IX

YESTERDAY was the concert day and I couldn’t go--a bad cold. The house

lamented from all its floors, for it was going en masse, even the

trained nurse with a usurped right to the sun-dial.

The only way I could add to the festivity of the occasion was to

distribute my possessions among that section of the audience drawn

from Mrs. Bushey’s light housekeeping apartments. It began with the

Signorita Bonaventura, who wore my mother’s diamond pendant, then

went down the line:-- Miss Gorringe my green satin (she said it

would be horribly unbecoming, but the audience wouldn’t notice her),

Miss Bliss my black lynx furs, Mrs. Phillips, the nurse, my evening

cloak, Mr. Hazard my opera glasses, Mr. Weatherby my umbrella--his

had a broken rib and it looked like snow. We were afraid the count

couldn’t find anything suitable to his age and sex, but he emptied my

bottle of Coty’s Jacqueminot on his handkerchief and left, scented

like a florist’s. Mrs. Bushey came last and gleaned the field, a

gold bracelet, a marabou stole and a lace handkerchief she swore she

wouldn’t use.

Much noise accompanied the passage of the day and some threatening

mishaps. At eleven we heard Berwick was hoarse, but at one (by

telephone through my room) that raw eggs and massage were restoring

him. At midday Miss Gorringe sent a frantic message that the sash of

the green satin wasn’t in the box. Gloom settled at two with a bulletin

that Mrs. Stregazzi’s second child had croup. It was better at five.

Mr. Hazard’s dress suit smelled so of moth balls that the prima donna

said it would taint the air, and Emma, the maid, hung it out on the

sacred sun-dial. There was a battle over this. For fifteen minutes

it raged up two flights of stairs, then Mr. Hazard conquered and the

sun-dial was draped in black broadcloth.

At intervals Lizzie came down to see me and use the telephone. She

was in her most aloof mood, forbidding, self-absorbed. On one of her

appearances she found a group of us congregated about my steam kettle.

Our chatter died away before her rapt and unresponsive eye. Even I, who

was used to it, felt myself fading like a photographic proof in a too

brilliant sun. As for the others they looked small and frightened,

like mice in the presence of a well-fed lioness, who, though she might

not want to eat them, was still a lioness. They breathed deep and

unlimbered when the door shut on her.

In the late afternoon Roger came to see me. He brought a bunch of

violets and a breath of winter into my bright little room. The

threatening snow had begun to fall, lodging delicately on eaves and

ledges, a scurry of tiny particles against the light of street-lamps.

We stood in the window and watched it, trimming the house-fronts with

white, carpeting the steps, spreading a blanket ever so softly and

deftly over the tin roof. How different to the rain, the insistent

ruthless rain. The night when the rain fell came back to me. How

different that was from to-night!

There was a hubbub of voices from the hall and then a knock. They

were coming to see me before they left. They entered, streaming in,

grubs turned to butterflies. The house was going cheaply in cars over

the bridge; only the prima donna and Miss Gorringe were to travel

aristocratically in a cab.

Strong scents from the count’s Jacqueminot mingled with the faint

odor of moth balls that Mr. Hazard’s dress suit still harbored. Miss

Gorringe had rouged a little and the green satin was quite becoming.

Miss Bliss had rouged a good deal and had had her hair marcelled. In

the doorway the trained nurse hung back, sniffing contemptuously at

Mr. Hazard’s back. Mrs. Bushey, Mr. Hamilton and Mr. Weatherby grouped

themselves by the fireplace.

“Where’s the prima donna?” I asked.

“Coming,” cried a voice from the stairs, and the air was filled with

silken rustlings.

It was like an entrance on the stage, up the passage and between the

watching people, and I don’t think any actress could have done it with

more aplomb. In her evening dress she was truly superb--a goddess

of a woman with her black hair in lusterless coils and her neck and

shoulders as white as curds. Upon that satiny bosom my mother’s pendant

rose and fell to even breathings. Whatever anybody else may have felt,

the star of the occasion was calm and confident.

Her appearance had so much of the theatrical that it must have made

us suddenly see her as the professional, the legitimate object of

glances and comments. Nothing else could explain why I--a person of

restrained enthusiasms--should have broken into bald compliments. She

took them with no more self-consciousness than a performing animal

takes the gallery’s applause, smiled slightly, then looked at Roger,

the stranger. I did so, too, childishly anxious to see if he admired my

protégée. He evidently did, for he was staring with the rest of them,

intent, astonished.

Her glance appeared to gather up his tribute as her hands might have

gathered flowers thrown to her. He was one of the watching thousands

that it was her business to enthrall, his face one of the countless

faces that were to gaze up at her from tier upon tier of seats.

When the door shut on the last of them, laughter and good nights

diminishing down the stairs, he turned to me with an air that was at

once bewildered and accusing.

“Why in heaven’s name didn’t you tell me she was so good-looking?”

“I did and you wouldn’t believe me,” I answered gaily, for I was

greatly pleased. It was a little triumph over Roger with his

hypercritical taste and his rare approvals.

The next morning I waited anxiously for news. I thought Lizzie would

be down early, but the others came before her, dropping in as the

morning wore away. With each entrance I grew more uneasy.

Mr. Hazard was first, in a gray sweater.

“Well, she looked great. I wish I could have painted her that way.

But--” he tilted his head, his expression grown dubious. “You know,

Mrs. Drake, I don’t know one tune from another--but--”

“But what?” I said sharply.

“Well, it seemed to me Berwick got away with it.”

“Do you mean the audience liked him better?”

He nodded, a grave agreeing eye on me.

“He got them when he sang that thing about _The Three Grenadiers_. It

made your heart swell up.”

He leaned nearer, lowering his voice. “And he got them in that German

duet, too.”

He drew back and nodded again darkly, as if wishing me to catch a

meaning too direful for words.

An hour later Miss Bliss blew in in a blue flannel jacket and the

remnants of her marcelle wave. By contrast with her flushed and

blooming appearance of the evening before, she looked pinched and

pallid. She cowered over the fire, stretching her little chapped hands

to the blaze and presenting a narrow humped back to my gaze.

“She didn’t seem to catch on some way or other. I don’t know why but--”

She stopped and leaned forward for the poker.

“But what?”

“Well--” She poked the fire, the edge of the flannel jacket hitched

up by the movement, showing a section of corset laced with the golden

string that confines candy boxes. “She doesn’t give you any thrill.

I’ve heard people without half so much voice who could make the tears

come into your eyes. I tell you what, Mrs. Drake,” she turned round

with the poker uplifted in emphasis, “_I_ wouldn’t spend _my_ good

money to hear a woman sing that way. If I shell out one-fifty I want to

get a thrill.”

She was still there when the count came in. He sat between us gently

rocking and eying her with a pensive stare. She pulled down her jacket

and patted solicitously at the remains of her marcelle.

“She looked,” said the count, pausing in his rocking, “she looked like

a queen.”

“Good gracious,” I cried crossly, “_do_ drop her looks. I saw her.”

The count, unmoved by my irritation, answered mildly:

“One can’t drop them so easily.”

“But her singing, her performance?”

“Her performance,” murmured the young man, and appeared to look through

Miss Bliss at a distant prospect. “It was good, but--”

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