III

As he was walking over from the bus that next Saturday, he met her

hurrying through Fourth Street, and he was really shocked at her

appearance. Even an artist’s wife ought to be a little more particular.

She was hatless, with felt bedroom slippers on her feet, and her arms

were filled with huge bundles from which protruded the feathery tops of

carrots and celery leaves. The gay April breeze was blowing her soft

untidy hair across her eyes, and at first she didn’t recognise him.

“Oh, Mr. Landry!” she said. “Don’t _look_ at me!... You shouldn’t come

so early...!”

There was a very great change in her; a greater one than he had realised

before. She was not only thinner and paler and older looking; she was

different. That critical and childish look in her eyes had gone, that

air of an observer; she was no longer looking on at life, she was _in_

it, she was living.

He took one of the immense bags and followed her upstairs.

And the studio, too, was revealed to him in its reality; the artistic

glamour of it was gone in the daylight. In fact, it wasn’t a studio at

all; there was, crowded into one corner, a small table on which

Rosaleen’s drawing materials were neatly laid out on a blotter, but the

other corners contained only sordid and common adjuncts to a

poverty-stricken life; a cheap little bureau covered with a paltry lace

scarf, a trunk masquerading as a table, a wooden egg crate in which were

dozens of tins of tomatoes, bought at a sale. The distinguished artist

himself was not what he had seemed; he was still handsome, still

debonair, but he was wearing a dirty collar and a soiled white apron

over a wrinkled suit. He was sitting beside a little gas stove on a

table, on which was superimposed a portable oven with a glass door, and

he was peering in with his extinguished eyes, so absorbed in his

watching that he had to make a visible effort to arouse himself and to

welcome Landry.

“A la bonne heure!” he said, cordially. “I’ve made something which no

man with a soul could resist. It will be ready at one sharp. A Galette,

to be eaten hot, with a sauce of wine and cream. That, coffee of the

best, and a marvellous little salad.... Eh?”

Landry answered without great enthusiasm; he wasn’t much interested in

food. And immediately the conversation languished, the animation fled

from Lawrence’s face; he became again crumpled and dejected, until

Rosaleen, who had been in the back room, returned and began asking him

questions about the Galette. That started him; he talked and talked,

and his talk was all of food--about methods of preparation--a subject

upon which Landry was profoundly ignorant. The meals in his home were

plain and not greatly varied, meat, poultry and game roasted or broiled,

the more respectable vegetables, an unobtrusive salad, innocent milky

puddings, and those peculiar and delectable Southern hot breads. When he

ate in a restaurant he ordered very much the same things, and when he

was the guest of someone very rich who set rare dishes before him, he

didn’t quite know what he was eating and cared still less. Such an idea

as stuffing an eggplant with chopped liver seemed to him fantastic and

frivolous.

The lunch was undoubtedly a good one, but it was ruined by Lawrence’s

interminable culinary talk. There was no chance for a word with

Rosaleen; she seemed to have no other idea in her head but to “draw out”

her tiresome husband, to encourage him to bore their guest beyond

toleration. Landry felt that this was hardly hospitable.

At last he rose.

“I’ll have to be going,” he said. “It’s after three, and I have an

engagement.”

Lawrence shook his hand with tremendous cordiality.

“Come again!” he said. “Take pity on a man who has very little left in

life. Come often!”

He turned toward Rosaleen, and Landry distinctly saw a look of

understanding pass between them which he didn’t like.

“I’ll walk as far as the corner with you,” said Rosaleen. “I have an

errand.”

And just as she was, she went out of the door with him. He stopped her

at the head of the stairs.

“You shouldn’t go out in those slippers, Rosaleen! You’ll catch

cold....”

“But that’s just where I’m going!” she answered, laughing. “To the

shoemaker’s to get my shoes. They’re being mended.”

“But--” he began, and stopped.

“But haven’t you more than one pair?” he had been about to say.

He couldn’t endure to see her running about the streets like this,

hatless, in bedroom slippers, a neglected, pitiful creature who had lost

her womanly pride.

All the circumstances of her life puzzled and displeased him. There was

something about it he couldn’t comprehend--that fat fellow with his

cooking, the strained gallantry of Rosaleen’s bearing, the subtly

unpleasant atmosphere which surrounded them. Even poverty couldn’t

account for it, he thought.

They had reached the corner, and Rosaleen stopped.

“Mr. Landry!” she said. “Could you lend me ten dollars?”

He pulled out his bill fold, handed her a bill, politely waved aside her

thanks, and fled, hurrying from the sight of her. He felt really sick,

with pity, with amazement, with an unconquerable disgust.

Rosaleen among the artists · 第 53 / 78 题