XX

In the morning Mrs. Bowen received a note from her banker covering a

despatch by cable from America. It was from Imogene's mother; it

acknowledged the letters they had written, and announced that she sailed

that day for Liverpool. It was dated at New York, and it was to be

inferred that after perhaps writing in answer to their letters, she had

suddenly made up her mind to come out.

"Yes, that is it," said Imogene, to whom Mrs. Bowen hastened with the

despatch. "Why should she have telegraphed to _you_?" she asked coldly,

but with a latent fire of resentment in her tone.

"You must ask her when she comes," returned Mrs. Bowen, with all her

gentleness. "It won't be long now."

They looked as if they had neither of them slept; but the girl's vigil

seemed to have made her wild and fierce, like some bird that has beat

itself all night against its cage, and still from time to time feebly

strikes the bars with its wings. Mrs. Bowen was simply worn to apathy.

"What shall you do about this?" she asked.

"Do about it? Oh, I will think. I will try not to trouble you."

"Imogene!"

"I shall have to tell Mr. Colville. But I don't know that I shall tell

him at once. Give me the despatch, please." She possessed herself of it

greedily, offensively. "I shall ask you not to speak of it."

"I will do whatever you wish."

"Thank you."

Mrs. Bowen left the room, but she turned immediately to re-open the door

she had closed behind her.

"We were to have gone to Fiesole to-morrow," she said inquiringly.

"We can still go if the day is fine," returned the girl. "Nothing is

changed. I wish very much to go. Couldn't we go to-day?" she added, with

eager defiance.

"It's too late to-day," said Mrs. Bowen quietly. "I will write to remind

the gentlemen."

"Thank you. I wish we could have gone to-day."

"You can have the carriage if you wish to drive anywhere," said Mrs.

Bowen.

"I will take Effie to see Mrs. Amsden." But Imogene changed her mind,

and went to call upon two Misses Guicciardi, the result of an

international marriage, whom Mrs. Bowen did not like very well. Imogene

drove with them to the Cascine, where they bowed to a numerous military

acquaintance, and they asked her if Mrs. Bowen would let her join them

in a theatre party that evening: they were New-Yorkers by birth, and it

was to be a theatre party in the New York style; they were to be

chaperoned by a young married lady; two young men cousins of theirs,

just out from America, had taken the box.

When Imogene returned home she told Mrs. Bowen that she had accepted

this invitation. Mrs. Bowen said nothing, but when one of the young men

came up to hand Imogene down to the carriage, which was waiting with the

others at the gate, she could not have shown a greater tolerance of his

second-rate New Yorkiness if she had been a Boston dowager offering him

the scrupulous hospitalities of her city.

Imogene came in at midnight; she hummed an air of the opera as she took

off her wraps and ornaments in her room, and this in the quiet of the

hour had a terrible, almost profane effect: it was as if some other kind

of girl had whistled. She showed the same nonchalance at breakfast,

where she was prompt, and answered Mrs. Bowen's inquiries about her

pleasure the night before with a liveliness that ignored the polite

resolution that prompted them.

Mr. Morton was the first to arrive, and if his discouragement began at

once, the first steps masked themselves in a reckless welcome, which

seemed to fill him with joy, and Mrs. Bowen with silent perplexity. The

girl ran on about her evening at the opera, and about the weather, and

the excursion they were going to make; and after an apparently needless

ado over the bouquet which he brought her, together with one for Mrs.

Bowen, she put it into her belt, and made Colville notice it when he

came: he had not thought to bring flowers.

He turned from her hilarity with anxious question to Mrs. Bowen, who did

not meet his eye, and who snubbed Effie when the child found occasion to

whisper: "_I_ think Imogene is acting very strangely, for _her_; don't

you, mamma? It seems as if going with those Guicciardi girls just once

had spoiled her."

"Don't make remarks about people, Effie," said her mother sharply. "It

isn't nice in little girls, and I don't want you to do it. You talk too

much lately."

Effie turned grieving away from this rejection, and her face did not

light up even at the whimsical sympathy in Colville's face, who saw that

she had met a check of some sort; he had to take her on his knee and

coax and kiss her before her wounded feelings were visibly healed. He

put her down with a sighing wish that some one could take him up and

soothe his troubled sensibilities too, and kept her hand in his while he

sat waiting for the last of those last moments in which the hurrying

delays of ladies preparing for an excursion seem never to end.

When they were ready to get into the carriage, the usual contest of

self-sacrifice arose, which Imogene terminated by mounting to the front

seat; Mr. Morton hastened to take the seat beside her, and Colville was

left to sit with Effie and her mother. "You old people will be safer

back there," said Imogene. It was a little joke which she addressed to

the child, but a gleam from her eye as she turned to speak to the young

man at her side visited Colville in desperate defiance. He wondered what

she was about in that allusion to an idea which she had shrunk from so

sensitively hitherto. But he found himself in a situation which he could

not penetrate at any point. When he spoke with Mrs. Bowen, it was with a

dark undercurrent of conjecture as to how and when she expected him to

tell Mr. Morton of his relation to Imogene, or whether she still

expected him to do it; when his eyes fell upon the face of the young

man, he despaired as to the terms in which he should put the fact; any

form in which he tacitly dramatised it remained very embarrassing, for

he felt bound to say that while he held himself promised in the matter,

he did not allow her to feel herself so.

A sky of American blueness and vastness, a mellow sun, and a delicate

breeze did all that these things could for them, as they began the long,

devious climb of the hills crowned by the ancient Etruscan city. At

first they were all in the constraint of their own and one another's

moods, known or imagined, and no talk began till the young clergyman

turned to Imogene and asked, after a long look at the smiling landscape,

"What sort of weather do you suppose they are having at Buffalo to-day?"

