HURREE, THE DIRZEE.

[Picture: Hurree] A WARM altercation is going on in the verandah. A

little human animal, with a very large red turban on his little head,

stuck full of pins and threaded needles, stands on all fours over a

garment of an unmentionable kind, which I recognise as belonging to me,

and a piece of cloth lies before him, out of which he has cut a figure

resembling the said garment. The scissors with which the operation was

performed are still lying open upon the ground before him. His head is

thrown so far back that the great turban rests between his shoulder

blades, his brow is corrugated with perplexity, his mouth a little open,

as if his lower jaw could not quite follow the rest of his upturned face.

Hurree cannot know much about toothache. What would I not give for that

set of incisors, regular as the teeth of a saw, and all as red as a fresh

brick! I suppose the current quid of _pan suparee_ is temporarily stowed

away under that swelling in the left cheek, where the fierce black patch

of whisker grows. The survival of a partial cheek pouch in some branches

of the human race is a point that escaped Darwin. But I am digressing

into reflections. To return: a lady is standing over the quadruped and

evidently expressing serious displeasure in some form of that domestic

language which we call Hindoostanee, with variations. The charge she

lays against him seems to be that he has, in disregard of explicit

instructions and defiance of common sense, made a blunder to which her

whole past experience in India furnishes no parallel, and which has

resulted in the total destruction of a whole piece of costly material,

and the wreck of a garment for want of which the _saheb_ (that is myself)

will be put to a degree of inconvenience which cannot be estimated in

rupees, and will most certainly be provoked to an outbreak of indignation

too terrible to be described. So little do we know ourselves! I had no

idea I harboured such a temper. However, Hurree does not tremble, but

pleads that it was necessary to make the garment “leetle silope,” and

though he admits that the slope is too great, he thinks the mistake can

be remedied, and is pulling the cloth to see if it will not stretch to

the required shape. Failing this, he has other remedies of a technical

kind to suggest. I do not understand these matters, and cannot interpret

his argument, but he puts his fingers on the floor and flings himself

lightly to the other side of the cloth, to point out where he proposes to

have a “fals hame,” or some other device. She rejects the proposal with

scorn, and again impresses him with the consequences of his wicked

blunder. At last I am glad to see that a compromise is effected, and the

little man settles himself in the middle of a small carpet and locks his

legs together so that his shins form an X and he sits on his feet. In

this position he will ply his needle for the rest of the day at a rate

inversely proportional to the distance of his mistress. When she retires

for her afternoon _siesta_ the needle will nap too. Then he will take

out a little _Vade Mecum_, which is never absent from his waistband, and

unroll it. It is many-coloured and contains little pockets, one for

fragments of the spicy areca, one for the small tin box which contains

fresh lime, one for cloves, one for cardamoms, and so on. He will put a

little of this and a little of that into his palm, then roll them all up

in a betel leaf out of another pocket, and push the parcel into his

mouth. Thus refreshed he will go to work again, not, however, upon the

garment to which he is now devoted, but upon a roll of coloured stuffs on

which he is at the present moment sitting. You see, times are hard and

Hurree has a large family, so he is obliged to eke out his salary by

contract work for the _mussaul_. His work suffers from other

interruptions. When the carriage of a visitor is heard, he has to awaken

the _chupprassee_ on duty at the door, and on his own account he goes out

to drink water at least as often as the _chupprassee_ himself. As the

day draws near its close, he watches the shadow like a hireling, and when

it touches the foot of the long arm chair, he springs to his feet, rolls

up his rags and threads into a bundle, and trips gaily out. As he does

so you will observe that his legs are bandy, the knees refusing to

approach each other. This is the result of the position in which he

spends his days.

[Picture: A “leelte silope”]

This is how we clothe ourselves in our Indian empire. Our smooth and

comfortable _khakee_ suits, our ample _pyjamas_, the cool white jackets

in which we dine, in this way are they brought about. But you must not

allow yourself to think of the _Dirzee_ simply as an agency for producing

clothes. Life is not made up of such simplicities. The _raison d’être_

of that mango tree lies without doubt in the chalice of nectar, called

“mango fool,” with which Domingo appeases me when he guesses that his

enormities have gone beyond the limits even of my endurance; but I see

that thirty-seven candidates for the place of the _chupprassee_ who went

on leave yesterday have encamped under its shade, that they may watch for

my face in the verandah. The trespassing goat also has browsed on its

leaves, and from the shelter of its branches the Magpie Robin pours that

stream of song which, just before the dawning of the day, in the cloudy

border land between sleeping and waking flows over my soul. But I shall

never really know the place that tree has filled in my life, unless

someone cuts it down and gives me a full view, from my easy chair, of the

dirty brick-burners’ hut, with the poisonous film of blue smoke playing

over the kiln, and the family of pariah puppies below, sporting with the

sun-dried remains of a fowl, which deceased in my yard and was purloined

by their gaunt mother. Now let imagination blot out the _Dirzee_.

