LVIII.

The origin of “Madeline”—Theodore Watts—His many endowments—Now

a leading critic—His review of my work, “New Symbols,” in

the _Examiner_—Harrison Ainsworth—The novel in general—The

origin of “Parables and Tales”—Rossetti, Hüffer, and “The

Cripple”—“The Blind Boy,” and Morley’s _Fortnightly Review_—I

go to Bath—Beckford’s cemetery and tomb—Proceed to Germany—The

wonders of Stassfurt—The old Saxon church—Dr. Dupré, my

son-in-law, at Stassfurt 233

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