CHAPTER XIII

THE MANOR-HOUSE

Evolution of a country house--Saxon house--Addition of separate

sleeping-chambers--Castles--Tudor houses--Old manor-houses--Secret

chambers--Rectories and vicarages--Duty of hospitality--Kelvedon

Rectory--Allington--Tithe-barns--Alfriston clergy-house--Almshouses--

Hermitages--Little Budworth--Knaresborough--Reclusorium or anchor-hold--

Laindon--Rattenden--Female recluses--Whalley.

The two principal houses in an English village are the manor-house and

the rectory, wherein according to the theories of the modern political

Socialist and agitator "the two arch-tyrants" of the labourers dwell,

the squire and the parson. There is much of interest in the growth and

evolution of the country house, which resulted in the construction of

these old, pleasant, half-timbered granges and manor-houses, which form

such beautiful features of our English villages.

[Illustration: SOUTHCOTE MANOR SHOWING MOAT AND PIGEON-HOUSE]

[Illustration: OCKWELLS MANOR-HOUSE]

In our description of the village in Anglo-Saxon times we gave a picture

of a house of a Saxon gentleman, which consisted mainly of one large

hall, wherein the members of the household lived and slept and had their

meals. There was a chapel, and a kitchen, and a ladies' bower, usually

separated from the great hall, and generally built of wood. In Norman

times the same plan and arrangements of a country house continued. The

fire still burnt in the centre of the hall, the smoke finding its way

out through a louvre in the roof. Meals were still served on tables laid

on trestles, which were removed when the meal was finished. The lord and

lady, their family and guests, dined at the high table placed on the

dais, as in a college hall, the floor of which was boarded. The

household and retainers dined in the space below, which was strewn with

rushes and called "the marsh," which, according to Turner's _History of

Domestic Architecture_, "was doubtless dirty and damp enough to deserve

that name." The timbers of the roof in the better houses were moulded,

the walls hung with tapestry, and at the lower end of the hall was a

screen, above which in later times was the minstrels' gallery. The

screen formed a passage which led into a separate building at right

angles to the hall, containing the cellar, buttery, and kitchen.

Parallel with this at the upper end of the hall was a building of two

stories, one used as a parlour, and the other was called the "great

chamber," where the lady and her guests retired after dining in the

hall.

[Illustration: RICHMOND PALACE]

Later on a greater refinement of domestic customs was introduced. In the

twelfth century a separate sleeping-chamber for the lord was added. The

next century saw him and his lady dining in a room apart from his

servants, a custom which was much satirised by the author of _Piers

Ploughman_, who wrote--

"Now hath each rich a rule

To eaten by themselve,

In a privy parlour

For poor man sake,

Or in a chamber with a chimney;

And leave the chief hall,

That was made for meals

Men to eaten in."

Evidently the author did not approve of the new fashion. But the

advantages of the custom were much appreciated by the squires and ladies

of the day, and this process of development led to a multiplication of

rooms, and the diminution of the size of the great hall. The walls were

raised, and an upper room was formed under the roof for sleeping

accommodation. There are many old farmhouses throughout the country,

once manor-houses, which retain in spite of subsequent alterations the

distinguishing features of this mediaeval style of architecture.

[Illustration: DOORWAY AND STAIRCASE, UFTON COURT]

The nobles built their castles as late as the fourteenth century; but

under the Tudor monarchs, when the government of the country was strong

and more settled, fortified dwellings were deemed no longer necessary,

and the great landowners built splendid country houses. English domestic

architecture then reached the period of its highest perfection. Instead

of castles men built palaces, the noblest specimens of our English

style, before it became corrupted. Hatfield House and Hampton Court are

its best examples.

During the fifteenth century the common hall had decreased in

importance; and now in smaller houses it disappeared altogether, and a

grand entrance hall usually took its place. The number of rooms was

increased enormously, and corridors were introduced. The principal

features of an Elizabethan house are the gallery and noble staircase.

[Illustration: THE PORCH, UFTON COURT]

Early in the seventeenth century Inigo Jones introduced the revived

classic style of architecture into England, and entirely altered the

appearance and arrangement of our manor-houses. Palladio was the

originator of this style. The old English model was declared obsolete,

and fashion dictated that Italian villas must supersede the old houses.

These new buildings were very grand with their porticos and colonnades;

but the architects cared little for comfort and convenience. Indeed a

witty nobleman suggested to the owner of one of these new houses that

he had better hire a lodging over the way and look at it.

