Under such instruction you become disgusted for the time with any

effort, or pulse of affection, which does not have immediate and

practical bearing upon that success in life by which you measure your

hopes. The dreams of love, of romantic adventure, of placid joy, have

all gone out with the fantastic images to which your passionate youth

had joined them. The world is now regarded as a tournament, where the

gladiatorship of life is to be exhibited at your best endeavor. Its

honors and joys lie in a brilliant pennon and a plaudit.

Dalton is learned in those arts which make of action, not a duty, but a

conquest; and sense of duty has expired in you with those romantic hopes

to which you bound it, not as much through sympathy as ignorance. It is

a cold and a bitterly selfish work that lies before you,--to be covered

over with such borrowed show of smiles as men call affability. The heart

wears a stout, brazen screen; its inclinations grow to the habit of your

ambitious projects.

In such mood come swift dreams of wealth,--not of mere accumulation, but

of the splendor and parade which in our Western world are, alas! its

chiefest attractions. You grow observant of markets, and estimate

percentages. You fondle some speculation in your thought, until it grows

into a gigantic scheme of profit; and if the venture prove successful,

you follow the tide tremulously, until some sudden reverse throws you

back upon the resources of your professional employ.

But again as you see this and that one wearing the blazonry which wealth

wins, and which the man of the world is sure to covet,--your weak soul

glows again with the impassioned desire, and you hunger, with brute

appetite and bestial eye, for riches. You see the mania around you, and

it is relieved of odium by the community of error. You consult some gray

old veteran in the war of gold, scarred with wounds, and crowned with

honors, and watch eagerly for the words and the ways which have won him

wealth.

Your fingers tingle with mad expectancies; your eyes roam, lost in

estimates. Your note-book shows long lines of figures. Your reading of

the news centres in the stock-list. Your brow grows cramped with the

fever of anxiety. Through whole church-hours your dreams range over the

shadowy transactions of the week or the month to come.

Even with old religious habit clinging fast to your soul, you dream now

only of nice conformity, comfortable faith, high respectability; there

lies very little in you of that noble consciousness of Duty

performed,--of living up to the Life that is in you,--of grasping boldly

and stoutly at those chains of Love which the Infinite Power has lowered

to our reach. You do not dream of being, but of seeming. You spill the

real essence, and clutch at the vial which has only a label of Truth.

Great and holy thoughts of the Future,--shadowy, yet bold conceptions of

the Infinite,--float past you dimly, and your hold is never strong

enough to grapple them to you. They fly, like eagles, too near the sun;

and there lies game below for your vulture beak to feed upon.

[Great thoughts belong only and truly to him whose mind can hold them.

No matter who first puts them in words, if they come to a soul and fill

it, they belong to it,--whether they floated on the voice of others, or

on the wings of silence and the night.]

To be up with the fashion of the time, to be ignorant of plain things

and people, and to be knowing in brilliancies, is a kind of Pelhamism

that is very apt to overtake one in the first blush of manhood. To hold

a fair place in the after-dinner table-talk, to meet distinction as a

familiarity, to wear _salon_ honors with aplomb, to know affection so

far as to wield it into grace of language, are all splendid achievements

with a man of the world. Instruction is caught without asking it; and no

ignorance so shames as ignorance of those forms by which natural impulse

is subdued to the tone of civilian habit. You conceal what tells of the

man, and cover it with what smacks of the _roué_.

Perhaps under such training, and with a slight memory of early

mortification to point your spirit, you affect those gallantries of

heart and action which the world calls flirtation. You may study

brilliancies of speech to wrap their net around those susceptible hearts

whose habit is too _naïve_ by nature to wear the leaden covering of

custom. You win approaches by artful counterfeit of earnestness, and

dash away any _naïveté_ of confidence with some brave sophism of the

world. A doubt or a distrust piques your pride, and makes attentions

wear a humility that wins anew. An indifference piques you more, and

throws into your art a counter-indifference,--lit up by bold flashes of

feeling,--sparkling with careless brilliancies, and crowned with a

triumph of neglect.

