CHAPTER XIV

IN WHICH I MAKE A RESOLVE

The great broad plain which lies between marble-built Pisa and the

sea was flooded by the golden Italian sunset, and the background of

the serrated Apennines loomed a dark purple in the distance as we

approached the long breakwater which protects Leghorn from the sea.

Leaning over the rail, I gazed upon the white sun-blanched Tuscan

town, and recognised the gay Passeggio, with its avenue of dusky

tamarisks, its long rows of high white houses, with their green

_persiennes_, and Pancaldi's, and other baths, built out upon the

rocks into the sea. Years ago, when at the convent, we had gone

there each summer, a dozen or so girls at a time, under the care of

Suor Angelica, to obtain fresh air and escape for a fortnight or so

from the intolerable heat of July in the Val d'Ema. How well I

remembered that long promenade, the Viale Regina Margherita, best

known to those happy, light-hearted, improvident Livornesi by its

ancient name, the Passeggio! And what long walks we girls used to

have over the rocks beyond Antignano, or scrambling climbs up to the

shrine of the miracle-working Virgin at Montenero! Happy, indeed,

were those summer days with my girl friends--girls who had now, like

myself, grown to be women--who had married, and had experienced all

the trials and bitterness of life. I thought of her who was my best

friend in those past days--pretty, black-haired, unassuming Annetta

Ceriani, from Arezzo. She had left the college the same week as

myself, and our parting had been a very sad one. In a year, however,

she had married, and was now a princess, the wife of Romolo Annibale

Cesare Sigismondo, Prince Regello, who, to give him all his titles,

was "principe Romano, principe di Pinerolo, conte di Lucca, nobile di

Monte Catini." Truly, the Italian nobility do not lack titles. But

poor Annetta! Her life had been the reverse of happy, and the last

letter I had received from her, dated from Venice, contained the

story of a woman heart-broken.

Yes, as I stood there on the deck of the _Vispera_, approaching the

old sun-whitened Tuscan port, many were the recollections of those

long-past careless days which crowded upon me--days before I had

known how weary was the world, or how fraught with bitterness was

woman's love.

Already the light was shining yellow in the square old lighthouse,

although the sun had not altogether disappeared. Half-a-dozen fine

cruisers of the British Mediterranean Squadron were lying at anchor

in line, and we passed several boats full of sun-tanned men on the

way to the shore for an evening promenade, for the British sailor is

always a welcome guest in Leghorn.

The situation was becoming desperate. How was I to act? At least, I

should now ascertain who had been the old man's companion in the

deck-cabin on the previous night, for he and this stranger would no

doubt go ashore together.

Old Mr. Keppel was standing near me, speaking again to the captain,

giving him certain orders, when Gerald, spruce as usual in blue

serge, came up and leaned at my side.

"Ulrica says you know Leghorn quite well. You must be our guide.

We're all going ashore after dinner. What is there to amuse one in

the evening?"

"There is opera at the Goldoni always. One pays only four lire for a

box to seat six," I said.

"Impossible!" he laughed incredulously. "I shouldn't care to sit out

music at that price."

"Ah, there I must differ," I replied. "It is as good as any you'll

find in Italy. Remember, here is the home of opera. Why, the

Livornesi love music so intensely that it is no unusual occurrence

for a poor family to make shift with a piece of bread and an onion

for dinner, so as to save the fifty centesimi ingresso to the opera.

Mascagni is Livornese, and Puccini, who composed La Boheme, was also

born close here. In 'cara Livorno,' as the Tuscan loves to call it,

one can hear the best opera for five-pence."

"Compare that with prices in London!"

"And our music, unfortunately, is not so good," I said.

"Shall we go to this delightfully inexpensive opera to-night? It

would certainly be an experience."

"I fear I shall not," I answered. "I'm not feeling very well."

"I'm extremely sorry," he said, with quick apprehension. "Is there

anything I can get you?"

"No, nothing, thank you," I answered. "I feel a little faint, that's

all."

We had already anchored just inside the breakwater, and those very

inquisitive gentlemen--the Italian Customs officers--had come on

board. A few minutes later the bell rang for dinner, and all

descended to the saloon, eager to get the meal over and go ashore.

