TO ALTHEA.--(Out of Town.)

If ever this message should find you,

I think that perhaps you will guess

Who sent it, in hopes to remind you

Of one who has not your address,

And who if he had dare not use it,

The chaperon's eye to offend.

ALTHEA, yet do not refuse it,

The humble good wish of a friend!

To give you a New Year's greeting,

Explain, what I cannot explain,

How your look, at our very last meeting,

Is photographed firm on my brain.

Without you, I'm twenty years older;

And yet I'm glad you're away.

For each day it grows darker and colder,

The sky is a smoky brown-grey.

ALTHEA--I am weary of winter

Without you! The fogs never clear.

My missive I send to the printer

To tell you how dull it is here.

I hope you are faring far better,

I trust, as I bid you adieu,

That you may divine that this letter

Is really intended for you!

* * * * *

"RICHARD HIMSELF AGAIN."

"Return again _Whittington_, Pantomime of London" were the words to

the chimes that on or about Boxing Day must have been ringing in the

ears of Mr. Ex-Sheriff HARRIS, Knight, and spectacle maker from morn

to dawn. This is not the first time that our own DRURIOLANUS has

chosen the intermittent Lord Mayor (for did not _Dick_ pass the chair

thrice?) as the subject for his annual. That he has been wise in

making the selection has been proved by the result. Sir AUGUSTUS (with

the assistance of his literary colleagues, Messrs. H. HAMILTON and

WALTER RALEIGH; and his chief of the staff, Mr. ARTHUR COLLINS) has

beaten his own record. Nothing better than the present show has been

seen at Drury Lane within the recollection of the existing generation.

And it is highly probable that the memory of man does not, anent times

past, run to the contrary.

[Illustration: "Listening to the Belles."]

The ex-sheriff has begun a new lease of the old house, and seemingly

has taken the success he has so long established on the premises as

one of the fixtures. A most excellent commencement to a contract that

should be highly satisfactory to both manager and public.

[Illustration: "Haul by the Sea."]

So much for pantomimic things in general, and now to turn to details

in particular. The book of the words is decidedly a superior article.

Hitherto when the Drury Lane Annual has contained a fault the mistake

has been discovered in "the cackle." On former occasions it has been

said (by the dyspeptic and consequently disappointed) that "the

turns of the halls" have been too numerous. Those excellent comedians

Messrs. DAN LENO and HERBERT CAMPBELL have sometimes been a little too

much in evidence to suit every taste. In 1894-95 they have plenty to

do, but only enough to satisfy the most fastidious. They are quite

as amusing as usual, and when the curtain falls before "the

transformation" people are rather inclined to ask for more than to

say that they have had quite enough. This is the token of a good sign.

Then the Brothers GRIFFITHS are particularly pleasing. That member of

the brethren who plays the cat is at once comic and pathetic. He makes

_Malkin_ quite a loveable character. Then Miss ADA BLANCHE, as _Dick_,

is altogether a hero of romance. She may sing the old songs of the

halls, but she tempers her comic vocalism with a touch of sentiment

that makes the whole world kin after it has had its grin. Miss

MARIE MONTROSE, too, is winsome, and so are Misses AGNES HEWITT, EVA

WESTLAKE, and MADGE LUCAS. In fact, the opening is well played by

"all concerned." It is a wonder that, after the first innings of

the morning performance, they should have scored so heavily in

the evening's representation. But score they do, and are likely to

"continue the movement" until Easter.

The scenery must be seen. It baffles description. Who could paint

the sun? Who could report the wonders of the solar system? A first

impressionist would declare that the gorgeous production of colour,

light, and form, could only be adequately suggested by the word

"HARRIS." So the entire audience thought on Boxing Night. Let it be

known that after the wonderful "Feast of Lanterns" Scene, Sir AUGUSTUS

was called to the front three or four times, and might have "gone on"

indefinitely so far as the house was concerned. Indeed, the enthusiasm

showed no sign of diminution when the lessee had made his exit. Still

the Gallery called for "'ARRIS!" still the Stalls expressed their

opinion by the gentle tapping of well-gloved hands. Nay more, there

were members of the superior classes who not only rapped out their

applause, but roared with laughter. From first to last, thanks to a

thoroughly appreciative (and yet discriminating) audience, the play

went admirably.

[Illustration: "Cook and Gaze."]

So the bells will ring for _Whittington_ for a long time to come. And

where the belles are there will be found the beaux. To continue the

association of ideas, the shot of Sir AUGUSTUS has ended in a hit. It

does not take a prophet to predict that _Dick_ will not only be the

centre of numberless _matinées_, but the hero of at least a hundred

nights. _Dick_ will listen to his bells until Easter changes the

music.

* * * * *

Punch, or the London Charivari, January 5th, 1895 · 第 32 / 33 题