"At Buffalo?" she repeated, as if the place had only a dim existence in

her remotest consciousness. "Oh! The ice isn't near out of the lake yet.

You can't count on it before the first of May."

"And the first of May comes sooner or later, according to the season,"

said Colville. "I remember coming on once in the middle of the month,

and the river was so full of ice between Niagara Falls and Buffalo that

I had to shut the car window that I'd kept open all the way through

Southern Canada. But we have very little of that local weather at home;

our weather is as democratic and continental as our political

constitution. Here it's March or May any time from September till June,

according as there's snow on the mountains or not."

The young man smiled. "But don't you like," he asked with deference,

"this slow, orderly advance of the Italian spring, where the flowers

seem to come out one by one, and every blossom has its appointed time?"

"Oh yes, it's very well in its way; but I prefer the rush of the

American spring; no thought of mild weather this morning; a warm, gusty

rain to-morrow night; day after to-morrow a burst of blossoms and

flowers and young leaves and birds. I don't know whether we were made

for our climate or our climate was made for us, but its impatience and

lavishness seem to answer some inner demand of our go-ahead souls. This

happens to be the week of the peach blossoms here, and you see their

pink everywhere to-day, and you don't see anything else in the blossom

line. But imagine the American spring abandoning a whole week of her

precious time to the exclusive use of peach blossoms! She wouldn't do

it; she's got too many other things on hand."

Effie had stretched out over Colville's lap, and with her elbow sunk

deep in his knee, was resting her chin in her hand and taking the facts

of the landscape thoroughly in. "Do they have just a week?" she asked.

"Not an hour more or less," said Colville. "If they found an almond

blossom hanging round anywhere after their time came, they would make an

awful row; and if any lazy little peach-blow hadn't got out by the time

their week was up, it would have to stay in till next year; the pear

blossoms wouldn't let it come out."

"Wouldn't they?" murmured the child, in dreamy sympathy with this

belated peach-blow.

"Well, that's what people say. In America it would be allowed to come

out any time. It's a free country."

Mrs. Bowen offered to draw Effie back to a posture of more decorum, but

Colville put his arm round the little girl. "Oh, let her stay! It

doesn't incommode me, and she must be getting such a novel effect of the

landscape."

The mother fell back into her former attitude of jaded passivity. He

wondered whether she had changed her mind about having him speak to Mr.

Morton; her quiescence might well have been indifference; one could have

said, knowing the whole situation, that she had made up her mind to let

things take their course, and struggle with them no longer.

He could not believe that she felt content with him; she must feel far

otherwise; and he took refuge, as he had the power of doing, from the

discomfort of his own thoughts in jesting with the child, and mocking

her with this extravagance and that; the discomfort then became merely a

dull ache that insisted upon itself at intervals, like a grumbling

tooth.

The prospect was full of that mingled wildness and subordination that

gives its supreme charm to the Italian landscape; and without elements

of great variety, it combined them in infinite picturesqueness. There

were olive orchards and vineyards, and again vineyards and olive

orchards. Closer to the farm-houses and cottages there were peaches and

other fruit trees and kitchen-gardens; broad ribbons of grain waved

between the ranks of trees; around the white villas the spires of the

cypresses pierced the blue air. Now and then they came to a villa with

weather-beaten statues strutting about its parterres. A mild, pleasant

heat brooded upon the fields and roofs, and the city, dropping lower and

lower as they mounted, softened and blended its towers and monuments in

a sombre mass shot with gleams of white.

Colville spoke to Imogene, who withdrew her eyes from it with a sigh,

after long brooding upon the scene. "You can do nothing with it, I see."

"With what?"

"The landscape. It's too full of every possible interest. What a history

is written all over it, public and private! If you don't take it simply

like any other landscape, it becomes an oppression. It's well that

tourists come to Italy so ignorant, and keep so. Otherwise they couldn't

live to get home again; the past would crush them."

Imogene scrutinised him as if to extract some personal meaning from his

words, and then turned her head away. The clergyman addressed him with

what was like a respectful toleration of the drolleries of a gifted but

eccentric man, the flavour of whose talk he was beginning to taste.

"You don't really mean that one shouldn't come to Italy as well informed

as possible?"

"Well, I did," said Colville, "but I don't."

The young man pondered this, and Imogene started up with an air of

rescuing them from each other--as if she would not let Mr. Morton think

Colville trivial or Colville consider the clergyman stupid, but would do

what she could to take their minds off the whole question. Perhaps she

was not very clear as to how this was to be done; at any rate she did

not speak, and Mrs. Bowen came to her support, from whatever motive of

her own. It might have been from a sense of the injustice of letting Mr.

Morton suffer from the complications that involved herself and the

others. The affair had been going very hitchily ever since they started,

with the burden of the conversation left to the two men and that

helpless girl; if it were not to be altogether a failure she must

interfere.

"Did you ever hear of Gratiano when you were in Venice?" she asked Mr.

Morton.

"Is he one of their new water-colourists?" returned the young man. "I

heard they had quite a school there now."

"No," said Mrs. Bowen, ignoring her failure as well as she could; "he

was a famous talker; he loved to speak an infinite deal of nothing more

than any man in Venice."

"An ancestor of mine, Mr. Morton," said Colville; "a poor, honest man,

who did his best to make people forget that the ladies were silent.

Thank you, Mrs. Bowen, for mentioning him. I wish he were with us

to-day."

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