CHAPTER V.

_All that Glitters is not Gold, especially in America.--The

Dollar is the Unity of the Metrical System.--Jonathan is

Matter-of-fact.--How he judges Man.--The Kind of Baits that

Take.--Talent without Money is a Useless Tool.--Boston and

Kansas._

Jonathan admires all that glitters, even that which is not gold.

In his eyes, the success of a thing answers for its quality, and the

charlatanism that succeeds is superior to the merit that vegetates.

The dollar is not only the unity of the monetary system; it is also the

unity of the metrical system.

Before assigning a man his standing, people ask him in England, "Who is

your father?" in France, "Who are you?" in America, "How much have you?"

Like Professor Teufelsdroeckh, the ordinary American judges men with an

impartiality and coolness really charming. He admires talent, because it

is a paying commodity. A literary or artistic success is only a success,

in his eyes, on condition that it is a monetary one as well. He looks

upon every man as possessing a certain commercial value. He is worth so

much. Such and such a celebrity does not inspire his respect and

admiration because he or she has produced a work of genius, but because

the work of genius has produced a fortune. In America, you hear people,

when talking of Madame Adelina Patti, speak less of her incomparable

voice than of the houses she draws.

I was chatting one day with an American about the famous Robert

Ingersoll.

"He is your greatest orator, I am told," I said.

"Oh, yes," he replied. "Ingersoll can fill the Metropolitan Opera House

any day, and have five thousand dollars in the house."

Certainly that is a curious way to speak of a great orator, a great

writer, and a great thinker.

I need not say that I am now speaking of the ordinary American, not the

man of refinement.

It would be quite possible for an actress to attract large audiences all

through a tour from New York to San Francisco, not because of

incontestable talent, but because she travelled in a magnificent

palace-car of her own.

I saw, in an American paper, the appearance of Miss Minnie Palmer spoken

of in the following terms:

"Minnie Palmer will wear all her diamonds in the third act."

The booking-office was besieged all day, and in the evening money was

refused. An amusing detail was the arrival of a good fourth of the

audience at ten o'clock, to see the diamonds in the third act.

This necessity for being rich is the reverse side of the medal in

America, where, more than anywhere else, talent without money is a

useless tool.

America suffers from this state of things. The country's genius, instead

of consecrating all its time to the production of works which would tend

to elevate the ideas and aspirations of the people, is obliged to think

of money-making.

"Ah! my friend," said one of America's most graceful bards to me one day

as he touched his forehead, "it seems to me that I have something there,

that I possess the _feu sacre_, and that I might do a little share of

good by my writings. But how write poems, when there are rumours of

panic in Wall Street?----Excuse me, I have not a moment to lose; I must

rush to the Stock Exchange."

The American authors, most of them, only take up the pen at odd hours.

Business first. Mark Twain is a publisher; Oliver Wendell Holmes is a

doctor; Edmund Clarence Stedman is a stockbroker; Robert Ingersoll, an

advocate; George Cable, a public lecturer; and James Russell Lowell is a

diplomatist. The rest are journalists. There are few, indeed, who live

by book-writing.

However, perhaps a day will come when American law will prevent

publishers from stealing the works of European writers, and publishing

them at low prices; then American authors, having no longer to fear this

unjust competition, may be able to sell their books in sufficient

numbers to allow them to pay their landlord and tradesmen out of the

profits. When that day comes, American literature will spread its

pinions and rise to prodigious heights.

In a country governed by Protectionists, it does seem strange that

national products should all be protected except the products of the

brain. Such an anomaly cannot certainly endure. The moral sense of the

people will triumph. Boston, not Kansas, must win.

Unluckily, the Copyright Bill has the misfortune to be desired by the

English; and this is quite enough for the Washington politicians to

refuse to pass it, although the Americans desire it no less than the

English, if not more.

Jonathan and His Continent: Rambles Through American Society · 第 5 / 41 章