ACT II.

SCENE _as before. Brilliant morning light. Christy, looking bright and

cheerful, is cleaning a girl’s boots._

CHRISTY.

_to himself, counting jugs on dresser._—Half a hundred beyond. Ten

there. A score that’s above. Eighty jugs. Six cups and a broken one.

Two plates. A power of glasses. Bottles, a school-master’d be hard set

to count, and enough in them, I’m thinking, to drunken all the wealth

and wisdom of the County Clare. (_He puts down the boot carefully._)

There’s her boots now, nice and decent for her evening use, and isn’t

it grand brushes she has? (_He puts them down and goes by degrees to

the looking-glass._) Well, this’d be a fine place to be my whole life

talking out with swearing Christians, in place of my old dogs and cat,

and I stalking around, smoking my pipe and drinking my fill, and never

a day’s work but drawing a cork an odd time, or wiping a glass, or

rinsing out a shiny tumbler for a decent man. (_He takes the

looking-glass from the wall and puts it on the back of a chair; then

sits down in front of it and begins washing his face._) Didn’t I know

rightly I was handsome, though it was the divil’s own mirror we had

beyond, would twist a squint across an angel’s brow; and I’ll be

growing fine from this day, the way I’ll have a soft lovely skin on me

and won’t be the like of the clumsy young fellows do be ploughing all

times in the earth and dung. (_He starts._) Is she coming again? (_He

looks out._) Stranger girls. God help me, where’ll I hide myself away

and my long neck naked to the world? (_He looks out._) I’d best go to

the room maybe till I’m dressed again. [_He gathers up his coat and the

looking-glass, and runs into the inner room. The door is pushed open,

and Susan Brady looks in, and knocks on door._]

SUSAN.

There’s nobody in it. [_Knocks again._]

NELLY.

_pushing her in and following her, with Honor Blake and Sara

Tansey._—It’d be early for them both to be out walking the hill.

SUSAN.

I’m thinking Shawn Keogh was making game of us and there’s no such man

in it at all.

HONOR.

_pointing to straw and quilt._—Look at that. He’s been sleeping there

in the night. Well, it’ll be a hard case if he’s gone off now, the way

we’ll never set our eyes on a man killed his father, and we after

rising early and destroying ourselves running fast on the hill.

NELLY.

Are you thinking them’s his boots?

SARA.

_taking them up._—If they are, there should be his father’s track on

them. Did you never read in the papers the way murdered men do bleed

and drip?

SUSAN.

Is that blood there, Sara Tansey?

SARAH

_smelling it._—That’s bog water, I’m thinking, but it’s his own they

are surely, for I never seen the like of them for whity mud, and red

mud, and turf on them, and the fine sands of the sea. That man’s been

walking, I’m telling you. [_She goes down right, putting on one of his

boots._]

SUSAN

_going to window._—Maybe he’s stolen off to Belmullet with the boots of

Michael James, and you’d have a right so to follow after him, Sara

Tansey, and you the one yoked the ass cart and drove ten miles to set

your eyes on the man bit the yellow lady’s nostril on the northern

shore. [_She looks out._]

SARA.

_running to window with one boot on._—Don’t be talking, and we fooled

to-day. (_Putting on other boot._) There’s a pair do fit me well, and

I’ll be keeping them for walking to the priest, when you’d be ashamed

this place, going up winter and summer with nothing worth while to

confess at all.

HONOR.

_who has been listening at the door._—Whisht! there’s someone inside

the room. (_She pushes door a chink open._) It’s a man. (_Sara kicks

off boots and puts them where they were. They all stand in a line

looking through chink._)

SARA.

I’ll call him. Mister! Mister! (_He puts in his head._) Is Pegeen

within?

CHRISTY.

_coming in as meek as a mouse, with the looking-glass held behind his

back._—She’s above on the cnuceen, seeking the nanny goats, the way

she’d have a sup of goat’s milk for to colour my tea.

SARA.

And asking your pardon, is it you’s the man killed his father?

CHRISTY.

_sidling toward the nail where the glass was hanging._—I am, God help

me!

SARA.

_taking eggs she has brought._—Then my thousand welcomes to you, and

I’ve run up with a brace of duck’s eggs for your food today. Pegeen’s

ducks is no use, but these are the real rich sort. Hold out your hand

and you’ll see it’s no lie I’m telling you.

