OLD JOE _By WALTER DE LA MARE_

The house in which old Mr. Bolsover lived was of a faded primrose

colour, and, apart from a high gable in which showed the windows of the

guest-room and an attic, it was long and low. Its other back windows

looked out across meadows which now lay spreading out before them into

the distance, bright green beneath a merry morning sun. A narrow terrace

skirted the house. At either end of this was a worn, grey stone pedestal

on which stood two dancing fauns, for ever piping one to another above

the wallflowers and the pinks. And it was the pinks that were now in

full bloom, filling the air with their fragrance.

Along the terrace leaning down from the house wall was a canopy made of

copper, and painted green; and this was supported by slim pillars,

around which clematis and jessamine clambered. It was just after

breakfast-time, and old Mr. Bolsover at this very moment was coming out

at the French windows of the breakfast-room with his small niece,

Letitia. She had a nimble way of walking and a quick way of turning her

head that was like a bird, and she was chattering away to her old uncle

as she stepped along beside him. They came to a standstill together,

looking out across the meadows.

“Oh, Uncle Tim, what a _perfectly_ lovely morning!” said she.

“A lovely morning,” repeated Uncle Tim. “One of the most beautiful I can

remember, simply because a small person of the name of Letitia is here

to share it with me.”

“Oh, Uncle Tim,” said Letitia; “that's flattery.”

“No, my dear, not exactly flattery,” replied Uncle Tim, squinnying at

her from under the glasses of his spectacles; “but just the plain,

beautiful, solemn truth.”

“Ah, I know all about that!” said she.... “And to think, Uncle Tim, it's

exactly a year since I was here before. Why, you wouldn't believe a

single flower was different. And there,” she went on hastily, twisting

her head on her slender neck—“why there's that curious old Guy Fawkes

thing still, over there by the willows.”

“Why, yes, so it is,” said Uncle Tim.

Letitia continued to gaze at it. “You know, he _is_ a little alarming,

Uncle Tim, if you look at him long enough. And you don't seem to

remember,” she went on solemnly, “that the very last morning I was here

you promised faithfully to tell me what it's there _for_. And then you

didn't, because Mother came in just when I was asking you, and you

forgot all about it.”

“Well, so I did,” said Uncle Tim. “That's just what comes of the

piecrust which promises are made of. It melts in your mouth.... That's

Old Joe right enough. _Old_ Joe indeed, poor soul, for he must be at

least as old as I am. Ninety-nine, Letitia, if he's a day!”

“You're please not to say that, Uncle Tim. You are the youngest, kindest

Uncle Tim there ever was. So there! But what _is_ Old Joe? Where did he

come from? What is he for? Isn't there a tune about an Old Joe, Uncle

Tim? Is that him? Tell me _now_,” cried Letitia. “Let's sit down here

comfily on the stones—they're as warm as toast in the sun. And now go

straight on. _Please._”

Down sat old Mr. Bolsover; down sat Letitia—side by side like an ancient

Pharaoh and his bride. And this is his story of Old Joe:

“I must tell you first, Letitia,” he began, “that when I was about your

age I used frequently to stay with an old friend of my mother's—your

grandmother's, that is—whose name was Mrs. Lumb. She was a stout woman,

and used, I remember, to wear an amethyst-coloured velvet cap flat over

her ears, and a lace thingummy over her shoulders. I can see her now:

her wide face all creased up in smiles, and her fat fingers with the

emeralds and the sapphires; and even the cameo brooch at her neck. She

wasn't even so much as my godmother, but she was immensely kind to me.

She had a cook, too, that could make every sort of prime rich cake there

is. Jams, jellies, raspberry-fool, apple charlotte, tipsy-cake—they were

the best I've ever tasted. So were her stuffed eggs.”

“Oh, Uncle Tim,” said Letitia, “you greedy thing!”

[Illustration: Black and white illustration of an elegantly dressed

woman carrying a small tray of food toward a young boy standing on

grass.]

“You shall see for yourself at lunch,” said her uncle; “for if I'm not

an unprophetic Dutchman, I can smell apple charlotte. But never mind

about that. You'll agree, at any rate, that my friend Mrs. Lumb was the

right kind of person to stay _with_. It was always during the holidays,

and in those days, while there was plenty of honest hard tack at

school—impots, ferrules, bread-and-scrape and what-not—there was no such

thing as a holiday task. You hadn't, I mean, to sit and hate reading a

book you'd have loved to read for its own sake if you had never been

told to. But never mind about that either. At Mrs. Lumb's I did just

what I liked. Hers was an old, roaming house; a good deal older than

this, and twice the size; and there was beautiful country all around it.