[Illustration: OLD MANOR HOUSE, UPTON COURT]

The old manor-houses are often surrounded by a moat, and not unfrequently

contain secret rooms and underground passages, which were often used as

places of refuge in troublous times. Those held by recusants usually had

two or three hiding-places ingeniously contrived, which must have baffled

all pursuers, and were needed for the concealment of the Roman Catholic

priest, in the days when his services were proscribed. There are two

cleverly designed hiding-places at Ufton Court, Berkshire, which was held

by the Roman Catholic family of Perkins. In a subterranean vault under an

old house at Hurley, in which the bones of monks were discovered, the

supporters of William of Orange used to meet to plan his succession to

the English Crown. The walls of many of the manor-houses and halls in

Lancashire and Yorkshire could tell of many a plot for the restoration

of the Stuarts to the throne, and of many a deep health drunk to "Bonnie

Charlie," while the chorus rang--

"He's over the seas and far awa',

He's over the seas and far awa',

But of no man we'll stand in awe,

But drink his health that's far awa'."

The rectories and vicarages scattered over the country have passed

through the same transformation as the manor-houses, which they much

resembled. The rectory was often surrounded by a moat, with an entrance

protected by a gatehouse. The duty of entertaining strangers and

travellers was always duly recognised by the clergy, and entailed a

heavy charge upon their income. Those who lived off the main roads used

to provide accommodation for an occasional guest, but the rectors in the

more frequented districts had frequently to entertain many travellers.

There _is_ a description of the rectory-house of Kelvedon, Essex, in a

deed dated 1356, which runs as follows:--

"One hall situate in the manor of the said abbot and convent

[Westminster] near the said church, with a soler and chamber at one end

of the hall, and with a buttery and cellar at the other. Also one other

house in three parts, namely a kitchen with a convenient chamber in the

end of the said house _for guests_, and a bakehouse. Also one other

house in two parts next the gate at the entrance of the manor for a

stable and cow-house. He [the vicar] shall also have a convenient

grange, to be built within a year at the expense of the prior and

convent. He shall also have the curtilage with the garden adjoining the

hall on the north side enclosed as it is with hedges and ditches."

[Illustration: WINDOW OF SOUTH WING, UFTON COURT]

Here the house for guests is an important feature of the clergyman's

house; and about the same date, in 1352, we find the Bishop of

Winchester ordering the prior and convent of Merton to provide "a

competent manse for the vicar, viz. a hall with two rooms, one at one

end of the hall, and the other at the other end, with a drain to each,

and a suitable kitchen with fireplace and oven, and a _stable for six

horses_, all covered with tiles, and completed within one year, such

place to remain to the use of the said vicar and his successors." Unless

the vicar was a very sporting parson he would not require a stable for

six horses, and this was doubtless intended for the accommodation of the

steeds of his guests.

The descriptions of these old rectory-houses are interesting. The Rector

of Allington, Kent, possessed a house consisting of "a hall, parlour,

and chamber over the parlour, stairs-head, beside the parson's

bedchamber, parson's lodging-chamber, study, chamber behind the chimney,

chamber next adjoining westward, buttery, priest's chamber, servants'

chamber, kitchen, mill-house, boulting-house, larder, entries, women's

chamber; gatehouse, still beside the gate, barn next the gate; cartlage,

barn next the church, garden-house, court." The barn next the church was

probably the tithe-barn. Tithe was then paid in kind; hence a barn was

required to contain the dues of the parishioners. Sometimes these

tithe-barns are very large and long, especially when the tithe-owner was

the abbot of some monastery. Near Reading there is still standing the

barn of the abbey, and at Cholsey, in Berkshire, there is one of the

finest specimens of the kind in England.

[Illustration: STONE TITHE BARN, BRADFORD-ON-AVON]

There still remain several of these old pre-Reformation parsonages and

rectories. The most noted is the clergy-house at Alfriston, Sussex,

which has been carefully preserved. It follows the usual type of

fourteenth-century house, and consists of a fine hall, the lower part

divided off by a screen, a soler of two stories at one end, and a

kitchen at the other. It is built of oak framework, filled in with

"wattle and daub." There is a large chimney and grate in the hall, and

huge beams support the thatched roof. Parsonages of mediaeval times

remain at West Dean, Sussex; at King's Stanley and Notgrove,

Gloucestershire; Wonstone, Hants; Helmsley, Yorkshire; and at several

other places. The Rectory of Shellingford, Berks, though much disguised

by modern additions, is an original fourteenth-century house.

In many villages there are old almshouses founded by pious benefactors

for "poor brethren and sisters." As we enter the quiet courtyard paved

with cobble stones, the spirit of olden days comes over us. The chapel

where daily prayer is said morning and evening; the panelled

dining-hall, with its dark oaken table; the comfortable rooms of the

brethren; the time-worn pump in the courtyard--all recall the memory of

old times, when life was more tranquil, and there was less hurry and

busy bustling.

