"So I left him to himself, and he lived on in his pestilenti

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Caybigan

BY JAMES HOPPER

NEW YORK

MCCLURE, PHILLIPS & CO.

MCMVI

_Copyright, 1906 by_

McCLURE, PHILLIPS & CO.

Published, September, 1906

Copyright, 1903, 1904, 1905, 1906, by The S. S. McClure Company

[Illustration: "_The subsequent walk across the plaza with the hard-won

bundle, beneath the appreciative eyes of the whole town, had been

humiliating_"]

CONTENTS

I. THE JUDGMENT OF MAN 3

II. THE MAESTRO OF BALANGILANG 27

III. HER READING 52

IV. THE STRUGGLES AND TRIUMPH OF

ISIDRO DE LOS MAESTROS 74

V. THE FAILURE 98

VI. SOME BENEVOLENT ASSIMILATION 124

VII. A JEST OF THE GODS 153

VIII. THE COMING OF THE MAESTRA 178

IX. CAYBIGAN 202

X. THE CAPTURE OF PAPA GATO 226

XI. THE MANANGETE 257

XII. THE PAST 267

XIII. THE PREROGATIVE 277

XIV. THE CONFLUENCE 289

XV. THE CALL 331

CAYBIGAN

I

THE JUDGMENT OF MAN

We were sitting around the big centre table in the sala of the "House of

Guests" in Ilo-Ilo. We were teachers from Occidental Negros. It was near

Christmas; we had left our stations for the holidays--the cholera had

just swept them and the aftermath was not pleasant to contemplate--and

so we were leaning over the polished narra table, sipping a sweet, false

Spanish wine from which we drew, not a convivial spirit, but rather a

quiet, reflective gloom. All the shell shutters were drawn back; we

could see the tin-roofed city gleam and crackle with the heat, and

beyond the lithe line of coconuts, the iridescent sea, tugging the heart

with offer of coolness. But, all of us, we knew the promise to be Fake,

monumental Fake, knew the alluring depths to be hot as corruption, and

full of sharks.

Somebody in a monotonous voice was cataloguing the dead, enumerating

those of us who had been conquered by the climate, by the work, or

through their own inward flaws. He mentioned Miller with some sort of

disparaging gesture, and then Carter of Balangilang, who had been very

silent, suddenly burst into speech with singular fury.

"Who are you, to judge him?" he shouted. "Who are you, eh? Who are we,

anyway, to judge him?"

Headlong outbursts from Carter were nothing new to us, so we took no

offence. Finally someone said, "Well, he's dead," with that tone that

signifies final judgment, the last, best, most charitable thing which

can be said of the man being weighed.

But Carter did not stop there. "You didn't know him, did you?" he asked.

"You didn't know him; tell me now, _did_ you know him?" He was still

extraordinarily angry.

We did not answer. Really, we knew little of the dead man--excepting

that he was mean and small, and not worth knowing. He was mean, and he

was a coward; and to us in our uncompromising youth these were just the

unpardonable sins. Because of that we had left him alone, yes, come to

think of it, very much alone. And we knew little about him.

"Here, I'll tell you what I know," Carter began again, in a more

conciliatory tone; "I'll tell you everything I know of him." He lit a

cheroot.

"I first met him right here in Ilo-Ilo. I had crossed over for supplies;

he was fresh from Manila and wanted to get over to Bacolod to report to

the Sup. and be assigned to his station. When I saw him he was on the

muelle, surrounded by an army of bluffing cargadores. About twelve of

them had managed to get a finger upon his lone carpet-bag while it was

being carried down the gang-plank, and each and all of them wanted to

get paid for the job. He was in a horrible pickle; couldn't speak a word

of Spanish or Visayan. And the first thing he said when I had extricated

him, thanks to my vituperative knowledge of these sweet tongues, was:

'If them niggahs, seh, think Ah'm a-goin' to learn their cussed lingo,

they're mahtily mistaken, seh!'

"After that remark, coming straight from the heart, I hardly needed to

be told that he was from the South. He was from Mississippi. He was

gaunt, yellow, malarial, and slovenly. He had 'teached' for twenty

years, he said, but in spite of this there was about him something

indescribably rural, something of the sod--not the dignity, the

sturdiness of it, but rather of the pettiness, the sordidness of it. It

showed in his dirty, flapping garments, his unlaced shoes, his stubble

beard, in his indecent carelessness in expectorating the tobacco he was

ceaselessly chewing. But these, after all, were some of his minor

traits. I was soon to get an inkling of one of his major ones--his

prodigious meanness. For when I rushed about and finally found a lorcha

that was to sail for Bacolod and asked him to chip in with me on

provisions, he demurred.

"'Ah'd like to git my own, seh,' he said in that decisive drawl of his.

"'All right,' I said cheerfully, and went off and stocked up for two. My

instinct served me well. When, that evening, Miller walked up the

gang-plank, he carried only his carpet-bag, and that was flat and

hungry-looking as before. The next morning he shared my provisions

calmly and resolutely, with an air, almost, of conscious duty. Well, let

that go; before another day I was face to face with his other flaming

characteristic.

"Out of Ilo-Ilo we had contrary winds at first; all night the lorcha--an

old grandmother of a craft, full of dry-rot spots as big as woodpeckers'

nests--flapped heavily about on impotent tacks, and when the sun rose we

found ourselves on the same spot from which we had watched its setting.

