On one of the last days of June Mrs. Berrington showed her sister a note
she had received from 'your dear friend,' as she called him, Mr.
Wendover. This was the manner in which she usually designated him, but
she had naturally, in the present phase of her relations with Laura,
never indulged in any renewal of the eminently perverse insinuations by
means of which she had attempted, after the incident at the Soane
Museum, to throw dust in her eyes. Mr. Wendover proposed to Mrs.
Berrington that she and her sister should honour with their presence a
box he had obtained for the opera three nights later--an occasion of
high curiosity, the first appearance of a young American singer of whom
considerable things were expected. Laura left it to Selina to decide
whether they should accept this invitation, and Selina proved to be of
two or three differing minds. First she said it wouldn't be convenient
to her to go, and she wrote to the young man to this effect. Then, on
second thoughts, she considered she might very well go, and telegraphed
an acceptance. Later she saw reason to regret her acceptance and
communicated this circumstance to her sister, who remarked that it was
still not too late to change. Selina left her in ignorance till the
next day as to whether she had retracted; then she told her that she had
let the matter stand--they would go. To this Laura replied that she was
glad--for Mr. Wendover. 'And for yourself,' Selina said, leaving the
girl to wonder why every one (this universality was represented by Mrs.
Lionel Berrington and Lady Davenant) had taken up the idea that she
entertained a passion for her compatriot. She was clearly conscious that
this was not the case; though she was glad her esteem for him had not
yet suffered the disturbance of her seeing reason to believe that Lady
Davenant had already meddled, according to her terrible threat. Laura
was surprised to learn afterwards that Selina had, in London parlance,
'thrown over' a dinner in order to make the evening at the opera fit in.
The dinner would have made her too late, and she didn't care about it:
she wanted to hear the whole opera.
The sisters dined together alone, without any question of Lionel, and on
alighting at Covent Garden found Mr. Wendover awaiting them in the
portico. His box proved commodious and comfortable, and Selina was
gracious to him: she thanked him for his consideration in not stuffing
it full of people. He assured her that he expected but one other
inmate--a gentleman of a shrinking disposition, who would take up no
room. The gentleman came in after the first act; he was introduced to
the ladies as Mr. Booker, of Baltimore. He knew a great deal about the
young lady they had come to listen to, and he was not so shrinking but
that he attempted to impart a portion of his knowledge even while she
was singing. Before the second act was over Laura perceived Lady
Ringrose in a box on the other side of the house, accompanied by a lady
unknown to her. There was apparently another person in the box, behind
the two ladies, whom they turned round from time to time to talk with.
Laura made no observation about Lady Ringrose to her sister, and she
noticed that Selina never resorted to the glass to look at her. That
Mrs. Berrington had not failed to see her, however, was proved by the
fact that at the end of the second act (the opera was Meyerbeer's
_Huguenots_) she suddenly said, turning to Mr. Wendover: 'I hope you
won't mind very much if I go for a short time to sit with a friend on
the other side of the house.' She smiled with all her sweetness as she
announced this intention, and had the benefit of the fact that an
apologetic expression is highly becoming to a pretty woman. But she
abstained from looking at her sister, and the latter, after a wondering
glance at her, looked at Mr. Wendover. She saw that he was
disappointed--even slightly wounded: he had taken some trouble to get
his box and it had been no small pleasure to him to see it graced by the
presence of a celebrated beauty. Now his situation collapsed if the
celebrated beauty were going to transfer her light to another quarter.
Laura was unable to imagine what had come into her sister's head--to
make her so inconsiderate, so rude. Selina tried to perform her act of
defection in a soothing, conciliating way, so far as appealing eyebeams
went; but she gave no particular reason for her escapade, withheld the
name of the friends in question and betrayed no consciousness that it
was not usual for ladies to roam about the lobbies. Laura asked her no
question, but she said to her, after an hesitation: 'You won't be long,
surely. You know you oughtn't to leave me here.' Selina took no notice
of this--excused herself in no way to the girl. Mr. Wendover only
exclaimed, smiling in reference to Laura's last remark: 'Oh, so far as
leaving you here goes----!' In spite of his great defect (and it was his
only one, that she could see) of having only an ascending scale of
seriousness, she judged him interestedly enough to feel a real pleasure
in noticing that though he was annoyed at Selina's going away and not
saying that she would come back soon, he conducted himself as a
gentleman should, submitted respectfully, gallantly, to her wish. He
suggested that her friends might perhaps, instead, be induced to come to
his box, but when she had objected, 'Oh, you see, there are too many,'
he put her shawl on her shoulders, opened the box, offered her his arm.
