CHAPTER III

THE FIRST OF PATRIOTS AT HOME

A noble private school first made Lebanon of the cedars famous. It had

been founded by the prosperous hill farmers under the influence of

the Governor. To this school the latter sent his five children, who

prepared there for college or the higher schools.

The Governor possessed a strong mind, that was so clear and full of

imagination as to be almost poetic and prophetic.

The Scriptures were his book of poems, and he read many books――_Job_ in

Hebrew, and _John_ in Greek.

At home among his five children, all of whom were destined to be

notable, and two of them famous, he was an ideal father. His one

thought was to educate his children for usefulness.

One of his sons was named John, born in 1756. Nearly all of my readers

have seen his work, for it was his gift to paint the dramatic scenes of

the Revolutionary War, and these great historical paintings adorn not

only the rotunda of the Capitol at Washington, but several of them most

public halls, and tens of thousands of patriotic homes in the country,

especially The Battle of Bunker Hill, The Signers of the Declaration

of Independence, The Death of Wolf, The Surrender of Cornwallis, and

Washington’s Farewell to his Army.

The home of the Governor may have been matted, but was not carpeted.

It was the custom at that time to strew white sand over floors and to

“herring-bone” spare rooms. Of this sand we have a curious story.

Two of the daughters, Faith and Mary, were born to a love of art. They

were sent to school in Boston after graduating at the Lebanon school,

and there Faith began to admire portraits painted in oil.

She studied painting in oil, and she returned to her plain and simple

home. She hung upon the walls two portraits painted by her own hand

that were a local wonder.

The Governor looked upon his gifted daughter’s work with commendable

pride.

“You have done well, Faith. I did not expect such gifts of you. To

detain age, in keeping the face at the age in which it is painted, is

indeed a noble art. It is worthy of you, Faith.”

At this time John Trumbull was a little boy. He had been housed and

nursed tenderly by his mother, because he had a misformed head which

had to be shaped out of a defect by pressure.

This boy turned his face to his sister Faith’s paintings with surprise,

as they transformed the walls of the room.

“I want to paint, too,” said he.

“No, no,” said the Governor, “painting is not for boys.”

He asked his sister for oils.

“You are too young,” thought the artistic Faith, who was a loving,

noble sister.

“But I must, I must.”

One day his mother entered the sanded room. The white sand had been

disturbed. It was lying about in curious angles. She stopped; the sand

had formed a picture. Whose picture――probably it was intended for

herself.

The boy’s face met hers, possibly at an opposite door.

“My son, what have you been doing with the sand?”

“Painting, mother.”

“But what led you to paint in that way?”

“Faith’s pictures on the wall. I had to paint. I must. I will be a

painter if I grow up. The things that father does will not live unless

they are painted. Pictures make the past _now_――they hold the past;

they make it live.”

“My little boy sees the value of the art like a philosopher. You and

Faith have a gift that I little expected. I have nursed that little

head of yours many an hour; there may be pictures in it――who knows?”

“But father thinks that painting is girlish. How can I get him to let

me paint?”

“You may be able to paint so well, that he will be proud of your art.”

The next day the sand took new form; another picture filled the floor,

and so day by day new pictures came to delight the good mother’s heart.

The Governor saw them.

“There is a gift in them,” said he. “It is all right for a little

shaver like him. Boys will have to wield something stronger than the

brush in the new age that is upon us. But we must not crush any gift of

God.”

He turned away.

His family loved to be near him, and he told them wonderful tales from

the Hebrew Scriptures.

Queer tales of early times in the colonies he related to them, too;

stories that tended to correct false views of life and character.

Suppose we spend an hour with the good Governor in his own home.

* * * * *

It was early evening; snow was falling on the green boughs of the

cedars of Lebanon. A great fireplace blazed before the sitting-room

table, on which were the Bible and books.

On one side of the fireplace hung quartered apples drying; on the other

a rennet and red peppers, and on the mantelpiece were shells from the

Indies, candlesticks, and pewter dishes.

The room became silent. The Governor’s thoughts were far away,

planning, planning, almost always planning.

