XI. A SCANDAL IN THE VILLAGE

In the little hamlet of Haroc, in the Isle of St. Loup, there lived a

man who--though living under the English flag--was absolutely untypical

of the French tradition. He was quite unnoticeable, but that was exactly

where he was quite himself. He was not even extraordinarily French; but

then it is against the French tradition to be extraordinarily French.

Ordinary Englishmen would only have thought him a little old-fashioned;

imperialistic Englishmen would really have mistaken him for the old John

Bull of the caricatures. He was stout; he was quite undistinguished; and

he had side-whiskers, worn just a little longer than John Bull's. He

was by name Pierre Durand; he was by trade a wine merchant; he was by

politics a conservative republican; he had been brought up a Catholic,

had always thought and acted as an agnostic, and was very mildly

returning to the Church in his later years. He had a genius (if one can

even use so wild a word in connexion with so tame a person) a genius for

saying the conventional thing on every conceivable subject; or rather

what we in England would call the conventional thing. For it was not

convention with him, but solid and manly conviction. Convention implies

cant or affectation, and he had not the faintest smell of either. He was

simply an ordinary citizen with ordinary views; and if you had told him

so he would have taken it as an ordinary compliment. If you had asked

him about women, he would have said that one must preserve their

domesticity and decorum; he would have used the stalest words, but he

would have in reserve the strongest arguments. If you had asked him

about government, he would have said that all citizens were free and

equal, but he would have meant what he said. If you had asked him about

education, he would have said that the young must be trained up in

habits of industry and of respect for their parents. Still he would

have set them the example of industry, and he would have been one of the

parents whom they could respect. A state of mind so hopelessly central

is depressing to the English instinct. But then in England a man

announcing these platitudes is generally a fool and a frightened fool,

announcing them out of mere social servility. But Durand was anything

but a fool; he had read all the eighteenth century, and could have

defended his platitudes round every angle of eighteenth-century

argument. And certainly he was anything but a coward: swollen and

sedentary as he was, he could have hit any man back who touched him with

the instant violence of an automatic machine; and dying in a uniform

would have seemed to him only the sort of thing that sometimes

happens. I am afraid it is impossible to explain this monster amid the

exaggerative sects and the eccentric clubs of my country. He was merely

a man.

He lived in a little villa which was furnished well with comfortable

chairs and tables and highly uncomfortable classical pictures and

medallions. The art in his home contained nothing between the two

extremes of hard, meagre designs of Greek heads and Roman togas, and on

the other side a few very vulgar Catholic images in the crudest colours;

these were mostly in his daughter's room. He had recently lost his wife,

whom he had loved heartily and rather heavily in complete silence,

and upon whose grave he was constantly in the habit of placing hideous

little wreaths, made out of a sort of black-and-white beads. To his only

daughter he was equally devoted, though he restricted her a good deal

under a sort of theoretic alarm about her innocence; an alarm which was

peculiarly unnecessary, first, because she was an exceptionally reticent

and religious girl, and secondly, because there was hardly anybody else

in the place.

Madeleine Durand was physically a sleepy young woman, and might easily

have been supposed to be morally a lazy one. It is, however, certain

that the work of her house was done somehow, and it is even more rapidly

ascertainable that nobody else did it. The logician is, therefore,

driven back upon the assumption that she did it; and that lends a sort

of mysterious interest to her personality at the beginning. She had very

broad, low, and level brows, which seemed even lower because her warm

yellow hair clustered down to her eyebrows; and she had a face just

plump enough not to look as powerful as it was. Anything that was heavy

in all this was abruptly lightened by two large, light china-blue eyes,

lightened all of a sudden as if it had been lifted into the air by two

big blue butterflies. The rest of her was less than middle-sized, and

was of a casual and comfortable sort; and she had this difference from

such girls as the girl in the motor-car, that one did not incline to

take in her figure at all, but only her broad and leonine and innocent

head.