While this was going on Laura saw Lady Ringrose studying them with her
glass. Selina refused Mr. Wendover's arm; she said, 'Oh no, you stay
with _her_--I daresay _he'll_ take me:' and she gazed inspiringly at Mr.
Booker. Selina never mentioned a name when the pronoun would do. Mr.
Booker of course sprang to the service required and led her away, with
an injunction from his friend to bring her back promptly. As they went
off Laura heard Selina say to her companion--and she knew Mr. Wendover
could also hear it--'Nothing would have induced me to leave her alone
with _you_!' She thought this a very extraordinary speech--she thought
it even vulgar; especially considering that she had never seen the
young man till half an hour before and since then had not exchanged
twenty words with him. It came to their ears so distinctly that Laura
was moved to notice it by exclaiming, with a laugh: 'Poor Mr. Booker,
what does she suppose I would do to him?'
'Oh, it's for you she's afraid,' said Mr. Wendover.
Laura went on, after a moment: 'She oughtn't to have left me alone with
you, either.'
'Oh yes, she ought--after all!' the young man returned.
The girl had uttered these words from no desire to say something
flirtatious, but because they simply expressed a part of the judgment
she passed, mentally, on Selina's behaviour. She had a sense of
wrong--of being made light of; for Mrs. Berrington certainly knew that
honourable women didn't (for the appearance of the thing) arrange to
leave their unmarried sister sitting alone, publicly, at the playhouse,
with a couple of young men--the couple that there would be as soon as
Mr. Booker should come back. It displeased her that the people in the
opposite box, the people Selina had joined, should see her exhibited in
this light. She drew the curtain of the box a little, she moved a little
more behind it, and she heard her companion utter a vague appealing,
protecting sigh, which seemed to express his sense (her own corresponded
with it) that the glory of the occasion had somehow suddenly departed.
At the end of some minutes she perceived among Lady Ringrose and her
companions a movement which appeared to denote that Selina had come in.
The two ladies in front turned round--something went on at the back of
the box. 'She's there,' Laura said, indicating the place; but Mrs.
Berrington did not show herself--she remained masked by the others.
Neither was Mr. Booker visible; he had not, seemingly, been persuaded to
remain, and indeed Laura could see that there would not have been room
for him. Mr. Wendover observed, ruefully, that as Mrs. Berrington
evidently could see nothing at all from where she had gone she had
exchanged a very good place for a very bad one. 'I can't imagine--I
can't imagine----' said the girl; but she paused, losing herself in
reflections and wonderments, in conjectures that soon became anxieties.
Suspicion of Selina was now so rooted in her heart that it could make
her unhappy even when it pointed nowhere, and by the end of half an hour
she felt how little her fears had really been lulled since that scene of
dishevelment and contrition in the early dawn.
The opera resumed its course, but Mr. Booker did not come back. The
American singer trilled and warbled, executed remarkable flights, and
there was much applause, every symptom of success; but Laura became more
and more unaware of the music--she had no eyes but for Lady Ringrose and
her friend. She watched them earnestly--she tried to sound with her
glass the curtained dimness behind them. Their attention was all for the
stage and they gave no present sign of having any fellow-listeners.