CHRISTY.

_coming forward shyly, and holding out his left hand._—They’re a great

and weighty size.

SUSAN.

And I run up with a pat of butter, for it’d be a poor thing to have you

eating your spuds dry, and you after running a great way since you did

destroy your da.

CHRISTY.

Thank you kindly.

HONOR.

And I brought you a little cut of cake, for you should have a thin

stomach on you, and you that length walking the world.

NELLY.

And I brought you a little laying pullet—boiled and all she is—was

crushed at the fall of night by the curate’s car. Feel the fat of that

breast, Mister.

CHRISTY.

It’s bursting, surely. [_He feels it with the back of his hand, in

which he holds the presents._]

SARA.

Will you pinch it? Is your right hand too sacred for to use at all?

(_She slips round behind him._) It’s a glass he has. Well, I never seen

to this day a man with a looking-glass held to his back. Them that

kills their fathers is a vain lot surely. (_Girls giggle._)

CHRISTY.

_smiling innocently and piling presents on glass._—I’m very thankful to

you all to-day....

WIDOW QUIN.

_coming in quickly, at door._—Sara Tansey, Susan Brady, Honor Blake!

What in glory has you here at this hour of day?

GIRLS.

_giggling._—That’s the man killed his father.

WIDOW QUIN.

_coming to them._—I know well it’s the man; and I’m after putting him

down in the sports below for racing, leaping, pitching, and the Lord

knows what.

SARA.

_exuberantly._—That’s right, Widow Quin. I’ll bet my dowry that he’ll

lick the world.

WIDOW QUIN.

If you will, you’d have a right to have him fresh and nourished in

place of nursing a feast. (_Taking presents._) Are you fasting or fed,

young fellow?

CHRISTY.

Fasting, if you please.

WIDOW QUIN.

_loudly._—Well, you’re the lot. Stir up now and give him his breakfast.

(_To Christy._) Come here to me (_she puts him on bench beside her

while the girls make tea and get his breakfast_) and let you tell us

your story before Pegeen will come, in place of grinning your ears off

like the moon of May.

CHRISTY.

_beginning to be pleased._—It’s a long story; you’d be destroyed

listening.

WIDOW QUIN.

Don’t be letting on to be shy, a fine, gamey, treacherous lad the like

of you. Was it in your house beyond you cracked his skull?

CHRISTY.

_shy but flattered._—It was not. We were digging spuds in his cold,

sloping, stony, divil’s patch of a field.

WIDOW QUIN.

And you went asking money of him, or making talk of getting a wife

would drive him from his farm?

CHRISTY.

I did not, then; but there I was, digging and digging, and “You

squinting idiot,” says he, “let you walk down now and tell the priest

you’ll wed the Widow Casey in a score of days.”

WIDOW QUIN.

And what kind was she?

CHRISTY.

_with horror._—A walking terror from beyond the hills, and she two

score and five years, and two hundredweights and five pounds in the

weighing scales, with a limping leg on her, and a blinded eye, and she

a woman of noted misbehaviour with the old and young.

GIRLS.

_clustering round him, serving him._—Glory be!

WIDOW QUIN.

And what did he want driving you to wed with her? [_She takes a bit of

the chicken._]

CHRISTY.

_eating with growing satisfaction._—He was letting on I was wanting a

protector from the harshness of the world, and he without a thought the

whole while but how he’d have her hut to live in and her gold to drink.

WIDOW QUIN.

There’s maybe worse than a dry hearth and a widow woman and your glass

at night. So you hit him then?

CHRISTY.

_getting almost excited._—I did not. “I won’t wed her,” says I, “when

all know she did suckle me for six weeks when I came into the world,

and she a hag this day with a tongue on her has the crows and seabirds

scattered, the way they wouldn’t cast a shadow on her garden with the

dread of her curse.”

WIDOW QUIN.

_teasingly._—That one should be right company.

SARA.

_eagerly._—Don’t mind her. Did you kill him then?

CHRISTY.

“She’s too good for the like of you,” says he, “and go on now or I’ll

flatten you out like a crawling beast has passed under a dray.” “You

will not if I can help it,” says I. “Go on,” says he, “or I’ll have the

divil making garters of your limbs tonight.” “You will not if I can

help it,” says I. [_He sits up, brandishing his mug._]

SARA.