Both the father and the daughter were of the sort that would normally

have avoided all observation; that is, all observation in that

extraordinary modern world which calls out everything except strength.

Both of them had strength below the surface; they were like quiet

peasants owning enormous and unquarried mines. The father with his

square face and grey side whiskers, the daughter with her square face

and golden fringe of hair, were both stronger than they know; stronger

than anyone knew. The father believed in civilization, in the storied

tower we have erected to affront nature; that is, the father believed in

Man. The daughter believed in God; and was even stronger. They neither

of them believed in themselves; for that is a decadent weakness.

The daughter was called a devotee. She left upon ordinary people the

impression--the somewhat irritating impression--produced by such a

person; it can only be described as the sense of strong water being

perpetually poured into some abyss. She did her housework easily; she

achieved her social relations sweetly; she was never neglectful and

never unkind. This accounted for all that was soft in her, but not for

all that was hard. She trod firmly as if going somewhere; she flung her

face back as if defying something; she hardly spoke a cross word, yet

there was often battle in her eyes. The modern man asked doubtfully

where all this silent energy went to. He would have stared still more

doubtfully if he had been told that it all went into her prayers.

The conventions of the Isle of St. Loup were necessarily a compromise

or confusion between those of France and England; and it was vaguely

possible for a respectable young lady to have half-attached lovers, in a

way that would be impossible to the _bourgeoisie_ of France. One man in

particular had made himself an unmistakable figure in the track of this

girl as she went to church. He was a short, prosperous-looking man,

whose long, bushy black beard and clumsy black umbrella made him seem

both shorter and older than he really was; but whose big, bold eyes, and

step that spurned the ground, gave him an instant character of youth.

His name was Camille Bert, and he was a commercial traveller who had

only been in the island an idle week before he began to hover in the

tracks of Madeleine Durand. Since everyone knows everyone in so small

a place, Madeleine certainly knew him to speak to; but it is not very

evident that she ever spoke. He haunted her, however; especially at

church, which was, indeed, one of the few certain places for finding

her. In her home she had a habit of being invisible, sometimes through

insatiable domesticity, sometimes through an equally insatiable

solitude. M. Bert did not give the impression of a pious man, though he

did give, especially with his eyes, the impression of an honest one. But

he went to Mass with a simple exactitude that could not be mistaken for

a pose, or even for a vulgar fascination. It was perhaps this religious

regularity which eventually drew Madeleine into recognition of him. At

least it is certain that she twice spoke to him with her square and open

smile in the porch of the church; and there was human nature enough in

the hamlet to turn even that into gossip.

But the real interest arose suddenly as a squall arises with the

extraordinary affair that occurred about five days after. There was

about a third of a mile beyond the village of Haroc a large but lonely

hotel upon the London or Paris model, but commonly almost entirely

empty. Among the accidental group of guests who had come to it at this

season was a man whose nationality no one could fix and who bore the

non-committal name of Count Gregory. He treated everybody with complete

civility and almost in complete silence. On the few occasions when he

spoke, he spoke either French, English, or once (to the priest) Latin;

and the general opinion was that he spoke them all wrong. He was a

large, lean man, with the stoop of an aged eagle, and even the eagle's

nose to complete it; he had old-fashioned military whiskers and

moustache dyed with a garish and highly incredible yellow. He had the

dress of a showy gentleman and the manners of a decayed gentleman; he

seemed (as with a sort of simplicity) to be trying to be a dandy when he

was too old even to know that he was old. Ye he was decidedly a handsome

figure with his curled yellow hair and lean fastidious face; and he wore

a peculiar frock-coat of bright turquoise blue, with an unknown order

pinned to it, and he carried a huge and heavy cane. Despite his silence

and his dandified dress and whiskers, the island might never have heard

of him but for the extraordinary event of which I have spoken, which

fell about in the following way:

In such casual atmospheres only the enthusiastic go to Benediction; and

as the warm blue twilight closed over the little candle-lit church and

village, the line of worshippers who went home from the former to the

latter thinned out until it broke. On one such evening at least no one

was in church except the quiet, unconquerable Madeleine, four old women,

one fisherman, and, of course, the irrepressible M. Camille Bert. The

others seemed to melt away afterwards into the peacock colours of the

dim green grass and the dark blue sky. Even Durand was invisible instead

of being merely reverentially remote; and Madeleine set forth through

the patch of black forest alone. She was not in the least afraid of

loneliness, because she was not afraid of devils. I think they were

afraid of her.