These others had either gone away or were leaving them very much to
themselves. Laura was unable to guess any particular motive on her
sister's part, but the conviction grew within her that she had not put
such an affront on Mr. Wendover simply in order to have a little chat
with Lady Ringrose. There was something else, there was some one else,
in the affair; and when once the girl's idea had become as definite as
that it took but little longer to associate itself with the image of
Captain Crispin. This image made her draw back further behind her
curtain, because it brought the blood to her face; and if she coloured
for shame she coloured also for anger. Captain Crispin was there, in the
opposite box; those horrible women concealed him (she forgot how
harmless and well-read Lady Ringrose had appeared to her that time at
Mellows); they had lent themselves to this abominable proceeding. Selina
was nestling there in safety with him, by their favour, and she had had
the baseness to lay an honest girl, the most loyal, the most unselfish
of sisters, under contribution to the same end. Laura crimsoned with the
sense that she had been, unsuspectingly, part of a scheme, that she was
being used as the two women opposite were used, but that she had been
outraged into the bargain, inasmuch as she was not, like them, a
conscious accomplice and not a person to be given away in that manner
before hundreds of people. It came back to her how bad Selina had been
the day of the business in Lincoln's Inn Fields, and how in spite of
intervening comedies the woman who had then found such words of injury
would be sure to break out in a new spot with a new weapon. Accordingly,
while the pure music filled the place and the rich picture of the stage
glowed beneath it, Laura found herself face to face with the strange
inference that the evil of Selina's nature made her wish--since she had
given herself to it--to bring her sister to her own colour by putting an
appearance of 'fastness' upon her. The girl said to herself that she
would have succeeded, in the cynical view of London; and to her troubled
spirit the immense theatre had a myriad eyes, eyes that she knew, eyes
that would know her, that would see her sitting there with a strange
young man. She had recognised many faces already and her imagination
quickly multiplied them. However, after she had burned a while with this
particular revolt she ceased to think of herself and of what, as
regarded herself, Selina had intended: all her thought went to the mere
calculation of Mrs. Berrington's return. As she did not return, and
still did not, Laura felt a sharp constriction of the heart. She knew
not what she feared--she knew not what she supposed. She was so nervous
(as she had been the night she waited, till morning, for her sister to
re-enter the house in Grosvenor Place) that when Mr. Wendover
occasionally made a remark to her she failed to understand him, was
unable to answer him. Fortunately he made very few; he was
preoccupied--either wondering also what Selina was 'up to' or, more
probably, simply absorbed in the music. What she _had_ comprehended,
however, was that when at three different moments she had said,
restlessly, 'Why doesn't Mr. Booker come back?' he replied, 'Oh, there's
plenty of time--we are very comfortable.' These words she was conscious
of; she particularly noted them and they interwove themselves with her
restlessness. She also noted, in her tension, that after her third
inquiry Mr. Wendover said something about looking up his friend, if she
didn't mind being left alone a moment. He quitted the box and during
this interval Laura tried more than ever to see with her glass what had
become of her sister. But it was as if the ladies opposite had arranged
themselves, had arranged their curtains, on purpose to frustrate such an
attempt: it was impossible to her even to assure herself of what she had
begun to suspect, that Selina was now not with them. If she was not with
them where in the world had she gone? As the moments elapsed, before Mr.
Wendover's return, she went to the door of the box and stood watching
the lobby, for the chance that he would bring back the absentee.
Presently she saw him coming alone, and something in the expression of
his face made her step out into the lobby to meet him. He was smiling,
but he looked embarrassed and strange, especially when he saw her
standing there as if she wished to leave the place.
'I hope you don't want to go,' he said, holding the door for her to pass
back into the box.
'Where are they--where are they?' she demanded, remaining in the
corridor.
'I saw our friend--he has found a place in the stalls, near the door by
which you go into them--just here under us.'
'And does he like that better?'
Mr. Wendover's smile became perfunctory as he looked down at her. 'Mrs.
Berrington has made such an amusing request of him.'
'An amusing request?'
'She made him promise not to come back.'
'Made him promise----?' Laura stared.
'She asked him--as a particular favour to her--not to join us again. And
he said he wouldn't.'
'Ah, the monster!' Laura exclaimed, blushing crimson.
'Do you mean poor Mr. Booker?' Mr. Wendover asked. 'Of course he had to
assure her that the wish of so lovely a lady was law. But he doesn't
understand!' laughed the young man.
'No more do I. And where is the lovely lady?' said Laura, trying to
recover herself.
'He hasn't the least idea.'
'Isn't she with Lady Ringrose?'
'If you like I will go and see.'
Laura hesitated, looking down the curved lobby, where there was nothing
to see but the little numbered doors of the boxes. They were alone in
the lamplit bareness; the _finale_ of the act was ringing and booming
behind them. In a moment she said: 'I'm afraid I must trouble you to put
me into a cab.'
'Ah, you won't see the rest? _Do_ stay--what difference does it make?'
