CHAPTER XI

AQUATIC ARCHERY—THE ANGLER-FISH AND THE CUTTLEFISH—INSECT

ARTILLERY—EELS THAT GIVE ELECTRIC SHOCKS.

In the ant-lion that we have just been talking about it might be

thought that the summit of strategy, as employed by one animal to prey

upon another, had been reached. Inasmuch as the archer-fish uses only

the weapon with which Nature has provided it, and does not add to its

efficacy by any artifice other than that of simple stalking—as it

constructs nothing, in a word—perhaps its instinct is not really so

extraordinary as that of the insect in question. But there is something

so bizarre in it, so striking to the imagination—the idea is so pretty

and quaint—that when one first reads about it—for only the far-travelled

few are lucky enough to see it—it impresses one even more.

This wonderful little fish—for it is not more than six or seven inches

long—is a native of Java and other parts of the Indian Archipelago. It

is of a curious appearance, the body being much compressed—as though it

had been flattened out sideways—and its dorsal fin is spiny, like that

of the perch, but set much further back, so that it almost touches the

tail. The head is pointed, with the lower jaw or lip projecting beyond

the upper one, but the most distinctive feature is the eye, which is

extremely large and round, so that it imparts a look of strange staring

surprise, to which, no doubt, the creature is a stranger. The surprise

is not on the part of the fish, but on that of any insect of moderate

dimensions which may happen to be resting on a leaf or flower overhanging

the water, and not more than four or five feet above it. The archer-fish,

observing it there, swims as near as it can underneath it, and then,

approaching its mouth to the surface of the stream, whilst it hangs

stationary with pulsating fins, squirts, all at once, out of it a little

shower of water-drops, which, striking the insect—bee, fly, moth, or

grasshopper—knocks it off into the river. As it falls, the successful

marksman lowers its head, and poising itself for a moment, after a few

backward strokes, darts on the floating spoil, and devours it.

The aim is remarkably sure, nor is the feat a slight one, seeing that

the drops are projected to some eight or ten times the length of the

fish. By this curious sort of archery, or, rather, water-fire—for the

drops fly out, as from the muzzle of a little live gun—an easy living

is procurable. _Toxotes jaculator_ (that is its Latin name) is not,

like other fish, dependent on the chance of an accidental immersion.

Swimming quietly along, under banks heavy with tropical foliage, it

peers hopefully up into that flowery firmament, from which its manna

is to fall. The keen eye, armed with a sight in proportion to its

uncommon size, examines each leaf, each petal, each bending stem or

pendent, swaying creeper—the fringe of a world unknown beyond it—and

carefully estimates the distance at which an insect buzzes or settles.

Anything beyond six feet or so is a bright, particular star, which it

were hopeless to attempt—but within that distance the fairest things are

attainable; up spurts the glistening shower and down with it, like Iris

on her rainbow, the radiant being comes. It is a pretty, clean sort of

shooting, without noise, wounds, or blood, much superior to our own.

Several little fishes, besides the one to which in especial the name

of archer has been given, practise this curious and, except for

themselves, unique art. But they are all nearly related—all belong to

the Acanthopterigious family of Squamipennes or Chætodontidæ—for those

are the sort of names that they call them in scientific works. One of

these other kinds is a favourite with the Chinese in Java, who keep it in

jars, and feed it with flies or other insects, which they place on their

edges for the little archers to knock off. Possibly there may be some

other animals, besides these fishes, which obtain their prey by shooting

water at it, but I do not, myself, know of any before we come to man.

The Australian savages chase bees to their hives, by encumbering their

wings with cotton or something similar, and they first catch the bees by

filling their mouths with water, and squirting it out over them. Thus we

find in man the nearest approach to the archer-fish, and it is to him,

too, that we must look for a parallel, artificially brought about, to

the natural art of another of the great fish family, viz. the angler or

sea-devil.

This wonderfully provided creature has an enormous head, on the top of

which grow three long filaments, two forward, and close together, and

the third a good deal farther back. The front filament of all, bends

forward and seems to dangle from its end, in front of the angler’s huge

mouth, a little silvery tuft, or piece, of something, so that the whole

has a wonderful resemblance to a fishing-rod and line, with a baited hook

at the end of it. The owner of this curious arrangement lies along the

bottom of the sea, near the shore, almost hidden in the sand, and when a

small fish, attracted by the shining appendage, comes to nibble at it,

makes a rush and engulfs, rather than seizes, it in its cavernous jaws.

The object, which thus plays the part of a bait, is really an expansion

of the filament itself. The creature is thus provided with a natural

fishing-rod, which, however, is designed only to attract the prey about

the bait, and not to hook and haul it up. In this way the game is lured

within the angler’s reach, and the actual catching of it is done by the

mouth, in the ordinary way.