Toward ten o'clock, however, the monsoon veered, and wing-and-wing the

old boat, creaking in every joint as if she had the dengue, grunted her

way over flashing combers with a speed that seemed almost indecent.

Then, just as we were getting near enough to catch the heated glitter of

the Bacolod church-dome, to see the golden thread of breach at the foot

of the waving coconuts, the wind fell, slap-bang, as suddenly as if God

had said hush--and we stuck there, motionless, upon a petrified sea.

"I didn't stamp about and foam at the mouth; I'd been in these climes

too long. As for Miller, he was from Mississippi. We picked out a

comparatively clean spot on the deck, near the bow; we lay down on our

backs and relaxed our beings into infinite patience. We had been thus

for perhaps an hour; I was looking up at a little white cloud that

seemed receding, receding into the blue immensity behind it. Suddenly a

noise like thunder roared in my ears. The little cloud gave a great leap

back into its place; the roar dwindled into the voice of Miller, in

plaintive, disturbed drawl. 'What the deuce are the niggahs doing?' he

was saying.

"And certainly the behaviour of that Visayan crew was worthy of

question. Huddled quietly at the stern, one after another they were

springing over the rail into the small boat that was dragging behind,

and even as I looked the last man disappeared with the painter in his

hand. At the same moment I became aware of a strange noise. Down in the

bowels of the lorcha a weird, gentle commotion was going on, a

multitudinous 'gluck-gluck' as of many bottles being emptied. A breath

of hot, musty air was sighing out of the hatch. Then the sea about the

poop began to rise,--to rise slowly, calmly, steadily, like milk in a

heated pot.

"'By the powers,' I shouted, 'the old tub is going down!'

"It was true. There, upon the sunlit sea, beneath the serene sky,

silently, weirdly, unprovoked, the old boat, as if weary, was sinking in

one long sigh of lassitude. And we, of course, were going with it. A few

yards away from the sternpost was the jolly-boat with the crew. I looked

at them, and in my heart I could not condemn them for their sly

departure; they were all there, arraiz, wife, children, and crew, so

heaped together that they seemed only a meaningless tangle of arms and

legs and heads; the water was half an inch from the gunwale, and the one

man at the oars, hampered, paralysed on all sides, was splashing

helplessly while the craft pivoted like a top. There was no anger in my

heart, yet I was not absolutely reconciled to the situation. I searched

the deck with my eyes, then from the jolly-boat the arraiz obligingly

yelled, 'El biroto, el biroto!'

"And I remembered the rotten little canoe lashed amidships. It didn't

take us long to get it into the water (the water by that time was very

close at hand). I went carefully into it first so as to steady it for

Miller, and then, both of us at once, we saw that it would hold only

one. The bottom, a hollowed log, was staunch enough, but the sides,

made of pitched bamboo lattice, were sagging and torn. It would hold

only one.

"'Well, who is it?' I asked. In my heart there was no craven panic, but

neither was there sacrifice. Some vague idea was in my mind, of deciding

who should get the place by some game of chance, tossing up a coin, for

instance.

"But Miller said, 'Ah cain't affawd to take chances, seh; you must git

out.'

"He spoke calmly, with great seriousness, but without undue emphasis--as

one enunciating an uncontrovertible natural law. I glanced up into his

face, and it was in harmony with his voice. He didn't seem particularly

scared; he was serious, that's all; his eyes were set in that peculiar,

wide-pupilled stare of the man contemplating his own fixed idea.

"'No, seh; Ah cain't affawd it,' he repeated.

"The absurdity of the thing suddenly tingled in me like wine. 'All

right!' I shouted, in a contagion of insanity; 'all right, take the

darned thing!'

"And I got out. I got out and let him step stiffly into the boat, which

I obligingly sent spinning from the lorcha with one long, strong kick.

Then I was alone on the deck, which suddenly looked immense, stretched

on all sides, limitless as loneliness itself. A heavy torpor fell from

the skies and amid this general silence, this immobility, the cabin

door alone seemed to live, live in weird manifestation. It had been left

open, and now it was swinging and slamming to and fro jerkily, and

shuddering from top to bottom. Half in plan, half in mere irritation at

this senseless, incessant jigging, I sprang toward it and with one

nervous pull tore it, hinge and all, from the rotten woodwork. I heaved

it over the side, went in head first after it, took a few strokes and

lay, belly-down, upon it. Just then the lorcha began to rise by the

head; the bowsprit went up slowly like a finger pointing solemnly to

heaven; then, without a sound, almost instantaneously, the whole fabric

disappeared. Across the now unoccupied space Miller and I rushed

smoothly toward each other, as if drawn by some gigantic magnet; our

crafts bumped gently, like two savages caressingly rubbing noses; they

swung apart a little and lay side by side, undulating slightly.

"And we remained there, little black specks upon the flashing sea. Two

hundred yards away was the lorcha's boat; they had reshuffled themselves

more advantageously and were pulling slowly toward land. Not twenty feet

from me Miller sat upright in his canoe as if petrified. I was not so

badly off. The door floated me half out of water, and that was lukewarm,

so I knew that I could stand it a long time. What bothered me, though,

was that the blamed raft was not long enough; that is, the upper part

of my body being heavier, it took more door to support it, so that my

feet were projecting beyond the lower edge, and every second or so the

nibbling of some imaginary shark sent them flying up into the air in

undignified gymnastics. The consoling part of it was that Miller was

paying no notice. He still sat up, rigid, in his canoe, clutching the

sides stiffly and looking neither to right nor left. From where I lay I

could see the cords of his neck drawn taut, and his knuckles showing

white.

