CHAPTER II.

A SAUNTER THROUGH SEVILLE.

Lucius Lepine was the son of an officer of the royal navy. The youth

had been eagerly and successfully pursuing a course of education in

one of the public schools of England, when the sudden death of his

father had deprived him of the means of completing it, and of leaving

Rugby, as he had hoped to do, at the head of the school. The widowed

mother of Lucius was left to support, on very slender means, a

numerous family, of which he was the first-born. The youth's ambition

had been to enter one of the universities, with a desire--as yet

mentioned to no one--of preparing himself for the ministry of the

Church. He now saw that the desire must be suppressed, the ambition

relinquished. Lepine's first earthly object must be to become, not a

burden, but a stay to his mother. Lucius had for some time exerted

himself unsuccessfully to discover some means of earning

independence, when a situation was offered to him in the firm of

Messrs. Passmore and Perkins, which conducted an ironware factory in

Seville. A boyish fancy, which had induced Lucius to acquire the

Spanish language that he might read Don Quixote in the original, great

intelligence, and a talent for keeping accounts, made the admiral's

son peculiarly qualified to fill such a situation with credit to

himself and advantage to his employers. Mr. Passmore's terms were

liberal: he was at least good as a paymaster, whatever he might be as

a man. Lucius did not hesitate long ere accepting the offer made to

him. He took the "plunge" so bravely, and apparently cheerfully, that

none, save perhaps his mother, guessed with what an inward shudder of

repugnance it was made.

When thus separated from his family and all the companions of his

youth, Lucius, who was of a genial temperament, looked around him for

friends in what was to him a land of exile. He had had no letters of

introduction, and the society of Mr. Passmore, the working head of the

firm, and of a few merchants and manufacturers occasionally met with

at his table, by no means satisfied the yearning of the young man's

heart for intercourse with congenial spirits. The only person in

Seville towards whom Lucius felt drawn by a feeling of sympathy was

the stately young Spaniard, De Aguilera,--who had, like himself, been

induced by liberal offers to accept a situation in the firm of Messrs.

Passmore and Perkins. The aristocratic bearing of Don Alcala de

Aguilera, his refined manners, his lofty courtesy, gave to him an

interest in the mind of Lucius--an interest made up of mingled

admiration, curiosity, and pity. The Spanish clerk, compared to his

English employer, appeared to Lucius like a polished Toledo blade

compared to a kitchen utensil. Lucius was occasionally reminded by the

mien of his companion of other qualities of the rapier besides its

exquisite polish. Insult, or what he deemed such, would make the

Spaniard's dark eyes flash with an expression which told that his

pride was not subdued, and that his anger might be dangerous. It was

perhaps well that Mr. Passmore's inability to speak Spanish with

anything approaching to fluency made him generally employ Lepine as

the channel of communication between himself and De Aguilera. Many a

dictatorial command or coarse reproof, uttered by Passmore, came

softened from the lips of the English gentleman,--words which, if

repeated in the tone in which they had first been spoken, would have

made the haughty Spaniard lay his hand on his stiletto.

[Illustration: THE ALCAZAR OF SEVILLE.

Page 20]

"Inglesito!" (Englishman!) muttered a gitana (gipsy), looking after

Lucius as, after courteously inquiring his way, he passed down one of

the narrow winding lanes which give to a great part of Seville the

character of a labyrinth. It would have needed no gipsy skill to have

detected the nationality of the stranger, even had the gitana but seen

him with his back turned towards her. The quick, firm step of Lepine

could not be mistaken for the step of a Spaniard. But the woman had

seen the face, bronzed, indeed, by the southern sun, yet of complexion

naturally fair; the bright gray eye; the auburn hair, clustering at

the temples, and shading the upper lip. Lucius might have been singled

out as an Englishman amongst crowds of the cigar-puffing idlers who

were enjoying their _dolce far niente_ at the corner of every street.

And at that hour of gorgeous sunset, under the most brilliant of

skies, there was indeed in Seville a luxury in mere existence which

might form some excuse for the indolence of its people. As Lucius

emerged from a lane into one of the open plazas, he was strongly

sensible of the charm which enwraps the queen-city of Andalusia.

Bathed in golden glory rose the Alcazar, that splendid monument of

Moorish art which has been compared to a palace of fairies, with its

gorgeous colouring, its profusion of ornament, its gilded arches and

marble columns. At some distance, in strong relief against the sky,

appeared the glorious Cathedral, a rival in beauty, but a contrast in

style, being the most magnificent Gothic building to be found in all

Spain. The square tower of the Saracenic Giralda--grand relic of the

past when the Moors bore sway in Andalusia, but now used as belfry to

the Cathedral--glowed rosy red in the beams. Lucius paused for several

minutes to admire the exquisite beauty of the buildings around

him,--that beauty which to a poetic mind is heightened by the charm of

antiquity, the colouring of romance. The Englishman seemed to have

left every care behind him in the counting-house in the Calle San

Francisco,--cares can be readily thrown aside at the age of nineteen.

