CHAPTER I.

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[Illustration: 'My dear Mr. Kane, I do congratulate you,' Helen said.]

FRANKLIN

KANE

BY

ANNE DOUGLAS

SEDGWICK

(MRS. BASIL DE SELINCOURT)

T. NELSON & SONS

LONDON AND EDINBURGH

PARIS: 189, rue Saint-Jacques

LEIPZIG: 35-37 Koenigstrasse

FRANKLIN KANE.

CHAPTER I.

Miss Althea Jakes was tired after her long journey from Basle. It was a

brilliant summer afternoon, and though the shutters were half closed on

the beating Parisian sunlight, the hotel sitting-room looked, in its

brightness, hardly shadowed. Unpinning her hat, laying it on the table

beside her, passing her hands over the undisordered folds of her hair,

Miss Jakes looked about her at the old-gold brocade of the furniture,

the many mirrors in ornate gold frames, the photographs from Bougereau,

the long, crisp lace curtains. It was the same sitting-room that she had

had last year, the same that she had had the year before last--the same,

indeed, to which she had been conducted on her first stay at the Hotel

Talleyrand, eight years ago. The brocade looked as new, the gilded

frames as glittering, the lace curtains as snowy as ever. Everything was

as she had always seen it, from the ugly Satsuma vases flanking the ugly

bronze clock on the mantelpiece, to the sheaf of pink roses lying beside

her in their white paper wrappings. Even Miss Harriet Robinson's choice

of welcoming flowers was the same. So it had always been, and so, no

doubt, it would continue to be for many years to come; and she, no

doubt, for many summers, would arrive from Basle to sit, jadedly,

looking at it.

Amelie, her maid, was unpacking in the next room; the door was ajar, and

Miss Jakes could hear the creaking of lifted trays and the rustling of

multitudinous tissue-paper layers. The sounds suggested an answer to a

dim question that had begun to hover in her travel-worn mind. One came

back every summer to the Hotel Talleyrand for the purpose of getting

clothes; that, perhaps, was a sufficient answer. Yet, to-day, it did not

seem sufficient. She was not really so very much interested in her

clothes; not nearly enough interested to make them a compensation for

such fatigue and loneliness as she was now feeling. And as she realised

this, a further question followed: in what was she particularly

interested? What was a sufficient motive for all the European

journeyings with which her life, for the past ten or twelve years, had

been filled? In a less jaded mood, in her usual mood of mild, if rather

wistful, assurance, she would have answered at once that she was

interested in everything--in everything that was of the best--pictures,

music, places, and people. These surely were her objects.