The stillness became lonesome. Then little John, the painter in the

sand, ventured to ask his mother for a story, and she said:

“I am narrowing now in my knitting; ask your father, he is

wool-gathering; call him home.”

Little John touched his father on the arm.

“It is a story that you would have,” said the Governor. “I am thinking

all by myself on a case that comes up before me to-morrow, of a young

man who has broken the law, but did not know that there was any such

law to break. He had just come in from sea.

“Now, what would you do in such a case as that, Johnny? I am thinking

how to be merciful to the man and just to others.”

“I would do what mother would do――mother, what would you do in a case

like that?”

“I do not know; there may be things to be considered. I would follow my

heart; if it would not endanger others.”

“Father, what will you do? Animals break laws about which they do not

know. I pity them.”

“Well said, John,” said the Governor.

He added, beating on the back of his chair:

“I may have to follow my heart; but I will tell you a story of an old

Connecticut judge who followed his heart, and something unexpected

happened.”

The Governor dropped his stately tone, and used the language of home.

That was a charm, the home tone.

* * * * *

“It was at the time of the blue-laws,” he said. “Those laws in one part

of the State were so strict as to forbid the making of mince pies at

Christmas-time.

“One of these laws forbid a man to kiss his wife in public on Sunday.”

The Governor seldom used story-book language. He was going to do so

now, and it would make the very fire seem friendly.

“Wandering Rufus was a merry lad. He married a young wife, a very

handsome girl, and he loved her. Soon after his marriage he went to

sea, and it was after he went to sea that the law was enacted against

the Sunday kissing. The lawmakers little thought of the men at sea.

“His wife looked out for him to come back, as a good wife should. She

pressed her nose against the pane. She dreamed and dreamed of how happy

she should be when he should come leaping up from the wharf to greet

her.

“Three years passed, for he was a whaler as well as a sailor.

“Three years!

“One day there was heard a boom at sea――boom off New Haven. The ship

was coming in, and it was Sunday.

“The young wife dressed herself in her best gown, and she never looked

so pretty before. Her cheeks glowed like roses in dew-time.

“She hurried down toward the wharf to meet him, just as the bells were

ringing and the people were all going to meeting.

“He came up the highway to greet her, leaping――not a becoming thing,

I will allow. And he rushed into her arms, and gave her smack after

smack, and her bonnet fell off, and the people stopped and wondered.

The magistrate wondered, too.

“There was a man in the seaport who was like Mr. Legality in the

Pilgrim’s Progress. The next day he had the young sailor arrested for

unbecoming conduct on the street on Sunday, and I mind me that his

conduct was not altogether becoming.

“The judge came into court, and read the law, and asked:

“‘Rufus, my sailor boy, what have you to plead?’

“‘I did not know that there was any such law, your Honor; else I would

have obeyed it.’

“You may see that he had a true heart, like a robin on a cherry bough.

“‘I must condemn you to have thirty lashes at the whipping-post,’ said

the judge――‘No, twenty lashes――no, considering all the points of the

case, ten; or five will do. Five lashes at the whipping-post. This is

the lightest sentence that I ever imposed. But _he_ did not know the

law; and he was a married man, and he had not seen his wife for nearly

three years; I must be merciful in this particular case, and I will not

say in this same case how hard the lashes shall be laid on.’

“So the young sailor was whipped, and Mr. Legality said that five

lashes would not have scampered a cat.

“Rufus, the wanderer, prepared to go whaling again.

“Now, the captain of the ship had caused a chalk-mark to be drawn

across the deck of the ship, and had made a ship law that if any one

but an officer of the ship should cross the mark, the person violating

the law should be whipped with a cat-o’-nine-tails.

“I am sorry to say that our young sailor should have had a revengeful

spirit, but he seems to have shown a disposition not altogether

benevolent. He invited Mr. Legality to go on board the ship with him,

just as the ship was about to sail. Mr. Legality to atone for his want

of charity went, and he had hardly got on board before he stepped over

the chalk-line.

“‘Halt, halt!’ said Rufus. ‘We have a law that if any one steps over

the chalk-line he must be whipped.’