Sometimes we meet with a curious little house built of stone or timber,

erected along the great highways, near some bridge or ford, wherein a

"holy hermit" once dwelt, and served his generation by directing

travellers to the nearest monastery or rectory, and spent his days in

seclusion and prayer. Such indeed is the traditional idea of the

hermit's life; but the real hermit of the Middle Ages did not always

live a very lonely or ascetic life. He was supported by the alms of the

charitable and did no work, but lived an idle life, endured no

hardships, and escaped not the scoffs of the satirical. _Piers

Ploughman_ tells us of workmen--"webbers and tailors, and carters'

knaves, and clerks without grace, who liked not long labour and light

wages; and seeing that lazy fellows in friars' clothing had fat cheeks,

forsook their toil and turned hermits. They lived in boroughs among

brewers and begged in churches." They had a good house, with sometimes a

chaplain to say daily Mass for them, a servant or two to wait on them,

and plenty of food and drink provided by a regular endowment or the

donations of the charitable. They did not shut themselves up in their

cells and hold no intercourse with their fellow-men; and herein they

differed from the recluses who were not supposed to go outside the doors

of their anchorages. Both males and females were enrolled as recluses,

but only the latter seem to have taken upon themselves the vows of

complete seclusion.

Several of these hermitages remain. There is one at Little Budworth, in

Cheshire, in the park of Sir Philip Egerton. Warkworth has a famous one,

consisting of a chapel hewn out of the rock, with an entrance porch, and

a long, narrow room with a small altar at the east end, wherein the

hermit lived. At Knaresborough, Yorkshire, there is a good example of a

hermitage, hewn out of the rock, consisting of a chapel, called St.

Robert's Chapel, with groined roof, which was used as the living-room of

the hermit. This chapel was the scene of Eugene Aram's murder. At

Wetheral, near Carlisle; Lenton, near Nottingham; on the banks of the

Severn, near Bewdley, Worcestershire, there are anchorages, and also at

Brandon, Downham, and Stow Bardolph, in Norfolk. Spenser in the _Faery

Queen_ gives the following description of a hermit's cell:--

"A little lowly hermitage it was,

Down by a dale, hard by a forest's side,

Far from resort of people that did pass

In traveill to and froe; a little wyde

There was an holy Chappell edifyde,

Wherein the hermite dewly wont to say

His holy things, each morne and eventyde;

Hereby a chrystall streame did gently play,

Which from a sacred fountaine welled forth alway."

Within the churchyard of many a town or village church, and usually

attached to the church, stood a reclusorium, or anchor-hold, wherein a

recluse, male or female, once resided. At Laindon Church, Essex, there

is a fine specimen of a house of this kind attached to the west end.

Generally the anchor-hold was a small room, built of wood, connected

with the church. Frequently there is a room over the porch of a church

which may have been used for this purpose, the recluse living usually in

the church. At Rettenden, Essex, there is a room over the vestry which

has evidently been an anchor-hold. There was a window, now blocked up,

through which the recluse could see the high altar, and the celebration

of the holy mysteries, and another for him to look out, hold converse

with his friends, and receive their alms. The church of St. Patricio,

near Crickhowel, South Wales, has an anchor-hold; also Clifton Campville

Church, Staffordshire; Chipping Norton Church, Oxfordshire; Warmington

Church, Warwickshire; and many churches have rooms over the porch which

were formerly used by recluses. The church itself was frequently the

habitation of the anchorite. There is a notice of a hermit who lived in

St. Cuthbert's Church, Thetford, and performed divine service therein.

Of female recluses we gather many details in the _Ancren Riewle_ of

Bishop Poore of Salisbury, who left very minute directions for the

regulation of their austere and solitary lives. The little cell had an

altar where the anchoress frequently prayed, and through a window saw

the elevation of the Host in the daily Mass. The walls were covered

with mural paintings. There was a table, a fire, and a cat lying before

it. An unglazed window with a shutter was covered by a black curtain,

through which she could converse with anyone outside without being seen.

She was not allowed to put her head out of the open window. "A peering

anchoress, who is always thrusting her head outward, is like an untamed

bird in a cage," says the good bishop. The long hours of solitude were

spent in devotion, working embroidery, reading her few books, talking to

her servant or to those who desired to speak with her through the

curtained window.

The poor caged birds must often have wished to break the bars of their

cage, and occasionally they escaped from their solitary confinement. In

the churchyard of Whalley, Lancashire, there are two cottages which

stand upon the site of a reclusorium, founded by Henry, Duke of

Lancaster, in 1349. Here in the reign of Henry VI. lived one Isole de

Heton, who wearied of her lot, and left the anchor-hold, an example

which was followed by several of her successors. A scandal having

arisen, the hermitage was dissolved.

Many a sad story of ruined hopes and broken hearts could these walls

tell, which were the living tombs of many a devout or erring sister,

who, wounded in the world's war, sought the calm seclusion of a cell,

and found there the peace which elsewhere they had failed to find.

English Villages · 第 13 / 23 章