Wide sweeping hills with ploughed fields stretching down their sunny

slopes; little woods and copses, too, on the crests and in the folds and

valleys; and a stream meandering its way along and actually brawling

over stones at the foot of our long, sloping garden. If ever I go to

heaven, my dear, I hope to see that house and garden again.”

[Illustration: Black and white illustration of a boy holding out a

string or worm toward a bird in a hanging cage.]

“But isn't it here _still_?” said Letitia. “I mean wherever in the world

it used to be?”

“Alas, my dear, no,” said old Mr. Bolsover. “The house was destroyed by

fire—burned clean to the ground—forty years ago. But not, I am thankful

to say, before Mrs. Lumb had left it and had gone out to live with her

younger brother in Ceylon—where the strong tea comes from.

“In those days I was uncommonly fond of birds; too fond of them to carry

a catapult, but not too fond of them to set traps and try to catch and

keep them, poor creatures, for pets. How would you like to be a linnet

or a starling or a blackbird barred up inside a cage by an oaf of a boy

like me when I was nine or thereabouts?”

“Not at all,” said Letitia; “though I would sooner be kept by you than

by any other boy.”

“Thank you, my dear,” said Mr. Bolsover; “that's a bargain. Still,

caging wild birds is usually very poor fun for the wild birds. But I was

a boy and I did as boys do, bless their hearts. My traps were scattered

everywhere, sometimes in places where they had no business to be. What I

was after was _rare_ birds, and deep down my one desire was for a bird

unspeakably marvellous in colour and appearance and song, and one that

nobody had ever seen. Which means I was a little cracked on the subject.

There was a particular place that I had in mind for a trap for a long

time before I ventured to make the attempt. It was at the edge of a

field where I used to notice a great many birds were accustomed to

visit, and that in spite of Old Joe there.”

“_That_ Old Joe _there_?” enquired Letitia, pointing with her finger at

the queer, stooping figure with its head and old hat on one side which

stood blankly gazing at them from under the willow where she had noticed

him before.

“Yes, that same Old Joe _there_,” said Uncle Tim. “Between you and me,

my dear—though please not to look his way for a minute, as I shouldn't

like to hurt his feelings—Old Joe is a Scarecrow, an antiquated

hodmadod. And he has never been anything else; though, after all these

years he and I have been together, of course he's now a kind of twin

brother. He's Joseph, you see (in the coat), and I'm Benjamin; and as

you see, my dear, we are much alike.”

“How _can_ you say such things, Uncle Tim,” cried Letitia, pushing her

hand in under his arm. “You know quite well that's a kind of flattery,

too—of yourself, you bad thing!”

[Illustration: Black and white illustration of a man tipping his top hat

to a scarecrow in a grassy field.]

“No,” said Uncle Tim, “but of Old Joe. But never mind about that. The

first time I saw him, he gave me a real fright. I had come creeping

along on the other side of the hedge, keeping a wary eye open for

anybody that might be in the field; even though there was very little

likelihood of this, for, unless the field was being ploughed or harrowed

or sown or hoed, there never _was_ anybody. The field belonged to a

farmer called Jones. It was a good-sized, sloping, forty-acre field,

with a plantation of spruce down along all one side of it.

“That particular morning was in March; and the field was just

waiting—and on a morning rather like this, but much colder—for its crops

to come up. I was skirting along the hedge, as I say, carrying the snare

I had with me under my jacket, and hardly able to breathe for

excitement. For, thought I to myself as I peered through the hedge in

which the thornbuds were just breaking, that's the place for me. I could

just see across to the lower edge of it, where lay a ditch and another

hedge that had been allowed to sprout. It was truly a little paradise of

birds, my dear. There seemed to be hundreds busying and disporting and

delighting themselves there in the early sunshine.

“As bold as paint I turned the corner by the old gate, and at that

precise moment caught sight of what I supposed was either Farmer Jones

himself or one of his men staring at me across the field not thirty

yards away. I fairly jumped in my clodhoppers at sight of him, turned

hot, then cold, and waited, staring back. It seemed almost as if I could

see his very eyeballs moving. But not he! No common human he! It was Old

Joe. My Old Joe—_that_ Old Joe _there_!

