that these three form one, permit me to assure you that you

are very much mistaken. Should there be something of the Gypsy manifest

in the Scholar, there is certainly nothing of the Priest. With respect

to the Gypsy--decidedly the most entertaining character of the

three--there is certainly nothing of the Scholar or the Priest in him;

and as for the Priest, though there may be something in him both of

scholarship and gypsyism, neither the Scholar nor the Gypsy would feel at

all flattered by being confounded with him.

Many characters which may be called subordinate will be found, and it is

probable that some of these characters will afford much more interest to

the reader than those styled the principal. The favourites with the

writer are a brave old soldier and his helpmate, an ancient gentlewoman

who sold apples, and a strange kind of wandering man and his wife.

Amongst the many things attempted in this book is the encouragement of

charity, and free and genial manners, and the exposure of humbug, of

which there are various kinds, but of which the most perfidious, the most

debasing, and the most cruel, is the humbug of the Priest.

Yet let no one think that irreligion is advocated in this book. With

respect to religious tenets I wish to observe that I am a member of the

Church of England, into whose communion I was baptized, and to which my

forefathers belonged. Its being the religion in which I was baptized,

and of my forefathers, would be a strong inducement to me to cling to it;

for I do not happen to be one of those choice spirits 'who turn from

their banner when the battle bears strongly against it, and go over to

the enemy,' and who receive at first a hug and a 'viva,' and in the

sequel contempt and spittle in the face; but my chief reason for

belonging to it is, because, of all churches calling themselves Christian

ones, I believe there is none so good, so well founded upon Scripture, or

whose ministers are, upon the whole, so exemplary in their lives and

conversation, so well read in the book from which they preach, or so

versed in general learning, so useful in their immediate neighbourhoods,

or so unwilling to persecute people of other denominations for matters of

doctrine.

In the communion of this Church, and with the religious consolation of

its ministers, I wish and hope to live and die, and in its and their

defence will at all times be ready, if required, to speak, though humbly,

and to fight, though feebly, against enemies, whether carnal or

spiritual.

And is there no priestcraft in the Church of England? There is

certainly, or rather there was, a modicum of priestcraft in the Church of

England, but I have generally found that those who are most vehement

against the Church of England are chiefly dissatisfied with her because

there is only a modicum of that article in her--were she stuffed to the

very cupola with it, like a certain other Church, they would have much

less to say against the Church of England.

By the other Church, I mean Rome. Its system was once prevalent in

England, and, during the period that it prevailed there, was more

prolific of debasement and crime than all other causes united. The

people and the government at last becoming enlightened by means of the

Scripture spurned it from the island with disgust and horror, the land

instantly after its disappearance becoming a fair field, in which arts,

sciences, and all the amiable virtues flourished, instead of being a

pestilent marsh where swine-like ignorance wallowed, and artful

hypocrites, like so many Wills-o'-the-wisp, played antic gambols about,

around, and above debased humanity.

But Popery still wished to play her old part, to regain her lost

dominion, to reconvert the smiling land into the pestilential morass,

where she could play again her old antics. From the period of the

Reformation in England up to the present time, she has kept her

emissaries here, individuals contemptible in intellect, it is true, but

cat-like and gliding, who, at her bidding, have endeavoured, as much as

in their power has lain, to damp and stifle every genial, honest, loyal,

and independent thought, and to reduce minds to such a state of dotage as

would enable their old Popish mother to do what she pleased with them.

And in every country, however enlightened, there are always minds

inclined to grovelling superstition--minds fond of eating dust and

swallowing clay--minds never at rest, save when prostrate before some

fellow in a surplice; and these Popish emissaries found always some weak

enough to bow down before them, astounded by their dreadful denunciations

of eternal woe and damnation to any who should refuse to believe their

Romania; but they played a poor game--the law protected the servants of

Scripture, and the priest with his beads seldom ventured to approach any

but the remnant of those of the eikonolatry--representatives of

worm-eaten houses, their debased dependants, and a few poor crazy

creatures amongst the middle classes--he played a poor game, and the

labour was about to prove almost entirely in vain, when the English

legislature, in compassion or contempt, or, yet more probably, influenced

by that spirit of toleration and kindness which is so mixed up with

Protestantism, removed almost entirely the disabilities under which

Popery laboured, and enabled it to raise its head and to speak out almost

without fear.

