I sat up, throwing off my wraps and laid my hand on hers.

“Lizzie, don’t mind what he says.”

Her hand was cold under mine.

“He knows,” she answered almost in a whisper, “he _knows_.”

“I can get backers for you”--it was rash, but I know how to manage

Betty--“better than he ever was, the best kind of backers.”

She jerked her hand away and glared at me.

“What do you mean by that? Do you think he’s going to give me up? Why,

you must be crazy.” She jumped to her feet looking down at me with a

face of savage anger. “Do you think I haven’t made good? Have they,”

with a violent gesture to the door, “told you so? They’re fools,

idiots, imbeciles. Masters give me up--ah--” She turned away and then

back. “Why he’s never had any one with such promise as I have. He’s

banking on me. I’m going to bring him to the top. He borrowed the money

to send me to Vignorol. Throw me down now, just when I’m getting there,

just when I’m proving he was right? Oh, I can’t talk to you. You’ve no

sense. You’re as big a fool as all the rest.”

And she rushed out of the room, banging the door till the whole

apartment shook.

I lay thinking about it till Emma came to get me my supper. She was

right in one thing--I _was_ a fool. In my blundering attempt at

encouragement I had gone straight to the heart of her fear, dragged it

out into the light, held up in front of her the thing she was trying

not to see--that Masters would give her up. Fool--it was a mild name

for me. And _poor_ Lizzie--tragic Bonaventura!

It’s night again and I am dressed in my best with a fur cloak on to

keep off the chill. I’ve got to write, not a sudden visitation of the

Muse, but to ease my mind. If you haven’t got a sympathetic pair of

ears to pour your troubles into, pouring them out on paper is the next

best thing.

It’s two days since I have seen Lizzie. Yesterday I was in my room all

day nursing my cold and expecting her, but she didn’t come. Neither did

she to-day, and all I could surmise was that she was angry with me for

being a fool. As I feel I was one and yet don’t like to hear it from

other people, I made no effort to get into communication with her.

This evening I was well enough to go out in a cab with all my furs and

a foot warmer, to dine with Roger’s widowed sister, Mrs. Ashworth. I

was a good deal fluttered over the dinner, guessed why it had been

arranged. It was a small affair, the Fergusons, Roger and I. Preceded

by a call from Mrs. Ashworth, it had a meaningful aspect, a delicate

suggestion of welcoming me into the family. I blush as I write it.

I don’t know why I should, or why love and marriage are matters

surrounded by self-consciousness and shame. Who was it explained the

embarrassment of lovers, their tendency to hide themselves in corners,

as an instinctive sense of guilt at the prospect of bringing children

into a miserable world? I think it was Schopenhauer. Sounds like

him--cross-grained old misanthrope.

Mrs. Ashworth is Roger’s only near relation and he regards her as

the choicest flower of womanhood. I don’t wonder. In her way she

is a finished product, no raw edges, no loose ends. Everything is

in harmony--her thin faintly-lined face, her silky white hair, her

pale hands with slightly prominent veins, her voice with its gentle

modulations. Nothing cheap or second rate could exist near her. She

wouldn’t stamp them out--I can’t imagine her stamping--they would

simply wither in the rarified atmosphere. Her friends are like herself,

her house is like herself. When I go there I feel strident and coarse.

As I enter the portal I instinctively tune my key lower, feel my high

lights fading, undergo a refining and subduing process as if a chromo

were being transmuted into a Bartolozzi engraving.

As my cab crawled down-town--I need hardly say Mrs. Ashworth lives in a

house on lower Fifth Avenue, built by her father--I uneasily wondered

if the Bohemian atmosphere in which I dwelt had left any marks upon me.

I tried to obliterate them and made mental notes of things I mustn’t

mention. Memories of Miss Bliss’ golden corset string rose uneasily,

and Lizzie Harris, and oh, Mr. Masters! I ended by achieving a sense of

grievance against Mrs. Ashworth. No one had any right to be so refined.

It was all very well if you inherited a social circle and large

means, but-- The cab drew up with a jolt and I alighted. All unseemly

exuberance died as the light from the door fell on me. I spoke so

softly the driver had difficulty in hearing my order and when I walked

up the steps I minced daintily.

But it was a delightful dinner. Harry and I were on one side, Betty

and Roger on the other. At the foot of the table was Mrs. Ashworth’s

son, Roger Clements Ashworth, a charming boy still at college. It was

all perfectly done, nothing showy, nothing in the fashion. Betty’s

pearls looked a good deal too large beside the modest string that Mrs.