It is curious how ingeniously a man's vanity will frame apologies for

such action.--It is pleasant to give pleasure; you like to see a joyous

sparkle of the eye, whether lit up by your presence or by some buoyant

fancy. It is a beguiling task to weave words into some soft, melodious

flow, that shall keep the ear and kindle the eye; and to strew it over

with half-hidden praises, so deftly couched in double terms that their

aroma shall only come to the heart hours afterward, and seem to be the

merest accidents of truth. It is a happy art to make such subdued show

of emotion as seems to struggle with pride, and to flush the eye with a

moisture, of which you seem ashamed, and yet are proud. It is a pretty

practice to throw an earnestness into look and gesture, that shall seem

full of pleading, and yet--ask nothing!

And yet it is hard to admire greatly the reputation of that man who

builds his triumphs upon womanly weakness; that distinction is not

over-enduring whose chiefest merit springs out of the delusions of a too

trustful heart. The man, who wins it, wins only a poor sort of womanly

distinction. Without power to cope with men, he triumphs over the

weakness of the other sex only by hypocrisy. He wears none of the armor

of Romans, and he parleys with Punic faith.

----Yet even now there is a lurking goodness in you that traces its

beginning to the old garret-home,--there is an air in the harvest heats

that whispers of the bloom of spring.

And over your brilliant career as man of the world, however lit up by a

morbid vanity, or galvanized by a lascivious passion, there will come at

times the consciousness of a better heart, struggling beneath your

cankered action,--like the low Vesuvian fire, reeking vainly under rough

beds of tufa and scoriated lava. And as you smile in _loge_ or _salon_,

with daring smiles, or press with villain fondness the hand of those

lady-votaries of the same god you serve, there will gleam upon you over

the waste of rolling years a memory that quickens again the nobler and

bolder instincts of the heart.

Childish recollections, with their purity and earnestness,--a sister's

love,--a mother's solicitude, will flood your soul once more with a

gushing sensibility that yearns for enjoyment. And the consciousness of

some lingering nobility of affection, that can only grow great in mating

itself with nobility of heart, will sweep off your puny triumphs, your

Platonic friendships, your dashing coquetries, like the foul smoke of a

city before a fresh breeze of the country autumn.

III.

_Manly Hope._

You are at home again; not your own home,--that is gone,--but at the

home of Nelly and of Frank. The city heats of summer drive you to the

country. You ramble, with a little kindling of old desires and memories,

over the hill-sides that once bounded your boyish vision. Here you

netted the wild rabbits, as they came out at dusk to feed; there, upon

that tall chestnut, you cruelly maimed your first captive squirrel. The

old maples are even now scarred with the rude cuts you gave them in

sappy March.

You sit down upon some height overlooking the valley where you were

born; you trace the faint, silvery line of river; you detect by the

leaning elm your old bathing-place upon the Saturdays of Summer. Your

eye dwells upon some patches of pasture-wood which were famous for their

nuts. Your rambling and saddened vision roams over the houses; it traces

the familiar chimney-stacks; it searches out the low-lying cottages; it

dwells upon the gray roof sleeping yonder under the sycamores.

Tears swell in your eye as you gaze; you cannot tell whence or why they

come. Yet they are tears eloquent of feeling. They speak of

brother-children,--of boyish glee,--of the flush of young health,--of a

mother's devotion,--of the home affections,--of the vanities of

life,--of the wasting years,--of the Death that must shroud what friends

remain, as it has shrouded what friends have gone,--and of that Great

Hope, beaming on your seared manhood dimly from the upper world!

Your wealth suffices for all the luxuries of life; there is no fear of

coming want; health beats strong in your veins; you have learned to hold

a place in the world with a man's strength, and a man's confidence. And

yet in the view of those sweet scenes which belonged to early days, when

neither strength, confidence, nor wealth were yours,--days never to come

again,--a shade of melancholy broods upon your spirit, and covers with

its veil all that fierce pride which your worldly wisdom has wrought.

You visit again with Frank the country homestead of his grandfather: he

is dead; but the old lady still lives; and blind Fanny, now drawing

toward womanhood, wears yet through her darkened life the same air of

placid content, and of sweet trustfulness in Heaven. The boys, whom you

astounded with your stories of books, are gone, building up now with

steady industry the queen cities of our new western land. The old

clergyman is gone from the desk, and from under his sounding board; he

sleeps beneath a brown stone slab in the churchyard. The stout deacon is

dead; his wig and his wickedness rest together. The tall chorister sings

yet; but they have now a bass-viol--handled by a new schoolmaster--in

place of his tuning-fork; and the years have sown feeble quavers in his

voice.

