The next are from Ummon.[7.44]

Ummon ascended the platform and said: “O you, venerable monks! Don’t

get confused in thought. Heaven is heaven, earth is earth, mountains

are mountains, water is water, monks are monks, laymen are laymen.” He

paused for a while and continued, “Bring me out here that hill of Ansan

and let me see!”

Another time he said, “Bodhisattva Vasudeva turned without any reason

into a staff.” So saying he drew a line on the ground with his own

staff, and resumed, “All the Buddhas as numberless as sands are here

talking all kinds of nonsense.” He then left the Hall.

One day when he came out in the Hall as usual to give a sermon, a monk

walked out of the congregation, and made bows to him, saying, “I

beg you to answer.” Ummon called out aloud, “O monks!” The monks all

turned towards the master, who then came down from the seat.

Another day when he was silent in his seat for a while, a monk came out

and made bows to him; said the master, “Why so late!” The monk made

a response, whereupon the master remarked, “O you, good-for-nothing

simpleton!”

Sometimes his sermon would be quite disparaging to the founder of his

own faith; for he said, “Iśvara, great lord of heaven, and the old

Śākyamuni are in the middle of the courtyard, discoursing on Buddhism;

are they not noisy?”

At another time he said:

“All the talk so far I have had—what is it all about any way? To-day

again not being able to help myself I am here to talk to you once more.

In this wide universe is there anything that comes up against you, or

puts you in bondage? If there is ever a thing as small as the point of

a pin lying in your way or obstructing your passage, get it out for

me! What is it that you call a Buddha or a Patriarch? What are they

that are known as mountains, rivers, the earth, sun, moon, or stars?

What are they that you call the four elements and the five aggregates?

I speak thus, but it is no more than the talk of an old woman from a

remote village. If I suddenly happen to meet a monk thoroughly trained

in this matter, he will, on learning what I have been talking to you,

carry me off the feet and throw me down the steps. And for this would

he be blamed? Whatever this may be, for what reason is it so? Don’t be

carried away by my talk and try to make nonsensical remarks. Unless

you are the fellow who was really gone through with the whole thing,

you will never do. When you are caught unawares by such an old man as

myself, you will at once lose your way and break your legs. And for

that, am I to be at all blamed? This being so, is there any one among

you who wants to know a thing or two about the doctrine of our school?

Come out and let me answer you. After this you may get a turning and be

free to go out in the world, east or west.”

A monk came out and was at the point of asking a question when the

master hit his mouth with the staff, and descended from the seat.

One day when Ummon was coming up to the Lecture Hall he heard the bell,

whereupon he said, “In such a wide, wide world, why do we put our

monkish robes on when the bell goes like this?”

Another time he simply said, “Don’t you try to add frost over snow;

take good care of yourselves, good-bye”; and went out.

“Lo, and behold; the Buddha Hall has run into the monk’s quarters.”

Later his own remark was, “They are beating the drum at Lafu (Lo-fu),

and a dance is going on at Shōjū (Shao-chou).”

Ummon seated himself in a chair before the congregation, there was a

pause for a while, and he remarked: “Raining so long, and not a day has

the sun shone.”

Another time, “Lo, and behold! No life’s left!” So saying, he acted as

if he were falling. Then he asked, “Do you understand? If not, ask this

staff to enlighten you.”

As soon as Yōgi (Yang-ch‘ih),[7.45] a great master of the eleventh

century under the Sung dynasty, got seated in his chair, he laughed

loudly, “Ha, Ha, Ha!” and said, “What is this? Go back to your

dormitory hall and each have a cup of tea.”

One day Yōgi ascended the seat, and the monks were all assembled. The

master, before uttering a word, threw his staff away and came right

down jumping from the chair. The monks were about to disperse, when

he called out, “O monks!” The latter turned back, whereupon said the

master, “Take my staff in, O monks!” This said, the master went off.

Yakusan (Yüeh-shan, 751–834)[7.46] gave no sermons for some little time

and the chief secretary came up to him asking for one. The master said,

“Beat the drum then.” As soon as the congregation was ready to listen

to him, he went back to his own room. The secretary followed him and

said, “You gave consent to give them a sermon, and how is it that you

uttered not a word?” Said the master, “The Sutras are explained by the

Sutra specialists, and the Śastras by the Śastra specialists; why

then do you wonder at me? [Am I not a Zen master?].”

One day Goso (Fa-yen)[7.47] entered the Hall and seated himself in the

chair. He looked one way over the shoulder and then the other. Finally

he held out his staff high in his hand and said, “Only one foot long!”

And without a further comment he descended.

* * * * *

The foregoing selections from Ummon and Jōshu and others will be

sufficient to acquaint the reader with what kind of sermons have been

carried on in the monastery for the intellectual or super-intellectual

consumption of the monks. They are generally short. The masters

do not waste much time in explaining Zen, not only because it is

beyond the ken of human discursive understanding, but because such

explanations are not productive of any practical and lasting benefits

for the spiritual edification of the monks. The masters’ remarks are

therefore necessarily laconic; sometimes they do not even attempt to

make any wordy discussion or statement, but just raising the staff,

or shaking the hossu, or uttering a cry, or reciting a verse, is all

that the congregation gets from the master. Some, however, seem to

have their own favourite way of demonstrating the truth of Zen; for

instance, Rinzai is famous for his “Kwatsu” (_hê_ in Chinese), Tokusan

for his flourishing staff, Gutei for his lifting up a finger, Hima

for a bifurcate stick, Kwasan for beating a drum, and so on.[f158] It

is wonderful to observe what a variety of methods have sprung up, so

extraordinary, so ingenious, and so original, and all in order to make

the monks realise the same truth, whose infinite aspects as manifested

in the world may be comprehended by various individuals, each according

to his own capacity and opportunity.

Taking it all in all, Zen is emphatically a matter of personal

experience; if anything can be called radically empirical, it is

Zen. No amount of reading, no amount of teaching, and no amount of

contemplation will even make one a Zen master. Life itself must be

grasped in the midst of its flow, to stop it for examination and

analysis is to kill it leaving its cold corpse to be embraced.

Therefore, everything in the Meditation Hall and every detail of its

disciplinary curriculum is so arranged as to bring this idea into the

most efficient prominence. The unique position maintained by the Zen

sect among other Mahayana schools in Japan and China throughout the

history of Buddhism in the Far East is no doubt due to the institution

known as the Meditation Hall or Zendo.

Essays in Zen Buddhism · 第 67 / 154 题