And it did raise its head, and, though it spoke with some little fear at

first, soon discarded every relic of it; went about the land uttering its

damnation cry, gathering around it--and for doing so many thanks to

it--the favourers of priestcraft who lurked within the walls of the

Church of England; frightening with the loudness of its voice the weak,

the timid, and the ailing; perpetrating, whenever it had an opportunity,

that species of crime to which it has ever been most partial--_Deathbed

robbery_; for as it is cruel, so is it dastardly. Yes, it went on

enlisting, plundering, and uttering its terrible threats till--till it

became, as it always does when left to itself, a fool, a very fool. Its

plunderings might have been overlooked, and so might its insolence, had

it been common insolence, but it--, and then the roar of indignation

which arose from outraged England against the viper, the frozen viper,

which it had permitted to warm itself upon its bosom.

But thanks, Popery, you have done all that the friends of enlightenment

and religious liberty could wish; but if ever there were a set of foolish

ones to be found under heaven, surely it is the priestly rabble who came

over from Rome to direct the grand movement--so long in its getting up.

But now again the damnation cry is withdrawn, there is a subdued meekness

in your demeanour, you are now once more harmless as a lamb. Well, we

shall see how the trick--'the old trick'--will serve you.

CHAPTER I

Birth--My father--Tamerlane--Ben Brain--French Protestants--East

Anglia--Sorrow and troubles--True peace--A beautiful child--Foreign

grave--Mirrors--Alpine country--Emblems--Slow of speech--The Jew--Strange

gestures.

On an evening of July, in the year 18--, at East D---, a beautiful little

town in a certain district of East Anglia, I first saw the light.

My father was a Cornish man, the youngest, as I have heard him say, of

seven brothers. He sprang from a family of gentlemen, or, as some people

would call them, gentillatres, for they were not very wealthy; they had a

coat of arms, however, and lived on their own property at a place called

Tredinnock, which being interpreted means _the house on the hill_, which

house and the neighbouring acres had been from time immemorial in their

possession. I mention these particulars that the reader may see at once

that I am not altogether of low and plebeian origin; the present age is

highly aristocratic, and I am convinced that the public will read my

pages with more zest from being told that I am a gentillatre by birth

with Cornish blood {5} in my veins, of a family who lived on their own

property at a place bearing a Celtic name, signifying the house on the

hill, or more strictly the house on the _hillock_.

My father was what is generally termed a posthumous child--in other

words, the gentillatre who begot him never had the satisfaction of

invoking the blessing of the Father of All upon his head; having departed

this life some months before the birth of his youngest son. The boy,

therefore, never knew a father's care; he was, however, well tended by

his mother, whose favourite he was; so much so, indeed, that his

brethren, the youngest of whom was considerably older than himself, were

rather jealous of him. I never heard, however, that they treated him

with any marked unkindness, and it will be as well to observe here that I

am by no means well acquainted with his early history, of which, indeed,

as I am not writing his life, it is not necessary to say much. Shortly

after his mother's death, which occurred when he was eighteen, he adopted

the profession of arms, which he followed during the remainder of his

life, and in which, had circumstances permitted, he would probably have

shone amongst the best. By nature he was cool and collected, slow to

anger, though perfectly fearless, patient of control, of great strength;

and, to crown all, a proper man with his hands.

With far inferior qualifications many a man has become a field-marshal or

general; similar ones made Tamerlane, who was not a gentillatre, but the

son of a blacksmith, emperor of one-third of the world; but the race is

not always for the swift, nor the battle for the strong, indeed I ought

rather to say very seldom; certain it is, that my father, with all his

high military qualifications, never became emperor, field-marshal, or

even general: indeed, he had never an opportunity of distinguishing

himself save in one battle, and that took place neither in Flanders,

Egypt, nor on the banks of the Indus or Oxus, but in Hyde Park.