Remove him from the verandah. Take up his carpet and sweep away the

litter. What a strange void there is in the place! Eliminate him from a

lady’s day. Let nine o’clock strike, but bring no stealthy footstep to

the door, no muffled voice making respectful application for his _Kam_.

From nine to ten breakfast will fill the breach, and you may allow

another hour for the butler’s account and the godown; but there is still

a yawning chasm of at least two hours between eleven and tiffin. I

cannot bridge it. Imagination strikes work. The joyful sound of the

Borah’s voice brings promise of relief; but no! for what interest can

there be in the Borah if you have no _Dirzee_? In the spirit of fair

play, however, I must mention that my wife does not endorse all this. On

the contrary, she tells me (she has a terse way of speaking) that it is

“rank bosh.” She declares that the _Dirzee_ is the bane of her life,

that he is worse than a fly, that she cannot sit down to the piano for

five minutes but he comes buzzing round for black thread, or white

thread, or mother-o-pearl buttons, or hooks and eyes, that every evening

for the last month he has watched her getting ready for to drive, and

just as her foot was on the carriage step, has reminded her, with a

cough, that his work was finished and he had nothing to do. If she could

only do without him, she would send him about his business and be the

happiest woman in the world, for she could devote the whole day to music

and painting and the improvement of her mind. Of course I assent. That

is a very commendable way of thinking about the matter. But, as an

amateur philosopher, I warn you never to let yourself get under practical

bondage to such notions. I tell you when you betake yourself to music or

painting, carpentry or gardening, as a means of getting through the day,

you are sapping your mental constitution and shortening your life: unless

you are sustained by more than ordinary littleness of mind you will never

see threescore and ten. All these things are good in proportion as you

have difficulty in finding time for them. When you have to rise early in

the morning and work hard to make a little leisure for your favourite

hobby, then you are getting its blessing. Now, the _Dirzee_ is not a

means of killing time. On the contrary, I see that he compels his

mistress to take thought how she may save time alive, if she wishes to

get anything done. He hurries the day along and scatters its hours, so

that _ennui_ cannot find an empty minute to lurk in. I do not deny that

he is the occasion of a few provocations, and the simile of the fly is

just; but are not provocations an element in the interest of every

pursuit, the pepper which flavours all pleasant occupation? I collect

butterflies, and my friends think I am a man to be envied because I have

such a taste. Do they suppose a butterfly catcher has no provocations?

Was it seventeen or seventy times (I forget) in one page that I laid down

my pen, put off my spectacles and caught up my net to rush after that

brute of a _Papilio polymnestor_, who just came to the _duranta_ flowers

to flout me and skip over the wall into the next garden? And does anyone

but a butterfly hunter know how it feels to open your cabinet drawers

just a few hours after the ants have got the news that the camphor is

done? Does anyone but an entomologist know the grub of _Dermestes

intolerabilis_? Why should a collection of butterflies be called an

object of perennial interest and delight, and the _Dirzee_ an unmitigated

provocation? They are both of one family. Nothing is unmitigated in

this world.

Maria Graham tells us that in her time “the _Dirdjees_, or tailors, in

Bombay” were “Hindoos of respectable caste,” but in these days the

Goanese, who has not capacity to be a butler or cook, becomes a _Dirzee_,

and in Bombay I have seen Bunniah _Dirzees_. Hurree can hold his own

against these, I doubt not, but the advancing tide of civilization is

surely crumbling down his foundations. It is not only the “Europe” shop

in Bombay that takes the bread out of his month, but in the smallest and

most remote stations, Narayen, “Tailor, Outfitter, Milliner, and

Dressmaker,” hangs out his sign-board, and under it pale, consumptive

youths of the Shimpee caste bend over their work by lamplight, and sing

the song of the shirt to the whirr-rr-rr of sewing machines. And as

Hurree goes by on his way home, his prophetic soul tells him that his son

will not live the happy and independent life which has fallen to his lot.

But he has a bulwark still in the _dhobie_, for the “Tailor and

Outfitter” will not repair frayed cuffs, and the sewing machine cannot

put on buttons. And Hurree is not ungrateful, for I observe that, when

the _dhobie_ delivers up your clothes in a state which requires the

_Dirzee_, the _Dirzee_ always gives them back in a condition which

demands the _dhobie_.

[Picture: The Dirzee]

Behind the Bungalow · 第 16 / 21 题