Once more you meet at the home of Nelly the blue-eyed Madge. The

sixpence is all forgotten; you cannot tell where your half of it is

gone. Yet she is beautiful, just budding into the full ripeness of

womanhood. Her eyes have a quiet, still joy, and hope beaming in them,

like angel's looks. Her motions have a native grace and freedom that no

culture can bestow. Her words have a gentle earnestness and honesty that

could never nurture guile.

You had thought after your gay experiences of the world to meet her with

a kind condescension, as an old friend of Nelly's. But there is that in

her eye which forbids all thought of condescension. There is that in her

air which tells of a high womanly dignity, which can only be met on

equal ground. Your pride is piqued. She has known--she must know your

history; but it does not tame her. There is no marked and submissive

appreciation of your gifts as a man of the world.

She meets your happiest compliments with a very easy indifference; she

receives your elegant civilities with a very assured brow. She neither

courts your society, nor avoids it. She does not seek to provoke any

special attention. And only when your old self glows in some casual

kindness to Nelly, does her look beam with a flush of sympathy.

This look touches you. It makes you ponder on the noble heart that lives

in Madge. It makes you wish it were yours. But that is gone. The fervor

and the honesty of a glowing youth is swallowed up in the flash and

splendor of the world. A half-regret chases over you at nightfall, when

solitude pierces you with the swift dart of gone-by memories. But at

morning the regret dies in the glitter of ambitious purposes.

The summer months linger; and still you linger with them. Madge is often

with Nelly; and Madge is never less than Madge. You venture to point

your attentions with a little more fervor; but she meets the fervor with

no glow. She knows too well the habit of your life.

Strange feelings come over you,--feelings like half-forgotten

memories,--musical, dreamy, doubtful. You have seen a hundred faces more

brilliant than that of Madge; you have pressed a hundred jewelled hands

that have returned a half-pressure to yours. You do not exactly admire;

to love you have forgotten; you only--linger!

It is a soft autumn evening, and the harvest-moon is red and round over

the eastern skirt of woods. You are attending Madge to that little

cottage-home where lives that gentle and doting mother, who, in the

midst of comparative poverty, cherishes that refined delicacy which

never comes to a child but by inheritance.

Madge has been passing the day with Nelly. Something--it may be the soft

autumn air, wafting toward you the freshness of young days--moves you to

speak as you have not ventured to speak, as your vanity has not allowed

you to speak before.

"You remember, Madge, (you have guarded this sole token of boyish

intimacy,) our split sixpence?"

"Perfectly;" it is a short word to speak, and there is no tremor in her

tone,--not the slightest.

"You have it yet?"

"I dare say I have it somewhere;"--no tremor now; she is very composed.

"That was a happy time;"--very great emphasis on the word happy.

"Very happy;"--no emphasis anywhere.

"I sometimes wish I might live it over again."

"Yes?"--inquiringly.

"There are, after all, no pleasures in the world like those."

"No?"--inquiringly again.

You thought you had learned to have language at command; you never

thought, after so many years' schooling of the world, that your pliant

tongue would play you truant. Yet now you are silent.

The moon steals silvery into the light flakes of cloud, and the air is

soft as May. The cottage is in sight. Again you risk utterance:--

"You must live very happily here."

"I have very kind friends;"--the very is emphasized.

"I am sure Nelly loves you very much."

"Oh, I believe it!"--with great earnestness.

You are at the cottage-door.--

"Good night, Maggie;"--very feelingly.

"Good night, Clarence;"--very kindly; and she draws her hand coyly, and

half tremulously, from your somewhat fevered grasp.

You stroll away dreamily, watching the moon,--running over your

fragmentary life,--half moody, half pleased, half hopeful.

You come back stealthily, and with a heart throbbing with a certain wild

sense of shame, to watch the light gleaming in the cottage. You linger

in the shadows of the trees until you catch a glimpse of her figure

gliding past the window. You bear the image home with you. You are

silent on your return. You retire early, but you do not sleep early.

----If you were only as you were: if it were not too late! If Madge

could only love you, as you know she will and must love one manly heart,

there would be a world of joy opening before you. But it is too late!

