It is possible that this fool, like his master, was rather German than

French; and we commence quite early enough with the latter, when we

begin from the period of the father of Hugh Capet, whose fool comes

before us in a very solemn and melodramatic way. The celebrated Duke,

in 943, went on an expedition against the Normans, and among his

followers, says the ever lively Ordericus Vitalis, was his buffoon,

_mimus_, or _joculator_, as he is called by the chronicler. One day,

at the Duke’s table, the conversation fell on some holy personages who

had died in the odour of sanctity. The _joculator_, being a fool, was a

freethinker; and he dealt so rudely and sarcastically with these dead

and sanctified individuals, in his ribald remarks, that the avenging

justice of Heaven was aroused, and, says the smart Norman historian, a

violent storm bursting forth from the skies, the lightnings flashed,

and a thunderbolt, tearing down from the clouds, dashed through the

roof, and at one stroke annihilated the jester and all who had moved

him to asperse the Saints, or who had joined in the laugh he had raised

against them.

Taking the _Mimus_ to be a species of court fool who sang to the

accompaniment of some instrument, when required, then Louis VIII. had

such an official at court, though whether this _mimus_ held his post

by patent or not, is not mentioned by Nicholas de Braia, who notices

the fact itself. This chronicler describes a grand banquet given by

the King, shortly after his coronation, and which must have been a very

jovial affair. “While they warm their hearts with the genial gift of

Bacchus,” says the poet historian, “and care is swept away from the

brow of the Prince by draughts of various wines, a mime celebrated for

his skill on the harp, rises, and smiting his instrument, sings the

praises of the King.” These praises were very highly strung indeed;

and we only need to be told that censure, if necessary, or sarcasm, if

opportunity allowed, was scattered amid the laudation, to be assured

that the _mimus_ here spoken of was really something of the official

fool also.

Although examples constantly present themselves of the unlicensed

liberty which the French _plaisants_ took with their masters, instances

are not wanting of their delicacy or timidity. For instance, when the

fleet of Philip was captured or destroyed by that of Edward III.,

there was no one at court bold enough to communicate tidings of the

disaster to the King, except a court fool, whose name has not, however,

been mentioned by any historian. Going into the royal chamber, the

_fou_ began muttering, “Those cowardly Englishmen! The chicken-hearted

Britons!” “How so, Cousin?” asked Philip. “How so? Why, because they

have not courage enough to jump into the sea, like your French sailors,

who went headlong over from their ships, leaving those to the enemy

who did not care to follow them!” And thus the King learned, by a most

unpleasant method, the humiliation that had come upon him as well as

defeat. The sarcasm must have fallen as painfully on the King’s ear as

the assertion of the _Journal des Débats_ on the ear of all England,

with respect to those Indian calamities which included the massacre of

our women and children, namely, that France looked upon it all, “with

curiosity and satisfaction!”

Saintfoix, in his History of Paris, and indeed many other authors

conclude, because Charles V. of France announced to the authorities

at Troyes in Champagne, that his fool was dead, and requested them to

provide him with another, that the town in question monopolized the

provision of this article for the court; but Dr. Rigollet, author of

‘Les Monnaies des Évêques,’ etc., quotes an autograph letter of the

same King, dated February 1364, in which Charles orders the cashier of

his treasury to disburse 200 francs, “to fetch hither a fool for us who

is now in the Bourbonnois.” If this be not conclusive, the fact that

the royal jesters came from parts of France where the municipality of

Troyes could have had neither authority nor influence, would seem to

be more so. Though, after all, the Champagne magistrates _may_ have

procured the jesters where they knew a superior specimen was to be

found, without regard to locality.

Once engaged, the poor slave--for he was little else--could not sleep

out of the palace, unpermitted, without danger of a whipping when he

returned. Neither could he lay aside his dress, without sanction of his

master; and even then, were he to clap a sword on his thigh, and so try

to pass abroad for a gentleman, and this offence came to the ears of

the “King of the Ribalds,” the provost-marshal of the King’s household,

the fool might reckon on being scourged till the blood ran down to his

heels. Further, it does not appear that the fool could at will divest

himself of his office. He was bound to serve, and it was only the royal

word that could set him free from his bonds.