In a clearing of the wood, however, which was lit up with a last patch

of the perishing sunlight, there advanced upon her suddenly one who was

more startling than a devil. The incomprehensible Count Gregory, with

his yellow hair like flame and his face like the white ashes of the

flame, was advancing bareheaded towards her, flinging out his arms and

his long fingers with a frantic gesture.

“We are alone here,” he cried, “and you would be at my mercy, only that

I am at yours.”

Then his frantic hands fell by his sides and he looked up under his

brows with an expression that went well with his hard breathing.

Madeleine Durand had come to a halt at first in childish wonder, and

now, with more than masculine self-control, “I fancy I know your face,

sir,” she said, as if to gain time.

“I know I shall not forget yours,” said the other, and extended once

more his ungainly arms in an unnatural gesture. Then of a sudden there

came out of him a spout of wild and yet pompous phrases. “It is as well

that you should know the worst and the best. I am a man who knows no

limit; I am the most callous of criminals, the most unrepentant of

sinners. There is no man in my dominions so vile as I. But my dominions

stretch from the olives of Italy to the fir-woods of Denmark, and there

is no nook of all of them in which I have not done a sin. But when I

bear you away I shall be doing my first sacrilege, and also my first act

of virtue.” He seized her suddenly by the elbow; and she did not scream

but only pulled and tugged. Yet though she had not screamed, someone

astray in the woods seemed to have heard the struggle. A short but

nimble figure came along the woodland path like a humming bullet and

had caught Count Gregory a crack across the face before his own could

be recognized. When it was recognized it was that of Camille, with the

black elderly beard and the young ardent eyes.

Up to the moment when Camille had hit the Count, Madeleine had

entertained no doubt that the Count was merely a madman. Now she was

startled with a new sanity; for the tall man in the yellow whiskers and

yellow moustache first returned the blow of Bert, as if it were a sort

of duty, and then stepped back with a slight bow and an easy smile.

“This need go no further here, M. Bert,” he said. “I need not remind you

how far it should go elsewhere.”

“Certainly, you need remind me of nothing,” answered Camille, stolidly.

“I am glad that you are just not too much of a scoundrel for a gentleman

to fight.”

“We are detaining the lady,” said Count Gregory, with politeness; and,

making a gesture suggesting that he would have taken off his hat if

he had had one, he strode away up the avenue of trees and eventually

disappeared. He was so complete an aristocrat that he could offer his

back to them all the way up that avenue; and his back never once looked

uncomfortable.

“You must allow me to see you home,” said Bert to the girl, in a gruff

and almost stifled voice; “I think we have only a little way to go.”

“Only a little way,” she said, and smiled once more that night, in

spite of fatigue and fear and the world and the flesh and the devil. The

glowing and transparent blue of twilight had long been covered by the

opaque and slatelike blue of night, when he handed her into the lamp-lit

interior of her home. He went out himself into the darkness, walking

sturdily, but tearing at his black beard.

All the French or semi-French gentry of the district considered this a

case in which a duel was natural and inevitable, and neither party had

any difficulty in finding seconds, strangers as they were in the place.

Two small landowners, who were careful, practising Catholics, willingly

undertook to represent that strict church-goer Camille Burt; while the

profligate but apparently powerful Count Gregory found friends in

an energetic local doctor who was ready for social promotion and

an accidental Californian tourist who was ready for anything. As no

particular purpose could be served by delay, it was arranged that the

affair should fall out three days afterwards. And when this was settled

the whole community, as it were, turned over again in bed and thought

no more about the matter. At least there was only one member of it who

seemed to be restless, and that was she who was commonly most restful.