You were right surely.

CHRISTY.

_impressively._—With that the sun came out between the cloud and the

hill, and it shining green in my face. “God have mercy on your soul,”

says he, lifting a scythe; “or on your own,” says I, raising the loy.

SUSAN.

That’s a grand story.

HONOR.

He tells it lovely.

CHRISTY.

_flattered and confident, waving bone._—He gave a drive with the

scythe, and I gave a lep to the east. Then I turned around with my back

to the north, and I hit a blow on the ridge of his skull, laid him

stretched out, and he split to the knob of his gullet. [_He raises the

chicken bone to his Adam’s apple._]

GIRLS.

_together._—Well, you’re a marvel! Oh, God bless you! You’re the lad

surely!

SUSAN.

I’m thinking the Lord God sent him this road to make a second husband

to the Widow Quin, and she with a great yearning to be wedded, though

all dread her here. Lift him on her knee, Sara Tansey.

WIDOW QUIN.

Don’t tease him.

SARA.

_going over to dresser and counter very quickly, and getting two

glasses and porter._—You’re heroes surely, and let you drink a supeen

with your arms linked like the outlandish lovers in the sailor’s song.

(_She links their arms and gives them the glasses._) There now. Drink a

health to the wonders of the western world, the pirates, preachers,

poteen-makers, with the jobbing jockies; parching peelers, and the

juries fill their stomachs selling judgments of the English law.

[_Brandishing the bottle._]

WIDOW QUIN.

That’s a right toast, Sara Tansey. Now Christy. [_They drink with their

arms linked, he drinking with his left hand, she with her right. As

they are drinking, Pegeen Mike comes in with a milk can and stands

aghast. They all spring away from Christy. He goes down left. Widow

Quin remains seated._]

PEGEEN.

_angrily, to Sara._—What is it you’re wanting?

SARA.

_twisting her apron._—An ounce of tobacco.

PEGEEN.

Have you tuppence?

SARA.

I’ve forgotten my purse.

PEGEEN.

Then you’d best be getting it and not fooling us here. (_To the Widow

Quin, with more elaborate scorn._) And what is it you’re wanting, Widow

Quin?

WIDOW QUIN.

_insolently._—A penn’orth of starch.

PEGEEN.

_breaking out._—And you without a white shift or a shirt in your whole

family since the drying of the flood. I’ve no starch for the like of

you, and let you walk on now to Killamuck.

WIDOW QUIN.

_turning to Christy, as she goes out with the girls._—Well, you’re

mighty huffy this day, Pegeen Mike, and, you young fellow, let you not

forget the sports and racing when the noon is by. (_They go out._)

PEGEEN.

_imperiously._—Fling out that rubbish and put them cups away. (_Christy

tidies away in great haste_). Shove in the bench by the wall. (_He does

so._) And hang that glass on the nail. What disturbed it at all?

CHRISTY.

_very meekly._—I was making myself decent only, and this a fine country

for young lovely girls.

PEGEEN.

_sharply._—Whisht your talking of girls. [_Goes to counter right._]

CHRISTY.

Wouldn’t any wish to be decent in a place....

PEGEEN.

Whisht I’m saying.

CHRISTY.

_looks at her face for a moment with great misgivings, then as a last

effort, takes up a loy, and goes towards her, with feigned

assurance._—It was with a loy the like of that I killed my father.

PEGEEN.

_still sharply._—You’ve told me that story six times since the dawn of

day.

CHRISTY.

_reproachfully._—It’s a queer thing you wouldn’t care to be hearing it

and them girls after walking four miles to be listening to me now.

PEGEEN.

_turning round astonished._—Four miles.

CHRISTY.

_apologetically._—Didn’t himself say there were only bona fides living

in the place?

PEGEEN.

It’s bona fides by the road they are, but that lot came over the river

lepping the stones. It’s not three perches when you go like that, and I

was down this morning looking on the papers the post-boy does have in

his bag. (_With meaning and emphasis._) For there was great news this

day, Christopher Mahon. (_She goes into room left._)

CHRISTY.

_suspiciously._—Is it news of my murder?

PEGEEN.

_inside._—Murder, indeed.

CHRISTY.

_loudly._—A murdered da?

PEGEEN.