"'Why the deuce don't you paddle to shore?' I shouted at length, taking

a sudden disgust of the situation.

"He did not turn his head as he answered. 'Ah--Ah,' he stammered, the

words coming hard as hiccoughs out of his throat; 'Ah don't know haow.'

"'Drop the sides of your boat and try,' I suggested.

"He seemed to ponder carefully over this for a while. 'Ah think it's

safer to stay this-a-way,' he decided finally.

"'But, good lord, man,' I cried, angry at this calm stupidity; 'if

that's what you're going to do, you'd better get on this door here and

let me take the boat. I'll paddle ashore and come back for you.'

"He turned his head slowly. He contemplated my raft long, carefully,

critically.

"'Ah think Ah'll be safer heyah, seh,' he decided. 'It's a little bit o'

old door, and Ah reckon they's a heap of sharks around.'

"After that I had little to say. Given the premises of the man his

conclusions were unquestionable. And the premises were a selfishness so

tranquil, so ingenuous, so fresh, I might say, that I couldn't work up

the proper indignation. It was something so perfect as to challenge

admiration. On the whole, however, it afforded a poor subject for

conversation; so we remained there, taciturn, I on my door,

half-submerged in the tepid water, my heels flung up over my back, he in

his dug-out, rigid, his hands clutching the sides as if he were trying

to hold up the craft out of the liquid abyss beneath.

"And thus we were still when, just as the sun was setting sombrely, a

velos full of chattering natives picked us up. They landed us at

Bacolod, and Miller left me to report to the Sup. I departed before

sun-up the next morning for my station. I didn't want to see Miller

again.

"But I did. One night he came floundering through my pueblo. It was in

the middle of the rainy season. He wasn't exactly caked with mud;

rather, he seemed to ooze it out of every pore. He had been assigned to

Binalbagan, ten miles further down. I stared when he told me this.

Binalbagan was the worst post on the island, a musty, pestilential hole

with a sullenly hostile population, and he--well, inefficiency was

branded all over him in six-foot letters. I tried to stop him over

night, but he would not do it, and I saw him splash off in the darkness,

gaunt, yellow, mournful.

"I saw little of him after that. I was busy establishing new

barrio-schools which were to give me excuses for long horseback rides of

inspection. I felt his presence down there in that vague way by which

you are aware of a person behind your back without turning around.

Rumours of his doings reached me. He was having a horrible time. On the

night of his arrival he had been invited to dinner by the Presidente, a

kind old primitive soul, but when he found that he was expected to sit

at the table with the family, he had stamped off, indignant, saying that

he didn't eat with no niggers. As I've said before, the town was

hostile, and this attitude did not help matters much. He couldn't get

the school moneys out of the Tesorero--an unmitigated rascal--but that

did not make much difference, for he had no pupils anyhow. He couldn't

speak a word of Spanish; no one in the town, of course, knew any

English--he must have been horribly lonely. He began to wear camisas,

like the natives. That's always a bad sign. It shows that the man has

discovered that there is no one to care how he dresses--that is, that

there is no longer any public opinion. It indicates something subtly

worse--that the man has ceased looking at himself, that the _I_ has

ceased criticising, judging, stiffening up the _me_--in other words,

that there is no longer any conscience. That white suit, I tell you, is

a wonderful moral force; the white suit, put on fresh every morning,

heavily starched, buttoned up to the chin, is like an armour,

ironcladdlng you against the germ of decay buzzing about you,

ceaselessly vigilant for the little vulnerable spot. Miller wore

camisas, and then he began to go without shoes. I saw that myself. I was

riding through his pueblo on my way to Dent's, and I passed his school.

I looked into the open door as my head bobbed by at the height of the

stilt-raised floor. He was in his camisa and barefooted; his long neck

stretched out of the collarless garment with a mournful, stork-like

expression. Squatting on the floor were three trouserless,

dirt-incrusted boys; he was pointing at a chart standing before their

eyes, and all together they were shouting some word that exploded away

down in their throats in tremendous effort and never seemed to reach

their lips. I called out and waved my hand as I went by, and when I

looked back, a hundred yards farther, I saw that he had come out and

was standing upon the bamboo platform outside of the door, gaping after

me with his chin thrown forward in that mournful, stork-like way--I

should have gone back.

"With him, I must say, the camisa did not mean all that I have

suggested, not the sort of degradation of which it is the symbol in

other men. The most extravagant imagination could not have linked him

with anything that smacked of romance, romance however sordid. His

vices, I had sized it, would come rather from an excess of calculation

than from a lack of it. No, that camisa was just a sign of his meanness,

his prodigious meanness. And of that I was soon given an extraordinary

example.

"I had with me a young fellow named Ledesma, whom I was training to be

assistant maestro. He was very bright, thirsty to learn, and extremely

curious of us white men. I don't believe that the actions of one of

them, for fifty miles around, ever escaped him, and every day he came to

me with some talk, some rumour, some gossip about my fellow-exiles which

he would relate to me with those strange interrogative inflections that

he had brought from his native dialect into English--as if perpetually

he were seeking explanation, confirmation. One morning he said to me:

'The maestro Miller, he does not eat.'

"'No?' I answered, absent-mindedly.

"'No, he never eats,' he reiterated authoritatively, although that

peculiar Visayan inflection of which I have spoken gave him the air of

asking a question.

"'Oh, I suppose he does,' I said, carelessly.

