_Scriabine’s later piano things have something of what I meant, and do

you remember the piano parts of “Prometheus?” Stravinsky, too—you know

how he uses the piano in “Pétrouchka.” But the new vision is beyond

these—something more rich and shattering.... I can’t say it. Let’s just

wait and see.—The Editor._

_Alice Groff, Philadelphia_:

“Spirit can do” absolutely _nothing_, without body. Social spirit can do

absolutely nothing without the means of life for the body. The social

ego that would “start the revolution” must aim first to get control of

the means of living—food, clothing, shelter, and the resources, natural

and economic, back of these. Revolutions succeed only when they get such

control; if they do not get it they are soap bubbles blown by a little

child.

Why waste time pelting with idle words the social egos that have such

control, instead of going to work to _wrench_ it from them, _even with

war_?

The social ego that has such control “can do anything.” It can stop war

with a turn of its hand and establish in its stead world-wide service,

kindness, brotherhood, peace, joy and beauty. And there is nothing else

in the universe that can do this.

It is for lack of a social ego having such control and that unity in

establishing the above-mentioned principles in the social order, alone,

that “men continue to support institutions they no longer believe in,

that women continue to live with men they no longer love, that youth

continues to submit to age it no longer respects,” and it is the only

agency that can help one to be free when one wants to be free or make

one a personality instead of a nonentity.

All that you say about a “deeper music” is true, though I would say a

more winged music—(I would not dare use to you the word spiritual)—or a

subtler music, or something of that sort; but all that you deprecate in

music, by critical suggestion, is also true and necessary,

scientifically and fundamentally, without which your deeper or higher or

subtler or more winged or more spiritual music would be nothing but soap

bubbles without plenty of soapy water to make them out of. I am one of

those who can appreciate this deeper music—but I know also that it

cannot be created ex-nihilo.

As to Ben Hecht, his power of expression is wonderful. His writing is

literature par excellence, but it lacks a _soul_. If in his meticulous

analyses of life he could suggest the vision of the swallowing up of the

macrocosm in the macrocosm—could suggest what humanity as a whole could

do to wipe out the evils that feed upon the individual—he might be

god-like. But like all of the rest of you he is a dead fly in the

sickening syrup of _laissez faire_, at the mercy of Mother Nature. Now

it isn’t worth while for you to resent this. Go to work and read what I

have been able to get out of _The Egoist_, showing up anarchy for all

that it is worth.

_Edgcumb Pinchon, Los Angeles_:

Glad to see you get into trouble—you have the Flame! May it flash on our

universal dullness and faithlessness as the sun on sword blades——

Do you remember Maupassant’s story: An exhausted French regiment—ten

miles to go—the men mutinous, disgruntled; a broken-down carriage by the

road-side—horses and driver gone—a mother and her daughter forlorn in

the carriage, needing assistance to the next town. The snow is deep,

their slippers are thin and they are fashionably—and uselessly—garbed.

The soldiers make a sedan chair of the carriage poles, and fighting

among themselves for the honor of bearing a hand at the poles they

finish the march with spirit and bravado——?

Do you remember Whitman’s “lithe, fierce girls?” Such are the

flame-tongues of Revolution—the priestesses of social passion.

If Woman only knew her power to work white magic with banality and stir

up the hero-poet in man! But we who have dragged her by the hair for ten

thousand years must continue to drag her enfeebled body and spirit with

us for penalty—even as we are praying her to touch us to Fire!

When you say that all we need at this hour is a few great spiritual

leaders—you are tremendously right. And shall not one of those be some

“lithe fierce girl” who knows how to wake the militant social troubadour

in man?

The enclosed is because you, like Margaret Sanger, belong to the new

revolution—the thoroughbred thing compact of esprit, audacity, faith,

and elan.

_Socialism and War_

By LOUIS B. BOUDIN

Author of _Theoretical System of Karl Marx_,

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_A STUDY OF THE GREAT WAR OF IMPERIALISM._

Organized Socialism collapsed in the European crisis; but

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The whole world is interested in the attitude and conclusions of

the Socialists.

Mr. Boudin’s book deals with the prime cause of the

war—Imperialism. He makes us understand the underlying forces of

this world-drama. Mr. Boudin indicates that Imperialism is the

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All phases of the war are covered, including the “cultural” and

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A LITTLE EDITORIAL

By Jessie Quitman

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In her salon in the Venetian Building she may be found most any

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SEVEN SHORT PLAYS. By Lady Gregory. Contains the following plays

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SONGS OF LOVE AND REBELLION. Covington Hall’s best and finest

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THE DRAMA LEAGUE SERIES. A series of modern plays, published for

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THE THIEF. By Henry Bernstein. (Just Out).

A FALSE SAINT. By Francois de Curel.

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MY LADY’S DRESS. By Edward Knoblauch.

A WOMAN’S WAY. By Thompson Buchanan.

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THE GREEK COMMONWEALTH. By Alfred A. Zimmern. Send $3.00.

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THE NEARING CASE. By Lightner Witmer. A complete account of the

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FORTY THOUSAND QUOTATIONS. By Charles Noel Douglas. These 40,000

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THE CRY FOR JUSTICE. An anthology of the literature of social

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MY CHILDHOOD. By Maxim Gorky. The autobiography of the famous

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LITERATURE

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DEAD SOULS. Nikolai Gogol’s great humorous classic translated

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ENJOYMENT OF POETRY. By Max Eastman. “His book is a masterpiece,”

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THE PILLAR OF FIRE: A Profane Baccalaureate. By Seymour Deming.

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IVORY APES AND PEACOCKS. By James Huneker. A collection of essays

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SET OF SIX. By Joseph Conrad. Short stories. Scribner. Send

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AN ANARCHIST WOMAN. By H. Hapgood. This extraordinary novel

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NEVER TOLD TALES. Presents in the form of fiction, in language

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PAN’S GARDEN. By Algernon Blackwood. Send $1.60.

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THE AMETHYST RING. By Anatole France. Translated by B. Drillien.

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CRAINQUEBILLE. By Anatole France. Translated by Winifred Stevens.

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VIOLETTE OF PERE LACHAISE. By Anna Strunsky Walling. Records the

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THE “GENIUS.” By Theodore Dreiser. Send $1.60.

JERUSALEM. By Selma Lagerlof. Translated by Velma Swanston. The

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BREAKING-POINT. By Michael Artzibashef. A comprehensive picture

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RUSSIAN SILHOUETTES. By Anton Tchekoff. Translated by Marian

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THE FREELANDS. By John Galsworthy. Gives a large and vivid

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FIDELITY. Susan Glaspell’s greatest novel. The author calls it

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WOOD AND STONE. By John Cowper Powys. An Epoch Making Novel. Send

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The Little Review, March 1916 (Vol. 3, No. 1) · 第 3 / 4 段