In addition to this natural ruse, or, rather, as a supplement to it, the

angler-fish is said purposely to stir up the sand, so as to dislodge

the marine worms or other creatures which dwell there, which then float

about in the water, so that they play the same part that ground-bait

does when thrown in around the float. The discoloured water, full of

living creatures or inorganic particles, brings numbers of fish there,

to feed on them, whilst the silvery filament swaying and dancing in the

middle of the cloud, becomes to each one the more particular attraction.

The angler-fish is fairly common, about our own shores. It grows to a

length of some three or four feet, and appears to consist of but head

and tail—so huge is the size of the former, into which the body seems

to be absorbed. The wide mouth is set with sharp teeth, and suggests,

when opened, a ravenous voracity, which is, indeed, the angler’s chief

characteristic.

As has been remarked, the principles on which the two foregoing artifices

are based, have been applied by man, in an essentially similar manner, to

meet the exigencies of his own affairs, but I am not sure whether this

is equally the case in regard to another and well-known device which is

employed by the cuttlefish. This creature, which, as will be seen in a

later chapter, sometimes grows to an enormous size, though popularly

called a fish, is not really one. It is a mollusc, and belongs to the

most perfectly organised family of that extensive order of beings—viz. to

the cephalopods. This is a word which, in English, means the head-foots,

and as a descriptive term it is properly employed, since the limbs of

the cuttlefish—which can be used either as arms or feet—grow from the

orifice of the mouth, and so may be considered, equally with the latter,

as belonging to the head. These limbs are the well-known tentacles, and

in number may be either eight—which makes their possessor an octopod—or

ten, by which it becomes entitled to the rank of a decapod. In the latter

case, two of these organs have become specially modified, being much

longer than the other ones, and enlarged at their ends, upon which alone

the suckers are situated. On the remaining eight—or on all the eight in

the case of the octopods—the suckers run along the whole length of the

limb, from base to tip, being disposed in two or more rows, upon the

inner surface of it. They are circular discs, and if we wish to picture

them and the office which they perform, we cannot do better than imagine

ourselves with eight long lips, each of which is provided with so many

little miniature mouths that can suck very hard, but not bite or swallow.

In the centre of this wonderful lip arrangement is our big mouth—the real

one—only slightly changed, so that the teeth are represented by a great

horny beak, shaped like a parrot’s and quite as effective. As for the

rest of us—to continue the illustration—all our four limbs have gone, so

that there is only our body, which is now like a large sack or purse.

Changed in this way, we can no longer lead the life that we have been

accustomed to. We live in the sea, now, and are usually at the bottom of

it, holding on to rocks or stones with some of our sucking tentacles,

and often getting our soft, unarmed bodies into holes and crevices, the

better to protect them. Our long lip-arms are always waving about in the

water, and when we are hungry we throw them round anything that we care

about eating, suck on to it with all our little mouths, and bite and

swallow it with our big one. We need not go very far to supply our wants.

Our waving tentacles look very like the seaweeds that we live amongst, so

that fish, crabs, starfish, and all sorts of other living creatures are

constantly swimming up against us, and when we like them and are hungry,

we always treat them in this way. The shell of the crab must be hard that

we cannot crack with our great parrot beak, and the fish must be clever

that can avoid our embraces, since the faster it goes the faster we go

with it. We hug it till it stops, and then eat it—we do not understand

letting go.

Such and so strange a creature is the cuttlefish, but perhaps the

strangest, or at least the most interesting, thing about it, is that

device that it practises, and which I began by alluding to. In its body

there is a sort of bag, containing a fluid from which ink and the pigment

known as sepia are prepared, and which is of a deep brown colour. This

bag or gland has an opening near the end of the body, through which the

fluid can be ejected into the sea, which then becomes discoloured. There

is another opening near the creature’s mouth, and through this water

can be expelled by it, in the same way but with greater violence. When,

therefore, the cuttlefish is alarmed, and wishes to “lie low,” it spurts

out the water with such force that its body flies backwards, and, at the

same time, empties the contents of its ink-bag, thus making for itself a

cloudy sanctuary, into the midst of which it disappears. After a time the

water clears again, but the cuttlefish, in all probability, is nowhere to

be seen.