"'He does not eat,' he repeated. 'Everyone in Binalbagan say so. Since

he there, he has not bought anything at the store.'

"'His muchachos bring him chicken,' I suggested.

"'No, senor; he very funny; he has no muchachos, not one muchacho has

he.'

"'Well, he probably has canned provisions sent him.'

"'No, senor; the cargadores they say that never, never have they carried

anything for him. He does not eat.'

"'Very well,' I concluded, somewhat amused; 'he does not eat.'

"The boy was silent for a minute, then, 'Senor Maestro,' he asked with

suspicious ingenuousness, 'can Americans live without eating?'

"So that I was not able to drop the subject as easily as I wished. And

coming to a forced consideration of it, I found that my anxiety to do so

was not very beautiful after all. A picture came to me--that of Miller

on his bamboo platform before his door, gazing mournfully after me, his

chin thrown forward. It did not leave me the day long, and at sundown I

saddled up and trotted off toward Binalbagan.

"I didn't reach the pueblo that night, however. Only a mile from it I

plunged out of the moonlight into the pitch darkness of a hollow lane

cutting through Don Jaime's hacienda. Banana palms were growing thick to

right and left; the way was narrow and deep--it was a fine place for

cutthroats, but that evocation had lost much of its romantic charm from

the fact that, not three weeks before, an actual cutthroating had taken

place, a Chinese merchant having been boloed by tusilanes. Well, I was

trotting through, my right hand somewhat close to my holster, when from

the right, close, there came a soft, reiterated chopping noise. I pulled

up my pony. The sound kept up--a discreet, persistent chopping; then I

saw, up above, the moonlit top of a palm shuddering, though all about it

the others remained motionless, petrified as if of solid silver. It was

a very simple thing after all: someone in there was cutting down a palm

to get bananas, an occupation very common in the Philippines, and very

pacific, in spite of the ominous air given to it by the gigantic bolo

used. However, something prompted me to draw the midnight harvester

out.

"'Heh, ladron, what are you doing there?' I shouted in dialect.

"There was a most sudden silence. The chopping ceased, the palm stopped

vibrating. A vague form bounded down the lane, right up against my

horse's nose, rolled over, straightened up again, and vanished into the

darkness ahead. Unconsciously I spurred on after it. For a hundred yards

I galloped with nothing in sight. Then I caught a rapid view of the

thing as it burst through a shaft of moonlight piercing the glade, and

it showed as a man, a grotesque figure of a man in loose white

pantaloons. He was frightened, horribly frightened, all hunched up with

the frenzy to escape. An indistinct bundle was on his right shoulder.

Like a curtain the dark snapped shut behind him again, but I urged on

with a wild halloo, my blood all a-tingle with the exultation of the

chase. I gained--he must have been a lamentable runner, for my poor

little pony was staggering under my tumultuous weight. I could hear him

pant and sob a few yards in advance; then he came into sight, a dim,

loping whiteness ahead. Suddenly the bundle left his shoulder; something

rolled along the ground under my horse's hoofs--and I was standing on my

head in a soft, oozy place. I was mad, furiously mad. I picked myself

up, went back a few yards and, taking my pony by the nose, picked _him_

up. A touch of his throbbing flanks, however, warned me as I was putting

my foot into the stirrup. I left him there and thundered on foot down

the lane. I have said I was mad. 'Yip-yip-yah-ah, yip-yip-yah-ah,' I

yelled as I dashed on--a yell I had heard among California cattlemen. It

must have paralysed that flying personage, for I gained upon him

shockingly. I could hear him pant, a queer, patient panting, a sigh

rather, a gentle, lamenting sighing, and the white camisa flapped

ghostily in the darkness. Suddenly he burst out of obscurity, past the

plantation, into the glaring moonlight. And I--I stopped short, went

down on my hands and knees, and crouched back into the shadow. For the

man running was Miller; Miller, wild, sobbing, dishevelled, his

shoulders drawn up to his ears in terrible weariness, his whole body

taut with fear, and scudding, scudding away, low along the ground, his

chin forward, mournful as a stork. Soon he was across the luminous

space, and then he disappeared into the darkness on the other side,

flopped head first into it as if hiding his face in a pillow.

"I returned slowly to my horse. He was standing where I had left him,

his four legs far apart in a wide base. Between them was the thing cast

off by Miller which had thrown us. I examined it by the light of a box

of matches. It was a bunch of bananas, one of those gigantic clusters

which can be cut from the palms. I got on my horse and rode back home.

"I didn't go to see him any more. A man who will steal bananas in a

country where they can be bought a dozen for one cent is too mean to be

worth visiting. I had another reason, too. It had dawned on me that

Miller probably did not care to see any of us, that he had come down to

a mode of life which would not leave him appreciative of confrontations

with past standards. It was almost charity to leave him to himself.

"So I left him to himself, and he lived on in his pestilential little

hole, alone--lived a life more squalid every day. It wasn't at all a

healthy life, you can understand, no healthier physically than morally.