Ashworth wore, which was given to her great, great grandmother by

Admiral Rochambeau. The dining-room walls were lined with portraits,

with over the fireplace, that foundation stone of the family’s glory,

Roger Clements, “The Signer.”

I thought of my apartment and my late associates and felt that I was

leading a double life.

When I came home the house was very silent. Mounting the dim dirty

stairs with the smell of dead dinners caught in the corners, I wondered

how Mrs. Ashworth could countenance me. But after all, it was part of

her fineness that she had no quarrel with the obscure and lowly. If she

could not broaden the walls of her world--and you had only to talk to

her ten minutes to see that she couldn’t--within those walls all was

choice and lovely. I would have to live up to it, that was all.

I had got that far when I heard a heavy step and Mr. Masters loomed

up on the flight above. The stairs are very narrow and I looked up

smiling, expecting him to retreat. He came on, however, not returning

my smile, staring straight before him with an immovable, brooding

glance. I can’t say he didn’t see me, but he had the air of being so

preoccupied that what his eye lighted on did not penetrate to his

brain. As at our first meeting I received an impression of brutal

strength, his broad shoulders seeming to push the walls back, his

flat-topped head upheld on a neck like a gladiator. I intended asking

him about the concert and the notices, but his look froze me, and I

backed against the wall for him to pass.

As he brushed by he growled a word of greeting. He was in the hall

below when I broke out of the consternation created by his manner,

leaned over the rail and called down:

“Mr. Masters, how is Miss Harris?”

“All right,” he muttered without stopping or looking up and went on

down the lower flight to the street.

They had had the interview.

The house was as silent as a tomb. I stole to the foot of the upper

flight, looked up and listened. Not a sound. The rustling of my dress

as I moved startled me. What _had_ he said to her? I couldn’t read his

face--but his manner! I wavered and waited, the street noises coming

muffled through the intense stillness. Then I decided I’d not intrude

upon her, and came in here. Whatever happened she’ll tell me in her own

good time, and the quietness up there is reassuring. Her anger is apt

to take noisy forms. If she had been throwing oranges out of the window

I would have heard her. But I do wish I might have seen her to-night.

X

I DIDN’T sleep well that night. The memory of Mr. Masters’ set sullen

face kept me wakeful. At four I got up, lit the light and tried to

read Kidd’s _Social Evolution_. Through the ceiling I could hear Mr.

Hamilton’s subdued snoring on the floor above. It seemed like the deep

and labored breathing of that submerged world whose upward struggle I

was following through Mr. Kidd’s illuminating page.

After breakfast, when no sign or word had come from Lizzie, I decided

to stay in till I heard from her. I dawdled through the morning and

when Emma was cleaning up went out on the landing and listened. The

upper floors were wrapt in quiet. I stole up a flight and a half and

looked at her door--tight shut and not a sound. I went down again

worried, though it was possible she had gone out and I not heard her.

After lunch I opened the register and listened--complete silence.

During the rest of the afternoon I sat waiting for her footfall. Dusk

came and no woman had mounted the stairs. At seven a tap came at my

door and Count Delcati pushed it open.

The count brought letters from the Italian aristocracy to its New York

imitation and goes to entertainments that the rest of us read of in

the papers. He was arrayed for festival and looked like an up-to-date

French poster, a high-shouldered black figure with slender arms

slightly bowed out at the elbows. His collar was very stiff, his shirt

bosom a clear expanse of thick smooth white. He wore his silk hat back

from his forehead, and his youthful yet sophisticated face, with its

intense black eyes and dash of dark mustache, might have been looking

at me from the walls of the Salon Independent.

He removed his hat, and standing in the doorway, said:

“Have you seen her to-day?”

“No,” I answered. “Have you?”

He shook his head.

“I think she must be away. When I came home at six I went up there and

knocked, but there was no answer.”

There was nothing in this to increase my uneasiness. She came and

went at all hours, often taking her dinner at what she called “little

joints” in the lower reaches of the city. Nevertheless my uneasiness

did increase, gripped hold of me as I looked at the young man’s gravely

attentive face.

“Have you seen her since the concert?” he asked.

“Yes, the day after, when you were all in here.”

“She hadn’t seen the notices?”

The book of Evelyn · 第 47 / 82 题