CUE TYPES.

At the present moment, when the billiard professionals are contesting

the palm and Mr. S.H. FRY has re-captured the title of amateur

champion seven-and-twenty years after he first won it, there is such

interest in the game that a kind of _Guide to Billiard Types_ cannot

but be of value. Hence the following classification of players who

are to be met with in clubs, country-houses or saloons by any ordinary

wielders of the cue. Any reader who has ever endeavoured to master

what may be called (by way of inversion) the Three Balls Art has power

to add to their number.

The player who, as he drops behind in the game, says so often that it

is months since h" touched a cue that your success is robbed of all

savour.

The player who is funny and calls the red the Cherry, the Robin, the

Cardinal or the Lobster.

The player who comes to the game as to a solemn ritual and neither

smiles nor speaks.

The player who keeps on changing his cue and blames each one in turn

for his own ineptitude.

The player who can use his left hand as well as his right: a man to be

avoided.

The player who whistles while he plays. This is a very deadly

companion.

The player who never has a good word for his opponent's efforts.

The player who congratulates you on every stroke: a charming

antagonist.

The player who is always jolly whatever buffets he receives from

fortune.

The player who talks about every one of his strokes.

The player who swears at most of them.

The player who doubts the accuracy of your scoring. Avoid this one.

The player who hits everything too hard. This is a very exasperating

man to meet because fortune usually favours him. Either he flukes

immoderately or he does not leave well. He is usually a hearty fellow

with no sense of shame. Perhaps he says "Sorry;" but he adds, "It must

have been on."

The player who hits everything too gently: the lamb as compared with

the previous type, who is a lion. The lamb is good to play with if you

prefer winning to a real contest.

The player who groans loudly when you make a fluke.

The player who is accustomed to play on a much faster table than this.

The player who calls the game Pills.

The player who calls it Tuskers.

The player who counts your breaks for you, but whether from interest

or suspicion you are not sure.

The player who pots the white when he should and says nothing about

it.

The player who pots the white when he should, with a thousand

apologies.

The player who pots the white when he shouldn't, with a thousand

apologies.

The player who is snappy with the marker.

The player who drops cigar ash on the cloth.

The player who hates to lose.

The player who would much rather that you won. This type is a joy to

play with, unless towards the end he too patently ceases to try.

The player who, after the stroke, tells you what you ought to have

done.

The player who talks to the balls, particularly to the red. "Now then,

red," he says, "don't go into baulk;" or, "Stop just by that pocket;"

or "White, don't go down."

The player who has just come from a spectacular match and keeps on

trying to reproduce that shot of STEVENSON's.

* * * * *

[Illustration: _Ministry Official_. "No NEED TO SCREEN THE LIGHTS

_NOW_, MY BOY. D'YOU THINK THE WAR'S STILL ON?"

_Infatuated Office Boy_. "I WAS JUST TRYING TO MAKE MISS JENKINS A BIT

OF TOAST, SIR."]

* * * * *

"In a licensing prosecution at ---- yesterday it was stated

that one shilling was charged for a 'drop' of whisky of about

one-sixth of a gallon."--_Daily Paper_.

In the interests of temperance we have suppressed the name of the town

at which this bargain was secured.

* * * * *

Punch, or the London Charivari, Volume 156, February 19, 1919 · 第 25 / 30 题