“I have seen a good many scarecrows in my time, but never one at which

you must look longer before you can be perfectly sure he is not

real—alive. After all, what _is_ life, Letitia?”

“That's perfectly true, Uncle Tim,” whispered Letitia, edging a little

closer. “He _might_ be alive at this very moment.”

“You must remember, too,” went on Mr. Bolsover, “all this was in Old

Joe's better days. He was young then. He has been peacocked up in many a

new suit of old clothes since then, and more hats than I could count on

my fingers. But then he was in his heyday—in the very bloom of his

youth, the glass of fashion and the Knave of Trumps! But still, even as

he stands now under his old willow there, I wouldn't part with him not

for a bulging fat bag of guineas. Not for twenty bags. Chiefly for his

own sake; but in part, my dear Letitia—in part because one doesn't too

often actually see fairies in this world.”

[Illustration: Black and white illustration of a young person creeping

cautiously past a bush or hedge in a wooded area, looking towards a

scarecrow standing in a distant field among bare trees.]

Letitia burst out laughing. “Fairies, Uncle Tim!” she cried, dragging in

her amusement her skirts tight over her knees. “Why, you don't mean to

say, you poor thing, that Old Joe's a fairy?”

“No, I don't mean to say quite that,” said Mr. Bolsover. “Then, as now,

Old Joe was the scaringest of scaring scarecrows I have ever set eyes

on. But like the primrose in the poem he was nothing more. No, indeed,

it wasn't Old Joe was the fairy. But he was all but next best, for he

_was_ one of her rendez-vouses, as the old word goes. That morning he

was wearing immense loose great trousers and a greenish-black coat very

wide on the shoulders. Apart from the stick for his arms, another had

been pushed up one of his coat-sleeves for a cudgel. Another with a lump

at the top made his head, and on that was a high, hard, battered, square

hat like the hats old-fashioned farmers and churchwardens used to wear.

He was stooping forward, cudgel in hand. And the eyes from under the

penthouse brim of the shadowy battered hat seemed to be fixedly staring

straight towards the corner by the gate and at me.

“I hugged the wire snare closer and stared back. And whether it was due

to the hot air coming up from the flinty soil, or some cheating effect

of the light on the white field, I can't say, Letitia. But even while I

watched him, his head seemed to be ever so gently turning on his

shoulders, as if for all the world he were furtively endeavouring to get

a better view of me without my noticing it.

[Illustration: Black and white illustration of a boy running ahead while

an older man with a walking stick follows behind across a field.]

“I was still pretty well startled, I can tell you, my dear. For in those

days young trespassers on seedling fields might find themselves in for a

smart walloping, if not for something worse. The amusing thing is that

this Old Joe was alarming me a great deal more than he was alarming the

birds. They seemed to be perfectly used to him. A couple of tits were

positively playing hide-and-seek, with him for goal. And there were

rooks in their black coats pacing up and down and preening themselves in

the sunshine not more than a few paces away from where he stood.

“Well, at last, after confronting him like this for a minute or two

together—at last I became sure he was not an angry farmer, but merely

Old Joe. Yet, something in the look of him was different from any other

scarecrow I had seen up to that moment. Even from where I stood I could

spy a few wild flowers already blooming at his feet, and I felt, too,

that even if there were no real eyes in his head, somebody or something

_was_ actually looking at me from under that hat or from out of his

sleeve—from somewhere.

[Illustration: Black and white illustration of a boy sitting on a grassy

mound, looking across a landscape toward a distant scarecrow.]

“Already the birds were becoming accustomed to me being there, simply

because I stood so still. I squatted on my haunches and began to set the

trap, but the whole time I was thinking of that queer old creature

half-way up the field, and knew I was being watched. And whenever I

stooped, I took a little secret look at him either over my shoulder or

between my legs. And then I sat down on the grass of the bank under the

hedge and steadily fixed my eyes on him for I should think a full

half-hour.

“Nothing happened, however. The sun climbed a little higher into the

sky; the shadows cast by the trees shifted a little on the

wide-stretching field, and at last I turned back home again. At the

corner under an old thorn-tree I stooped down for yet another moment and

had yet another look. And at that very instant I was perfectly sure I

had caught a glimpse of something moving there. It was as if a face had

peered out and had as swiftly been withdrawn again into hiding.