And her companion still held open the door of the box. Her eyes met his,
in which it seemed to her that as well as in his voice there was
conscious sympathy, entreaty, vindication, tenderness. Then she gazed
into the vulgar corridor again; something said to her that if she should
return she would be taking the most important step of her life. She
considered this, and while she did so a great burst of applause filled
the place as the curtain fell. 'See what we are losing! And the last act
is so fine,' said Mr. Wendover. She returned to her seat and he closed
the door of the box behind them.
Then, in this little upholstered receptacle which was so public and yet
so private, Laura Wing passed through the strangest moments she had
known. An indication of their strangeness is that when she presently
perceived that while she was in the lobby Lady Ringrose and her
companion had quite disappeared, she observed the circumstance without
an exclamation, holding herself silent. Their box was empty, but Laura
looked at it without in the least feeling this to be a sign that Selina
would now come round. She would never come round again, nor would she
have gone home from the opera. That was by this time absolutely definite
to the girl, who had first been hot and now was cold with the sense of
what Selina's injunction to poor Mr. Booker exactly meant. It was worthy
of her, for it was simply a vicious little kick as she took her flight.
Grosvenor Place would not shelter her that night and would never shelter
her more: that was the reason she tried to spatter her sister with the
mud into which she herself had jumped. She would not have dared to treat
her in such a fashion if they had had a prospect of meeting again. The
strangest part of this remarkable juncture was that what ministered most
to our young lady's suppressed emotion was not the tremendous reflection
that this time Selina had really 'bolted' and that on the morrow all
London would know it: all that had taken the glare of certainty (and a
very hideous hue it was), whereas the chill that had fallen upon the
girl now was that of a mystery which waited to be cleared up. Her heart
was full of suspense--suspense of which she returned the pressure,
trying to twist it into expectation. There was a certain chance in life
that sat there beside her, but it would go for ever if it should not
move nearer that night; and she listened, she watched, for it to move. I
need not inform the reader that this chance presented itself in the
person of Mr. Wendover, who more than any one she knew had it in his
hand to transmute her detestable position. To-morrow he would know, and
would think sufficiently little of a young person of _that_ breed:
therefore it could only be a question of his speaking on the spot. That
was what she had come back into the box for--to give him his
opportunity. It was open to her to think he had asked for it--adding
everything together.
The poor girl added, added, deep in her heart, while she said nothing.
The music was not there now, to keep them silent; yet he remained quiet,
even as she did, and that for some minutes was a part of her addition.
She felt as if she were running a race with failure and shame; she would
get in first if she should get in before the degradation of the morrow.
But this was not very far off, and every minute brought it nearer. It
would be there in fact, virtually, that night, if Mr. Wendover should
begin to realise the brutality of Selina's not turning up at all. The
comfort had been, hitherto, that he didn't realise brutalities. There
were certain violins that emitted tentative sounds in the orchestra;
they shortened the time and made her uneasier--fixed her idea that he
could lift her out of her mire if he would. It didn't appear to prove
that he would, his also observing Lady Ringrose's empty box without
making an encouraging comment upon it. Laura waited for him to remark
that her sister obviously would turn up now; but no such words fell from
his lips. He must either like Selina's being away or judge it damningly,
and in either case why didn't he speak? If he had nothing to say, why
_had_ he said, why had he done, what did he mean----? But the girl's
inward challenge to him lost itself in a mist of faintness; she was
screwing herself up to a purpose of her own, and it hurt almost to
anguish, and the whole place, around her, was a blur and swim, through
which she heard the tuning of fiddles. Before she knew it she had said
to him, 'Why have you come so often?'
'So often? To see you, do you mean?'
'To see _me_--it was for that? Why have you come?' she went on. He was
evidently surprised, and his surprise gave her a point of anger, a
desire almost that her words should hurt him, lash him. She spoke low,
but she heard herself, and she thought that if what she said sounded to
_him_ in the same way----! 'You have come very often--too often, too
often!'
He coloured, he looked frightened, he was, clearly, extremely startled.
'Why, you have been so kind, so delightful,' he stammered.
'Yes, of course, and so have you! Did you come for Selina? She is
married, you know, and devoted to her husband.' A single minute had
sufficed to show the girl that her companion was quite unprepared for
her question, that he was distinctly not in love with her and was face
to face with a situation entirely new. The effect of this perception was
to make her say wilder things.