_coming in again and crossing right._—There was not, but a story filled

half a page of the hanging of a man. Ah, that should be a fearful end,

young fellow, and it worst of all for a man who destroyed his da, for

the like of him would get small mercies, and when it’s dead he is,

they’d put him in a narrow grave, with cheap sacking wrapping him

round, and pour down quicklime on his head, the way you’d see a woman

pouring any frish-frash from a cup.

CHRISTY.

_very miserably._—Oh, God help me. Are you thinking I’m safe? You were

saying at the fall of night, I was shut of jeopardy and I here with

yourselves.

PEGEEN.

_severely._—You’ll be shut of jeopardy no place if you go talking with

a pack of wild girls the like of them do be walking abroad with the

peelers, talking whispers at the fall of night.

CHRISTY.

_with terror._—And you’re thinking they’d tell?

PEGEEN.

_with mock sympathy._—Who knows, God help you.

CHRISTY.

_loudly._—What joy would they have to bring hanging to the likes of me?

PEGEEN.

It’s queer joys they have, and who knows the thing they’d do, if it’d

make the green stones cry itself to think of you swaying and swiggling

at the butt of a rope, and you with a fine, stout neck, God bless you!

the way you’d be a half an hour, in great anguish, getting your death.

CHRISTY.

_getting his boots and putting them on._—If there’s that terror of

them, it’d be best, maybe, I went on wandering like Esau or Cain and

Abel on the sides of Neifin or the Erris plain.

PEGEEN.

_beginning to play with him._—It would, maybe, for I’ve heard the

Circuit Judges this place is a heartless crew.

CHRISTY.

_bitterly._—It’s more than Judges this place is a heartless crew.

(_Looking up at her._) And isn’t it a poor thing to be starting again

and I a lonesome fellow will be looking out on women and girls the way

the needy fallen spirits do be looking on the Lord?

PEGEEN.

What call have you to be that lonesome when there’s poor girls walking

Mayo in their thousands now?

CHRISTY.

_grimly._—It’s well you know what call I have. It’s well you know it’s

a lonesome thing to be passing small towns with the lights shining

sideways when the night is down, or going in strange places with a dog

nosing before you and a dog nosing behind, or drawn to the cities where

you’d hear a voice kissing and talking deep love in every shadow of the

ditch, and you passing on with an empty, hungry stomach failing from

your heart.

PEGEEN.

I’m thinking you’re an odd man, Christy Mahon. The oddest walking

fellow I ever set my eyes on to this hour to-day.

CHRISTY.

What would any be but odd men and they living lonesome in the world?

PEGEEN.

I’m not odd, and I’m my whole life with my father only.

CHRISTY.

_with infinite admiration._—How would a lovely handsome woman the like

of you be lonesome when all men should be thronging around to hear the

sweetness of your voice, and the little infant children should be

pestering your steps I’m thinking, and you walking the roads.

PEGEEN.

I’m hard set to know what way a coaxing fellow the like of yourself

should be lonesome either.

CHRISTY.

Coaxing?

PEGEEN.

Would you have me think a man never talked with the girls would have

the words you’ve spoken to-day? It’s only letting on you are to be

lonesome, the way you’d get around me now.

CHRISTY.

I wish to God I was letting on; but I was lonesome all times, and born

lonesome, I’m thinking, as the moon of dawn. [_Going to door._]

PEGEEN.

_puzzled by his talk._—Well, it’s a story I’m not understanding at all

why you’d be worse than another, Christy Mahon, and you a fine lad with

the great savagery to destroy your da.

CHRISTY.

It’s little I’m understanding myself, saving only that my heart’s

scalded this day, and I going off stretching out the earth between us,

the way I’ll not be waking near you another dawn of the year till the

two of us do arise to hope or judgment with the saints of God, and now

I’d best be going with my wattle in my hand, for hanging is a poor

thing (_turning to go_), and it’s little welcome only is left me in

this house to-day.

PEGEEN.

_sharply._—Christy! (_He turns round._) Come here to me. (_He goes

towards her._) Lay down that switch and throw some sods on the fire.

You’re pot-boy in this place, and I’ll not have you mitch off from us

now.

CHRISTY.

You were saying I’d be hanged if I stay.

PEGEEN.