It would be difficult to think of anything more _rusé_ than this, within

the limits of the animal kingdom; but certain beetles play a trick which

is quite as ingenious, and perhaps even more remarkable. These are

the bombardier beetles, as they are very appropriately called, little

creatures not more than the third of an inch long, and with nothing very

remarkable about their appearance. When, however, they are pursued by

some larger beetle, or other insect, of carnivorous habits, all at once,

just as they seem on the point of being overtaken, they fire off a gun,

and the pursuer rolls head over heels. That, at least, is what it looks

like. There is smoke and a sudden bang that one can just hear, and it

seems as if the big beetle had been shot. What really happens is this:

the bombardier beetle discharges from a gland in the posterior portion

of the abdomen, with which it is furnished, a very acid fluid, which, by

a chemical process, when it meets the air, volatilises into smoke, with

a slight explosion. Whether it is the explosion or the acid properties

of the fluid, or some disagreeable smell it has, which upsets the

beetle that is in pursuit, I am not quite sure. If the latter, then the

bombardier beetle is something like the skunk, an animal we shall have

something to say about later on, but I think it is the actual explosion,

which, though weaker, acts in the same way as an explosion of gunpowder

does. Whatever may be the reason, the effect is very remarkable, and

in this sudden discharge by the little beetle, with the consequent

instantaneous collapse of its enemy, we see one of the most ingenious

of Nature’s devices for protecting her little children against her big

ones. To look at, it is perhaps the most wonderful of all, for it is just

like real artillery—smoke, an explosion, and then over rolls somebody—a

regular battlefield.

Angling, dyeing, archery, artillery—where will it end? If it does

not stop soon it will get to electricity; and, sure enough, in the

gymnotus—a large eel that inhabits the rivers of Brazil and Guiana—we

have a creature with an electric battery inside it, with which it can

deliver shocks so powerful, that they are capable of killing a man or

stunning a horse. I do not know if the alligators that live in the

same rivers with it—for instance, the Orinoco—ever attack this eel. It

would be an interesting thing to see one do so, but the probability is

that the alligator knows what the gymnotus is, and never touches it

except by accident. This, however, must sometimes occur, but what the

result would be in the case of so sluggish a reptile, I cannot say. Of

course, it is only the big eels that give such severe shocks as these.

The gymnotus grows to six feet in length, and one of this size must be

a more dangerous creature, if one happens to run up against it, than a

man-eating tiger or a rogue elephant. Its habits are sluggish, as one

might expect, for it has no need to get out of the way of anything, and

it is a good deal easier for it to kill its prey by lying still in the

mud, and allowing it to touch it, than it would be to pursue a fish, for

instance, and rub up against it in the water.

To receive the shock it is necessary that the creature, whatever it may

be—in most cases, probably, a fish—should touch the eel’s body in two

places, for otherwise the electric circuit will not be completed, and

there will be no discharge. Merely to poke the eel, therefore, with one

finger would do one no harm, whereas to catch hold of a large one might

even cause death. Yet in spite of the dangerous power it possesses,

the torpedo is eaten by the natives of the countries in which it is

found, for it is fat and succulent, and its electric battery, if once

it can be got rid of, does not affect its taste, which is excellent.

Once caught, this is not a difficult thing to do. It can be cut out,

though care must be taken in the way above-mentioned, since the shock

can be communicated not only by a direct seizure of the creature, but

indirectly through any connecting substance held in the hand. But how

are the eels to be caught? The method employed by the Indians is to make

them exhaust their batteries by delivering a series of shocks, after

which they remain for a long time innocuous, till re-stored with the

electric energy. When, therefore, any large shallow pool is discovered,

in which gymnoti are likely to be lying—such being often produced by the

overflowing of rivers and subsequent withdrawal of their waters—a troop

of half-wild horses are collected about it, and then, with cries and

blows, urged to enter. A wild and horrible scene of confusion instantly

ensues. The alarmed eels dart hither and thither amongst the legs of the

horses, discharging their batteries, and the horses, when struck, leap

into the air, and, if the shock has been violent, fall down stunned,

amongst the rest. Others, less injured, but mad with pain and terror,

lash out with their heels, or gallop wildly about, no longer avoiding

their fellows, and seeming to have lost the sense of direction. Dashing

together, one horse is flung down by another—others fall over them—they

lie struggling in heaps. Many break back, or reach the further shore,

but each time that they do so, and strive to leave the pool, they are

driven into it again by the Indians, and shock after shock continues to

be poured in amongst them. Each one, however, is weaker than the last,

till, at length, no more effect is produced, and the scene, though still

wild and disorderly, becomes partially relieved of its horrors. Then, and

not till then, are the terrified animals—all those, that is to say, that

are capable of doing so—allowed to leave their inferno, after which the

Indians enter it, and secure the now powerless eels, many of which have

been more or less injured by the trampling of the horses’ hoofs. Such is

the account given by Humboldt, which was given to him by the Indians.

It is right to add that it has not yet been confirmed, so that many now

hold it to be untrue, and think that the great naturalist and traveller

must have been imposed upon. One professor, who writes very learnedly of

the gymnotus, and other electric fishes—for there are some other ones—is

so sure of this, that he thinks it high time this story of Humboldt’s

were forgotten. Well, I tried to forget it, but I found it was too

picturesque. So I have remembered it, and forgotten the professor’s own

treatise, instead—which was much the easier thing to do.

The romance of the animal world · 第 11 / 26 章