After a while I heard that he was looking bad, yellow as a lemon

and the dengue cracking at his bones. I began to think of going to

him after all, of jerking him out of his rut by force, if necessary,

making him respect the traditions of his race. But just then came

that Nichols affair, and flaring, his other bad side--his abject

cowardice--reappeared to me. You remember the Nichols thing--boloed in

the dark between my town and Himamaylan. His muchacho had jumped into

the ditch. Afterward he got out and ran back the whole way, fifteen

miles, to my place. I started down there. My idea was to pick up Miller

as I passed, then Dent a little further down, find the body, and perhaps

indications for White of the constabulary to whom I had sent a messenger

and who could not reach the place till morning. Well, Miller refused to

go. He had caught hold of some rumour of the happening; he was

barricaded in his hut and was sitting on his bed, a big Colt's revolver

across his knees. He would not go, he said it plainly. 'No, seh; Ah

cain't take chances; Ah cain't affawd it.' He said this without much

fire, almost tranquilly, exactly as he had, you remember, at the time of

our shipwreck. It was not so amusing now, however. Here, on land, amid

this swarming, mysterious hostility, at this crisis, it seemed a

shocking betrayal of the solidarity that bound us all white men. A red

rage took possession of me. I stood there above him and poured out

vituperation for five good minutes. I found the most extraordinary

epithets; I lowered my voice and pierced him with venomous thrusts. He

took it all. He remained seated on his bed, his revolver across his

knees, looking straight at some spot on the floor; whenever I'd become

particularly effective he'd merely look harder at the spot, as if for

him it contained something of higher significance--a command, a rule, a

precept--I don't know what, and then he'd say, 'No, Ah cain't; Ah cain't

affawd it.'

"I burst out of there, a-roar like a bombshell. I rode down to Dent; we

rode down to the place and did--what there was to be done. Miller, I

never wanted to see again.

"But I did. Some three weeks later a carrier came to me with a note--a

pencilled scrawl upon a torn piece of paper. It read:

"'I think I am dying. Can you come see me?

"'MILLER.'

"I went down right away. He was dead. He had died there, alone, in his

filthy little hut, in that God-forsaken pueblo, ten miles from the

nearest white man, ten thousand miles from his home. He had died there

all alone.

"I'll always remember our coming in. It was night. It had been raining

for thirty-six hours, and as we stepped into the unlighted hut, my

muchacho and I, right away the floor grew sticky and slimy with the mud

on our feet, and as we groped about blindly, we seemed ankle-deep in

something greasy and abominable like gore. After a while the boy got a

torch outside, and as he flared it I caught sight of Miller on his cot,

backed up into one corner. He was sitting upright, staring straight

ahead and a little down, as if in careful consideration. As I stepped

toward him the pliable bamboo floor undulated; the movement was carried

to him and he began to nod, very gently and gravely. He seemed to be

saying: 'No, Ah cain't affawd it.' It was atrocious. Finally I was by

his side and he was again motionless, staring thoughtfully. Then I saw

what he was considering. In his hands, which lay twined on his knees,

were a lot of little metallic oblongs. I disengaged them. The muchacho

drew nearer, and with the torch over my shoulder I examined them. They

were photographs, cheap tintypes. The first was of a woman, a poor

being, sagging with overwork, a lamentable baby in her arms. The other

pictures were of children--six of them, boys and girls, of all ages from

twelve to three, and under each, in painful chirography, a name was

written--Lee Miller, Amy Miller, Geraldine Miller, and so on.

"You don't understand, do you? For a moment I didn't understand. I

stared stupidly at those tintypes, shuffled and reshuffled them; the

torch roared in my ear. Then, suddenly, understanding came to me; it

came sharp as a pang. He had a wife and children--seven children.

"A simple fact, wasn't it, a commonplace one, almost vulgar, you might

say. And yet what a change of view produced by it, what a dislocation of

judgment! I was like a man riding through a strange country, in a storm,

at night. It is dark, he cannot see, he has never seen the country, yet

as he rides on he begins to picture to himself the surroundings, his

imagination builds for him a landscape--a mountain there, a river here,

wind-streaming trees over there--and right away it exists, it _is_, it

has solidity, mass, life. Then suddenly comes a flash of lightning, a

second of light, and he is astounded, absolutely astounded to see the

real landscape different from that indestructible thing that his mind

had built. Thus it was with me. I had judged, oh, I had judged him

thoroughly, sized him up to a certainty, and bang, came the flare of

this new fact, this extremely commonplace fact, and I was all off, all

off. I must begin to judge again, only it would never do that man any

good.

"A hundred memories came back to me, glared at me in the illumination of

that new fact. I remembered the camisa, the bare feet. I saw him running

down the lane with his bunch of stolen bananas. I recalled that absurd

scene on the waters; I heard him say: 'No, seh; Ah cain't affawd to take

chances; Ah cain't affawd it.'

"Of course he couldn't afford it. Think--a wife and seven children!

"That night I went through his papers, putting things in order, and from

every leaf, every scrap, came corroboration of the new fact. It was

easy enough to patch up his life. He was one of those pitiful

pedagogues of the rural South, shiftless, half-educated, inefficient. He

had never been able to earn much, and his family had always gently

starved. Then had come the chance, the golden chance--the Philippines

and a thousand a year. He had taken the bait, had come ten thousand

miles to the spot of his maximum value. Only, things had not gone quite

right. Thanks to the beautiful red-tape of the department, three months

had gone before he had received his first month's pay. Then it had come

in Mex., and when he had succeeded in changing it into gold it had

dwindled to sixty dollars. Of course, he had sent it all back, for even

then it would take it six more weeks to reach its destination, and sixty

dollars is hardly too much to tide over five months for a family of

eight. These five months had to be caught up in some way, so every month

his salary, depreciated ten per cent. by the change, had gone across the

waters. He wore camisas and no shoes, he stole bananas. And his value,

shoeless, camisa-clothed, was sixty dollars a month. He was just so much

capital. He had to be careful of that capital.