_quite kindly at last._—I’m after going down and reading the fearful

crimes of Ireland for two weeks or three, and there wasn’t a word of

your murder. (_Getting up and going over to the counter._) They’ve

likely not found the body. You’re safe so with ourselves.

CHRISTY.

_astonished, slowly._—It’s making game of me you were (_following her

with fearful joy_), and I can stay so, working at your side, and I not

lonesome from this mortal day.

PEGEEN.

What’s to hinder you from staying, except the widow woman or the young

girls would inveigle you off?

CHRISTY.

_with rapture._—And I’ll have your words from this day filling my ears,

and that look is come upon you meeting my two eyes, and I watching you

loafing around in the warm sun, or rinsing your ankles when the night

is come.

PEGEEN.

_kindly, but a little embarrassed._—I’m thinking you’ll be a loyal

young lad to have working around, and if you vexed me a while since

with your leaguing with the girls, I wouldn’t give a thraneen for a lad

hadn’t a mighty spirit in him and a gamey heart. [_Shawn Keogh runs in

carrying a cleeve on his back, followed by the Widow Quin._]

SHAWN.

_to Pegeen._—I was passing below, and I seen your mountainy sheep

eating cabbages in Jimmy’s field. Run up or they’ll be bursting surely.

PEGEEN.

Oh, God mend them! [_She puts a shawl over her head and runs out._]

CHRISTY.

_looking from one to the other. Still in high spirits._—I’d best go to

her aid maybe. I’m handy with ewes.

WIDOW QUIN.

_closing the door._—She can do that much, and there is Shaneen has long

speeches for to tell you now. [_She sits down with an amused smile._]

SHAWN.

_taking something from his pocket and offering it to Christy._—Do you

see that, mister?

CHRISTY.

_looking at it._—The half of a ticket to the Western States!

SHAWN.

_trembling with anxiety._—I’ll give it to you and my new hat (_pulling

it out of hamper_); and my breeches with the double seat (_pulling it

off_); and my new coat is woven from the blackest shearings for three

miles around (_giving him the coat_); I’ll give you the whole of them,

and my blessing, and the blessing of Father Reilly itself, maybe, if

you’ll quit from this and leave us in the peace we had till last night

at the fall of dark.

CHRISTY.

_with a new arrogance._—And for what is it you’re wanting to get shut

of me?

SHAWN.

_looking to the Widow for help._—I’m a poor scholar with middling

faculties to coin a lie, so I’ll tell you the truth, Christy Mahon. I’m

wedding with Pegeen beyond, and I don’t think well of having a clever

fearless man the like of you dwelling in her house.

CHRISTY.

_almost pugnaciously._—And you’d be using bribery for to banish me?

SHAWN.

_in an imploring voice._—Let you not take it badly, mister honey; isn’t

beyond the best place for you where you’ll have golden chains and shiny

coats and you riding upon hunters with the ladies of the land. [_He

makes an eager sign to the Widow Quin to come to help him._]

WIDOW QUIN.

_coming over._—It’s true for him, and you’d best quit off and not have

that poor girl setting her mind on you, for there’s Shaneen thinks she

wouldn’t suit you though all is saying that she’ll wed you now.

[_Christy beams with delight._]

SHAWN.

_in terrified earnest._—She wouldn’t suit you, and she with the divil’s

own temper the way you’d be strangling one another in a score of days.

(_He makes the movement of strangling with his hands._) It’s the like

of me only that she’s fit for, a quiet simple fellow wouldn’t raise a

hand upon her if she scratched itself.

WIDOW QUIN.

_putting Shawn’s hat on Christy._—Fit them clothes on you anyhow, young

fellow, and he’d maybe loan them to you for the sports. (_Pushing him

towards inner door._) Fit them on and you can give your answer when you

have them tried.

CHRISTY.

_beaming, delighted with the clothes._—I will then. I’d like herself to

see me in them tweeds and hat. (_He goes into room and shuts the

door._)

SHAWN.

_in great anxiety._—He’d like herself to see them. He’ll not leave us,

Widow Quin. He’s a score of divils in him the way it’s well nigh

certain he will wed Pegeen.

WIDOW QUIN.

_jeeringly._—It’s true all girls are fond of courage and do hate the

like of you.

SHAWN.

_walking about in desperation._—Oh, Widow Quin, what’ll I be doing now?

