C. _Orthography._

It was not without much consideration that we determined to adopt the

spelling of the nineteenth century. If we had any evidence as to

Shakespeare's own spelling, we should have been strongly inclined to

adopt it, but to attempt to reproduce it, by operating by rule upon the

texts that have come down to us, would be subjecting Shakespeare's

English to arbitrary laws, of which it never yet was conscious. This

argues no want of education on the part of Shakespeare; for if Lord

Bacon himself had rules for spelling, they were but few, as we may

easily perceive by inspection of his works published under his own eye.

But if we have not Shakespeare's own spelling to guide us, what other

spelling shall we adopt? Every student of Shakespeare has now an easy

opportunity of acquainting himself with the text of F1, by means of Mr

Booth's excellent reprint, and we are certain that not one of them will

consider the spelling of that volume intrinsically better than that of

our day. Rather more like Shakespeare's it certainly is, but we doubt

whether much is gained by such approximation, as long as it is short of

perfect attainment. Moreover, in many of the Plays there is a competing

claim to guide our spelling, put forward by an array of Quartos, of

earlier date than F1. To desert F1 for these, where they exist, would be

but an occasional, and at best an uncertain means of attaining the lost

spelling of Shakespeare, while the spelling of our volume would become

even more inconsistent than that of F1 itself. Add to this; there are

places, though, as has been seen, not many, where we have had to leave

the reading of F1 altogether. How then shall we spell the correction

which we substitute?

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