In one or two instances the monarch exhibited some attachment to his

_fou_, by honouring his memory after death. The King Charles V. buried

two of his jesters beneath sumptuous monuments. This King, too, was

called “the Wise.” One _plaisant_ thus honoured was interred in the

church of St. Germain l’Auxerrois, but I can find no account of his

tomb in any description of the church to which I have had access. The

second was a _fou_ of some condition apparently, for he bore a noble

name, and that is not the case with any _fou à titre d’office_ that

I have yet heard of. The one in question was Thevenin de St. Ligier,

whose body was deposited in the church of St. Maurice de Senlis. The

tomb is described as being of stone, ten feet by five, on which lies a

figure of a man in a long robe, whose head and feet are of alabaster.

He wears the fool’s hood, and other insignia of his office, among

which is the long wand, which he grasps in his hand. The scroll of the

tomb is composed of very small figures elaborately carved, and the

inscription tells the reader that “Here lies Thevenin de Saint-Ligier,

_fou_ of the King our Lord, who deceased on the 11th of July, in the

year of Grace 1374. Pray God for his soul.”

We see the _fou_ hardly less honoured when, instead of being splendidly

interred by his master, he follows the body of his patron to the

tomb, amid the esteemed friends and followers especially selected to

fittingly grace the solemn occasion. This was the case in 1416, at

the obsequies of John, Duke de Berri. The funeral of that prince was

a very stately affair; and not the least sincere mourner who was near

the coffin, was the Duke’s favourite _plaisant_, who was attired in

a full suit of sables, and bore himself with as much dignity as any

noble there present. If my readers choose to accompany me any further,

they will find German _narrs_ making a mockery of woe, but no samples

of their honouring departed worth, as may be found among the _fous_ of

France.

It was not every _fou_ who was a _plaisant_ to his master. Louis XI.

must have discovered as much after taking into his service the jester

of his deceased brother, Charles, Duke de Guyenne. The Duke and his

mistress, “the lady of Monsoreau,” in the month of May 1472, being

at dessert, divided between them a peach, presented to them by the

kind Abbot of Saint-Jean d’Angeli. The lady and her lord _par amour_,

speedily died, and their _fou_ passed into the service of the King.

Some time after, Louis XI., then praying in his oratory, his fool

standing by, held a little discourse and bargaining, as was his wont,

with Our Lady of Clery. The staple of the royal discourse with the

Virgin, was to this effect, that he and she being on the most friendly

terms, mutually patronizing each other, she of course would arrange

with Heaven that the King should not suffer for the murder of his

brother; but that the Divine vengeance might very appropriately fall

on the Abbot of Saint-Jean d’Angeli, whom Louis had employed to commit

the deed, and who, as the monarch assured the Virgin, was a very sorry

rascal indeed, fit for nothing better than everlasting perdition. “Just

arrange this little matter for me, as I would have it,” said the King,

“and I have in my eye some very pretty presents that I will offer

at your altar.” According to Brantôme, this pleasant confession and

proposed arrangement were overheard by the _fou_, whom Louis looked

upon as an amusing imbecile without discretion. But the _plaisant_

loved his old master; and he must have as bitterly hated as he little

feared his new patron, if it be true that he accused him of the crime

before an august company at a grand banquet. The fool was probably

soon disposed of, but when the great Duke of Burgundy laid fratricide

to the charge of Louis, the latter met the charge manfully. He shut

up the Abbot of Saint-Jean d’Angeli in a dungeon, and appointed two

commissioners to examine into the accusation. Shortly after, the Abbot

was found strangled in prison, some said, by himself; others declared,

by the devil; while some thought of the King, and said nothing,--which

was what Louis himself did. The examination having proceeded thus far,

the King rewarded the two commissioners. He made Louis d’Amboise,

Bishop of Albi; and to Pierre de Sacierges he gave a sinecure post of

great value. Therewith the examination was at an end, and Louis, at his

next _tête-à-tête_ with the Holy Virgin of Clery, probably talked like

a man who had been wronged by false suspicion, and had come cleverly,

if not triumphantly, out of a trying ordeal.

