I'll wait.'

'Very well,' she burst out; 'you have brought it on yourself. You've

only yourself to blame. If you had been good and had gone back to your

office, I would have brought you down some cake and cocoa.'

'Cake and cocoa!' said he, superciliously.

'Yes, cake and cocoa,' she snapped. 'It's all very well for you to turn

up your nose at them now, but wait. You've thirteen hours of this in

front of you. I know what it is. Last time I had to spend the night

here I couldn't get to sleep for hours, and when I did I dreamed that I

was chasing chocolate _eclairs_ round and round Trafalgar Square.

And I never caught them either. Long before the night was finished I

would have given _anything_ for even a dry biscuit. I made up my

mind I'd always keep something here in case I ever got locked in

again--yes, smile. You'd better while you can.'

He was smiling, but wanly. Nobody but a professional fasting man could

have looked unmoved into the Inferno she had pictured. Then he rallied.

'Cake!' he said, scornfully.

She nodded grimly.

'Cocoa!'

Again that nod, ineffably sinister.

'I'm afraid I don't care for either,' he said.

'If you will excuse me,' she said, indifferently, 'I have a little work

that I must finish.'

She turned to her desk, leaving him to his thoughts. They were not

exhilarating. He had maintained a brave front, but inwardly he quailed.

Reared in the country, he had developed at an early age a fine, healthy

appetite. Once, soon after his arrival in London, he had allowed a

dangerous fanatic to persuade him that the secret of health was to go

without breakfast.

His lunch that day had cost him eight shillings, and only decent shame

had kept the figure as low as that. He knew perfectly well that long

ere the dawn of day his whole soul would be crying out for cake,

squealing frantically for cocoa. Would it not be better to--no, a

thousand times no! Death, but not surrender. His self-respect was at

stake. Looking back, he saw that his entire relations with this girl

had been a series of battles of will. So far, though he had certainly

not won, he had not been defeated. He must not be defeated now.

He crossed his legs and sang a gay air under his breath.

'If you wouldn't mind,' said the girl, looking up.

'I beg your pardon?'

'Your groaning interrupts my work.'

'I was not groaning. I was singing.'

'Oh, I'm sorry!'

'Not at all.'

Eight bars rest.

Mr Ferguson, deprived of the solace of song, filled in the time by

gazing at the toiler's back-hair. It set in motion a train of

thought--an express train bound for the Land of Yesterday. It recalled

days in the woods, evenings on the lawn. It recalled sunshine--storm.

Plenty of storm. Minor tempests that burst from a clear sky, apparently

without cause, and the great final tornado. There had been cause enough

for that. Why was it, mused Mr Ferguson, that every girl in every

country town in every county of England who had ever recited 'Curfew

shall not ring tonight' well enough to escape lynching at the hands of

a rustic audience was seized with the desire to come to London and go

on the stage?

He sighed.

'Please don't snort,' said a cold voice, from behind the back-hair.

There was a train-wreck in the Land of Yesterday. Mr Ferguson, the

only survivor, limped back into the Present.

The Present had little charm, but at least it was better than the

cakeless Future. He fixed his thoughts on it. He wondered how Master

Bean was passing the time. Probably doing deep-breathing exercises, or

reading a pocket Aristotle. The girl pushed back her chair and rose.

She went to a small cupboard in the corner of the room, and from it

produced in instalments all that goes to make cake and cocoa. She did

not speak. Presently, filling Space, there sprang into being an Odour;

and as it reached him Mr Ferguson stiffened in his chair, bracing

himself as for a fight to the death. It was more than an odour. It was

the soul of the cocoa singing to him. His fingers gripped the arms of

the chair. This was the test.

The girl separated a section of cake from the parent body. She caught

his eye.

'You had better go,' she said. 'If you go now it's just possible that I

may--but I forgot, you don't like cocoa.'

'No,' said he, resolutely, 'I don't.'

She seemed now in the mood for conversation.

'I wonder why you came up here at all,' she said.

'There's no reason why you shouldn't know. I came up here because my

late office-boy is downstairs.'

'Why should that send you up?'

'You've never met him or you wouldn't ask. Have you ever had to face

someone who is simply incarnate Saintliness and Disapproval, who--'

'Are you forgetting that I was engaged to you for several weeks?'

He was too startled to be hurt. The idea of himself as a Roland Bean

was too new to be assimilated immediately. It called for meditation.

'Was I like that?' he said at last, almost humbly.

'You know you were. Oh, I'm not thinking only about your views on the

stage! It was everything. Whatever I did you were there to disapprove

like a--like a--like an aunt,' she concluded triumphantly. 'You were

too good for anything. If only you would, just once, have done

something wrong. I think I'd have--But you couldn't. You're simply

perfect.'

A man will remain cool and composed under many charges. Hint that his

tastes are criminal, and he will shrug his shoulders. But accuse him

of goodness, and you rouse the lion.

Mr Ferguson's brow darkened.