On the way down Ulrica took me aside.

"Gerald has told me you are ill, my dear. I've noticed how pale and

unlike yourself you've been all day. What's the matter? Tell me."

"I--I can't. At least, not now," I managed to stammer, as I hastened

to slip from her side.

I wanted to be alone to think. Keppel's companion of the previous

night, the man to whom the conception of that diabolical plot was

due, was still on board. But who was he?

I ate nothing, and was ready to take my seat in the first boat that

went ashore. I had excused myself from making one of the party at

the opera, after giving all necessary directions, and, on pretence of

going to a chemist's to make a purchase, I separated myself from

Ulrica, Gerald, and Lord Eldersfield in the Via Grande, the principal

thoroughfare.

How next to act I knew not. No doubt Keppel's intention was to send

on board some explosive destined to sink the _Vispera_ to the bottom

with all on board. At all hazards, the yacht must not sail. Yet,

how was it possible that I could prevent it without making a full

statement of what I had overheard?

I entered the pharmacy and purchased the first article that came into

my mind. Then, returning into the street, I wandered on, plunged in

my own distracting thoughts. Keppel had gone alone to the telegraph

office in a cab.

The soft, balmy Italian night had fallen, and the white streets and

piazzas of Leghorn were filled, as they always are at evening, with

the light-hearted crowds of idlers; men with their hats stuck

jauntily askew, smoking, laughing, gossiping; and women, dark-haired,

black-eyed, the most handsome in all Italy, each with a mantilla of

black lace or some light-coloured silk as head-covering, promenading

and enjoying the _bel fresco_ after the toil and burden of the day.

None in all the world can surpass in beauty the Tuscan women--dark,

tragic, with eyes that flash quickly in love or hatred, with figures

perfect, and each with an easy-swinging gait that a duchess might

envy. It was Suor Angelica who had once repeated to me the verse

written about them by an old Florentine poet:

"S'è grande, è oziosa,

S'è piccola, è viziosa;

S'è, bella, è vanitosa;

S'è brutta, è fastidiosa."

Every type, indeed, is represented in that long, single street at

night--the dark-haired Jewess, the classic Greek, the thick-lipped

Tunisian, the pale-cheeked Armenian, and the beautiful Tuscan, the

purest type of beauty in all the world.

Once again, after several years, I heard, as I walked onward, the

soft sibilations of the Tuscan tongue about me, the gay chatter of

that city of sun and sea, where, although half the population is in a

state of semi-starvation, hearts are still as light as in the days

when "cara Livorno" was still prosperous. But alas! it has sadly

declined. Its manufactures, never very extensive, have died cut; its

merchant princes are ruined, or have deserted it, and its trade has

ebbed until there is no work for those honest, brown-faced men, who

are forced to idle upon the stone benches in the piazza, even though

their wives and children are crying for bread.

The splendid band of the garrison was playing in the great Piazza

Vittorio, in front of the British Consulate, where the Consular flag

was waving, because the warships were in the port. The music was in

acknowledgment of the fact that the British Marine Band had played

before the Prefecture on the previous evening. The Consulate was

illuminated, and on the balcony, in company with a large party, was

the Consul himself, the popular Jack Hutchinson--known to every

English and American resident throughout Tuscany as the merriest and

happiest of good fellows, as well as a distinguished author and

critic. I recognised him, looking cool in his suit of white linen,

but hurried on across the great square, feeling that no time should

be lost, and yet not knowing what to do.

The mysterious assassination of poor Reggie, and the curious events

which followed, coupled with the startling discovery I had made on

the previous night, had completely unnerved me. As I tried to

reflect calmly and logically, I came to the conclusion that it was

eminently necessary to ascertain the identity of the man who held the

millionaire beneath his thumb--the man who had suggested the blowing

up of the yacht. This man intended, without a doubt, to leave the

vessel under cover of night; or, if he were actually one of the

guests, he could, of course, easily excuse himself and leave the

others, as I had done.

The gamblers · 第 14 / 29 章