Having mentioned the great Duke of Burgundy, I may here appropriately

add a word or two of the famous “Le Glorieux,” the French jester to

Charles the Bold. Le Glorieux was a facetious fellow, and as fearless

as facetious. His master, Duke Charles, used to compare himself with

Hannibal. After the overthrow at Granson, Duke and fool were galloping

in search of safety, with many others. The Duke was in gloomy wrath, Le

Glorieux was full of wicked gaiety. “Uncle,” cried he to Charles, “this

is the prettiest way of being like Hannibal that I ever saw.”

So again, subsequently to the defeat sustained by the Duke before

Beauvais, Charles was conducting some ambassadors over his arsenal. In

one of the rooms the host remarked, “This chamber contains the keys of

all the cities in France.” At these words, Le Glorieux began fumbling

in his pockets, and looking about the room with an air of anxiety.

“Now, ass,” cried the Duke, “what are you searching for so anxiously?”

“I am looking,” answered Le Glorieux, with a significant smile,--“I am

looking for the keys of Beauvais.”

A lost battle would seem, indeed, to have always heightened the spirits

of the licensed fool. We have another instance in the case of the

jester of the Marquis del Guasto, a general in the service of Charles

V. While his captors were hauling over his baggage, after the day of

Cerizoles, his fool exclaimed, “Ay, ay, you will find all sorts of

valuable things there, except spurs, of which truly my master has

plenty, but he keeps them all to enable him to get quicker out of the

fray.”

“_Poeta regius_,” to quote the very words of Ménage (in the third

volume, p. 183, of the ‘Ana,’) “en bon François signifie ‘Le Fou du

Roi.’” Otherwise, King’s poet, as royal poet laureate, signifies in

good English, as I may here put it, ‘King’s Fool.’ For this reason

Ménage is inclined to reckon Andrelini, who was the “crowned poet”

of Louis XII. and Anne of Brittany, among the “fous du Roi;” and he

refers us to Bayle upon that subject. The latter, however, does not

bring Andrelini (who styled himself _poeta regius et regineus_) nearer

to the cap and bells than by showing that he poured forth verses in

astonishing abundance, and was paid for them by the hundred. He appears

also to have enjoyed somewhat of the license and privilege of the

jester, for he uttered bitter satires against the theologians at a time

when to attack them was to run the risk of death. And yet Andrelini

shot his bolts with impunity, partly because he reflected lustre on the

University of Paris. He was a jester, probably, only as John Heywood

was with us. He lived as loosely as any titled jester of them all, and

his lax rule of life is sufficiently indicated by Erasmus, in the words

(see the twentieth Letter in the 4th book of the Collected Letters of

Erasmus) addressed to Peter Barbirius, and which imply that the writer

could tell more if he would; that Peter knew a good deal about the

matter himself; that Andrelini was a loose fellow; and that his rule of

life was tolerably notorious. “Quam non casta erat illius professio!

Neque cuiquam obscurum erat qualis esset vita!”

We now come to some renowned names in the register of the _plaisants_.

The first of these is Triboulet. The individual known by this nickname

does not appear to have been in the service of Louis XII., as is

sometimes stated. Indeed, Du Tillot professes to be ignorant of

the names of any official fool in the court of that King or of his

predecessor, Charles VIII. But he has no doubt whatever of the official

presence of jesters at both courts. Such presence was a matter of

strict etiquette, and Du Tillot supposes that Anne of Brittany, the

wife of both the above-mentioned sovereigns, having introduced a very

serious tone at court, the wearers of motley only played a subordinate

part.

With Francis I., two of the most famous of Trench “plaisans” appear

on the stage, Caillette and Triboulet. These names were fictitious,

but they are the only appellations by which this merry pair, who hated

each other heartily, were known in their own time, or are known in

ours. History, too, has dealt confusedly with both jesters, confusing

their biographies, jokes, and adventures, and occasionally forgetting

that there were two Caillettes, father and son, of whom the latter was

appointed fool against his own inclination.