She was that peculiarly civilised being, the American woman of

independent means and discriminating tastes, whose cosmopolitan studies

and acquaintances give, in their multiplicity, the impression of a full,

if not a completed, life. But to-day the gloomy question hovered: was

not the very pilgrimage to Bayreuth, the study of archaeology in Rome,

and of pictures in Florence, of much the same nature as the yearly visit

to Paris for clothes? What was attained by it all? Was it not something

merely superficial, to be put on and worn, as it were, not to be lived

for with a growing satisfaction? Miss Jakes did not answer this

question; she dismissed it with some indignation, and she got up and

rang rather sharply for tea, which was late; and after asking the

garcon, with a smile that in its gentleness contrasted with the

sharpness of the pull, that it might be brought at once, she paused near

the table to lean over and smell her sheaf of roses, and to read again,

listlessly, Miss Harriet Robinson's words of affectionate greeting. Miss

Robinson was a middle-aged American lady who lived in Paris, and had

long urged Althea to settle there near her. Ten years ago, when she had

first met Miss Robinson in Boston, Althea had thought her a brilliant

and significant figure; but she had by now met too many of her kind--in

Rome, in Florence, in Dresden--to feel any wish for a more intimate

relationship. She was fond of Miss Robinson, but she prayed that fate

did not reserve for her a withering to the like brisk, colourless

spinsterhood. This hope, the necessity for such hope, was the final

depth of her gloomy mood, and she found herself looking at something

very dark as she stood holding Miss Robinson's expensive roses. For,

after all, what was going to become of her? The final depth shaped

itself to-day in more grimly realistic fashion than ever before: what

was she going to do with herself, in the last resort, unless something

happened? Her mind dwelt upon all the visible alternatives. There was

philanthropic lunch-going and lunch-giving spinsterhood in Boston; there

was spinsterhood in Europe, semi-social, semi-intellectual, and

monotonous in its very variety, for Althea had come to feel change as

monotonous; or there was spinsterhood in England established near her

friend, Miss Buckston, who raised poultry in the country, and went up to

London for Bach choir practices and Woman's Suffrage meetings. Althea

couldn't see herself as taking an interest in poultry or in Woman's

Suffrage, nor did she feel herself fitted for patriotic duties in

Boston. There was nothing for it, then, but to continue her present

nomadic life. After seeing herself shut in to this conclusion, it was a

real relief to her to hear the tea-tray chink outside, and to see it

enter, high on the garcon's shoulder, as if with a trivial but cheerful

reply to her dreary questionings. Tea, at all events, would always

happen and always be pleasant. Althea smiled sadly as she made the

reflection, for she was not of an Epicurean temperament. After she had

drunk her tea she felt strengthened to go in and ask Amelie about her

clothes. She might have to get a great many new ones, especially if she

went home for the autumn and winter, as she half intended to do. She

took up the roses, as she passed them, to show to Amelie. Amelie was a

bony, efficient Frenchwoman, with high cheek-bones and sleek black hair.

She had come to Althea first, many years ago, as a courier-maid, to take

her back to America. Althea's mother had died in Dresden, and Althea had

been equipped by anxious friends with this competent attendant for her

sad return journey. Amelie had proved intelligent and reliable in the

highest degree, and though she had made herself rather disagreeable

during her first year in Boston, she had stayed on ever since. She still

made herself disagreeable from time to time, and Althea had sometimes

lacked only the courage to dismiss her; but she could hardly imagine

herself existing without Amelie, and in Europe Amelie was seldom

disagreeable. In Europe, at the worst, she was gruff and ungracious, and

Althea was fond enough of her to ignore these failings, although they

frightened her a little; but though an easily intimidated person, and

much at a loss in meeting opposition or rudeness, she was also

tenacious. She might be frightened, but people could never make her do

what she didn't want to do, not even Amelie. Her relations with Amelie

were slightly strained just now, for she had not taken her advice as to

their return journey from Venice. Amelie had insisted on Mont Cenis, and

Althea had chosen the St. Gothard; so that it was as a measure of

propitiation that she selected three of the roses for Amelie as she went

into the bedroom. Amelie, who was kneeling before one of the larger

boxes and carefully lifting skirts from its trays, paused to sniff at

the flowers, and to express a terse thanks and admiration. 'Ah, bien

merci, mademoiselle,' she said, laying her share on the table beside

her.

She was not very encouraging about the condition of Althea's wardrobe.

'Elles sont defraichies--demodees--en verite, mademoiselle,' she

replied, when Althea asked if many new purchases were necessary.

Althea sighed. 'All the fittings!'

'Il faut souffrir pour etre belle,' said Amelie unsympathetically.

Althea had not dared yet to tell her that she might be going back to

America that winter. The thought of Amelie's gloom cast a shadow over

the project, and she could not yet quite face it. She wandered back to

the sitting-room, and, thinking of Amelie's last words, she stood for

some time and looked at herself in the large mirror which rose from

mantelpiece to cornice, enclosed in cascades of gilt. One of the things

that Althea, in her mild assurance, was really secure of--for, as we

have intimated, her assurance often covered a certain insecurity--was

her own appearance. She didn't know about 'belle,' that seemed rather a

trivial term, and the English equivalent better to express the

distinctive characteristic of her face. She had so often been told she

was nobly beautiful that she did not see herself critically, and she now

leaned her elbow on the mantelpiece and gazed at herself with sad

approbation. The mirror reflected only her head and shoulders, and Miss

Jakes's figure could not, even by a partisan, have been described as

beautiful; she was short, and though immature in outline, her form was

neither slender nor graceful. Althea did not feel these defects, and was

well satisfied with her figure, especially with her carriage, which was

full of dignity; but it was her head that best pleased her, and her

head, indeed, had aspects of great benignity and sweetness. It was a

large head, crowned with coils of dull gold hair; her clothing followed

the fashions obediently, but her fashion of dressing her hair did not

vary, and the smooth parting, the carved ripples along her brow became

her, though they did not become her stiffly conventional attire. Her

face, though almost classic in its spaces and modelling, lacked in

feature the classic decision and amplitude, so that the effect was

rather that of a dignified room meagrely furnished. For these

deficiencies, however, Miss Jakes's eyes might well be accepted as

atonement. They were large, dark, and innocent; they lay far apart,

heavily lidded and with wistful eyebrows above them; their expression

varied easily from lucid serenity to a stricken, expectant look, like

that of a threatened doe, and slight causes could make Miss Jakes's eyes

look stricken. They did not look stricken now, but they looked

profoundly melancholy.

Here she stood, in the heartless little French sitting-room, meaning so

well, so desirous of the best, yet alone, uncertain of any aim, and very

weary of everything.

Franklin Kane · 第 1 / 35 章