The eye was not the only sense that drank in delight. The air was

fragrant with the perfume from orange-trees, and musical with the peal

of bells from the summit of the Giralda, blending softly with the

nearer sound of a Spanish song, sung in rich tones to the

accompaniment of a guitar.

[Illustration: SPANISH SENORAS AND THEIR DUENNA.

Page 22.]

"What a glorious city is this Seville!" said Lucius to himself as he

went on his way. "There is not an object on which the eye rests in

which an artist would not find a subject for a sketch. What a picture

might be made of yonder donnas, with their mantillas and graceful lace

veils, as, accompanied by their duenna, they ascend the steps of that

magnificent church! No women are lovelier than those of Seville,--long

may they keep their graceful costume! How picturesque is yon group of

gipsies by the fountain--the man in his striped mantle of many hues

leaning over the back of his ass, as he talks to the dark-eyed girl

with scarlet blossoms wreathed in her raven-black hair! The very

beggars wear their rags with grace! And what thoughts of the past

crowd upon the mind in this old city of the Moors! Yes, what thoughts

of the past!" repeated Lucius to himself, while a sterner expression

marked his features; for he had now reached a spot associated with

memories of the Inquisition, which had held its headquarters at

Seville. Again Lucius paused, but it was not now to admire, and it was

before the mind's eye that a picture of thrilling interest arose.

"Do I indeed stand on the very spot where, a few centuries ago,

thousands of martyrs yielded their bodies to the flames, their souls

to their God?"[3] mused Lepine. "Was it here that--clad in their

yellow san-benitos,[4] and surrounded by curious crowds to whom their

pangs were a pastime, and fanatical priests to whom their torments

were a triumph--men and tender women endured the most painful of

deaths! Yes; this pure balmy air was once polluted with the smoke from

human sacrifices--this sunshine darkened with the clouds rising from

stakes to which living victims were bound! What deeds of heroism--what

unblenching courage--what unshaken faith displayed in the hour of

nature's agony, have made this spot holy ground! Here--a spectacle to

angels and to men--martyrs showed what the sons of Spain could dare

and her daughters endure! Are the idle, self-indulgent inhabitants of

Seville in the nineteenth century descendants or representatives of

heroes who counted not their lives dear to them, but who, having

embraced evangelical truth, grasped it firmly even unto death? Or can

it be that martyrs have suffered in vain--that the light which they

kindled is quenched for ever in Spain? Is the cry, 'How long, Lord,

how long?' never to meet an answer as regards this benighted though

beautiful land? I cannot believe it;" and Lucius resumed his rapid

walk. "The seed sown amidst tears and blood must spring up one day,

and ripen to a harvest of light! Happy--thrice happy--the reapers!

Spaniards will show themselves worthy of their martyrs, and no longer

appear to the world as a degenerate race, indifferent to their highest

interests, or cold in the holiest cause. But what right have I to

upbraid them either with indifference or coldness? Here am I, proud of

the name of Englishman, thankful for having been brought up in the

clearness of gospel light. I have been for a year in Seville, and I

have never so much as shown to a Spaniard the New Testament in his own

language, which I carry now on my person. Nay, the only man in this

country for whom I have a feeling of friendship--the man whom I meet

almost every day of my life--he knows nothing of the faith which I

hold, save that he probably deems me a heretic, simply because I was

reared in England. Of Alcala's inner life, his views, his hopes, I,

his friend, am as ignorant as if we had never met till to-day! I

cannot tell--I have never inquired--whether De Aguilera be a bigoted

son of that Church which is drunken with the blood of the saints, or

whether, like many of his countrymen, he has adopted sceptical views,

the pendulum swinging from superstition into infidelity--from

believing that which is false, into denying that which is true.

"And the Spaniard may now be on the eve of meeting a violent

death--of having the martyr's agonies without the martyr's crown! I

have been made uneasy by the bare rumour of the danger to which his

person may be exposed. How little have I thought of the perils which

surround the soul of one brought up under the dark shadow of Romish

error! I must see De Aguilera, and speak to my friend as I have not

ventured to speak before. God help me to break through a reserve which

I have often suspected to be cowardly, but which I now feel to be

criminal!"

FOOTNOTES:

[3] It is said that in the year 1461, when the Inquisition was

established in Seville, it sacrificed _two thousand_ victims; and that

from the same date to 1517, _twelve thousand_ were burned alive.

[4] A garment, covered with representations of demons, worn by the

condemned.

The Spanish Cavalier: A Story of Seville · 第 2 / 35 章