On the next night Madeleine Durand went to church as usual; and as usual

the stricken Camille was there also. What was not so usual was that when

they were a bow-shot from the church Madeleine turned round and walked

back to him. “Sir,” she began, “it is not wrong of me to speak to you,”

and the very words gave him a jar of unexpected truth; for in all the

novels he had ever read she would have begun: “It is wrong of me to

speak to you.” She went on with wide and serious eyes like an animal's:

“It is not wrong of me to speak to you, because your soul, or anybody's

soul, matters so much more than what the world says about anybody. I

want to talk to you about what you are going to do.”

Bert saw in front of him the inevitable heroine of the novels trying to

prevent bloodshed; and his pale firm face became implacable.

“I would do anything but that for you,” he said; “but no man can be

called less than a man.”

She looked at him for a moment with a face openly puzzled, and then

broke into an odd and beautiful half-smile.

“Oh, I don't mean that,” she said; “I don't talk about what I don't

understand. No one has ever hit me; and if they had I should not feel

as a man may. I am sure it is not the best thing to fight. It would be

better to forgive--if one could really forgive. But when people dine

with my father and say that fighting a duel is mere murder--of course

I can see that is not just. It's all so different--having a reason--and

letting the other man know--and using the same guns and things--and

doing it in front of your friends. I'm awfully stupid, but I know that

men like you aren't murderers. But it wasn't that that I meant.”

“What did you mean?” asked the other, looking broodingly at the earth.

“Don't you know,” she said, “there is only one more celebration? I

thought that as you always go to church--I thought you would communicate

this morning.”

Bert stepped backward with a sort of action she had never seen in him

before. It seemed to alter his whole body.

“You may be right or wrong to risk dying,” said the girl, simply; “the

poor women in our village risk it whenever they have a baby. You men are

the other half of the world. I know nothing about when you ought to die.

But surely if you are daring to try and find God beyond the grave and

appeal to Him--you ought to let Him find you when He comes and stands

there every morning in our little church.”

And placid as she was, she made a little gesture of argument, of which

the pathos wrung the heart.

M. Camille Bert was by no means placid. Before that incomplete gesture

and frankly pleading face he retreated as if from the jaws of a dragon.

His dark black hair and beard looked utterly unnatural against the

startling pallor of his face. When at last he said something it was:

“O God! I can't stand this!” He did not say it in French. Nor did he,

strictly speaking, say it in English. The truth (interesting only to

anthropologists) is that he said it in Scotch.

“There will be another mass in a matter of eight hours,” said Madeleine,

with a sort of business eagerness and energy, “and you can do it then

before the fighting. You must forgive me, but I was so frightened that

you would not do it at all.”

Bert seemed to crush his teeth together until they broke, and managed to

say between them: “And why should you suppose that I shouldn't do as you

say--I mean not to do it at all?”

“You always go to Mass,” answered the girl, opening her wide blue eyes,

“and the Mass is very long and tiresome unless one loves God.”

Then it was that Bert exploded with a brutality which might have come

from Count Gregory, his criminal opponent. He advanced upon Madeleine

with flaming eyes, and almost took her by the two shoulders. “I do not

love God,” he cried, speaking French with the broadest Scotch accent; “I

do not want to find Him; I do not think He is there to be found. I must

burst up the show; I must and will say everything. You are the happiest

and honestest thing I ever saw in this godless universe. And I am the

dirtiest and most dishonest.”

Madeleine looked at him doubtfully for an instant, and then said with a

sudden simplicity and cheerfulness: “Oh, but if you are really sorry it

is all right. If you are horribly sorry it is all the better. You have

only to go and tell the priest so and he will give you God out of his

own hands.”