"'Ah cain't affawd to take chances; Ah cain't affawd it.' Of course he

couldn't.

"And so he had fought on blindly, stubbornly, and, at last, with that

pitiful faculty we have, all of us, of defeating our own plans, he had

killed himself, he had killed the capital, the golden goose.

"Yes, I found confirmation, but, after all, I did not need it. I had

learned it all; understanding had come to me, swift, sharp, vital as a

pang, when in the roaring light of the torch I had looked upon the pale

little tintypes, the tintypes of Lee and Amy and Jackson and

Geraldine."

II

THE MAESTRO OF BALANGILANG

The Maestro of Balangilang opened the door of his nipa-hut and started

down the crazy bamboo ladder on his way to the school. It was early. The

sun was pumping back the water that had fallen through the night, and

the grass-dishevelled common, the palm-groves about, the musty mountains

to the east, the whole landscape, steamed like one great cauldron.

Caribaos were wallowing in the mudholes, a dozen dogs were fighting at

the church portals, a stream of brownies were pouring into the

schoolhouse, and, in front of the cuartel, the company of native scouts

were going through scientific evolutions.

The Maestro stopped at the bottom of the steps and took in the scene

with a wistful attempt at admiration. A vague discouragement oozed into

his soul, but he shook himself vigorously and started across. Through

the viscid atmosphere he cut his way in sprightly fashion. His long legs

snapped back and forth like springs. At regular intervals his chest

swelled; it remained puffed out like that of a pouter-pigeon while he

took twenty steps, then collapsed with the hollow report of an air gun.

He was finishing up his morning calisthenics.

As he reached the centre of the plaza an unfamiliar object stopped him

abruptly. It was only a cross, a rough cross made of two pieces of

bamboo fastened at right angles with bejuca and stuck into the ground,

but it seemed to have meaning to the Maestro. He walked up close to it

and examined it carefully. He was disappointed for a moment; then his

fingers, passing along the horizontal piece, touched a thorn stuck like

a nail in the axis of the cross. Holding his breath, for it was not yet

time to exhale, he nodded knowingly and his eyes searched the ground

about him. They soon lit upon what he wanted. He pounced upon a bunch of

wild palay, stooped, and was up again with something white in his hand.

It was a piece of paper, limp and bespattered with the night's rain, but

on which characters in native Visayan were still visible. The Maestro

pored over it closely, then his pent-up breath exploded.

"Papa Isio," he exclaimed gaily. "The Mad Pope is coming to see us."

He stopped, with thought upon his brow.

"I lost my home and punching-bag at it once," he said, musingly. "Well,

we'll give him a scrimmage this time."

After which somewhat incoherent remark he folded the sodden bit of

paper carefully into his pocket, took a new deep breath, and walked on.

As he approached the drilling company of scouts he saw with pleasure

that Lieutenant Roberts was back from his tour of inspection and was at

their head.

"Hello, Roberts," he shouted, with easy cordiality, as he came within

hearing distance. "Hello, Roberts, old man; putting the boys through

signal-practice, eh?"

The officer, who had just assumed a fine attitude--arms folded at the

height of the chin, legs glued together in a gracefully curved column,

chest projected forward till it threw a shadow upon the ground--did not

respond with effusion.

"Present--Hums!" he said. "Carr-ie-ie--Hums! Shoulder--Hums!"

The Maestro took off his cap and, raising his freckled face to heaven,

shook his head vigorously. A wealth of carrot-red hair parted at the

crown and cascaded down the temples; and with the thus restored vision

of two green eyes he observed the performance of the little brown

soldiers critically.

"Pretty fine, Lieut," he said, encouragingly. "Very fair team-work;

they'll do. You ought to see what _I_'ve taught them, though. I'll show

you after drill. It's something scrumptious."

"Parade--Rest! Attentio-ion! Port--Hums! Shoulder--Hums!" said the

officer.

"Yes, they'll do for signal-practice all right," resumed the youth, in

soothing, patronising tones. "But," he went on, with a little of

suggestive criticism in his voice, "what about the real thing, Lieut?

What about their shooting, eh? I'm blest if I've ever seen them

discharge anything except blanks, have you?"

"Fours right--March! Column left!"

"Hep, hep, hep," came the column straight for the schoolmaster. The

Lieutenant was muttering something in his mustache that sounded like a

benediction. For a long six months, since the organisation of the

company, a prudent government had denied his pleadings for permission to

give his men target practice. The Scouts were an experiment, and there

was a vague feeling that they should not be taught too much.

"Why is that, Roberts?" persisted the Maestro, calmly dodging the

advancing phalanx and dropping into the confidential manner. "Why don't

you let them shoot? Are you afraid that they might begin on your broad

back? Are you----"

A sudden start of pain closed his mouth. The Lieutenant had quietly

planted his heel, in passing, upon the Educational toe, crushing down

upon it with all the enthusiasm of two hundred pounds a-thrill with

long-suppressed rage.

The Maestro's eyes followed the officer, marching at the side of his

company. His mouth opened in a broad grin that displayed a startling

vacuum where once had been two good teeth, now lying peacefully on the

sod of the old Berkeley gridiron.

"Guess it's school-time," he said.

He sprinted fifty yards, leaped an eighteen-foot ditch, hurdled a little

goat, bucked a carabao around till its tail was where its head had been,

and bounded into the schoolroom.

