CHAPTER VIII.

THE SAME SUBJECT CONTINUED--THE ANECDOTE-MONGER.

The sophistication of anecdotes is undertaken for the sake of

constructing fresh material for the entertainment of the general reader

without resorting to original sources. It is of course a process which

is confined, as a rule, to popular literature, and to literature only;

yet I remember having once seen at an auction a large portrait of

Charles II., where, without any becoming regard to the costume, a head

of Charles I. was painted in, because the Martyred monarch was dearer

to connoisseurs than the Merry one.

The writers of the life of Charles Lamb have gone nearly as far by

telling a story, in one version of which Benjamin Jonson figures, and

in the other Dr. Johnson, as the personage quoted by Lamb. It was a

case in which either would serve the turn; and variety pleases.

The statement of Malone about the elder Richardson sounds the keynote

to the present argument. It became part of Richardson’s business to

collect gossip about his contemporaries and others--in other words,

he procured the outlines, and filled in the background and colour, if

they were wanting, so far as he judged them requisite for the immediate

purpose. He was one of many. Aubrey, Chetwood, Oldys, Walpole, and

Malone himself, did much the same. Chetwood is wholly untrustworthy.

Aubrey is to be accepted with many grains of allowance. But Oldys,

Walpole and Malone were unusually accurate and scrupulous, and took

pains to ascertain the truth, or not to set down, at any rate, what

they knew to be the reverse.

Valuable as the information and traits preserved by Walpole and Malone

must always remain, neither looked much below the surface, or took

the trouble to scrutinise very closely the stories which reached their

ears,--although we have seen, just above, that the latter, at all

events, took true measurement of Richardson.

In the use of made-up tales or gossip, it was doubtless considered

that the original outlines were of insufficient interest and dramatic

completeness; and we are presented accordingly with a finished scene or

conversation built out of a mere meagre skeleton. Like the first sketch

of a picture which the artist makes in the fields or on the water, the

professional adept in another way obtains his rough material at the

club or the dinner-table, and takes it home with him to finish _pro

bono publico_.

A curious glimpse of what may be described as preliminary rumination

and subsequent cookery is afforded by Malone in what he says about the

celebrated Lord Chesterfield:--

“The late Lord Chesterfield’s _bons-mots_ were all studied. Dr.

Warren, who attended him for some months before his death, told me

that he had always one ready for him each visit, but never gave him a

second on the same day.”

Chesterfield’s utterances, in other words, were second-hand

impromptus--clever things which occur to one after the event, to be

brought adroitly in next time. They resemble the speech which the man

makes to himself on his way home, but which he should have delivered at

the meeting or the banquet.

There are producible specimens, not only of the _radix_, which an

artificer elaborates to suit his purposes, but of the converse--where

the length of the original saying has been regarded as prolix, and has

been shorn of its ample proportions, till it becomes a _mot_ or an

epigram. Every one has heard, for instance, of the capital observation

of Horne Tooke, in reply to somebody who had stated in his hearing that

the law was open to all men: “And so is the London Tavern!” But the

more correct version of this matter appears to be one which is given in

_Joe Miller_, 1832, No. 947:--

“John Horne Tooke’s opinion upon the subject of law was admirable.

‘Law,’ he said, ‘ought to be, not a luxury for the rich, but a remedy

to be easily, cheaply, and speedily obtained by the poor.’ A person

observed to him, ‘How excellent are the English laws, because they

are impartial, and our courts of justice are open to all persons

without distinction!’ ‘And so,’ said Tooke, ‘is the London Tavern to

such as can afford to pay for their entertainment.’”

Here we have an illustration of the imperfect manner in which a

presentment in miniature conveys the sense of the speaker. It is by no

means _multum in parvo_. Tooke laid down the principle which Brougham

subsequently carried into effect, but which proved a virtual dead

letter--the County Court machinery, which was to have brought home

justice at a low rate to every man’s door, but which, in point of fact,

has been, from beginning to end, nothing but a sham and a juggle.

There is no story within my knowledge which indicates so clearly and

amusingly one of the sources of corruption in the present branch of

literature as the following:--

“A gentleman had purchased a jest-book, from which having selected

a few tolerable stories, he related one of them, stating every

circumstance as having actually happened to himself. His youngest

son, a boy about nine years of age, who had occasionally got hold of

the volume, sat with evident marks of impatience until his father had

concluded, when he jumped up and bawled, ‘That’s in the book! that’s

in the book!’”

Now, of course it does not require much calculation to arrive at an

idea of the peculiar susceptibility of jocular and anecdotal matter to

arbitrary treatment at the hands of every comer. It is truly the poet’s

_mutato nomine de te_.

There are instances, again, where the text of a jest has a certain

aspect of verisimilitude, yet where the peruser is apt on reflection, I

think, to conclude that the cook has done his part. Let me illustrate

this by a citation:--

“Two men, who had not seen one another for a great while, meeting

by chance, one asked the other how he did. He replied, he was not

very well, and had been married since he saw him: ‘That’s good news,

indeed,’ said he. ‘Nay, not such good news, neither,’ replied the

other; ‘for I married a shrew.’ ‘That was bad,’ said the friend. ‘Not

so bad, neither; for I had two thousand pounds with her.’ ‘That’s

well again,’ said the other. ‘Not so well, neither,’ said the man;

‘for I laid it out in sheep, and they all died of the rot.’ ‘That

was hard, indeed,’ says his friend. ‘Not so hard,’ says the husband;

‘for I sold the skins for more than the sheep cost.’ ‘That made you

amends,’ said the other. ‘Not so much amends, neither; for I laid

out my money in a house, and it was burnt.’ ‘That was a great loss,

indeed.’ ‘Nay, not so great a loss, neither; for my wife was burnt in

it.’”

