And he went on:--

If a country have put on chains of its own forging; in the name of

virtue, let it be conscious that to itself it is accountable: let

it not have cause to look beyond its own limits for reproof:

and--in the name of humanity--if it be self-depressed, let it have

its pride and some hope within itself. The poorest peasant, in an

unsubdued land, feels this pride. I do not appeal to the example of

Britain or of Switzerland, for the one is free, and the other

lately was free (and, I trust, will ere long be so again): but talk

with the Swede; and you will see the joy he finds in these

sensations. With him animal courage (the substitute for many and

the friend of all the manly virtues) has space to move in: and is

at once elevated by his imagination, and softened by his

affections: it is invigorated also; for the whole courage of his

country is in his breast.

That is an admirable statement of the Liberal faith. Sir Henry

Campbell-Bannerman was putting the same truth in a sentence when he said

that good government was no substitute for self-government. Wordsworth,

however, was not an out-and-out Nationalist. He did not regard the

principles of Nationalism as applicable to all nations alike, small and

great. He believed in the "balance of power," in which "the smaller

states must disappear, and merge in the large nations of widespread

language." He desired national unity for Germany and for Italy (which

was in accordance with the principles of Nationalism), but he also

blessed the union of Ireland with Great Britain (which was a violation

of the principles of Nationalism). He introduced "certain limitations,"

indeed, into the Nationalist creed, which enable even an Imperialist

like Mr. Dicey to look like a kind of Nationalist.

At the same time, though he acquiesced in the dishonour of the Irish

Union, his patriotism never became perverted into Jingoism. He regarded

the war between England and France, not as a war between angel and

devil, but as a war between one sinner doing his best and another sinner

doing his worst. He was gloomy as a Hebrew prophet in his summoning of

England to a change of heart in a sonnet written in 1803:--

England! the time is come when thou shouldst wean

Thy heart from its emasculating food;

The truth should now be better understood;

Old things have been unsettled; we have seen

Fair seed-time, better harvest might have been

But for thy trespasses; and, at this day,

If for Greece, Egypt, India, Africa,

Aught good were destined, thou wouldst step between.

England! all nations in this charge agree:

But worse, more ignorant in love and hate,

Far, far more abject is thine Enemy:

Therefore the wise pray for thee, though the freight

Of thy offences be a heavy weight:

Oh grief, that Earth's best hopes rest all with Thee!

All this means merely that the older Wordsworth grew, the more he became

concerned with the duties rather than the rights of man. The

revolutionary creed seems at times to involve the belief that, if you

give men their rights, they will perform their duties as a necessary

consequence. The Conservative creed, on the other hand, appears to be

based on the theory that men, as a whole, are scarcely fit for rights

but must be kept to their duties with a strong hand. Neither belief is

entirely true. As Mazzini saw, the French Revolution failed because it

emphasized the rights so disproportionately in comparison with the

duties of man. Conservatism fails, on the other hand, because its

conception of duty inevitably ceases before long to be an ethical

conception: duty in the mouth of reactionaries usually means simply

obedience to one's "betters." The melancholy sort of moralist frequently

hardens into a reactionary of this sort. Burke and Carlyle and

Ruskin--all of them blasphemed the spirit of liberty in the name of

duty. Mr. Dicey contends that Burke's and Wordsworth's political

principles remained essentially consistent throughout. They assuredly

did nothing of the sort. Burke's principles during the American War and

his principles at the time of the French Revolution were divided from

each other like crabbed age and youth. Burke lost his beliefs as he did

his youth. And so did Wordsworth. It seems to me rather a waste of time

to insist at all costs on the consistency of great men. The great

question is, not whether they were consistent, but when they were right.

Wordsworth was in the main right in his enthusiasm for the French

Revolution, and he was in the main right in his hatred of Napoleonism.

But, when once the Napoleonic Wars were over, he had no creed left for

mankind. He lived on till 1850, but he ceased to be able to say anything

that had the ancient inspiration. He was at his greatest an inspired

child of the Revolution. He learned from France that love of liberty

which afterwards led him to oppose France. Speaking of those who, like

himself, had changed in their feelings towards France, he wrote:--

Though there was a shifting in temper of hostility in their minds

as far as regarded persons, they only combated the same enemy

opposed to them under a different shape; and that enemy was the

spirit of selfish tyranny and lawless ambition.

That is a just defence. But the undeniable fact is that, after that

time, Wordsworth ceased to combat the spirit of selfish tyranny and

lawless ambition as he once had done. There is no need to blame him:

also there is no need to defend him. He was human; he was tired; he was

growing old. The chief danger of a book like Mr. Dicey's is that, in

accepting its defence of Wordsworth's maturity, we may come to disparage

his splendid youth. Mr. Dicey's book, however, is exceedingly

interesting in calling attention to the great part politics may play in

the life of a poet. Wordsworth said, in 1833, that "although he was

known to the world only as a poet, he had given twelve hours' thought to

the condition and prospects of society, for one to poetry." He did not

retire into a "wise passiveness" as regards the world's affairs until he

had written some of the greatest political literature--and, in saying

this, I am thinking of his sonnets rather than of his political

prose--that has appeared in England since the death of Milton.

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