III

The next form in which Zen expresses itself is the denial of opposites,

somehow corresponding to the mystic “via negativa.” The point is not to

be “caught” as the masters would say in any of the four propositions

(_catushkotika_): 1. “It is A”; 2. “It is not A”; 3. “It is both A and

not-A”; and 4. “It is neither A nor not-A.” When we make a negation or

an assertion, we are sure to get into one of these logical formulas

according to the Indian method of reasoning. As long as the intellect

is to move along the ordinary dualistic groove, this is unavoidable. It

is in the nature of our logic that any statement we can make is to be

so expressed. But Zen thinks that the truth can be reached when it is

neither asserted nor negated. This is indeed the dilemma of life, but

the Zen masters are ever insistent on escaping the dilemma. Let us see

if they escape free.

According to Ummon,[6.12] “In Zen there is absolute freedom; sometimes

it negates and at other times it affirms; it does either way at

pleasure.” A monk asked, “How does it negate?” “With the passing

of winter there cometh spring.” “What happens when spring cometh?”

“Carrying a staff across the shoulders, let one ramble about in the

fields, east or west, north or south, and beat the old stumps to one’s

heart’s content.” This was one way to be free as shown by one of the

greatest masters in China. Another way follows.

The masters generally go about with a kind of short stick known as

shippé (_chu-pi_), or at least they did so in old China. It does not

matter whether it is a shippé or not, anything in fact will answer our

purpose. Shuzan, a noted Zen master of the tenth century, held out

his stick and said to a group of his disciples:[6.13] “Call it not a

shippé; if you do, you assert. Nor do you deny its being a shippé;

if you do, you negate. Apart from affirmation and negation, speak,

speak!” The idea is to get our heads free from dualistic tangles and

philosophic subtleties. A monk came out of the rank, took the shippé

away from the master’s hand, and threw it down on the floor. Is this

the answer? Is this the way to respond to the master’s request “to

speak”? Is this the way to transcend the four propositions—the logical

conditions of thinking? In short, is this the way to be free? Nothing

is stereotyped in Zen, and somebody else may solve the difficulty in

quite a different manner. This is where Zen is original and creative.

Ummon expressed the same idea with his staff, which he held up,

saying,[6.14] “What is this? If you say it is a staff, you go right

to hell; but if it is not a staff, what is it?” Hima’s (Pi-mo) way

somewhat deviated from this. He used to carry a forked stick and

whenever a monk came up to him and made a bow, he applied the stick on

the neck of the monk, and said,[6.15] “What devil taught you to be a

homeless monk? What devil taught you to go round? Whether you can say

something, or whether you cannot say anything, all the same you are

to die under my fork: speak, speak, be quick!” Tokusan (Tê-shan) was

another master who flourished a stick to the same effect; for he used

to say[6.16]: “No matter what you say, or what you say not, just the

same thirty blows for you?”

When the ownership of a kitten was disputed between two parties

of monks, the Master Nansen (Nan-ch‘üan P‘u-yüan, 749–835) came out,

took hold of the animal, and said to them,[6.17] “If you can say a

word, this will be saved: if not, it will be slain.” By “a word” of

course he meant one that transcended both affirmation and negation, as

when Jōshu was asked for “One word of the ultimate truth.” No one made

a response, whereupon the master slew the poor creature. Nansen looks

like a hard-hearted Buddhist, but his point is: To say it is, involves

us in a dilemma; to say it is not, puts us in the same predicament. To

attain to the truth, this dualism must be avoided. How do you avoid it?

It may not only be the loss of the life of a kitten, but the loss of

your own life and soul, if you fail to ride over this _impasse_. Hence

Nansen’s drastic procedure. Later, in the evening Jōshu who was one of

his disciples came back, when the master told him of the incident of

the day. Jōshu at once took off one of his straw sandals and putting

it over his head began to depart. Upon this, said the master, “What a

pity you were not to-day with us, for you could have saved the kitten.”

This strange behaviour, however, was Jōshu’s way of affirming the truth

transcending the dualism of “to be” (_sat_) and “not to be” (_asat_).

While Kyōzan (Yang-shan, 804–890) was residing at Tōhei (Tung-ping)

of Shao-chou, his master Isan (Wei-shan, 771–853),—both of whom were

noted Zen masters of the T‘ang dynasty—sent him a mirror accompanied

with a letter.[6.18] Kyōzan held forth the mirror before a congregation

of monks and said, “O monks, Isan has sent here a mirror. Is this

Isan’s mirror or mine own? If you say it is Isan’s, how is it that the

mirror is in my hands? If you say it is mine own, has it not come from

Isan? If you make a proper statement, it will be retained here. If you

cannot, it will be smashed in pieces.” He said this for three times but

nobody even made an attempt to answer. The mirror was then smashed.

This was somewhat like the case of Nansen’s kitten. In both cases the

monks failed to save the innocent victim or the precious treasure,

simply because their minds were not yet free from intellectualism and

were unable to break through the entanglements purposely set up

by Nansen in one case and by Kyōzan in the other. The Zen method of

training its followers thus appears so altogether out of reason and

unnecessarily inhuman. But the master’s eyes are always upon the truth

absolute and yet attainable in this world of particulars. If this can

be gained, what does it matter whether a thing known as precious be

broken and an animal be sacrificed? Is not the recovering of the soul

more important than the loss of a kingdom?

Kyōgen (Hsiang-yen),[6.19] a disciple of Isan (Wei-shan), with whom we

got acquainted just now, said in one of his sermons: “It is like a man

over a precipice one thousand feet high, he is hanging himself there

with a branch of a tree between his teeth, the feet are far off the

ground, and his hands are not taking hold of anything. Suppose another

man coming to him to propose a question, ‘What is the meaning of the

first patriarch coming over here from the west?’ If this man should

open the mouth to answer, he is sure to fall and lose his life; but if

he would make no answer, he must be said to ignore the inquirer. At

this critical moment what should he do?” This is putting the negation

of opposites in a most graphically illustrative manner. The man over

the precipice is caught in a dilemma of life and death, and there can

be no logical quibblings. The cat may be sacrificed at the altar of

Zen, the mirror may be smashed on the ground, but how about one’s own

life? The Buddha in one of his former lives is said to have thrown

himself down into the maw of a man-devouring monster, in order to get

the whole stanza of the truth. Zen being practical wants us to make the

same noble determination to give up our dualistic life for the sake of

enlightenment and eternal peace. For it says that its gate will open

when this determination is reached.

The logical dualism of “to be” (_asti_) and “not to be” (_nasti_)

is frequently expressed by Zen masters by such terms of contrast as

are used in our daily parlance: “taking life” and “giving life,”

“capturing” and “releasing,” “giving” and “taking away,” “coming in

contact” and “turning away from,”[6.20] etc. Ummon once held up his

staff and declared: “The whole world, heaven and earth, altogether

owes its life and death to this staff.” A monk came out and asked,

“How is it killed?” “Writhing in agony!” “How is it restored to

life?” “You had better be a chéf.” “When it is neither put to death

nor living, what would you say?” Ummon rose from his seat and said,

“Mo-hê-pan-jê-po-lo-mi-ta!” (_Mahā-prajñā-pāramitā_).[6.21] This was

Ummon’s synthesis—“the one word” of the ultimate truth, in which

thesis and antithesis are concretely unified, and to which the four

propositions are inapplicable (_rahita_).

Essays in Zen Buddhism · 第 45 / 154 题