BY ALASTAIR OG.

WE are in a west coast village or township, cut off from all

communication with the outer world, without Steamers, Railways, or even

Roads. We grow our own corn, and produce our beef, our mutton, our

butter, our cheese, and our wool. We do our own carding, our spinning,

and our weaving. We marry and are taken in marriage by, and among, our

own kith and kin. In short, we are almost entirely independent of the

more civilized and more favoured south. The few articles we do not

produce--tobacco and tea,--our local merchant, the only one in a

district about forty square miles in extent, carries on his back, once a

month or so, from the Capital of the Highlands. We occasionally indulge

in a little whisky at Christmas and the New Year, at our weddings and

our balls. We make it too, and we make it well. The Salmon Fishery Acts

are, as yet, not strictly enforced, and we can occasionally

shoot--sometimes even in our gardens--and carry home, without fear of

serious molestation, the monarch of the forest. We are not overworked.

We live plainly but well, on fresh fish, potatoes and herring, porridge

and milk, beef and mutton, eggs, butter, and cheese. Modern pickles and

spices are as unknown as they are unnecessary. True, our houses are

built not according to the most modern principles of architecture. They

are, in most cases, built of undressed stone and moss (_coinneach_),

thatched with turf or divots, generally covered over with straw or ferns

held on by a covering of old herring nets, straw, and rope, or _siaman_.

The houses are usually divided into three apartments--one door in the

byre end leading to the whole. Immediately we enter we find ourselves

among the cattle. A stone wall, or sometimes a partition of clay and

straw separates the byre from the kitchen. Another partition, usually of

a more elegant description, separates the latter from the _Culaist_ or

sleeping apartment. In the centre of the kitchen a pavement of three or

four feet in diameter is laid, slightly raised towards the middle, on

which is placed the peat fire. The smoke, by a kind of instinct peculiar

to peat smoke, finds its way to a hole in the roof called the _falas_,

and makes its escape. The fire in the centre of the room was almost a

necessity of the good old _Ceilidh_ days. When the people congregated in

the evening, the circle could be extended to the full capacity of the

room, and occasionally it became necessary to have a circle within a

circle. A few extra peats on the fire would, at any time, by the

additional heat produced, cause an extension of the circle, and at the

same time send its warming influences to the utmost recesses of the

apartment. The circle became extended by merely pushing back the seats,

and this arrangement became absolutely necessary in the houses which

were most celebrated as the great _Ceilidh_ centres of the district.

The _Ceilidh_ rendezvous is the house in which all the Folk-lore of the

country, all the old _sgeulachdan_ or stories, the ancient poetry known

to the bards or _Seanachaidhean_, and old riddles and proverbs are

recited from night to night by old and young. All who took an interest

in such questions congregated in the evening in these centres of song

and story. They were also great centres of local industry. Net-making

was the staple occupation, at which the younger members of the circle

had to take a spell in turn. Five or six nets were attached in different

corners of the apartment to a chair, a bedstead or post set up for the

purpose, and an equal number of young gossipers nimbly plied their

fingers at the rate of a pound of yarn a day. Thus, a large number of

nets were turned out during the winter months, the proceeds of which,

when the nets were not made for the members of the household, went to

pay for tobacco and other luxuries for the older and most necessitous

members of the circle.

With these preliminary remarks we shall now introduce the readers of the

_Celtic Magazine_ to the most famous _Ceilidh_ house in the district,

and ask them to follow us from month to month while we introduce the

principal members of the celebrated circle. We shall make each re-appear

in these pages to repeat their old stories, recite old poems, never

published elsewhere, propound riddles, and in this way we shall be able

to lay before our readers a vast amount of the legends, clan feuds, and

traditional family history, connected with the Highlands, a large amount

of unpublished poetry, _duans_, riddles, proverbs, and Highland customs.

It will be necessary to give a great part in the original Gaelic,

especially the poetry; but translations of the legends, riddles, and

proverbs, will be given when convenient.

The house is such as we have above described. The good-man is bordering

upon five-score. He is a bard of no mean order, often delighting his

circle of admiring friends with his own compositions, as well as with

those of Ossian and other ancient bards. He holds a responsible office

in the church, is ground-officer for the laird as well as family bard.

He possesses the only Gaelic New Testament in the district. He lives in

the old house with three sons whose ages range from 75 to 68, all full

of Highland song and story, especially the youngest two--John and

Donald. When in the district, drovers from Lochaber, Badenoch, and all

parts of the Highlands find their way to this noted _Ceilidh_ house.

Bards, itinerants of all sorts, travelling tinkers, pipers, fiddlers,

and mendicants, who loved to hear or tell a good story, recite an old

poem or compose a modern one--all come and are well received among the

regular visitors in the famous establishment. As we proceed, each of the

strangers and local celebrities will recite their own tales, not only

those of their own districts but also those picked up in their

wanderings throughout the various parts of the country.

It was a condition never deviated from, that every one in the house took

some part in the evening's performance, with a story, a poem, a riddle,

or a proverb. This rule was not only wholesome, but one which became

almost a necessity to keep the company select, and the house from

becoming overcrowded. A large oak chair was placed in a particular

spot--"where the sun rose"--the occupant of which had to commence the

evening's entertainment when the company assembled, the consequence

being that this seat, although one of the best in the house, was usually

the last occupied; and in some cases, when the house was not

overcrowded, it was never taken up at all. In the latter case the one

who sat next to it on the left, had to commence the evening's

proceedings.

It was no uncommon thing to see one of the company obliged to coin

something for the occasion when otherwise unprepared. On one occasion

the bard's grandson happened to find himself in the oak chair, and was

called upon to start the night's entertainment. Being in his own house

he was not quite prepared for the unanimous and imperative demand made

upon him to carry out the usual rule, or leave the room. After some

hesitation, and a little private humming in an undertone, he commenced,

however, a rhythmical description of his grandfather's house, which is

so faithful that, we think, we cannot do better than give it here,

although chronologically it should be given further on. The picture was

complete, and brought down the plaudits of the house upon the "young

bard" as he was henceforth designated.

The Celtic Magazine, Vol. 1, No. 2, December 1875 A Monthly Periodical Devoted to the Literature, History, Antiquities, Folk Lore, Traditions, and the Social and Material Interests of the Celt at Home and Abroad · 第 5 / 24 题