“I hate your priest and I deny your God!” cried the man, “and I tell you

God is a lie and a fable and a mask. And for the first time in my life I

do not feel superior to God.”

“What can it all mean?” said Madeleine, in massive wonder.

“Because I am a fable also and a mask,” said the man. He had been

plucking fiercely at his black beard and hair all the time; now he

suddenly plucked them off and flung them like moulted feathers in the

mire. This extraordinary spoliation left in the sunlight the same face,

but a much younger head--a head with close chestnut curls and a short

chestnut beard.

“Now you know the truth,” he answered, with hard eyes. “I am a cad who

has played a crooked trick on a quiet village and a decent woman for a

private reason of his own. I might have played it successfully on any

other woman; I have hit the one woman on whom it cannot be played. It's

just like my damned luck. The plain truth is,” and here when he came to

the plain truth he boggled and blundered as Evan had done in telling it

to the girl in the motor-car.

“The plain truth is,” he said at last, “that I am James Turnbull the

atheist. The police are after me; not for atheism but for being ready to

fight for it.”

“I saw something about you in a newspaper,” said the girl, with a

simplicity which even surprise could never throw off its balance.

“Evan MacIan said there was a God,” went on the other, stubbornly, “and

I say there isn't. And I have come to fight for the fact that there

is no God; it is for that that I have seen this cursed island and your

blessed face.”

“You want me really to believe,” said Madeleine, with parted lips, “that

you think----”

“I want you to hate me!” cried Turnbull, in agony. “I want you to be

sick when you think of my name. I am sure there is no God.”

“But there is,” said Madeleine, quite quietly, and rather with the air

of one telling children about an elephant. “Why, I touched His body only

this morning.”

“You touched a bit of bread,” said Turnbull, biting his knuckles. “Oh, I

will say anything that can madden you!”

“You think it is only a bit of bread,” said the girl, and her lips

tightened ever so little.

“I know it is only a bit of bread,” said Turnbull, with violence.

She flung back her open face and smiled. “Then why did you refuse to eat

it?” she said.

James Turnbull made a little step backward, and for the first time in

his life there seemed to break out and blaze in his head thoughts that

were not his own.

“Why, how silly of them,” cried out Madeleine, with quite a schoolgirl

gaiety, “why, how silly of them to call _you_ a blasphemer! Why,

you have wrecked your whole business because you would not commit

blasphemy.”

The man stood, a somewhat comic figure in his tragic bewilderment,

with the honest red head of James Turnbull sticking out of the rich and

fictitious garments of Camille Bert. But the startled pain of his face

was strong enough to obliterate the oddity.

“You come down here,” continued the lady, with that female emphasis

which is so pulverizing in conversation and so feeble at a public

meeting, “you and your MacIan come down here and put on false beards

or noses in order to fight. You pretend to be a Catholic commercial

traveller from France. Poor Mr. MacIan has to pretend to be a dissolute

nobleman from nowhere. Your scheme succeeds; you pick a quite convincing

quarrel; you arrange a quite respectable duel; the duel you have planned

so long will come off tomorrow with absolute certainty and safety. And

then you throw off your wig and throw up your scheme and throw over

your colleague, because I ask you to go into a building and eat a bit of

bread. And _then_ you dare to tell me that you are sure there is nothing

watching us. Then you say you know there is nothing on the very altar

you run away from. You know----”

“I only know,” said Turnbull, “that I must run away from you. This has

got beyond any talking.” And he plunged along into the village, leaving

his black wig and beard lying behind him on the road.

As the market-place opened before him he saw Count Gregory, that

distinguished foreigner, standing and smoking in elegant meditation

at the corner of the local café. He immediately made his way rapidly

towards him, considering that a consultation was urgent. But he had

hardly crossed half of that stony quadrangle when a window burst open

above him and a head was thrust out, shouting. The man was in his

woollen undershirt, but Turnbull knew the energetic, apologetic head of

the sergeant of police. He pointed furiously at Turnbull and shouted

his name. A policeman ran excitedly from under an archway and tried to

collar him. Two men selling vegetables dropped their baskets and joined

in the chase. Turnbull dodged the constable, upset one of the men into

his own basket, and bounding towards the distinguished foreign Count,

called to him clamorously: “Come on, MacIan, the hunt is up again.”

