VI

There is a period in the monastic life, exclusively set apart

for mental discipline, and not interrupted by any manual labour

except such as is absolutely needed. It is known as great “Sesshin”

(_Chê-hsin_)[f143][7.24] and lasts a week, taking place once a

month during the season called the “Summer Sojourn” and the “Winter

Sojourn.” The summer sojourn begins in April and ends in August, while

the winter one begins in October and ends in February. “Sesshin” means

“collecting or concentrating the mind.” While this period is lasting,

the monks are confined at the Zendo, get up earlier than usual, and

sit further into the night. There is a kind of lecture every day

during the period. Text books are used, the most popular of which are

_The Hekiganshu_ and _Rinzairoku_,[7.25] the two being considered the

most fundamental books of the Rinzai School. _The Rinzairoku_ is a

collection of sermons and sayings of the founder of the Rinzai Zen

sect. _The Hekiganshu_, as has been noted elsewhere, is a collection

of one hundred Zen “cases” or “themes” with critical annotations

and poetical comments. It goes without saying that there are many

other books used for the occasion. To an ordinary reader, such books

generally are a sort of _obscurum per obscurius_. After listening to a

series of lectures, he is left in the lurch as ever. Not necessarily

that they are too abstruse, but that the reader is still wanting in

insight into the truth of Zen.

The lecture is a solemn affair. Its beginning is announced by a bell,

which stops ringing as soon as the master appears in the hall where

what is known as “Teisho”[f144][7.26] takes place. While the master is

offering incense to the Buddha and to his departed master, the monks

recite a short dharani-sūtra called _Daihiju_,[f145] which means “the

dharani of great compassion.” Being a Chinese transliteration of the

Sanskrit original, mere recitation of the Sutra does not give any

intelligent sense. Probably the sense is not essential in this case,

the assurance is sufficient that it contains something auspicious and

conducive to spiritual welfare. What is more significant is the way in

which it is recited. Its monotone punctuated with a wooden time-keeper

known as “mokugyo,” (Wooden Fish), prepares the mind of the audience

for the coming event. After the Dharani which is recited three times

the monks read in chorus generally the exhortatory sermon left by the

founder of the monastery. In some places nowadays Hakuin’s “Song of

Zazen” is often chanted. The following are translations of Hakuin and

of Musō Kokushi,[f146] whose last exhortatory sermon is one of the most

popular.

Essays in Zen Buddhism · 第 58 / 154 题