“‘But I did not know that there was any such a law,’ said Mr. Legality.

“‘But it is the law,’ said Wandering Rufus.

“‘But how could I have known?’ asked Mr. Legality.

“‘How could I have known that there was a law that a man must not kiss

his wife on the street on Sunday?’ asked Rufus.

“‘I see, I see; but don’t let me be whipped with the cat-o’-nine-tails.’

“‘That I will not, for I am a hearty sailor. If any one is whipped it

shall be me. I wanted to show you how the human heart feels.’

“Mr. Legality left the ship as fast as his legs would carry him, and

somehow that story sometimes rises before me like a parable. I think I

shall follow my heart with this new case that comes off to-morrow.”

“Do, do,” said the children, all five; and the mother, lovely Faith

Trumbull, said, “Yes, Jonathan, do.”

“And now,” said the Governor, “let us read together the most beautiful

chapter, as I mind, in all the Epistles.”

The snow fell gently without; the fire cracked, and they read together

the chapter containing “Charity suffereth long, and is kind.”

“Beareth all things, endureth all things,” read little John. Then tears

filled his eyes, and he said:

“Father, I love you.”

But there was another side to the love and loyalty of this sheltered

town in the cedars. There were Tories here, and they did not like the

patriarchal Governor. You must meet some of them, if it does change the

atmosphere of the narrative.

It has been said that no dispute could ever stand before Brother

Jonathan; it would melt away like snow on an April day when he lifted

his benignant eyes and put the finger of one hand on the other, and

said, “Let me make it clear to you.”

Queer old Samuel Peters, the Episcopal agent, or missionary in

the colony, made so much fun of the good people in his History of

Connecticut, and so led England and America to laugh by his marvelous

anecdotes and description of the blue-laws, that the really thrifty and

heroic character of these people has been misjudged.

A wonderful family had Brother Jonathan. His children who lived to

become of age became famous, and they were all remarkable as children.

Jonathan Trumbull, Jr., could read Virgil at five, and had read Homer

at twelve, and could talk with his father in Latin and Greek, and

discuss Horace and Juvenal when a boy. He, as we have said, became a

great painter, and commenced by drawing pictures in the sand which was

sprinkled on his father’s floor. They used “herring-bone” to tidy rooms

in those days, spare rooms, by dusting clean sand on the floor, in a

wavy way, leaving the floor in the angles of a herring-bone. We do not

know that it was in such herring-boning sand that young Trumbull began

to draw pictures, but it may have been so.

We have visited the rooms in the old perpendicular house where he began

to draw. His good father did not approve of his purpose to become a

painter, but he thought that genius should be allowed to follow its own

course. A man is never contented or satisfied outside of his natural

gifts and haunting inclinations. So the battles into which his father’s

spirit entered, John made immortal by painting, and his work may be

seen not only in the rotunda of the Capitol at Washington, but in the

“Trumbull Collection” at Yale College.

Young Trumbull was led to continue to paint by his sisters Faith and

Mary, who went to Boston to school. This was the Copley age of art in

Boston. You may see Copley’s pictures at the Art Museum, Boston, and

among them the almost living portrait of Samuel Adams. When these girls

returned from visits to Boston, Mary began to paint inspiring pictures

and to adorn the rooms with them.

She and her brother studied the lives and works of the old masters.

How? We do not know, but genius makes a way.

A thrifty farmer and merchant was Col. Jonathan Trumbull in his young

days. You laugh at these old-fashioned men, but look at what this

man, who could discuss Homer and Horace with his boys, and the arts

of Greece with his girls, accomplished through the good judgment and

private thrift in his early life. Says his principal biographer, G. W.