'As a matter of fact,' he said, haughtily, 'I was to have had supper

with a chorus-girl this very night.'

'How very appalling!' said she, languidly.

She sipped her cocoa.

'I suppose you consider that very terrible?' she said.

'For a beginner.'

She crumbled her cake. Suddenly she looked up.

'Who is she?' she demanded, fiercely.

'I beg your pardon?' he said, coming out of a pleasant reverie.

'Who is this girl?'

'She--er--her name--her name is Marie--Marie Templeton.'

She seemed to think for a moment.

'That dear old lady?' she said.' I know her quite well.'

'What!'

'"Mother" we used to call her. Have you met her son?'

'Her son?'

'A rather nice-looking man. He plays heavy parts on tour. He's married

and has two of the sweetest children. Their grandmother is devoted to

them. Hasn't she ever mentioned them to you?'

She poured herself out another cup of cocoa. Conversation again

languished.

'I suppose you're very fond of her?' she said at length.

'I'm devoted to her.' He paused. 'Dear little thing!' he added.

She rose and moved to the door. There was a nasty gleam in her eyes.

'You aren't going?' he said.

'I shall be back in a moment. I'm just going to bring your poor little

office-boy up here. He must be missing you.'

He sprang up, but she had gone. Leaning over the banisters, he heard a

door open below, then a short conversation, and finally footsteps

climbing the stairs.

It was pitch dark on the landing. He stepped aside, and they passed

without seeing him. Master Bean was discoursing easily on cocoa, the

processes whereby it was manufactured, and the remarkable distances

which natives of Mexico had covered with it as their only food. The

door opened, flooding the landing with light, and Mr Ferguson, stepping

from ambush, began to descend the stairs.

The girl came to the banisters.

'Mr Ferguson!'

He stopped.

'Did you want me?' he asked.

'Are you going back to your office?'

'I am. I hope you will enjoy Bean's society. He has a fund of useful

information on all subjects.'

He went on. After a while she returned to the room and closed the door.

Mr Ferguson went into his office and sat down.

* * * * *

There was once a person of the name of Simeon Stylites, who took up a

position on top of a pillar and stayed there, having no other

engagements, for thirty years. Mr Ferguson, who had read Tennyson's

poem on the subject, had until tonight looked upon this as a pretty

good thing. Reading the lines:

...thrice ten years,

Thrice multiplied by superhuman pangs,

In hunger and in thirsts, fevers and colds,

In coughs, aches, stitches, ulcerous throes, and cramps,...

Patient on this tall pillar I have borne.

Rain, wind, frost, heat, hail, damp, and sleet, and snow,

he had gathered roughly, as it were, that Simeon had not been

comfortable. He had pitied him. But now, sitting in his office-chair,

he began to wonder what the man had made such a fuss about. He

suspected him of having had a touch of the white feather in him. It was

not as if he had not had food. He talked about 'hungers and thirsts',

but he must have had something to eat, or he could not have stayed the

course. Very likely, if the truth were known, there was somebody below

who passed him up regular supplies of cake and cocoa.

He began to look on Simeon as an overrated amateur.

Sleep refused to come to him. It got as far as his feet, but no

farther. He rose and stamped to restore the circulation.

It was at this point that he definitely condemned Simeon Stylites as a

sybaritic fraud.

If this were one of those realistic Zolaesque stories I would describe

the crick in the back that--but let us hurry on.

It was about six hours later--he had no watch, but the numbers of

aches, stitches, not to mention cramps, that he had experienced could

not possibly have been condensed into a shorter period--that his manly

spirit snapped. Let us not judge him too harshly. The girl upstairs had

broken his heart, ruined his life, and practically compared him to

Roland Bean, and his pride should have built up an impassable wall

between them, but--she had cake and cocoa. In similar circumstances

King Arthur would have grovelled before Guinevere.

He rushed to the door and tore it open. There was a startled

exclamation from the darkness outside.

'I hope I didn't disturb you,' said a meek voice.

Mr Ferguson did not answer. His twitching nostrils were drinking in a

familiar aroma.

'Were you asleep? May I come in? I've brought you some cake and cocoa.'

He took the rich gifts from her in silence. There are moments in a

man's life too sacred for words. The wonder of the thing had struck him

dumb. An instant before and he had had but a desperate hope of winning

these priceless things from her at the cost of all his dignity and

self-respect. He had been prepared to secure them through a shower of

biting taunts, a blizzard of razor-like 'I told you so's'. Yet here he

was, draining the cup, and still able to hold his head up, look the

world in the face, and call himself a man.

His keen eye detected a crumb on his coat-sleeve. This retrieved and

consumed, he turned to her, seeking explanation.

She was changed. The battle-gleam had faded from her eyes. She seemed

scared and subdued. Her manner was of one craving comfort and

protection. 'That awful boy!' she breathed.

'Bean?' said Mr Ferguson, picking a crumb off the carpet.

'He's frightful.'

