XIX.

The evening of March 25th was an intensely interesting one to me.

It was passed with the President alone in his study, marked by no

interruptions. Busy with pen and papers when I entered, he presently

threw them aside, and commenced talking again about Shakspeare. Little

Tad coming in, he sent him to the library for a copy of the plays, from

which he read aloud several of his favorite passages. Relapsing into a

sadder strain, he laid the book aside, and leaning back in his chair,

said, “There is a poem that has been a great favorite with me for

years, to which my attention was first called when a young man, by a

friend, and which I afterward saw and cut from a newspaper, and carried

in my pocket, till by frequent reading I had it by heart. I would give

a great deal,” he added, “to know who wrote it, but I never could

ascertain.” Then, half closing his eyes, he repeated the poem, “Oh! why

should the spirit of mortal be proud?” Surprised and delighted, I told

him that I should greatly prize a copy of the lines. He replied that he

had recently written them out for Mrs. Stanton, but promised that when

a favorable opportunity occurred he would give them to me.

Varying the subject, he continued: “There are some quaint, queer

verses, written, I think, by Oliver Wendell Holmes, entitled, ‘The Last

Leaf,’ one of which is to me inexpressibly touching. He then repeated

these also from memory. The verse he referred to occurs in about the

middle of the poem, and is this:--

“The mossy marbles rest

On the lips that he has pressed

In their bloom;

And the names he loved to hear

Have been carved for many a year

On the tomb.”

As he finished this verse, he said, in his emphatic way, “For pure

pathos, in my judgment, there is nothing finer than those six lines in

the English language!”

A day or two afterward, he asked me to accompany him to the temporary

studio, at the Treasury Department, of Mr. Swayne, the sculptor, who

was making a bust of him. While he was sitting, it occurred to me to

improve the opportunity to secure the promised poem. Upon mentioning

the subject, the sculptor surprised me by saying that he had at his

home, in Philadelphia, a printed copy of the verses, taken from a

newspaper some years previous. The President inquired if they were

published in any connection with his name. Mr. Swayne said that they

purported to have been _written_ “by Abraham Lincoln.” “I have heard

of that before, and that is why I asked,” returned the President. “But

there is no truth in it. The poem was first shown to me by a young man

named ‘Jason Duncan,’ many years ago.”

The sculptor was using for a studio the office of the Solicitor of

the Treasury Department, an irregular room, packed nearly full of law

books. Seating myself, I believe, upon a pile of these at Mr. Lincoln’s

feet, he kindly repeated the lines, which I wrote down, one by one, as

they fell from his lips:--

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