[Illustration: Black and white illustration of a rabbit leaping across a

grassy field against the backdrop of a large round moon.]

“All the rest of that day I could think of nothing else but Old Joe,

assuring myself that my eyes had deceived me, or that perhaps a bird had

fluttered down, or that a little breeze had moved his sleeve—something

of that kind. And yet I knew inside me that this wasn't true.”

“It might,” said Letitia—“it might, you know, of course, have been not a

bird but a little animal you saw, mightn't it, Uncle Tim? I once saw a

hare skipping about in the middle of a field. Or mightn't a bird have

been building its nest in him? Robins, you know, will build their nests

even in an old boot. And look! There's a bird actually sitting on Old

Joe's shoulder now.”

“Well, you shall hear,” said Uncle Tim. “I am sure, my dear, if you had

seen Old Joe that morning you would have agreed that there was something

different about him from what he looks like now. I can't quite explain,

except that it was the difference between an empty house and one with

people living in it. The difference between a pond with fish in it and

one with none. The difference between you yourself when you are really

asleep and when you are only foxing and pretending to be. And sure

enough, I was right.

“I had my bedtime at Mrs. Lumb's, and always an apple and a glass of

milk. But she was not one of those Uncle Tims who want everything done

exactly at the right moment. She didn't wait till the clock struck eight

and them come peeping in to see if one was safe in bed.”

“Why, you know very well,” said Letitia, “you don't do that yourself.”

“Ha, ha! Never mind,” said Mr. Bolsover. “That evening, about seven

o'clock, I made my way down to the field again, just creeping from bush

to bush, tree to tree as cautiously as I could—so cautiously that I

actually nearly trod on a bunny's tail that happened to be enjoying a

dandelion on the other side of a bramble. And when I reached my

hawthorn, I sat down by its root very low to the ground, having made up

my mind I would watch until it really began to grow dark. It was towards

the end of April, you will remember, so the evenings were a good deal

shorter and duskier than they are now. And as it began to be twilight,

it seemed almost that Old Joe was steadily moving nearer. And then at

the very instant when I noticed the first star in the sky, I saw—well,

what do you think I saw?”

“Why, the fairy, of course,” said Letitia, and sighed.

[Illustration: Black and white illustration of a boy tumbling or falling

headfirst down a grassy hill as a rabbit runs nearby.]

“Full marks, my dear,” cried Mr. Bolsover. “The fairy. The odd thing is

that I can't really describe her. Maybe the light was not very good;

maybe my young eyes were strained with watching. But it was not only

that. For I seemed to be looking at her partly as if I was imagining

her, though I knew she was really there. She was leaning a little

forward, and reached, I should say, about up to what you might call Old

Joe's waist. Her face was rather long and narrow, and there was fair

hair hanging down from side to side, something between gold and grey,

rather like the colour you see on a phosphorescent fish in the dark,

only more golden. She stood unearthly still, looking out towards my

thorn. And the very sight of her filled me with a sensation I simply

cannot describe.

“It was as if I was in the middle of a dream in another world, and cold

prickles went down my back just as if unawares I had heard the sound of

enchanted music. There was not a breath stirring, everything about me

seemed suddenly to grow sharp and clear, even though the light was dim.

The flowers were different; the trees; the birds. Like that old story of

the Cap of Invisibility, it was as if I knew deep down what the flowers

were feeling, what it was like to be a tendril of ivy creeping up a

tree-stem, or to have feathers all over me, and to be looking with a

bright small eye at my own bird-world. I can't explain it, my dear, but

I am sure you will understand.”

Letitia gave two solemn nods. “_I think_ so, Uncle Tim—a little.”

“Now I believe,” Uncle Tim went on, “that the fairy knew I was there,

but that she could not delay what she wanted to do any longer. For

presently—after a minute or two—she drew back and began to hasten away

over the field towards the utmost corner furthest away from me, keeping

all the time so that Old Joe stood in between us and prevented me from

seeing her clearly, however much I dodged my head from side to side. Now

that, you will agree, was a difficult thing to do, and I don't know how

she did it. Only a fairy could—without once looking back.”

“And what was she like from behind?” said Letitia.

