II

Rosaleen had, in her long exile, cultivated a demeanour, an expression

which was quite unfathomable by her housemates. She had a sort of meek

and lowly grace, so much the air of the grateful child rescued from

poverty, that it never occurred to them to regard her as anything but

this regulation type. Miss Amy had seen others of the same sort in the

course of her charitable labours. Of course, Rosaleen was grateful, or,

as Miss Amy preferred to put it, appreciative; how could she logically

be anything else? Miss Amy was not aware that in Rosaleen there was no

logic, no reason, and it must be admitted, very little justice. She was

completely composed of feeling. She had a perpetual resentment against

the Humberts which no sense of obligation could assuage. She

passionately preferred her frequently intoxicated and always avaricious

mother; although Miss Amy was undeniably a good woman and her mother was

no more and no less than a human being. Self-interest was absolutely

lacking in Rosaleen. She cared not a whit what you did for her, or could

do for her. She had an inexhaustible fund of devotion, of intense and

absurd affection, but it was not to be bought, it was not even to be

won. She had pity, mercy, compassion beyond measure, but it went only by

favour.

And she had a limitless fortitude. She was not a fighter; she was not

one to struggle for what she desired; her strength was in her terrible

resignation, her fatalistic endurance. She would weep--she was weeping

now--for this probable lover whom she had lost, but there was no

rebellion in her grief. From her very early days she had learned to look

upon life as a sad and ironic affair, from which one could expect

little.

“Ah, that’s the way of the world!” her mother would say, but always of

some disaster.

And it was no doubt the way of the world that this had happened.

Rosaleen among the artists · 第 22 / 78 题