CHAPTER ELEVEN

The crushed policeman led the way to Baynes Mews and pointed out the

door where he had seen the figure of Tickler sitting. The door did not

yield to Surefoot's pressure. He took from his pocket some skeleton keys

which he had borrowed at the station without authority, and tried them

on the door. Presently he so manipulated the key that he succeeded in

snapping back the lock. He pushed open the door, sent a ray of light up

the dusty stairs, and climbed, breathing stertorously, to the top. He

came upon a landing and a barrier of matchwood, in which was a door. He

tried this and again had recourse to his skeleton key.

Without a warrant he had no right whatever to invade the privacy of an

English home; but Surefoot had never hesitated to break the law in the

interests of justice or the satisfaction of his curiosity.

He found he was in a large, bare room, almost unfurnished except for a

big, cheap-looking wardrobe, a chair, a table, a large mirror, and a

square of carpet. At the back of the room, behind the matchboarding

partition, was a wash-place. Singularly enough, there was no bed, not

even a couch. On the wall was an old print representing the marriage of

Queen Victoria. It was in a dusty maple frame and hung groggily. Mr.

Smith, who had a tidy mind, tried to straighten the picture, and

something fell to the floor. It was a white glove which contained

something heavy; it struck the floor with a clump. He picked it up and

laid it on the dressing-table. The glove was of kid, with three strips

of black lace at the back, and it held a key. It was nothing delicate in

the way of keys, but a large, old-fashioned door-key of a type

fashionable before the introduction of patent locks.

What was remarkable about this key was its colour: it had been painted

with silver paint.

Surefoot looked at the key thoughtfully. An amateur had painted it--the

inside of the business end had not been touched; the steel was bright

and evidently the key was often used.

He brought this beneath the one naked electric globe which served to

illuminate the room, but found nothing new about it. Putting the key in

his pocket, he continued his search, without, however, discovering

anything more noteworthy, until he found the cupboard. Its door seemed

part of the matchboard lining of the room, to the height of which it

rose. There was no handle, and the keyhole was so concealed in the

dovetailing that it might have passed unnoticed but for the fact that

Surefoot Smith was a very painstaking man.

He thought at first it was a Yale lock, but when he tested it out with

the aid of a big clasp-knife, which contained half a dozen tools, he

found it was a very simple "catch." The cupboard held a complete dress

suit, including silk hat and overcoat. On a shelf was a number of plain

but exquisitely woven handkerchiefs, socks, folded dress ties and the

like.

He searched the pockets but could find no clue to the ownership of the

suit. There was no maker's tab on the inside of the coat, or concealed

in the breast pocket. Even the trousers buttons were not inscribed with

the tailor's name.

He examined the dress shirts; they were similarly unidentifiable. He

found nothing more except a large bottle of expensive perfume, a monocle

attached to a broad silk ribbon, and a locked box. This he forced under

the lamp, and found three wigs, perfectly made. One was wrapped in

silver tissue, and it was either new or had been newly dressed.

"Bit queer, isn't it?" said Surefoot Smith aloud.

"Yes, sir," said the constable, who had been silent until that moment.

"I was talking to myself," said Surefoot coldly.

He made another round of the room, but without adding to the sum of his

knowledge.

He replaced everything where he had found it, except the key and the

glove. After all, there might be a perfectly simple explanation of his

finds. The man may have been an actor. The fact that Tickler had been

sitting on his doorstep, listening to his drunken song, meant little,

and would certainly carry no weight with a jury.

On the other hand, if the explanation was so simple, Surefoot Smith was

in a position of some embarrassment. Against his name, if the truth be

told, were many black marks for unauthorised entry. This might very well

be the cause of another.

He went out into the mews, locked the door, and walked silently into

Portland Place, followed by the policeman. And Surefoot Smith did not

forget that the constable might possibly be a witness at any inquiry

before the Commissioner.

"I think that is all, officer," he said, "but I am not blaming you for

failing to report. Things like that," he went on, "slip out of a man's

mind. For instance, I left my house yesterday and forgot to take my

pipe."

The officer murmured his polite surprise. He was a little mollified, and

was sufficiently intelligent to understand the reason for this change of

attitude.

"I suppose it's all right, sir, going into that place without a

warrant?" he said. "I'm asking because I'm a young officer, new to the

force----"

Surefoot Smith surveyed him soberly.

"I went," he said, with great deliberation, "because you reported a

suspicious circumstance. You told me you had reason to believe that the

murderer might be hiding in that loft."

The constable gasped at this atrocious charge, gasped but was

speechless.

"So that, if there's any trouble over it," said Surefoot, "we're both in

it. And my word's better than yours. Now go home and keep your mouth

shut--it won't be hard for you." He could not resist the temptation to

gibe. "In fact, I should say you were a pretty good mouth-shutter."

The key and the white glove he locked away in a drawer of his desk at

Scotland Yard. There was nothing remarkable about either article.

Surefoot Smith would indeed have been glad to sacrifice his finds for

one packet of cartridges, the bullets of which corresponded to those

extracted from the unfortunate Tickler. In his mind, however, he was

satisfied that there was some connection between that flat in Baynes

Mews and the murder of the little thief. The finding of the dress

clothes signified little; it might only mean that some swell, for

reasons best known to himself, wanted a place where he could change

without going home. Such things happen in the West End of London, and in

the east or any other end of any other large city.

The absence of the bed rather puzzled him, but here again it simply

removed one explanation of the flat being used. Yet, if he could have

foreseen the future, he would have known that he had in his possession a

clue more valuable than the science of ballistics could have given to

him.

The clue of the silver key · 第 13 / 38 题