'I thought you might get a little tired of him! What has he been

doing?'

'Talking. I feel battered. He's like one of those awful encyclopedias

that give you a sort of dull leaden feeling in your head directly you

open them. Do you know how many tons of water go over Niagara Falls

every year?'

'No.'

'He does.'

'I told you he had a fund of useful information. The Purpose and

Tenacity books insist on it. That's how you Catch your Employer's Eye.

One morning the boss suddenly wants to know how many horsehair sofas

there are in Brixton, the number of pins that would reach from London

Bridge to Waterloo. You tell him, and he takes you into partnership.

Later you become a millionaire. But I haven't thanked you for the

cocoa. It was fine.'

He waited for the retort, but it did not come. A pleased wonderment

filled him. Could these things really be thus?

'And it isn't only what he says,' she went on. 'I know what you mean

about him now. It's his accusing manner.'

'I've tried to analyse that manner. I believe it's the spectacles.'

'It's frightful when he looks at you; you think of all the wrong things

you have ever done or ever wanted to do.'

'Does he have that effect on you?' he said, excitedly. 'Why, that

exactly describes what I feel.'

The affinities looked at one another.

She was the first to speak.

'We always did think alike on most things, didn't we?' she said.

'Of course we did.'

He shifted his chair forward.

'It was all my fault,' he said. 'I mean, what happened.'

'It wasn't. It--'

'Yes, it was. I want to tell you something. I don't know if it will

make any difference now, but I should like you to know it. It's this.

I've altered a good deal since I came to London. For the better, I

think. I'm a pretty poor sort of specimen still, but at least I don't

imagine I can measure life with a foot-rule. I don't judge the world

any longer by the standards of a country town. London has knocked some

of the corners off me. I don't think you would find me the Bean type

any longer. I don't disapprove of other people much now. Not as a

habit. I find I have enough to do keeping myself up to the mark.'

'I want to tell you something, too,' she said. 'I expect it's too late,

but never mind. I want you to hear it. I've altered, too, since I came

to London. I used to think the Universe had been invented just to look

on and wave its hat while I did great things. London has put a large

piece of cold ice against my head, and the swelling has gone down. I'm

not the girl with ambitions any longer. I just want to keep employed,

and not have too bad a time when the day's work is over.'

He came across to where she sat.

'We said we would meet as strangers, and we do. We never have known

each other. Don't you think we had better get acquainted?' he said.

There was a respectful tap at the door.

'Come in?' snapped Mr Ferguson. 'Well?' Behind the gold-rimmed

spectacles of Master Bean there shone a softer look than usual, a look

rather complacent than disapproving.

'I must apologize, sir, for intruding upon you. I am no longer in your

employment, but I do hope that in the circumstances you will forgive

my entering your private office. Thinking over our situation just now

an idea came to me by means of which I fancy we might be enabled to

leave the building.'

'What!'

'It occurred to me, sir, that by telephoning to the nearest

police-station--'

'Good heavens!' cried Mr Ferguson.

Two minutes later he replaced the receiver.

'It's all right,' he said. 'I've made them understand the trouble.

They're bringing a ladder. I wonder what the time is? It must be about

four in the morning.'

Master Bean produced a Waterbury watch.

'The time, sir, is almost exactly half past ten.'

'Half past ten! We must have been here longer than three hours. Your

watch is wrong.'

'No, sir, I am very careful to keep it exactly right. I do not wish to

run any risk of being unpunctual.'

'Half past ten!' cried Mr Ferguson. 'Why, we're in heaps of time to

look in at the Savoy for supper. This is great. I'll phone them to keep

a table.'

'Supper! I thought--'

She stopped.

'What's that? Thought what?'

'Hadn't you an engagement for supper?'

He stared at her.

'Whatever gave you that idea? Of course not.'

'I thought you said you were taking Miss Templeton--'

'Miss Temp--Oh!' His face cleared. 'Oh, there isn't such a person. I

invented her. I had to when you accused me of being like our friend the

Miasma. Legitimate self-defence.'

'I do not wish to interrupt you, sir, when you are busy,' said Master

Bean, 'but--'

'Come and see me tomorrow morning,' said Mr Ferguson.

* * * * *

'Bob,' said the girl, as the first threatening mutters from the

orchestra heralded an imminent storm of melody, 'when that boy comes

tomorrow, what are going to do?'

'Call up the police.'

'No, but you must do something. We shouldn't have been here if it

hadn't been for him.'

'That's true!' He pondered. 'I've got it; I'll get him a job with

Raikes and Courtenay.'

'Why Raikes and Courtenay?'

'Because I have a pull with them. But principally,' said Mr Ferguson,

with a devilish grin, 'because they live in Edinburgh, which, as you

are doubtless aware, is a long, long way from London.'

He bent across the table.

'Isn't this like old times?' he said. 'Do you remember the first time I

ever ki--'

Just then the orchestra broke out.

The Man Upstairs and Other Stories · 第 47 / 57 题