CHAPTER THREE

I

They sat there for hours, at a tiny table, in a corner of the dimly

lighted shop, crowded with miscellaneous objects, embroidered smocks,

brass candlesticks, pictures, books, curios, baskets. The red curtains

were drawn across the windows, the door was closed; they were

undisturbed, isolated during the course of that most pathetic of human

struggles--that forever unsuccessful effort of one soul to explain

itself to another. With utter earnestness, sincerity, with justice and

compassion for Lawrence, Rosaleen tried to give Landry the story of her

marriage. She had only one motive--that this man should not think her

worse than she was. She felt that if he could be brought to see _why_

she had done this and that, he would no longer blame her. She wished to

make him see how inevitable it had all been.

She began with the day that Lawrence had come to her room to kill

himself. She and Miss Waters had tended him with frightened assiduity

all the afternoon, but in vain. His malady was beyond their reach. His

malady was despair. He had been through an experience that day which

had wrecked his soul. The doctor had told him that he was going blind,

and that nothing could prevent it.

Terror had seized him. He had thought at once of the only person he knew

who was capable of sustained and disinterested kindness, and he had fled

to Rosaleen, to die in her compassionate presence. His attempt, however,

wasn’t successful, whether from lack of knowledge or from reluctance

even he himself never knew. He hadn’t really harmed himself at all; the

blood-letting seemed in fact to make him feel better, to clear his

brain. He could perfectly well have got up and walked off at any moment,

but he preferred to lie with closed eyes, savouring his anguish. And

permitting an exquisite sense of consolation to creep into his soul.

Rosaleen and Miss Waters worked desperately over him; they washed his

face with cold water again and again. They made tea for him, and toast,

and the smell of the toast revived him. He ate it, mournfully, still

with his eyes closed. They bathed his forehead with Rosaleen’s cherished

“Florida water.” Once Miss Waters laid her cottony-white head on his

chest, to listen to his heart, but being too modest to unbutton his

waistcoat, she didn’t obtain much information. However, she knew it was

the thing to do, and it impressed Rosaleen.

He lay there for two days; a most embarrassing situation. Miss Waters

came to stop with Rosaleen, and they slept on the floor of the studio,

because Rosaleen said it might make him think he was causing trouble if

they pulled the other cot out of the room where he lay. The thought of

causing trouble, however, was not one of Lawrence’s worries. He would

wake up in the night and groan, so horribly that Rosaleen and Miss

Waters would cling to each other and weep. He asked for wines and

delicacies which they could ill afford. But his selfishness made him all

the more appealing to Rosaleen.

On the third day, late in the afternoon, he got up, bathed, shaved, and

dressed. Rosaleen disposed him in the wing chair, and went to the corner

to fetch cigarettes for him.

“What would you like for dinner?” she asked.

He said he didn’t care; anything nice....

“Won’t you take something now?” she entreated. “A nice hot cup of

cocoa?”

“No; not cocoa.”

He sighed and once more closed his eyes, which frightened Rosaleen.

“What _can_ I do for you?” she asked.

“Stay near me!” he said. “Don’t leave me alone!”

“Of course I won’t!” she answered.

He stayed there in the studio for nearly three weeks, sitting about in

his dressing gown, smoking and reading. One day he ordered a taxi and

sent Rosaleen to the flat where he had been living, to fetch him a long

list of things, including his painting materials, and when she returned,

he set up his easel and began to work.

“I may have six months more, you know,” he said. “I can see almost as

well as ever now. The colours aren’t quite so clear, perhaps....”

Rosaleen was delighted to see him taking an interest in something; she

had for so long looked upon him as an invalid, almost unable to move,

for whose recovery she was more or less responsible. She felt that this

new interest in his work might serve to rouse him from that apathy which

so distressed and alarmed her. She sat watching him, with affection,

with admiration. He was singing to himself, in a deep, growling basso,

and working just as she had seen him working in his studio

downstairs.... When suddenly he flung down the brushes and fell on his

knees, so heavily that the room shook.

“Oh, my God!” he cried. “I can’t bear it! I can’t live!... It’s going

from me!... Oh, let me die! Let me die...!”

She had rushed across the room and was on her knees beside him.

“Lawrence!” she cried. “Dear Lawrence! Don’t give way! Don’t take it so

hard! They say that bl--that people who can’t see are very happy. You’ll

find other things--all _sorts_ of other things--to interest you!”

“Be quiet!” he cried, sternly. “Don’t dare to tell me such things!”

He rose heavily to his feet and went over to the window.

“If it had come at once!” he said. “If everything had been blotted out

at one stroke, I could have endured it.... But to see it coming on, to

know what’s going to happen.... No!” he cried, suddenly. “I _won’t_

stand it! I won’t try!”

For weeks Rosaleen had no other thought but to try to comfort him. She

was glad to use what remained of her five hundred dollars to buy him the

things he wanted. His tastes were luxurious, above all, in matters of

eating and drinking; he liked quail or sweetbreads for breakfast, and

for dinner exotic things of which she had never heard before. And he

wished a glass of good white port every day with his lunch. And what he

asked for she got, if it were in any way possible.

Rosaleen among the artists · 第 59 / 78 题