You draw out Nelly to speak of Madge: Nelly is very prudent. "Madge is a

dear girl," she says. Does Nelly even distrust you? It is a sad thing to

be too much a man of the world!

You go back again to noisy, ambitious life: you try to drown old

memories in its blaze and its vanities. Your lot seems cast beyond all

change, and you task yourself with its noisy fulfilment. But amid the

silence and the toil of your office-hours, a strange desire broods over

your spirit,--a desire for more of manliness,--that manliness which

feels itself a protector of loving and trustful innocence.

You look around upon the faces in which you have smiled unmeaning

smiles: there is nothing there to feed your dawning desires. You meet

with those ready to court you by flattering your vanity, by retailing

the praises of what you may do well, by odious familiarity, by brazen

proffer of friendship, but you see in it only the emptiness and the

vanity which you have studied to enjoy.

Sickness comes over you, and binds you for weary days and nights,--in

which life hovers doubtfully, and the lips babble secrets that you

cherish. It is astonishing how disease clips a man from the

artificialities of the world! Lying lonely upon his bed, moaning,

writhing, suffering, his soul joins on to the universe of souls by only

natural bonds. The factitious ties of wealth, of place, of reputation,

vanish from his bleared eyes; and the earnest heart, deep under all,

craves only heartiness!

The old craving of the office silence comes back,--not with the proud

wish only of being a protector, but--of being protected. And whatever

may be the trust in that beneficent Power who "chasteneth whom he

loveth," there is yet an earnest, human yearning toward some one, whose

love--most, and whose duty--least, would call her to your side; whose

soft hands would cool the fever of yours, whose step would wake a throb

of joy, whose voice would tie you to life, and whose presence would make

the worst of Death--an Adieu!

As you gain strength once more, you go back to Nelly's home. Her

kindness does not falter; every care and attention belong to you there.

Again your eye rests upon that figure of Madge, and upon her face,

wearing an even gentler expression as she sees you sitting pale and

feeble by the old hearth-stone. She brings flowers--for Nelly: you beg

Nelly to place them upon the little table at your side. It is as yet the

only taste of the country that you can enjoy. You love those flowers.

After a time you grow strong, and walk in the fields. You linger until

nightfall. You pass by the cottage where Madge lives. It is your

pleasantest walk. The trees are greenest in that direction; the shadows

are softest; the flowers are thickest.

It is strange--this feeling in you. It is not the feeling you had for

Laura Dalton. It does not even remind of that. That was an impulse, but

this is growth. That was strong, but this is strength. You catch sight

of her little notes to Nelly; you read them over and over; you treasure

them; you learn them by heart. There is something in the very writing

that touches you.

You bid her adieu with tones of kindness that tremble,--and that meet a

half-trembling tone in reply. She is very good.

----If it were not too late!

IV.

_Manly Love._

And shall pride yield at length!

----Pride!--and what has love to do with pride? Let us see how it is.

Madge is poor; she is humble. You are rich; you are a man of the world;

you are met respectfully by the veterans of fashion; you have gained

perhaps a kind of brilliancy of position.

Would it then be a condescension to love Madge? Dare you ask yourself

such a question? Do you not know--in spite of your worldliness--that the

man or the woman, who _condescends_ to love, never loves in earnest?

But again Madge is possessed of a purity, a delicacy, and a dignity that

lift her far above you,--that make you feel your weakness and your

unworthiness; and it is the deep and the mortifying sense of this

unworthiness that makes you bolster yourself upon your pride. You _know_

that you do yourself honor in loving such grace and goodness; you know

that you would be honored tenfold more than you deserve in being loved

by so much grace and goodness.

It scarce seems to you possible; it is a joy too great to be hoped for;

and in the doubt of its attainment your old, worldly vanity comes in,

and tells you to--beware; and to live on in the splendor of your

dissipation and in the lusts of your selfish habit. Yet still underneath

all there is a deep, low, heart-voice,--quickened from above,--which

assures you that you are capable of better things; that you are not

wholly lost; that a mine of unstarted tenderness still lies smouldering

in your soul.

And with this sense quickening your better nature, you venture the

wealth of your whole heart-life upon the hope that now blazes on your

path.