The prompt reply of Count Gregory was to pull off his large yellow

whiskers and scatter them on the breeze with an air of considerable

relief. Then he joined the flight of Turnbull, and even as he did so,

with one wrench of his powerful hands rent and split the strange, thick

stick that he carried. Inside it was a naked old-fashioned rapier. The

two got a good start up the road before the whole town was awakened

behind them; and half-way up it a similar transformation was seen to

take place in Mr. Turnbull's singular umbrella.

The two had a long race for the harbour; but the English police were

heavy and the French inhabitants were indifferent. In any case, they got

used to the notion of the road being clear; and just as they had come

to the cliffs MacIan banged into another gentleman with unmistakable

surprise. How he knew he was another gentleman merely by banging into

him, must remain a mystery. MacIan was a very poor and very sober

Scotch gentleman. The other was a very drunk and very wealthy English

gentleman. But there was something in the staggered and openly

embarrassed apologies that made them understand each other as readily

and as quickly and as much as two men talking French in the middle of

China. The nearest expression of the type is that it either hits or

apologizes; and in this case both apologized.

“You seem to be in a hurry,” said the unknown Englishman, falling back

a step or two in order to laugh with an unnatural heartiness. “What's

it all about, eh?” Then before MacIan could get past his sprawling and

staggering figure he ran forward again and said with a sort of shouting

and ear-shattering whisper: “I say, my name is Wilkinson. _You_

know--Wilkinson's Entire was my grandfather. Can't drink beer myself.

Liver.” And he shook his head with extraordinary sagacity.

“We really are in a hurry, as you say,” said MacIan, summoning a

sufficiently pleasant smile, “so if you will let us pass----”

“I'll tell you what, you fellows,” said the sprawling gentleman,

confidentially, while Evan's agonized ears heard behind him the first

paces of the pursuit, “if you really are, as you say, in a hurry, I know

what it is to be in a hurry--Lord, what a hurry I was in when we all

came out of Cartwright's rooms--if you really are in a hurry”--and he

seemed to steady his voice into a sort of solemnity--“if you are in a

hurry, there's nothing like a good yacht for a man in a hurry.”

“No doubt you're right,” said MacIan, and dashed past him in despair.

The head of the pursuing host was just showing over the top of the

hill behind him. Turnbull had already ducked under the intoxicated

gentleman's elbow and fled far in front.

“No, but look here,” said Mr. Wilkinson, enthusiastically running after

MacIan and catching him by the sleeve of his coat. “If you want to hurry

you should take a yacht, and if”--he said, with a burst of rationality,

like one leaping to a further point in logic--“if you want a yacht--you

can have mine.”

Evan pulled up abruptly and looked back at him. “We are really in the

devil of a hurry,” he said, “and if you really have a yacht, the truth

is that we would give our ears for it.”

“You'll find it in harbour,” said Wilkinson, struggling with his speech.

“Left side of harbour--called _Gibson Girl_--can't think why, old

fellow, I never lent it you before.”

With these words the benevolent Mr. Wilkinson fell flat on his face in

the road, but continued to laugh softly, and turned towards his flying

companion a face of peculiar peace and benignity. Evan's mind went

through a crisis of instantaneous casuistry, in which it may be that he

decided wrongly; but about how he decided his biographer can profess

no doubt. Two minutes afterwards he had overtaken Turnbull and told the

tale; ten minutes afterwards he and Turnbull had somehow tumbled into

the yacht called the _Gibson Girl_ and had somehow pushed off from the

Isle of St. Loup.

The Ball and the Cross · 第 14 / 23 题