"In the city--which I have just left, we do these things differently

now," said the woman. "There is so much pain and sickness that one

woman's hands--or one hundred--would avail little enough to stem the

tide. So it is organized and attended to by a few who do nothing else,

and thus the others are left free."

"Free for what?" said the Countess, suddenly; "to seek rest?"

The woman looked coldly at her. "I do not know who you are," she said,

"nor what you do here, but it is plain to see, at least, that you are a

young woman. I am not. At your age, believe me, I did not rest. I have

done better work of its kind than your tapestries. I have done other

work, too--I have borne and reared children and they have children of

their own. I have tended to his death a good man and laid him in his

grave. My work is done. Now I look for some quiet room with a window to

face the autumn sunsets, that I may sit by it, and think, and find out

what life may be, perhaps, before I leave it. Why do you goad me on and

seem to seek to prevent me?"

The Countess ran to her and kneeled by her and seized her hand.

"I goad you because I must, dear guest," she said; "believe me, I

know--none better--what you have done. The tapestry which you drew

to-day shall meet eyes you do not dream on now; the phoenix that made

pattern for our Gildres here shall teach more than him. And it is in

such that you must rest. For women were not made to sit and think what

life may be--trust me for it. We are running streams, that muddy if we

settle. We have to live, and find life out in living. Did it not seem

clearer to you, what time you leaned so wisely over my heedless little

Mawdlyn?"

Now the woman breathed hard, as one who runs a race, and stared at her

who spoke.

"Yes, it did--I knew it did!" she cried, "but who are you that tell me

this so young? And if you have learned so much, you are far too wise

and necessary to those you teach to risk your life in this terrible

cold, visiting wood-cutters!"

"If I am young, dear guest, I am yet not so young that I have not known

this," said she of the coronet, "that I learned what I know on just such

visitings! Mothers of Sorrow are we all, dear friend, and if we hold

ourselves too far from sorrow, we are no true mothers of the world we

make. If all did a little, there would be no need of a few who should do

all--or so it seems to us on the Dunes."

"But we think--in my city--that these unhappy ones, the poor, the sick,

the ignorant, gain more from the few who should do all," she argued.

"Maybe. But you gain the less who fail to do them," said the Countess.

"Child," said the woman, sternly, "the poor were not created for our

discipline."

"I do not know how you know that," said the Countess.

At this the woman's eyes grew wide, and she stared at the embroidery

frames and the stags' heads and the arras, and all the quiet maidens in

their looped skirts, with eyes that saw them not. At last she sighed and

rose from her carved chair humbly.

"Thank God, I am not too old to learn!" she said; "I see I have not

earned my rest, while so many of the world lack theirs. Perhaps in

heaven, if I win there, I may take it. But it is hard. Once in my life,

yes, and twice, I was all for urging on and doing, and two women, in

strange places, one very old and one of middle age, taught me sharply

that it might not be, and bridled and haltered my young strength. Now

that I am content to be nothing, you, a young woman, urge me on. Are you

the third, then? How many more must there be?"

Then the Countess rose and threw herself on her knees before her and

kissed her trembling hand.

"No more, no more, O mother of six!" she cried, sobbing, "and be sure

that only the fine gold must needs be so harried by the great Smithy!

But it could not be that such as thou shouldst end at a sunset window.

Rather die fighting as did my good lord, and leave the quiet for them

that mourn!"

"I will do so," said the woman, "but how have you learned such wisdom,

being so young?"

"When my lord died," said the Countess, "I was as one mad, and set

myself toward the convent, to end there, praying for him. But a very

holy hermit that lives beneath Merlin Oak, in the very midst and heart

of the Dunes, to whom I brought a relic from Jerusalem as a pious

offering, set me right and told me I was not made for a religious. 'It

may be, my daughter, that in too much thought on your religion you will

lose it,' he said, 'and end in tears and kissings of the Feet, for which

not many of the saints have power, for long. Make of thy deep heart a

crystal spring, with continual bubbling, which is despised of the wise

fools of this world, but ordained forever from the Throne.'"

"And yet he learned his wisdom from meditating in solitude, and freedom

from the cares of every day?" said the woman softly.

"He was a man," said the Countess, "and it is permitted to them to go

into the desert and think. Ah, consider only, dear friend, for how

little time had that good man of yours to do, or your father, with that

seed of life which you and your mother must bear for days and months of

days, till it should be born indeed! One hour with him--and he hath

given you work for years. And hath he sleepless nights and breathless

days, then? Nay, indeed! He is off to new dreams by morning, and there

is only you to watch that they shall be no dreams, but realities. And

when that watch is over, then look for the dawn indeed--but not this

side the Dunes!"