Smile not, gentle reader, many a battle has been fought in Hyde Park, in

which as much skill, science, and bravery have been displayed as ever

achieved a victory in Flanders or by the Indus. In such a combat as that

to which I allude, I opine that even Wellington or Napoleon would have

been heartily glad to cry for quarter ere the lapse of five minutes, and

even the Blacksmith Tartar would, perhaps, have shrunk from the opponent

with whom, after having had a dispute with him, my father engaged in

single combat for one hour, at the end of which time the champions shook

hands and retired, each having experienced quite enough of the other's

prowess. The name of my father's antagonist was Brain.

What! still a smile? did you never hear that name before? I cannot help

it! Honour to Brain, who four months after the event which I have now

narrated was champion of England, having conquered the heroic Johnson.

Honour to Brain, who, at the end of other four months, worn out by the

dreadful blows which he had received in his manly combats, expired in the

arms of my father, who read the Bible to him in his latter moments--Big

Ben Brain.

You no longer smile, even _you_ have heard of Big Ben.

I have already hinted that my father never rose to any very exalted rank

in his profession, notwithstanding his prowess and other qualifications.

After serving for many years in the line, he at last entered as captain

in the militia regiment of the Earl of ---, at that period just raised,

and to which he was sent by the Duke of York to instruct the young levies

in military manoeuvres and discipline; and in this mission I believe he

perfectly succeeded, competent judges having assured me that the regiment

in question soon came by his means to be considered as one of the most

brilliant in the service, and inferior to no regiment of the line in

appearance or discipline.

As the headquarters of this corps were at D--- the duties of my father

not unfrequently carried him to that place, and it was on one of these

occasions that he became acquainted with a young person of the

neighbourhood, for whom he formed an attachment, which was returned; and

this young person was my mother.

She was descended from a family of French Protestants, natives of Caen,

who were obliged to leave their native country when old Louis, at the

instigation of the Pope, thought fit to revoke the Edict of Nantes: their

name was Petrement, and I have reason for believing that they were people

of some consideration; that they were noble hearts, and good Christians,

they gave sufficient proof in scorning to bow the knee to the tyranny of

Rome. So they left beautiful Normandy for their faith's sake, and with a

few louis d'ors in their purse, a Bible in the vulgar tongue, and a

couple of old swords, which, if report be true, had done service in the

Huguenot wars, they crossed the sea to the isle of civil peace and

religious liberty, and established themselves in East Anglia.

And many other Huguenot families bent their steps thither, and devoted

themselves to agriculture or the mechanical arts; and in the venerable

old city, the capital of the province, in the northern shadow of the

Castle of De Burgh, the exiles built for themselves a church where they

praised God in the French tongue, and to which, at particular seasons of

the year, they were in the habit of flocking from country and from town

to sing--

'Thou hast provided for us a goodly earth; thou waterest her furrows,

thou sendest rain into the little valleys thereof, thou makest it soft

with the drops of rain, and blessest the increase of it.'

I have been told that in her younger days my mother was strikingly

handsome; this I can easily believe: I never knew her in her youth, for

though she was very young when she married my father (who was her senior

by many years), she had attained the middle age before I was born, no

children having been vouchsafed to my parents in the early stages of

their union. Yet even at the present day, now that years threescore and

ten have passed over her head, attended with sorrow and troubles

manifold, poorly chequered with scanty joys, can I look on that

countenance and doubt that at one time beauty decked it as with a

glorious garment? Hail to thee, my parent! as thou sittest there, in thy

widow's weeds, in the dusky parlour in the house overgrown with the

lustrous ivy of the sister isle, the solitary house at the end of the

retired court shaded by lofty poplars. Hail to thee, dame of the oval

face, olive complexion, and Grecian forehead; by thy table seated with

the mighty volume of the good Bishop Hopkins spread out before thee;

there is peace in thy countenance, my mother; it is not worldly peace,

however, not the deceitful peace which lulls to bewitching slumbers, and

from which, let us pray, humbly pray, that every sinner may be roused in

time to implore mercy not in vain! Thine is the peace of the righteous,

my mother, of those to whom no sin can be imputed, the score of whose

misdeeds has been long since washed away by the blood of atonement, which

imputeth righteousness to those who trust in it. It was not always thus,

my mother; a time was, when the cares, pomps, and vanities of this world

agitated thee too much; but that time is gone by, another and a better

has succeeded; there is peace now on thy countenance, the true peace;

peace around thee, too, in thy solitary dwelling, sounds of peace, the

cheerful hum of the kettle and the purring of the immense angola, which

stares up at thee from its settle with its almost human eyes.