“She was like wood-smoke going up from a bonfire; she was like a puff of

wind over snow; or a silver cloud in the sky. She moved, I mean, my

dear, as if she were hovering on her way, and yet she never left the

ground. Far, far lighter than a gazelle, and so lovely to watch it

fairly took my breath away. And me only a clodhopping boy of ten.”

Mr. Bolsover took a large coloured silk handkerchief out of his pocket

and blew his nose. “I ought to say, at once,” he continued, pushing the

handkerchief back into his pocket, “that this is not really a story at

all.”

“Well, _I_ think, Uncle Tim, it's a lovely story,” said Letitia. “Please

go on.”

“Well, you see, Letitia, a story ought to be like a piece of embroidery:

it ought to have a beginning and a middle and an end. It ought to be

like a whiting with its tail in its mouth. But this one just goes off

into nothing.”

“I think I understand,” said Letitia once more. “But please go on with

the fairy, Uncle Tim.”

“Well,” continued Uncle Tim, “as soon as the fairy was out of sight my

one desire was to steal into the field and take a look at Old Joe at

close quarters. And yet I hadn't the courage. He was _her_ dwelling; her

hiding-place; her habitation—that was certain. Now that she was absent,

had hied away, the very look of him had changed. He was empty, vacant, a

husk.

“I fear, Letitia, you must be thinking I was a remarkably stupid boy.

Indeed I was. And, anyhow, I must confess that I simply could not make

up my mind to go any nearer. Old Joe was quite empty now, but after what

I had seen I felt a dreadful strangeness all about me. I felt I had been

a spy, and that every living thing around me knew it, and hated my

company. I didn't even go to my trap—and when I went again it had

disappeared.

“I talked about fairies next morning to my old friend Mrs. Lumb at

breakfast, just to see if she knew anything about them. She believed in

them right enough, but she had never seen one. I asked her what she

thought a fairy would be like if she ever did see one, and I can see her

now as she sat there in her chair, looking out of the window munching

her toast. 'Well, between you and me, my dear Tim,' she said—_crunch,

crunch_—'I never have cared much about those little flibbety-gibbety

creatures that are supposed to find a water-lily as big as we human

beings find a four-post bed. And I don't believe myself that they'd pay

much attention to _me_. I expect'—_crunch, crunch_—'there are not very

many of them left now—not in these parts. Mr. Lumb, as you know was an

entomologist. He'd have been able to tell you more about it. And he—had

once seen a ghost.'”

“A ghost, Uncle Tim?”

“That's what Mrs. Lumb said, my dear. And I asked her what _that_ was

like. 'Well, it was like,' she said (and I can remember her very words),

'it was like'—_crunch, crunch_—'seeing something with your eyes shut. It

made him feel very cold; the room grew darker, but he was not

frightened.'”

Letitia sidled yet a little closer to her uncle. “Between you and me,

Uncle Tim,” she said, “I think that ghost would have given _me_ the

shudders. But please let's go back to the fairy. Did you tell Mrs. Lumb

about that?”

“I never breathed so much as a syllable; though, if you were to ask me

why, I couldn't say. It's just like small boys, I suppose, and small

girls too, eh?”

“I think I'd have told _you_, Uncle Tim,” said Letitia. “And what

happened then?”

“Two whole days went by before I went near the field again, though I

doubt if an hour went by without my thinking about it. I forgot about my

bird-traps and everything else, and just loafed about wondering if

perhaps all that I had seen had not been a dream or a trick of fancy.

And then on the third afternoon, I was so ashamed of myself that I

determined to go down to the field and keep watch again.

[Illustration: Black and white illustration of winged fairies resting or

standing inside open water lilies floating on a dark pond among lily

pads.]

“This time I made my way to its upper corner by the plantation where I

had seen the fairy disappear. I crept down under some bushes, and had

taken with me a little pocket telescope that my father had given me.

Through this I could see everything that happened near Old Joe as

clearly as if I was at the bottom of the field. It was later in the

evening than before, and already the sun had set. But my legs and arms

were cramped and my left eye tired out with being kept shut long before

anything unusual occurred.

“And then suddenly I knew not only that the fairy was preparing to take

her walks abroad, but that she knew also I was there. She had stolen out

of her hiding-place, though I had seen no actual movement, and was

openly and steadily gazing across the faint green of the sprouting wheat

of the field in my direction. After a while she advanced a few paces

towards the corner of the field in which I was lying hid.