Two hundred brown ninos sprang to their feet.

"Guda morrneen," they howled, in unison.

"Good-morning," answered the Maestro, briskly. "Come, let's get at this.

No shirking, quick! Arm exercise! One, two; one, two."

He led them through a furious set of exercises in which he himself took

part enthusiastically, the perspiration cascading down his nose.

"You poor, scrawny weaklings," he said, at last, beaming upon the

breathless little assemblage. "Never you mind; I'll make men of you."

Then he started to go. "Give them reading," he shouted to his native

assistant from the door, "and breathing exercises every half hour."

But he came back, on an after-thought, and placed under the nose of his

faithful colleague the piece of sodden paper he had picked up on the

plaza.

The man's skin went yellow beneath the brown. "Papa Isio," he whispered.

"Just, what I thought," said the Maestro, nodding to himself. "And he

says he is coming here, doesn't he?"

"Yes, sir. He will come and burn the pueblo. That is the way he burned

Cabayan last year."

"Gol darn it, don't I know it?" ejaculated the pedagogue, fiercely. "And

didn't I lose my brand-new seven-dollar Spalding punching-bag? Well,

we'll set him on his head this time."

"Yes, sir," meekly answered the assistant, who had not caught the full

import of the explosive questions.

But the maestro did not hear him. He was out already and making his way

to the cuartel. Roberts was dismissing the company when he arrived.

"Hello, you take them now," said the officer, as he saw the

Maestro--Professor of Military Gymnastics also, by common consent--near

him. "And, by the way," he added, with suppressed glee, "how's the toe?"

The Maestro did not answer. He was working at the inside of his khaki

jacket. With some trouble he drew out a flat, oblong box. From this he

took a piece of yellow leather and a shining object that looked like a

bicycle pump. He inserted the mouth of the pump into a hole in the

leather and worked the handle up and down in rapid movement. The thing

began to swell and take shape. Finally it looked like a great leather

egg. He threw it on the ground, toward one of the loafing soldiers, and

the latter, as an automaton worked by some powerful spring, hurled

himself headfirst at it, grasped it inside of both arms, and lay on it,

while the rest of the company poured upon him in an avalanche.

"How's that, eh?" asked the schoolmaster, turning upon the Lieutenant an

eye that winked.

He did not wait for an answer. At a signal the company had formed into a

long, crouching line. He placed himself behind it, took a quick step,

and booted the pigskin a resounding whack. At the sound the whole line

galloped off in ferocious pursuit, and when, after describing a

beautiful parabola, the ball bumped along the ground, it was smothered

at the second bounce beneath the gross weight of the company.

"And how's that?" asked the Maestro, in tone still more compelling.

He turned to his men. "The 'Varsity," he called, a trifle pompously.

Eleven men stood out from the rest and lined up in a team.

"Six, eight, fifteen!" he shouted.

The team went through the pantomime of a fierce mass on centre.

"Four, fifteen, twenty-two."

The team swirled around in an end-run.

Then he hurled signals at them, and, in quick succession, with a tangle

here and there, it is true, they went through an entire repertory--cross

tackle bucks, straight openings, tandems, kangaroos, revolving masses,

double and delayed passes, fake kicks. They massed and bucked the air

about as if it offered no resistance. It was beautiful to see.

"And now, behold!" said the engineer of this fine performance, pausing

solemnly.

He drew a line in the earth with his heel and placed the ball upon it.

The quarterback took his position near the ball and the rest of the team

gathered some twenty yards away.

"Five, twenty-four, six X!" barked the Maestro.

There was a rapid movement among the men, and then they shot out in a

long V. On the walk at first, then on the trot, then at full gallop the

V swept down toward the line. The quarterback stooped, picked up the

ball, and dexterously passed it as the formation thundered down upon

him. The ball disappeared, swallowed up within the V, which, passing

the line with tremendous impetus, rumbled on like a battering-ram to a

glorious touch-down.

"The flying wedge," announced the Maestro, in the tone of the

knickerbockered flunkey ushering his Grace, the Lord Hunter of the

Billion Mark, into the Reception Hall. "Barred out in the States, but,

lordy, we're so far way, and it's such a good one, that I thought I'd

give it to them anyhow. Well, what do you think of _my_ team-work, eh?"

The Lieutenant pondered a moment in silent malevolence.

"Yes," he said, "pretty fair for signal-practice. But what about the

_real_ thing, eh? Why don't they _get_ at each other? I don't see them

_scrimmage_, do you?"

A cloud obscured the radiance of the Maestro's visage.

"Well," he said, ruefully, "we're in the Philippines. My team can run

signals, but you can't expect them to play. And," he added, in sudden

consolation, "your Scouts can drill, but they won't fight."

The situation had become tense beyond words, and the Maestro gracefully

evoluted.

"Papa Isio is coming," he said. "I picked up his announcement this

morning in the middle of the plaza."

"Papa Isio is a common carabao thief," said the Lieutenant. "Besides,

our troops have killed him already five distinct times and he doesn't

exist. And it's not up to me, anyhow. Go see Hafner."

So the Maestro went off to see Hafner. Leopold Joseph Hafner, First

Lieutenant of Scouts, U. S. A., Commandant of the Post of Balangilang,

was reclining in an easy-chair on his veranda, a bottle of gin under his

nose. He greeted his visitor with a blank stare. The Commandant

disapproved of pedagogues, and, in fact, of civilians in general.