According to popular tradition, Caillette was to Triboulet, what the

simpleton in the _Auberge des Adrets_ was to Robert Macaire,--the

scapegoat for the other’s offences. He was, we are told, idiotic, or

pretended to be so; and when witty, it was more after the fashion of

a clown in a pantomime, than that of a happy low comedian, to which

Triboulet may sometimes be compared; though the latter occasionally

interfered with politics and spoke little brilliant things like a fine

gentleman in a comedy. Jean Marot, however, says of him, that he had as

much wit when he was thirty as when he was three years old. The court

pages, say the biographers, could do as they pleased with Caillette,

and on one occasion they nailed him by the ear to a beam. The poor fool

thought he was condemned to remain there for life. On being discovered

by some police authority, he was questioned; but he only replied that

he did not know who had fixed him there. The pages were confronted with

him, but each declared in turn, “I had nothing to do with it,” and each

time, Caillette added, “And I had nothing to do with it either.” The

alleged offence was, that the fool had cut off a page’s aiguillettes

and attached them to his person in the guise of a tail. A similar

story is told of Triboulet by the “Bibliophile Jacob” (Paul Lacroix)

in his ‘Deux Fous,’ to which volume I am indebted for many antiquarian

details touching the discipline of jesters at French courts, as well

as for various incidents in the lives both of Triboulet and his rival

Caillette.

Tradition, without bringing down to us any samples of the quality of

Caillette, was long inconsistent with itself, by diversely representing

this jester, now as a sorry, and at other times as a very brilliant,

practitioner of his craft. There can be little doubt of the existence

of a father and son of this name and office; and Paul Lacroix has

followed out this idea in his work, noticed above.

According to this writer, who, it is necessary to remember, mingles a

good deal of fiction with his antiquarian facts, the elder Caillette

was a very inferior wit to Triboulet, and hung himself out of vexation

at having been defeated by him at a match of cudgelling of brains. I do

not know how much of reality or how much of merely fanciful is included

in the following details; some portions may be less _vrai_ than

_vraisemblable_, and with this warning, I place before my readers an

outline of the younger Caillette, whose elaborate full-length has been

superbly painted by a master in the romance of history.

While the father was exercising his vocation at the court of France,

the son was sojourning in the château of the Count de St. Vallier,

as a friend rather than a dependant. As a youth, he had attracted

the attention of the famous Constable de Bourbon by his beauty and

intellect. The Constable could not believe him to be of the low origin

commonly assigned to him, and it was at Bourbon’s instigation that the

Count de St. Vallier took the boy into his household, and educated him

in company with the Count’s renowned daughter, Diane de Poictiers.

In such society the younger Caillette remained, happy, loved, and

light-hearted, till the period of the marriage of Diane with M. de

Brézé, Grand Seneschal of Normandy. From this time, his character

became changed. He lost his gaiety and his happy carelessness; studied

more, in order to forget his sorrows, among which the circumstance of

his father holding the office of fool to the King, was by no means the

least.

Francis I. was at Moulins, where he had held the son of the Constable

at the baptismal font, when he heard of the death of the elder

Caillette. This high festival, celebrated at Moulins, had attracted

a noble company, and among them was the Count de Saint-Vallier, with

the younger Caillette, then about nineteen, in attendance on him. The

death of the father, the fool, had more touched Francis than the demise

of any of his ministers could have done; and when he heard and saw

who was in attendance upon the Count de Saint-Vallier, he resolved to

perpetuate the name of the deceased by appointing his son to the vacant

office. The appointment was resisted by the noble patrons of the son,

and by the latter himself with the energy of despair. But all in vain.

The youth, who had looked forward to wield a sword, was compelled to

carry the fool’s bauble. He would have committed suicide, but for the

intervention of his confessor.

This jester against his will, is described as being of noble mien,

perfect in figure, graceful in manner, attractive and spiritual in

physiognomy, and singularly elegant in his expression. He charmed

the King by his admirable reading of poetry, by his happy facility

of improvising rhymes, and by his readiness to compose verses, which

Francis did not disdain sometimes to pass off as his own. This learned,

philosophical, classical, and noble fool, who possessed more natural

qualities than the King himself, was of course loved by many a great

lady at court; but _his_ homage was for one alone, and that _one_ was

Diane de Poictiers.

But here we assuredly get into romance; which continues to run in

this wise. The Count de Saint-Vallier was sentenced to death for

alleged complicity in the treason of the Constable against his country.