No more earthly cares and affections now, my mother! Yes, one. Why dost

thou suddenly raise thy dark and still brilliant eye from the volume with

a somewhat startled glance? What noise is that in the distant street?

Merely the noise of a hoof; a sound common enough: it draws nearer,

nearer, and now it stops before thy gate. Singular! And now there is a

pause, a long pause. Ha! thou hearest something--a footstep; a swift but

heavy footstep! thou risest, thou tremblest, there is a hand on the pin

of the outer door, there is some one in the vestibule, and now the door

of thy apartment opens, there is a reflection on the mirror behind thee,

a travelling hat, a gray head and sunburnt face. My dearest Son!--My

darling Mother!

Yes, mother, thou didst recognise in the distant street the hoof-tramp of

the wanderer's horse.

I was not the only child of my parents; I had a brother some three years

older than myself. He was a beautiful child; one of those occasionally

seen in England, and in England alone; a rosy, angelic face, blue eyes,

and light chestnut hair; it was not exactly an Anglo-Saxon countenance,

in which, by the bye, there is generally a cast of loutishness and

stupidity; it partook, to a certain extent, of the Celtic character,

particularly in the fire and vivacity which illumined it; his face was

the mirror of his mind; perhaps no disposition more amiable was ever

found amongst the children of Adam, united, however, with no

inconsiderable portion of high and dauntless spirit. So great was his

beauty in infancy, that people, especially those of the poorer classes,

would follow the nurse who carried him about in order to look at and

bless his lovely face. At the age of three months an attempt was made to

snatch him from his mother's arms in the streets of London, at the moment

she was about to enter a coach; indeed, his appearance seemed to operate

so powerfully upon every person who beheld him, that my parents were

under continual apprehension of losing him; his beauty, however, was

perhaps surpassed by the quickness of his parts. He mastered his letters

in a few hours, and in a day or two could decipher the names of people on

the doors of houses and over the shop-windows.

As he grew up, his personal appearance became less prepossessing, his

quickness and cleverness, however, rather increased; and I may say of

him, that with respect to everything which he took in hand he did it

better and more speedily than any other person. Perhaps it will be asked

here, what became of him? Alas! alas! his was an early and a foreign

grave. As I have said before, the race is not always for the swift, nor

the battle for the strong.

And now, doubtless, after the above portrait of my brother, painted in

the very best style of Rubens, the reader will conceive himself justified

in expecting a full-length one of myself, as a child, for as to my

present appearance, I suppose he will be tolerably content with that

flitting glimpse in the mirror. But he must excuse me; I have no

intention of drawing a portrait of myself in childhood; indeed it would

be difficult, for at that time I never looked into mirrors. No attempts,

however, were ever made to steal me in my infancy, and I never heard that

my parents entertained the slightest apprehension of losing me by the

hands of kidnappers, though I remember perfectly well that people were in

the habit of standing still to look at me, ay, more than at my brother;

from which premisses the reader may form any conclusion with respect to

my appearance which seemeth good unto him and reasonable. Should he,

being a good-natured person, and always inclined to adopt the charitable

side in any doubtful point, be willing to suppose that I, too, was

eminently endowed by nature with personal graces, I tell him frankly that

I have no objection whatever to his entertaining that idea; moreover,

that I heartily thank him, and shall at all times be disposed, under

similar circumstances, to exercise the same species of charity towards

himself.

With respect to my mind and its qualities I shall be more explicit; for,

were I to maintain much reserve on this point, many things which appear

in these memoirs would be highly mysterious to the reader, indeed

incomprehensible. Perhaps no two individuals were ever more unlike in

mind and disposition than my brother and myself: as light is opposed to

darkness, so was that happy, brilliant, cheerful child to the sad and

melancholy being who sprang from the same stock as himself, and was

nurtured by the same milk.