“Then in a breath she hesitated; turned and sped away, just as she had

done on that first evening, towards the very thorn-tree from which I had

first spied out on her. And somehow the conviction that she was doing

this in order to avoid coming near me awakened my curiosity more than

ever, and gave me courage. She was setting her wits against mine, and I

determined to try and meet her face to face. Even then, I confess, the

thought of what I should do if we did so meet was not very pleasant. I

lay there till it was almost dark, in the hope of seeing her come back,

and then made my way to the house and crept in at a side door a good two

hours after my bedtime.

“It was a warm still evening for the time of year, and while I was

undressing a full-moon began to rise. I could see it shining through my

bedroom blind, for I had not lit my candle. I drew up the blind and

looked out of the window, and the whole world looked as if it was

enchanted. There was not a sound in the air, and though here I was in

Mrs. Lumb's house, it seemed as if no human being had ever been there

before. And, what is more, Letitia, the same queer feeling came over me

as when I first caught sight of Old Joe, and I knew in my very bones, as

they say, that the fairy was concealing herself somewhere not very far

from the house, and was watching my window.”

“Oh, Uncle Tim,” said Letitia, “and did you go out?”

“No, my dear, I didn't dare. But not from fear. No; I stood steadily

watching until presently a bird began to sing, a bird which I can't

think was a nightingale. It was not too early in the year for

nightingales, mind you; and there was a hurst or thicket near the house

to which they always resorted. The song was as sweet and sorrowful, too,

as theirs; but it was more shrill, more human, than a nightingale's, and

there seemed to be more tune in it—more melody, you know. And a curious

sadness came over me at the sound of it, and even when I got to bed it

was hours before the echo of it had died away in my mind and I was able

to fall asleep.

“It was just my stupidity, perhaps, to persist in persecuting the fairy.

But then I had become used to persecuting birds, and perhaps I didn't

quite realize that my company in her field was as disquieting as hers

would be to us if she came to afternoon tea.”

“Oh, Uncle Tim, if only she would!”

“Well, Letitia,” said her uncle, “it's no good denying it: they don't.

We ourselves may pine for them; but not they, alas, for us. She didn't

want me there. Old Joe was company enough. And her own world's solitude.

But I met her face to face, none the less. It was the day before I had

to go home again, and two or three visits to the field had been quite in

vain. I could tell by now almost at first glance at Old Joe whether she

was there or not. Just as you could tell at one glance at me if _I_ was

here or not. Not just my body and bones, I mean, eyes and nose and mouth

and so on, but the spirit of me which is really and truly, I hope, your

Uncle Tim.”

“Yes,” said Letitia.

“This particular evening I was in just as morose and sulky a temper as a

small boy can be. My legs were aching because, I suppose, the ground was

damp on which I had been lying, and night after night had been so

crowded with dreams that I had had little real sleep. It seemed that the

fairy had deserted the field. It seemed that all my hope and longing and

watching had been in vain. I scowled at Old Joe as if _he_ were to

blame. Just vanity and fretfulness. Besides, Mrs. Lumb had found out

that I was creeping into the house while she was at dinner. And though

she never scolded me, she had a tart tongue, and could smile at you with

her handsome face and be uncommonly sarcastic at the same time.”

“There's a mistress at school, Miss Jennings, just like that,” cried

Letitia. “And then ... you saw her?”

“Yes, I saw her, face to face. I was on my way back through the copse at

the upper corner where two hedges met at the end of a little lane. And

as I came stumping along, I suddenly went cold all over, and I really

believe my cap got pushed up a little on top of my head, for certainly

my hair seemed to stand up beneath it. And yet I was not really

frightened. Startled, but not frightened. It was the loveliness of that

face. I can't even tell you, Letitia, what clothes she was wearing, but,

as I recall her, it was as if she were surrounded with a haze like that

of wood-smoke. She was the colour of a drift of bluebells in the

distance. That may or may not be, but I did see her face, for I was

staring steadily into her eyes. They were blue, like the blue of flames

in a wood-fire, and they were gazing at me out of a face all pale and

wan, the hair on either side hanging in one long strand down to the

narrow sloping shoulder.