Caillette exerted himself with unexampled vigour to procure the release

of his old patron, for he had obtained from Diane a promise that she

would reward him for succeeding in the rescue of her father from a

terrible death, by kissing him in the presence of the whole court of

France. It was into that presence that he proudly brought, at last, the

pardon which his prayers, and still more his ingenuity, had wrested,

from the King; but at that moment poison was slaying him, and it was

only as the dying fool drew his last breath that Diane stooped to kiss

him, and thereby gave sweetness to bitter death. He died in a condition

of ecstasy.

“Holy St. Bagpipe!” exclaimed Triboulet, “pray for the defunct! I am

now first titled fool in the court of France.”

We may dismiss, as unfounded, the legends, and, as unsaid, the wit

touching Triboulet and his remarks on the folly of the Emperor Charles

V. trusting to the honour of Francis I. by passing through France,

and the greater folly of Francis in not taking advantage of the

circumstance to seize upon the Emperor. Triboulet was in his grave

before the last delicate affair was even negotiated (1538), and all the

smart sayings had been uttered previously, under similar circumstances,

by other jesters. Indeed, the best things attributed to Triboulet

are of questionable authority. Thus, we hear of his complaining to

Francis of a nobleman who had threatened to beat him to death for

some impertinent joke. “If he does,” said the King, “I will hang him

a quarter of an hour afterwards.” “Ah, Sire!” exclaimed the _fou_,

“couldn’t you contrive to hang him a quarter of an hour previously?”

Something like this story is told of at least half-a-dozen wearers of

motley.

There is another story told which certainly refers to Triboulet. He was

passing over a bridge in company with a courtier, who observed that the

bridge had no “garde-fou” or “parafool,” as the common term ran for

a _parapet_. “Surely,” remarked Triboulet to the observation, “the

people here did not expect that we two should cross it together.”

There is something more of a joke in this fou’s reply to another

courtier who saw Triboulet galloping or caracoling on a magnificent

horse when Francis made his public entry into Rouen. “You had better

go more quietly, Cousin,” said the courtier, “or you will suffer for

it.” “Alas, Sir,” replied the _plaisant_, “what can I do? I stick my

spurs into my horse’s flanks to keep him quiet; and the more I prick,

the more unruly I find the obstinate beast!” Such sayings as these

were only tricks of vocation. Triboulet did not lack common sense, nor

omit to use it for the benefit of those who appeared to have lacked

their own. This was the case when Francis gave a courier two thousand

crowns, as he mounted his horse, and proceeded on a mission to Rome;

which place he undertook to reach within a space of time in which no

human being could have accomplished the journey. “I will put you down

in my register, Sire, as a fool, for believing a man can do what is

impossible, and for paying him four times what were his due, even if

he could achieve what he undertakes to do.” “But, if he fails,” said

Francis, “he will restore me my money.” “Will he, by my bagpipes!”

exclaimed Triboulet; “then he will be a greater fool than yourself, and

so I shall have two to register instead of one.”

There is another _trait_ illustrative of Triboulet, which has,

nevertheless, been attributed, if I remember rightly, to the jester of

Leopold of Austria, when planning his invasion of Switzerland. Francis

I. summoned a council in 1525, to deliberate on the necessary measures

for the celebrated campaign which ended in the capture of the monarch

at Pavia. The counsellors did not spare their brains; and, at length

having duly and unanimously decided on the most feasible means for

successfully entering Italy, they broke up, and rose to separate.

“A moment, wise Sirs,” said Triboulet, as he lay, supported on his

elbow, at the feet of the King. “I pray your stupendous wisdoms to

tarry an instant, while I intimate that, although you may fancy you

have delivered yourself of the best possible advice to my cousin

Francis, you have really forgotten the most important point of all.”

“Ay! ay! merry cousin,” exclaimed the King, “will your sage worship

inform us how that may be?”

“Just this,” answered Triboulet, with his merry chuckle. “They have

told you how best to get into Italy. Now, you do not intend, I suppose,

to stay there for ever; and your fool thinks they would have done well

if they had counselled your Majesty, not merely how to get into Italy,

but how to get out of it again.”

“Tush! joyous companion,” said Francis; “it is not needful. We shall

return _tambour battant_.”

“Very fine,” rejoined the fool. “Vos tambours seront battus;” and at

this _équivoque_, the council dispersed, laughing.

The History of Court Fools · 第 19 / 30 段