Stuart, of the fine young farmer, who had ships on the sea, and was

beginning to turn from a farmer to a notable merchant:

“So the first years of Trumbull’s life as a merchant passed in

successful commerce abroad, in profitable trade at home, and with high

reputation in all his contacts, negotiations, and adventures. And ‘his

corn and riches did increase.’ A house and home-estate worth over four

thousand pounds; furniture, and a library, worth six hundred pounds;

a valuable store adjacent to the dwelling; a store, wharf, and land

at East Haddam; a lot and warehouse at Chelsea in Norwich; a valuable

grist-mill near his family seat at Lebanon; ‘a large, convenient

malt-house;’ several productive farms in his neighborhood, carefully

tilled, and beautifully spotted with rich acres of woodland; extensive

ownership, too, in the ‘Five-mile Propriety,’ as it was called, in

Lebanon, in whose management as committeeman, and representative at

courts, and moderator at meetings of owners, Trumbull had much to do;

a stock of domestic animals worth a hundred and thirty pounds――these

possessions, together with a well-secured indebtedness to himself,

in bonds, and notes, and mortgages, resulting from his mercantile

transactions, of about eight thousand pounds, rewarded, at the close

of the year 1763, the toil of Trumbull in the field of trade and

commerce. In all it was a property of not less than eighteen thousand

pounds――truly a large one for the day――but one destined, by reverses

in trade which the times subsequently rendered inevitable, and by

the patriotic generosity of its owner during the great Revolutionary

struggle, to slip, in large part, from his grasp.”

Here is a picture of thrifty life in a country village estate in old

New England days.

He preached at first, then became a judge, and he “doctored.”

They were queer people who doctored then, with wig and gig. Brother

Jonathan doctored the poor. He doctored out of his goodly instincts

more than from a medical code, though he could administer prescriptions

from Latin that it was deemed presumptuous for the patient to inquire

about. Now people know what medicine they take, but it was deemed

audacious then to ask any questions about Latin prescriptions, or

to seek to penetrate such an awful mystery as was contained in the

“Ferrocesquicianurit of the Cynide of Potassium,” or to find out that a

ranunculus bulbosus was only a buttercup.

Among the good old tavern tales of such old-time doctors was one of a

notional old woman, who used to send for the doctor as often as she saw

any one passing who was going the doctor’s way. Once when there was

coming on one of these awful March snow-storms that buried up houses,

she saw a teamster hurrying against the pitiless snow toward the town

where the doctor’s office was.

“Hay, hay!” said she to the half-blinded man. “Whoa, stop! Send the

doctor to me――it is going to be a desperate case.”

The doctor came to visit his patient, and found her getting a bountiful

meal.

“The dragon!” said he. “Hobgoblins and thunder, what did you make me

come out here for in all this dreadful storm?”

“Oh, pardon, doctor,” said she, “it was such a good chance to send.”

In ill temper, the country doctor faced the storm again.

There was both an academy and an Indian school in the town, and all the

children loved Brother Jonathan.

The children of Boston used to follow Sam Adams in the street in

the latter’s benign old age, and the white children and red tumbled

over their dogs to meet Brother Jonathan, when he appeared in his

three-cornered hat, ruffles and knee-breeches, and all, in the snug

village green around which the orioles sung in the great trees.

He had some kind word for them all. When his face lighted up, all was

happiness.

Among his neighbors was William Williams, a signer of the Declaration

of Independence, and a man of beautiful soul.

The old church gleamed in air over the green. On the country roads they

held meetings in smaller churches and in schoolhouses.

A queer story is told of one of these churches at the time of

foot-stoves; how a good woman took a foot-stove to church and hid it

under her cloak. The stove smoked, and the warm smoke rose up under her

cloak, which was spread around her like a tent, and caused her to go

to sleep. As she bent over the smoke came out of her cloak at the back

of her neck and ascended into the sunlight of a window. Now smoke is

likely to form a circle as it ascends, and the good people, who did not

know of the foot-stove, thought that they saw a crown of glory hanging

over her head, and that a miracle was being performed.

Brother Jonathan and his good wife and children were always in their

pew on Sunday. Probably there was a sounding-board in the primitive

church and an hour-glass. Possibly, a tithing man went about with a

feather to tickle sleepy old women on the nose, who lost consciousness

between the 7thlys and the 10thlys, and so made them jump and say, “O

Lud, massy sakes alive!” or something equally surprising and improper.

Brother Jonathan · 第 3 / 15 章