A capital anecdote, assuredly; but the cue is too sustained for a

casual encounter. It has the air of a hint taken and worked humorously

out.

As there are cases in which matters of fact are edited _ad hoc_, so

does it occasionally happen that a joke is invented to suit certain

given conditions. The name of a person or place, coupled with some

flexible incident, suggests to an ingenious mind an _ex post facto_

happy phrase or figure, as we see in the commonly accepted tradition

of the actor, Andrew Cherry, who informed a manager that he had been

bitten by him once, and that he was resolved he should not make _two

bites of A. Cherry_.

The story of Diogenes and Alexander, where the former asks the king as

a favour to stand from between him and the sun, is obviously a literary

evolution from the accredited character of the so-called cynic; and

the same may be predicated of that where Diogenes flings away the cup

on seeing some one drink water from his conjoined hands. The office of

biographer, from the dearth of material and stock-in-trade, had already

become merged in those of inventor and romancist.

I have elsewhere taken occasion to suggest that the philosopher’s

so-called tub was some Hellenic pleasantry at the expense of a, no

doubt, very humble and contracted dwelling. So we are accustomed to

speak of a man living in a box or a crib.

The _dits_ with which we are so liberally regaled about exalted

personages and crowned heads, are interesting in their way, and here

and there may have come down to us pretty nearly as they left the

mouths of the reputed authors--as, for example, the annexed:--

“The town of Chartres was besieged by Henry IV. of France, and

capitulated. The magistrate of the town, on giving up the keys,

addressed his Majesty: ‘This town belongs to your highness by divine

law, and by human law.’ ‘And by _cannon_ law,’ replied the king.”

The only difficulty is, that _cannon law_ is not the phrase which the

speaker would have used. An English translator has for once improved

his original.

I have stated that the same conditions are apt from time to time to

produce identical trains of thought. A little trait of the famous

founder of the Bourbon dynasty in France is on exactly parallel lines

with an actual incident which occurred within our personal knowledge,

and might have done so within that of a thousand others. The rank of

one of those concerned in the original anecdote communicates to it,

however, an additional zest. It is said that, on one occasion, as Henry

IV. was leaning out of window, a fellow about the palace, mistaking him

for an intimate, slapped him behind. The king turned round sharply, and

the other, in a terrible fright, stammered out that he thought it was

So-and-so--Jacques or Jean. “Well,” returned Henry, good-naturedly,

“if it had been, you need not have hit so hard.” An involuntary

gravitation to a certain portion of our frame seems to be a universal

and immemorial instinct of human nature. The truth to say, this choice

_morceau_ has been attributed to Sully as well as to his royal master.

But too many sayings are either vamped-up and utterly worthless, or

are laid before us in a shape which arises from sheer ignorance of the

costume of the subject, like the ridiculous descriptions which occur in

the _Bravo of Venice_ and other melodramatic romances. To any one who

is conversant to a fair extent with the strict and stern _régime_ under

the old French monarchy, what can be more absurd and self-convicting

than the subjoined relation?--

“An honest dragoon, in the service of Louis XIV., having caught a man

in his house, after some words told him he would let him escape that

time; but if ever he found him there again, he would throw him out of

the window. Notwithstanding this terrible threat, in a few days he

caught the spark there again, and was as good as his word. Sensible

that what he had done would soon be known, he posted to court, and

throwing himself at the king’s feet, implored His Majesty’s pardon.

The king asked what his offence was; on which the soldier told him

how he had been injured. ‘Well, well,’ said the king, laughing, ‘I

readily forgive you; for, considering the provocation, I think you

were much in the right to throw _his hat_ out of the window.’ ‘Yes,

please your Majesty,’ said the man; ‘but then his head was in it.’

‘Was it?’ replied the king: ‘well, my word is passed.’”

There was scarcely a court in Europe with which such an incident could

have been less happily associated; and it is almost difficult to call

to mind any constitutional system, except perhaps that of the first

Napoleon or our own Charles II., where such a _tête-à-tête_, so to say,

could have taken place.

Nearly the whole stock which exists up and down the market of Irish

bulls, _Sawniana_, gasconades, gaulardisms, and _Mrs. Partingtoniana_,

has submitted to the churn. A pattern is produced; and any given

or desired number of impressions may be had to order--no two alike

exactly, and no two very different.

Which was the absolute _jocus princeps_ about the Scotch, it is

probably at this time impossible to discover; but it is obvious that

they are all grafted on one parent stem, and scarcely yield a second

moral. The entire assemblage forms a satirical exposure of the alleged

parsimonious egotism of the nation. _Ex uno disce omnes_:--

“A Scotch pedestrian, attacked by three highwaymen, defended himself

with great courage and obstinacy, but was at length overpowered and

his pockets rifled. The robbers expected, from the extraordinary

resistance they had experienced, to lay their hands on some rich

booty, but were not a little surprised to discover that the whole

treasure which the sturdy Caledonian had been defending at the hazard

of his life, consisted of no more than a crooked sixpence. ‘The deuce

is in him,’ said one of the rogues; ‘if he had had eighteenpence, I

suppose he would have killed the whole of us.’”

And it is the same with another group, to which I have lately

adverted:--

“‘Soldiers must be fearfully dishonest,’ says Mrs. Partington, ‘as it

seems to be a nightly occurrence for a sentry to be relieved of his

watch.’”

Mrs. Partington was nothing more than a lay-figure, on which the

ingenious could pass off the _jeu de mot_, which begins to form

an element in the _facetiæ_ of the seventeenth century. She was a

convenient personification, like her successors Mrs. Gamp and Mrs.

Brown.

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Studies in jocular literature · 第 8 / 15 章