VI

In the ancient times the poets told of this Country of the Young, with

its trees bearing fruit and blossom at the one time; its golden apples

that gave lasting life; its armies "that go out in good order, ahead

of their beautiful king, marching among blue spears scattering their

enemies, an army with high looks, rushing, avenging;" before news had

come to Ireland, of the Evangelist's vision of the Tree of Life and

of the "white horse, and he that sat on him had a bow, and a crown

was given to him, and he went forth conquering and to conquer." They

had told of the place "where delight is common, and music" before saintly

Columcille on the night of the Sabbath of rest "reached to the troops

of the archangels and the plain where music has not to be born." But

in later days religion, while offering abundant pictures of an after

world of punishment, "the flagstone of pain," "the cauldron that is

boiling for ever," the fire the least flame of which is "bigger than

fifteen hundred of turf," so that Oisin listening to St. Patrick demands

a familiar weapon, an iron flail, to beat down such familiar terrors,

has left Heaven itself far off, mysterious, intangible, without earthly

similes or foreshadowings. I think it is perhaps because of this that

the country poets of to-day and yesterday have put their dream, their

vision of the Delectable Mountains, of the Land of Promise, into

exaggerated praise of places dear to them. Raftery sees something

beyond the barren Mayo bogs when he tells of that "fine place without

fog falling, a blessed place that the sun shines on, and the wind does

not rise there or anything of the sort," and where as he says in

another poem "logwood and mahogany" grow in company with its wind

twisted beech and storm bent sycamore. Even my own home "sweet Coole

demesne" has been transfigured in songs of the neighbourhood; and a

while ago an old woman asking alms at the door while speaking of a

monastery near Athenry broke into a chant of praise that has in it

perhaps some memory of the Well of Healing at the world's end that

helped the gods to new strength in their great battle at Moytura.

"Three barrels there are with water, and to see the first barrel

boiling it is certain you will get a cure. Water there does be rushing

down; you to stop you could hear it talking; to go there you would

get cured of anything unless it might be the stroke of the Fool."

The Kiltartan Poetry Book; prose translations from the Irish · 第 8 / 13 题