----You are seated at your desk, working with such zeal of labor as

your ambitious projects never could command. It is a letter to Margaret

Boyne that so tasks your love, and makes the veins upon your forehead

swell with the earnestness of the employ.

* * * * *

----"DEAR MADGE,--May I not call you thus, if only in memory of

our childish affections; and might I dare to hope that a riper

affection, which your character has awakened, may permit me to call you

thus always?

"If I have not ventured to speak, dear Madge, will you not believe that

the consciousness of my own ill-desert has tied my tongue; will you not

at least give me credit for a little remaining modesty of heart? You

know my life, and you know my character,--what a sad jumble of errors

and of misfortunes have belonged to each. You know the careless and the

vain purposes which have made me recreant to the better nature which

belonged to that sunny childhood, when we lived and grew up together.

And will you not believe me when I say, that your grace of character and

kindness of heart have drawn me back from the follies in which I lived,

and quickened new desires which I thought to be wholly dead? Can I

indeed hope that you will overlook all that has gained your secret

reproaches, and confide in a heart which is made conscious of better

things by the love you have inspired?

"Ah, Madge, it is not with a vain show of words, or with any counterfeit

of feeling, that I write now; you know it is not; you know that my heart

is leaning toward you with the freshness of its noblest instincts; you

know that--I love you!

"Can I, dare I hope, that it is not spoken in vain? I had thought in my

pride never to make such avowal,--never again to sue for affection; but

your gentleness, your modesty, your virtues of life and heart, have

conquered me! I am sure you will treat me with the generosity of a

victor.

"You know my weaknesses; I would not conceal from you a single

one,--even to win you. I can offer nothing to you which will bear

comparison in value with what is yours to bestow. I can only offer this

feeble hand of mine--to guard you; and this poor heart--to love you!

"Am I rash? Am I extravagant, in word, or in hope? Forgive it then, dear

Madge, for the sake of our old childish affection; and believe me, when

I say, that what is here written--is written honestly and tearfully.

Adieu."

* * * * *

It is with no fervor of boyish passion that you fold this letter: it is

with the trembling hand of eager and earnest manhood. They tell you that

man is not capable of love: so the September sun is not capable of

warmth! It may not indeed be so fierce as that of July; but it is

steadier. It does not force great flaunting leaves into breadth and

succulence, but it matures whole harvests of plenty!

There is a deep and earnest soul pervading the reply of Madge that makes

it sacred; it is full of delicacy, and full of hope. Yet it is not

final. Her heart lies intrenched within the ramparts of Duty and of

Devotion. It is a citadel of strength in the middle of the city of her

affections. To win the way to it, there must be not only earnestness of

love, but earnestness of life.

Weeks roll by, and other letters pass and are answered,--a glow of

warmth beaming on either side.

You are again at the home of Nelly; she is very joyous; she is the

confidante of Madge. Nelly feels, that with all your errors you have

enough inner goodness of heart to make Madge happy; and she

feels--doubly--that Madge has such excess of goodness as will cover your

heart with joy. Yet she tells you very little. She will give you no full

assurance of the love of Madge; she leaves that for yourself to win.

She will even tease you in her pleasant way, until hope almost changes

to despair, and your brow grows pale with the dread--that even now your

unworthiness may condemn you.

It is summer weather; and you have been walking over the hills of home

with Madge and Nelly. Nelly has found some excuse to leave

you,--glancing at you most teasingly as she hurries away.

You are left sitting with Madge upon a bank tufted with blue violets.

You have been talking of the days of childhood, and some word has called

up the old chain of boyish feeling, and joined it to your new hope.

What you would say crowds too fast for utterance, and you abandon it.

But you take from your pocket that little, broken bit of

sixpence,--which you have found after long search,--and without a word,

but with a look that tells your inmost thought, you lay it in the

half-opened hand of Madge.

She looks at you with a slight suffusion of color,--seems to hesitate a

moment,--raises her other hand, and draws from her bosom by a bit of

blue ribbon a little locket. She touches a spring, and there falls

beside your relique--another, that had once belonged to it.

Hope glows now like the sun.

----"And you have worn this, Maggie?"

----"Always!"

"Dear Madge!"

"Dear Clarence!"

Dream Life: A Fable of the Seasons · 第 10 / 13 段