"Then let me go back," said the woman quietly, "and do for the sake of

the doing what once I longed to do for the sake of the world. Though

now my powers are less and I doubt I shall accomplish very much."

"Have no fear," said the Countess gladly, "have no fear, my sister.

Alys, bring what you know for my sister," and Alys went out and returned

with a silver coronet on a cushion, studded with sapphires. The young

Gildres knelt low to offer it, and as the Countess bade her, she herself

put it upon her own head, and they walked stately together, lighted by

the page and attended by the maidens, to a great beamed bedchamber with

a crucifix on the wall and a high carved bed of state raised upon a

dais, and with pillows of silk and curtains of rich tapestry.

"Now rest, dear sister, and say good-bye to me," said this Countess, and

when they had laid her, robed and crowned, upon the bed, she kissed her

on the mouth.

"Shall I never see you again?" said the woman.

"Ask rather if you never saw me before," said she, and then, "look at

me!"

The cold moon shone through the leaded pane and struck her face full,

and as the woman looked it seemed that wrinkles grew about her eyes and

that the moonlight turned her hair as white as snow.

"You are the Bee-woman!" she cried.

"Look again," said the Countess.

And now her cheeks were like warm russet apples and her shoulders were

broad.

"You are the Dame at the Farm!" said the woman, "and I thought you

young!"

"It may be, dear sister, that when we meet again I shall be younger

still," she said, and her voice was like the tolling of sweet bells

across the autumn fields, "for then age will be neither here nor there!"

Now she was again the young Countess among her maidens, and what had

passed might have been a dream.

Yet as she of the silver coronet passed slowly into a sweet sleep, where

bees hummed and soft chanting from the chapel mourned the dead, she

caught the hand of her who stood by the bed and questioned her.

"Tell me, mother and sister," she whispered, "why in my lessons, I must

ever find the truth under such strange forms? Why do you who must teach

me wear the garments of another age, another country?"

Now a trouble came over the face of the Countess and she shivered in the

moonlight.

"Ask me not, sister and daughter--and yet I must answer if thou ask me,

who wearest a crown. I cannot tell why this is laid upon me--although it

is well known to be so. Nor have any but a wonderful and holy few

learned in any other wise. I cannot tell ... sometimes I think that

though the lessons were set in each dish and coat and friendly hand of

everyday--as Our Lady knows they are, for the matter of that!--you

cannot read them, out there. They are too plain, perhaps. So all must be

put before the eyes too full for sight in a manner (as one should call

it) quaint. Though truly one thing has never been more quaint than

another! But I do not speak clearly.... Good night, my sister."

Now she heard a sob and knew it was from young Gildres.

"Shall I never see her again, then, my lady?" he whispered.

"Why, that is as may be, Gildres," said the Countess, "but I do think

so. It comes to me that when this my sister sets forth she shall pass

through here, and thou shalt accompany her farther on. Do then thy

service here the more diligently, as in the hope of it."

"Madam, I will," said he joyfully, and she,

"Now soothe her hand, Alys, with me, for she should be sleeping now."

Then they took each a hand and stroked it, and she lost herself in

sleep, dreamless, save for the winter moonlight and the chanting and the

hum of bees.

When she woke her hand was still held, but very firmly, and the humming

was seen to be the revolving of light discs under their dome of glass.

"Ah! Now we have a steady pulse," said the doctor, "and you--too dear a

friend to lose by your own folly!--I shall not scold you yet. But what a

fright to give me! A little more and you would have found your Lethe

oversoon, old friend."

She shook her head and smiled. "No longer, no longer!" she said. "So

long as the current bears me, I am for that River of Life that you and I

must keep at flood."

* * * * *

Now that she has dropped these strange tales, and gone too far for me to

hear her voice, I find that in picking them up they have lost much of

the force and clearness her telling gave them. Yet I cannot see that I

have left anything out. It may be that my dull pen has clouded them.

Blame me, then, and not the tales, for they were made most wonderfully

plain to me.

That things very real occurred to her, no one could doubt who could

hear her relate them. And if they have grown unreal and feeble in the

telling, the fault must be wholly mine--the imperfect and unsuccessful

scribe.

THE END

* * * * *

BY THE SAME AUTHOR

The Madness of Philip

Her Fiance

Memoirs of a Baby

Middle-Aged Love Stories

Whom the Gods Destroyed

Domestic Adventures

The Imp and the Angel

Poems

An Idyll of All Fools' Day

Fables for the Fair

Ten to Seventeen (a Boarding School Diary)

Smith College Stories

Sister's Vocation

End of Project Gutenberg's In the Border Country, by Josephine Daskam Bacon

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