“All else then in the world was completely forgotten. Just me, a small,

uncouth human animal, looking as if into another world into those set

unearthly eyes. There was no movement between us; not the least stir of

recognition or reproach or apprehension on her face. But as I looked—how

can I describe it, my dear?—there came a faint far-away change in her

eyes. It was as if, while you were looking out to sea some summer's

evening, a flight of distant sea-birds appeared in the blue and

vanished. We poor mortals can smile with our eyes alone, but not like

that. That was _her_ way of smiling at me. It told me in my heart of

hearts that she was not unfriendly to me, and yet that she was

entreating me to trespass no more near her lair. There was what she must

do in the world to consider, she was assuring me, though I hadn't then,

nor have now, the least notion of what it was. And those eyes were

telling me also as best she could—for she had no language she could

share with my dull wits—that though she wished me no harm, all she asked

me was not to keep a watch upon her, not to spy, not to intrude. And

then she was gone.

“It was easy to take hiding in the evening dusk of the woods, and the

copse and the hedges grew dense just there. She was gone, my dear, and I

have never seen her since—nor her like.... But you can't call _that_ a

story,” added Uncle Tim, vigorously polishing his spectacles with his

silk handkerchief and blinking at his small niece rather like an owl in

the morning sun.

Letitia remained silent. “I _do_ call it a story, Uncle Tim,” she said

at last. “And oh, how I wish.... But then what about Old Joe?”

“Ah, Old Joe, the rascal! Look at him there. You see, my dear, I never

forgot that evening. Years and years afterwards—I suppose I must have

been then in my early twenties—I stayed a night or two with my old

friend Mrs. Lumb again. She was very much older then, alas—and the first

walk I took was to my field.

“Would you believe it? There was Old Joe in his customary place, though

the barley-crop he was guarding that particular summer was now well

above his knees. And whether I myself was changed or had gone a little

blind in some respects; or whether, as I think, the fairy had long since

given up her hiding-place; or whether perhaps this had always been

merely her way of getting into and out of our world, I don't know. Old

Joe in any case looked, well, just as he looks now, absolutely

empty—forsaken, abandoned. He had brand-new old clothes on, of course,

and a rare old wide-brimmed hat, green as a robin's back. And what do

you think I did?”

“You didn't steal him, Uncle Tim?” whispered Letitia.

“No, Letitia; I purchased him; I bought him,” said Uncle Tim. “But 'ssh!

I went to the old farmer—old Farmer Jones—and asked him how many guineas

he'd take for his hodmadod as a curiosity. Just told him I knew Old Joe

when I was a boy, and had a sentimental affection for him.

[Illustration: Black and white illustration of a man pointing toward a

distant scarecrow while standing and talking with an older gentleman

holding a walking stick.]

“Farmer Jones was as fat as a porpoise, with a large mulberry red face

and eyes like bits of agate. He laughed at me. And what do you think he

charged?”

Letitia pondered rapidly, blinking her eyes. “I _suppose_ £5 would be a

good deal, wouldn't it, Uncle Tim? Even for Old Joe. Though, of course,”

she added in a slightly louder voice, in case the old creature should

hear, “it would be 'strordinarily cheap, too.”

“Guess again, my dear! Nothing like £5—nothing like even tuppence. 'Give

me a pipe of that plug tobacco of yours,' said the farmer, 'and he's

yours for ever.'

“So mine he was; and I am glad it wasn't money.”

[Illustration: “_I set her on my pacing steed...._”]

“And so am I,” said Letitia. “A pipe of tobacco was much better than

money. It doesn't hurt your feelings, Uncle Tim. And you never saw the

fairy again?”

“In a manner of speaking,” said Uncle Tim in a rather solemn voice, “I

don't think, Letitia, I have ever really seen anything else.

Nothing—even in the dreams that flock into my old head nowadays—nothing

ever resembles in loveliness that face, those deep-dark, unsmiling eyes.

_I set her on my pacing steed, and nothing else saw all day long...._

You know how it goes, my child; but I dare say in _your_ dreams....”

Letitia shook her head violently. “Oh no! Oh, how I wish,” she cried;

then fell silent. “You know, I _believe_, Uncle Tim,” she went on in a

low ruminative voice—“_I_ believe it was almost as if you must have

fallen in love with that fairy. Was it that, Uncle Tim?”

“Ah, my dear!” replied old Mr. Bolsover. “But if you don't think the

long grass under the willows over there is still too wet with the

night's dew, we might venture across and ask Old Joe.”

Number three Joy Street · 第 25 / 42 题