I’d inform again him, but he’d burst from Kilmainham and he’d be sure

and certain to destroy me. If I wasn’t so God-fearing, I’d near have

courage to come behind him and run a pike into his side. Oh, it’s a

hard case to be an orphan and not to have your father that you’re used

to, and you’d easy kill and make yourself a hero in the sight of all.

(_Coming up to her._) Oh, Widow Quin, will you find me some contrivance

when I’ve promised you a ewe?

WIDOW QUIN.

A ewe’s a small thing, but what would you give me if I did wed him and

did save you so?

SHAWN.

_with astonishment._—You?

WIDOW QUIN.

Aye. Would you give me the red cow you have and the mountainy ram, and

the right of way across your rye path, and a load of dung at

Michaelmas, and turbary upon the western hill?

SHAWN.

_radiant with hope._—I would surely, and I’d give you the wedding-ring

I have, and the loan of a new suit, the way you’d have him decent on

the wedding-day. I’d give you two kids for your dinner, and a gallon of

poteen, and I’d call the piper on the long car to your wedding from

Crossmolina or from Ballina. I’d give you....

WIDOW QUIN.

That’ll do so, and let you whisht, for he’s coming now again. [_Christy

comes in very natty in the new clothes. Widow Quin goes to him

admiringly._]

WIDOW QUIN.

If you seen yourself now, I’m thinking you’d be too proud to speak to

us at all, and it’d be a pity surely to have your like sailing from

Mayo to the Western World.

CHRISTY.

_as proud as a peacock._—I’m not going. If this is a poor place itself,

I’ll make myself contented to be lodging here. [_Widow Quin makes a

sign to Shawn to leave them._]

SHAWN.

Well, I’m going measuring the race-course while the tide is low, so

I’ll leave you the garments and my blessing for the sports to-day. God

bless you! [_He wriggles out._]

WIDOW QUIN.

_admiring Christy._—Well, you’re mighty spruce, young fellow. Sit down

now while you’re quiet till you talk with me.

CHRISTY.

_swaggering._—I’m going abroad on the hillside for to seek Pegeen.

WIDOW QUIN.

You’ll have time and plenty for to seek Pegeen, and you heard me saying

at the fall of night the two of us should be great company.

CHRISTY.

From this out I’ll have no want of company when all sorts is bringing

me their food and clothing (_he swaggers to the door, tightening his

belt_), the way they’d set their eyes upon a gallant orphan cleft his

father with one blow to the breeches belt. (_He opens door, then

staggers back._) Saints of glory! Holy angels from the throne of light!

WIDOW QUIN.

_going over._—What ails you?

CHRISTY.

It’s the walking spirit of my murdered da!

WIDOW QUIN.

_looking out._—Is it that tramper?

CHRISTY.

_wildly._—Where’ll I hide my poor body from that ghost of hell? [_The

door is pushed open, and old Mahon appears on threshold. Christy darts

in behind door._]

WIDOW QUIN.

_in great amazement._—God save you, my poor man.

MAHON.

_gruffly._—Did you see a young lad passing this way in the early

morning or the fall of night?

WIDOW QUIN.

You’re a queer kind to walk in not saluting at all.

MAHON.

Did you see the young lad?

WIDOW QUIN.

_stiffly._—What kind was he?

MAHON.

An ugly young streeler with a murderous gob on him, and a little switch

in his hand. I met a tramper seen him coming this way at the fall of

night.

WIDOW QUIN.

There’s harvest hundreds do be passing these days for the Sligo boat.

For what is it you’re wanting him, my poor man?

MAHON.

I want to destroy him for breaking the head on me with the clout of a

loy. (_He takes off a big hat, and shows his head in a mass of bandages

and plaster, with some pride._) It was he did that, and amn’t I a great

wonder to think I’ve traced him ten days with that rent in my crown?

WIDOW QUIN.

_taking his head in both hands and examining it with extreme

delight._—That was a great blow. And who hit you? A robber maybe?

MAHON.

It was my own son hit me, and he the divil a robber, or anything else,

but a dirty, stuttering lout.

WIDOW QUIN.

_letting go his skull and wiping her hands in her apron._—You’d best be

wary of a mortified scalp, I think they call it, lepping around with

that wound in the splendour of the sun. It was a bad blow surely, and

you should have vexed him fearful to make him strike that gash in his

da.