Once, when travelling in an Alpine country, I arrived at a considerable

elevation; I saw in the distance, far below, a beautiful stream hastening

to the ocean, its rapid waters here sparkling in the sunshine, and there

tumbling merrily in cascades. On its banks were vineyards and cheerful

villages; close to where I stood, in a granite basin with steep and

precipitous sides, slumbered a deep, dark lagoon, shaded by black pines,

cypresses, and yews. It was a wild, savage spot, strange and singular;

ravens hovered above the pines, filling the air with their uncouth notes,

pies chattered, and I heard the cry of an eagle from a neighbouring peak;

there lay the lake, the dark, solitary, and almost inaccessible lake;

gloomy shadows were upon it, which, strangely modified, as gusts of wind

agitated the surface, occasionally assumed the shape of monsters. So I

stood on the Alpine elevation, and looked now on the gay distant river,

and now at the dark granite-encircled lake close beside me in the lone

solitude, and I thought of my brother and myself. I am no moraliser; but

the gay and rapid river, and the dark and silent lake, were, of a verity,

no bad emblems of us two.

So far from being quick and clever like my brother, and able to rival the

literary feat which I have recorded of him, many years elapsed before I

was able to understand the nature of letters, or to connect them. A

lover of nooks and retired corners, I was as a child in the habit of

fleeing from society, and of sitting for hours together with my head on

my breast. What I was thinking about, it would be difficult to say at

this distance of time; I remember perfectly well, however, being ever

conscious of a peculiar heaviness within me, and at times of a strange

sensation of fear, which occasionally amounted to horror, and for which I

could assign no real cause whatever.

By nature slow of speech, I took no pleasure in conversation, nor in

hearing the voices of my fellow-creatures. When people addressed me, I

not unfrequently, especially if they were strangers, turned away my head

from them, and if they persisted in their notice burst into tears, which

singularity of behaviour by no means tended to dispose people in my

favour. I was as much disliked as my brother was deservedly beloved and

admired. My parents, it is true, were always kind to me; and my brother,

who was good nature itself, was continually lavishing upon me every mark

of affection.

There was, however, one individual who, in the days of my childhood, was

disposed to form a favourable opinion of me. One day, a Jew--I have

quite forgotten the circumstance, but I was long subsequently informed of

it--one day a travelling Jew knocked at the door of a farmhouse in which

we had taken apartments; I was near at hand sitting in the bright

sunshine, drawing strange lines on the dust with my fingers, an ape and

dog were my companions; the Jew looked at me and asked me some questions,

to which, though I was quite able to speak, I returned no answer. On the

door being opened, the Jew, after a few words, probably relating to

pedlery, demanded who the child was, sitting in the sun; the maid replied

that I was her mistress's youngest son, a child weak _here_, pointing to

her forehead. The Jew looked at me again, and then said: ''Pon my

conscience, my dear, I believe that you must be troubled there yourself

to tell me any such thing. It is not my habit to speak to children,

inasmuch as I hate them, because they often follow me and fling stones

after me; but I no sooner looked at that child than I was forced to speak

to it--his not answering me shows his sense, for it has never been the

custom of the wise to fling away their words in indifferent talk and

conversation; the child is a sweet child, and has all the look of one of

our people's children. Fool, indeed! did I not see his eyes sparkle just

now when the monkey seized the dog by the ear?--they shone like my own

diamonds--does your good lady want any--real and fine? Were it not for

what you tell me, I should say it was a prophet's child. Fool, indeed!

he can write already, or I'll forfeit the box which I carry on my back,

and for which I should be loth to take two hundred pounds!' He then

leaned forward to inspect the lines which I had traced. All of a sudden

he started back, and grew white as a sheet; then, taking off his hat, he

made some strange gestures to me, cringing, chattering, and showing his

teeth, and shortly departed, muttering something about 'holy letters,'

and talking to himself in a strange tongue. The words of the Jew were in

due course of time reported to my mother, who treasured them in her

heart, and from that moment began to entertain brighter hopes of her

youngest born than she had ever before ventured to foster.

{picture:All of a sudden he started back, and grew white as a sheet:

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Lavengro: The Scholar, the Gypsy, the Priest(#452) · 第 1 / 100 章