'Why, what is more natural, when one likes people, than to come often?
Perhaps I have bored you--with our American way,' said Mr. Wendover.
'And is it because you like me that you have kept me here?' Laura asked.
She got up, leaning against the side of the box; she had pulled the
curtain far forward and was out of sight of the house.
He rose, but more slowly; he had got over his first confusion. He
smiled at her, but his smile was dreadful. 'Can you have any doubt as to
what I have come for? It's a pleasure to me that you have liked me well
enough to ask.'
For an instant she thought he was coming nearer to her, but he didn't:
he stood there twirling his gloves. Then an unspeakable shame and
horror--horror of herself, of him, of everything--came over her, and she
sank into a chair at the back of the box, with averted eyes, trying to
get further into her corner. 'Leave me, leave me, go away!' she said, in
the lowest tone that he could hear. The whole house seemed to her to be
listening to her, pressing into the box.
'Leave you alone--in this place--when I love you? I can't do
that--indeed I can't.'
'You don't love me--and you torture me by staying!' Laura went on, in a
convulsed voice. 'For God's sake go away and don't speak to me, don't
let me see you or hear of you again!'
Mr. Wendover still stood there, exceedingly agitated, as well he might
be, by this inconceivable scene. Unaccustomed feelings possessed him and
they moved him in different directions. Her command that he should take
himself off was passionate, yet he attempted to resist, to speak. How
would she get home--would she see him to-morrow--would she let him wait
for her outside? To this Laura only replied: 'Oh dear, oh dear, if you
would only go!' and at the same instant she sprang up, gathering her
cloak around her as if to escape from him, to rush away herself. He
checked this movement, however, clapping on his hat and holding the
door. One moment more he looked at her--her own eyes were closed; then
he exclaimed, pitifully, 'Oh Miss Wing, oh Miss Wing!' and stepped out
of the box.
When he had gone she collapsed into one of the chairs again and sat
there with her face buried in a fold of her mantle. For many minutes she
was perfectly still--she was ashamed even to move. The one thing that
could have justified her, blown away the dishonour of her monstrous
overture, would have been, on his side, the quick response of
unmistakable passion. It had not come, and she had nothing left but to
loathe herself. She did so, violently, for a long time, in the dark
corner of the box, and she felt that he loathed her too. 'I love
you!'--how pitifully the poor little make-believe words had quavered out
and how much disgust they must have represented! 'Poor man--poor man!'
Laura Wing suddenly found herself murmuring: compassion filled her mind
at the sense of the way she had used him. At the same moment a flare of
music broke out: the last act of the opera had begun and she had sprung
up and quitted the box.
The passages were empty and she made her way without trouble. She
descended to the vestibule; there was no one to stare at her and her
only fear was that Mr. Wendover would be there. But he was not,
apparently, and she saw that she should be able to go away quickly.
Selina would have taken the carriage--she could be sure of that; or if
she hadn't it wouldn't have come back yet; besides, she couldn't
possibly wait there so long as while it was called. She was in the act
of asking one of the attendants, in the portico, to get her a cab, when
some one hurried up to her from behind, overtaking her--a gentleman in
whom, turning round, she recognised Mr. Booker. He looked almost as
bewildered as Mr. Wendover, and his appearance disconcerted her almost
as much as that of his friend would have done. 'Oh, are you going away,
alone? What must you think of me?' this young man exclaimed; and he
began to tell her something about her sister and to ask her at the same
time if he might not go with her--help her in some way. He made no
inquiry about Mr. Wendover, and she afterwards judged that that
distracted gentleman had sought him out and sent him to her assistance;
also that he himself was at that moment watching them from behind some
column. He would have been hateful if he had shown himself; yet (in this
later meditation) there was a voice in her heart which commended his
delicacy. He effaced himself to look after her--he provided for her
departure by proxy.
'A cab, a cab--that's all I want!' she said to Mr. Booker; and she
almost pushed him out of the place with the wave of the hand with which
she indicated her need. He rushed off to call one, and a minute
afterwards the messenger whom she had already despatched rattled up in a
hansom. She quickly got into it, and as she rolled away she saw Mr.
Booker returning in all haste with another. She gave a passionate
moan--this common confusion seemed to add a grotesqueness to her
predicament.