MAHON.

Is it me?

WIDOW QUIN.

_amusing herself._—Aye. And isn’t it a great shame when the old and

hardened do torment the young?

MAHON.

_raging._—Torment him is it? And I after holding out with the patience

of a martyred saint till there’s nothing but destruction on, and I’m

driven out in my old age with none to aid me.

WIDOW QUIN.

_greatly amused._—It’s a sacred wonder the way that wickedness will

spoil a man.

MAHON.

My wickedness, is it? Amn’t I after saying it is himself has me

destroyed, and he a liar on walls, a talker of folly, a man you’d see

stretched the half of the day in the brown ferns with his belly to the

sun.

WIDOW QUIN.

Not working at all?

MAHON.

The divil a work, or if he did itself, you’d see him raising up a

haystack like the stalk of a rush, or driving our last cow till he

broke her leg at the hip, and when he wasn’t at that he’d be fooling

over little birds he had—finches and felts—or making mugs at his own

self in the bit of glass we had hung on the wall.

WIDOW QUIN.

_looking at Christy._—What way was he so foolish? It was running wild

after the girls maybe?

MAHON.

_with a shout of derision._—Running wild, is it? If he seen a red

petticoat coming swinging over the hill, he’d be off to hide in the

sticks, and you’d see him shooting out his sheep’s eyes between the

little twigs and the leaves, and his two ears rising like a hare

looking out through a gap. Girls, indeed!

WIDOW QUIN.

It was drink maybe?

MAHON.

And he a poor fellow would get drunk on the smell of a pint. He’d a

queer rotten stomach, I’m telling you, and when I gave him three pulls

from my pipe a while since, he was taken with contortions till I had to

send him in the ass cart to the females’ nurse.

WIDOW QUIN.

_clasping her hands._—Well, I never till this day heard tell of a man

the like of that!

MAHON.

I’d take a mighty oath you didn’t surely, and wasn’t he the laughing

joke of every female woman where four baronies meet, the way the girls

would stop their weeding if they seen him coming the road to let a roar

at him, and call him the looney of Mahon’s.

WIDOW QUIN.

I’d give the world and all to see the like of him. What kind was he?

MAHON.

A small low fellow.

WIDOW QUIN.

And dark?

MAHON.

Dark and dirty.

WIDOW QUIN.

_considering._—I’m thinking I seen him.

MAHON.

_eagerly._—An ugly young blackguard.

WIDOW QUIN.

A hideous, fearful villain, and the spit of you.

MAHON.

What way is he fled?

WIDOW QUIN.

Gone over the hills to catch a coasting steamer to the north or south.

MAHON.

Could I pull up on him now?

WIDOW QUIN.

If you’ll cross the sands below where the tide is out, you’ll be in it

as soon as himself, for he had to go round ten miles by the top of the

bay. (_She points to the door_). Strike down by the head beyond and

then follow on the roadway to the north and east. (_Mahon goes

abruptly._)

WIDOW QUIN.

_shouting after him._—Let you give him a good vengeance when you come

up with him, but don’t put yourself in the power of the law, for it’d

be a poor thing to see a judge in his black cap reading out his

sentence on a civil warrior the like of you. [_She swings the door to

and looks at Christy, who is cowering in terror, for a moment, then she

bursts into a laugh._]

WIDOW QUIN.

Well, you’re the walking Playboy of the Western World, and that’s the

poor man you had divided to his breeches belt.

CHRISTY.

_looking out; then, to her._—What’ll Pegeen say when she hears that

story? What’ll she be saying to me now?

WIDOW QUIN.

She’ll knock the head of you, I’m thinking, and drive you from the

door. God help her to be taking you for a wonder, and you a little

schemer making up the story you destroyed your da.

CHRISTY.

_turning to the door, nearly speechless with rage, half to himself._—To

be letting on he was dead, and coming back to his life, and following

after me like an old weazel tracing a rat, and coming in here laying

desolation between my own self and the fine women of Ireland, and he a

kind of carcase that you’d fling upon the sea....

WIDOW QUIN.

_more soberly._—There’s talking for a man’s one only son.

CHRISTY.

_breaking out._—His one son, is it? May I meet him with one tooth and

it aching, and one eye to be seeing seven and seventy divils in the

twists of the road, and one old timber leg on him to limp into the

scalding grave. (_Looking out._) There he is now crossing the strands,

and that the Lord God would send a high wave to wash him from the

world.