"Hello, Lieut," shouted the Maestro, with an irreverence that would have

sent a shudder along the spine of a neutral witness. "Here's a piece of

paper for you."

The Commandant examined the paper.

"Well?" he said, at length, with an indifference calculated to crush.

"Oh, nothing. Only that Papa Isio is coming. That's the way he announced

his visit when I was at Cabayan last spring, and he burned the town down

and my punching bag, and made hash of the----"

He stopped with a little gurgle of dismay. Hafner had risen from the

ranks by a Teutonic adhesion to regulations, and rumour, supported by

his mannerisms, had it that his debut in the army had been culinary. The

remark about the fate of the inhabitants of Cabayan was harmless; the

little gurgle was not.

"And what business is that of yours?" asked the Commandant, with a

snort.

"Not much. Thought you'd like to know, so as to get ready----"

"Sir," interrupted the Commandant, pompously, "the American Army is

always ready."

"I was speaking of your Scouts, sir," the Maestro corrected, suavely.

He had been maneuvering toward the door during the latter part of the

dialogue, and with the last word he waved an airy good-by and

hop-skipped-jumped down the stairs.

* * * * *

The next day Papa Isio was in town.

The Commandant and his Second Lieutenant were aware of the fact at the

same time. For, startled out of their morning slumbers by a screeching

tumult, they sprang to their windows to see the whole population of

Balangilang driving past as if the demon were after them--men, women,

children, half-dressed, dishevelled, their eyes bursting out of their

sockets, carrying bundles of hastily snatched goods or squalling babies.

And from this multitude, flying by like nightmare creatures, there came

one long, wailing cry: "Papa Isio! Papa Isio!"

Against the black-blue background of the mountains, over which one

golden ray of sun was just sliding like a long rapier lunging toward the

heart of the city, volutes of smoke were rising heavily in the

water-logged air. Beneath, spiteful red tongues leaped up and out again

with explosive cracklings. The whole eastern part of the pueblo was

burning.

The officers ran to the cuartel. The men were in an uproar. With the

force of habit, acquired through the countless parade drills which had

been their sole military experience, they had made a concerted rush and

were ferociously fighting among themselves for the combs and brushes and

shoe-blacking.

"Here, here," thundered Roberts, while Hafner fumbled at the iron door

of the storeroom where was the carefully guarded ammunition; "here,

here, you don't need to comb your hair. Get your guns and

cartridge-belts."

His additional persuasion was physical and evidently potent, for when

the men filed past Hafner to get their ammunition they all had their

rifles in hand and their belts around their waists, though some had not

had time to don other garments generally regarded, in more social crises

at least, as indispensable. They poured out, were rapidly formed in

front of the cuartel, and, as they deployed across the plaza, from the

smoke ahead Papa Isio's mad mountaineers emerged in convulsive charge. A

drainage ditch cut the town transversely and the Scouts dropped neatly

into it; then their rifles slid out between the grass tufts like

venomous things.

"Fire at will!" bellowed the Commandant.

Here the Regulations, which hitherto had unwaveringly rewarded Hafner

for his respect of them, suddenly went faithless.

"During the final rush of the attacking party," they say, categorically,

"firing should be at will, for then the rapidity of fire and the

flatness of trajectory are more to be relied upon than accuracy."

But--alas!--the peculiar moral characteristics of the Balangilang Scouts

had not been considered when the Regulations were elaborated.

The flatness of trajectory worked poorly. At first pop the majority of

the Scouts emptied their magazines like bunches of firecrackers. Most of

the bullets sped towards the rising sun, to whisper the story of their

masters' unsteady nerves to the trees in the hills. To be just, however,

it must be recorded that some ploughed up the ground directly beneath

the marksmen's noses. Even then the mere noise--which was positively

tremendous--might have checked the advance of the attackers had they not

been Papa Isio's own Dios-Dios crew of mad, weird fellows, hurled on by

that religious spirit which kills so finely. Their Mad Pope was sending

them to everlasting glory, and Death would only expedite the voyage. On

they came, howling, mouth-distorted, muscles convulsively tense, a

foaming, maniacal band. At their head a big black man with rolling

eyeballs bounded, waving a long lance ending in a blood-dipped standard.

The war drums hummed in rhythm.

The Scouts were not at ease. Some were still peppering at the sun, but

the majority were fighting their rifles, trying to reload them with

stiff, clutching fingers that did not work expeditiously, or pounding at

them with a rage that told of something jammed. Running up and down

behind the line, the two officers were waving their swords, shouting and

cursing in an attempt to reinstill in their men that automatic

regularity which had been their fond pride. But the strings were broken

and the puppets worked spasmodically. The incoming rush was only a

hundred yards away. Suddenly, with a wonderful burst of speed, the big

standard-bearer spurted ahead of his companions. A Scout rose from the

trench and aimed his rifle, when the blood-dripping rag described a

rapid parabola and was sticking flaccidly on the soldier's khaki, the

handle quivering behind. Hafner saw the hands go up, clutching at the

sun.

"With the bayonet--charge," he bellowed.

"Hold on," screamed Roberts, in frenzied warning; "they haven't had that

yet!"

And then he found himself surrounded, pushed, jostled, swept away in a

furious stampede. Though they "hadn't had it," the men were charging,

but it was in the wrong direction. Across the plaza they avalanched,

toward the stone church, and when Roberts flowed in with the tumultuous

current, he had a vision of the Commandant, purple and spitting with

rage, at his elbow. The heavy doors clanged shut behind them.

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