WIDOW QUIN.

_scandalised._—Have you no shame? (_putting her hand on his shoulder

and turning him round._) What ails you? Near crying, is it?

CHRISTY.

_in despair and grief._—Amn’t I after seeing the love-light of the star

of knowledge shining from her brow, and hearing words would put you

thinking on the holy Brigid speaking to the infant saints, and now

she’ll be turning again, and speaking hard words to me, like an old

woman with a spavindy ass she’d have, urging on a hill.

WIDOW QUIN.

There’s poetry talk for a girl you’d see itching and scratching, and

she with a stale stink of poteen on her from selling in the shop.

CHRISTY.

_impatiently._—It’s her like is fitted to be handling merchandise in

the heavens above, and what’ll I be doing now, I ask you, and I a kind

of wonder was jilted by the heavens when a day was by. [_There is a

distant noise of girls’ voices. Widow Quin looks from window and comes

to him, hurriedly._]

WIDOW QUIN.

You’ll be doing like myself, I’m thinking, when I did destroy my man,

for I’m above many’s the day, odd times in great spirits, abroad in the

sunshine, darning a stocking or stitching a shift; and odd times again

looking out on the schooners, hookers, trawlers is sailing the sea, and

I thinking on the gallant hairy fellows are drifting beyond, and myself

long years living alone.

CHRISTY.

_interested._—You’re like me, so.

WIDOW QUIN.

I am your like, and it’s for that I’m taking a fancy to you, and I with

my little houseen above where there’d be myself to tend you, and none

to ask were you a murderer or what at all.

CHRISTY.

And what would I be doing if I left Pegeen?

WIDOW QUIN.

I’ve nice jobs you could be doing, gathering shells to make a whitewash

for our hut within, building up a little goose-house, or stretching a

new skin on an old curragh I have, and if my hut is far from all sides,

it’s there you’ll meet the wisest old men, I tell you, at the corner of

my wheel, and it’s there yourself and me will have great times

whispering and hugging....

VOICES.

_outside, calling far away._—Christy! Christy Mahon! Christy!

CHRISTY.

Is it Pegeen Mike?

WIDOW QUIN.

It’s the young girls, I’m thinking, coming to bring you to the sports

below, and what is it you’ll have me to tell them now?

CHRISTY.

Aid me for to win Pegeen. It’s herself only that I’m seeking now.

(_Widow Quin gets up and goes to window._) Aid me for to win her, and

I’ll be asking God to stretch a hand to you in the hour of death, and

lead you short cuts through the Meadows of Ease, and up the floor of

Heaven to the Footstool of the Virgin’s Son.

WIDOW QUIN.

There’s praying.

VOICES.

_nearer._—Christy! Christy Mahon!

CHRISTY.

_with agitation._—They’re coming. Will you swear to aid and save me for

the love of Christ?

WIDOW QUIN.

_looks at him for a moment._—If I aid you, will you swear to give me a

right of way I want, and a mountainy ram, and a load of dung at

Michaelmas, the time that you’ll be master here?

CHRISTY.

I will, by the elements and stars of night.

WIDOW QUIN.

Then we’ll not say a word of the old fellow, the way Pegeen won’t know

your story till the end of time.

CHRISTY.

And if he chances to return again?

WIDOW QUIN.

We’ll swear he’s a maniac and not your da. I could take an oath I seen

him raving on the sands to-day. [_Girls run in._]

SUSAN.

Come on to the sports below. Pegeen says you’re to come.

SARA TANSEY.

The lepping’s beginning, and we’ve a jockey’s suit to fit upon you for

the mule race on the sands below.

HONOR.

Come on, will you?

CHRISTY.

I will then if Pegeen’s beyond.

SARA.

She’s in the boreen making game of Shaneen Keogh.

CHRISTY.

Then I’ll be going to her now. [_He runs out followed by the girls._]

WIDOW QUIN.

Well, if the worst comes in the end of all, it’ll be great game to see

there’s none to pity him but a widow woman, the like of me, has buried

her children and destroyed her man. [_She goes out._]

CURTAIN.

The Playboy of the Western World: A Comedy in Three Acts · 第 2 / 3 章