"And do you expect things to be managed as well in this house with five

of us at home, besides father and Miss Briggs, and three servants to do

all the work, as it is at Miss Carr's, with no one but herself, and six

or seven people to wait upon her?" Lettice spoke quietly, but with a

flush on her cheeks which proved that she felt more than she showed.

"It's very foolish if you do, for you will only succeed in upsetting

everyone, and making the whole house miserable and uncomfortable."

"As you have done to-day!" added Norah bluntly. "I would rather have an

old-fashioned house than the finest palace in the world with a cross,

bad-tempered mistress going about grumbling from morning till night."

"Norah, you are very rude to speak to me like that! You have no right.

I am the eldest."

"You had no right to say to me that I haven't touched the drawing-room

for a fortnight."

"I have a right to complain if the work of the house is not properly

done. Father has given me the charge. If I see things that can be

improved, I am certainly not going to be quiet. Suppose Mr Rayner or

the Newcomes came here to see us, what would they think if they came

into a half-lit hall as we did last night?"

"Yes, I knew that was it. It's your grand London friends you are

thinking of. If they are too grand to come here, let them stay away.

Father is a greater man than any of them, if he is not rich."

"Girls, girls, girls! what is all this?" Miss Briggs pulled aside the

curtain over the doorway, and came hurriedly into the room. "I heard

your voices across the hall. Are you quarrelling the first day Hilary

is at home? Don't let your father hear, I beg you; he would be terribly

grieved. What is the matter?"

"It's Hilary's fault. She has done nothing but grumble all day long,

and I can't stand it. She has made Lettice miserable; the servants are

as cross as they can be, and there's no peace in the house."

"Norah has been very rude to me, Miss Briggs. I am obliged to find

fault when things are wrong, and I can't help it if the servants are

cross."

Miss Briggs looked at the younger girls. "Go upstairs, dears, and

change your dresses for dinner. I want to speak to Hilary by herself,"

she said quietly, and Lettice and Norah left the room with awed faces.

The kind old governess did not often interfere with the girls now that

they were growing up, but when she did, there was a directness about her

speech which was very telling, and this afternoon was no exception to

the rule.

"Hilary," she said slowly, when the door had closed behind the two

younger girls, "I have been with you now for ten years, and have watched

you grow up from a little girl. You were my first pupil, and I can't

help taking a special interest in you. You were a dear little child. I

thought you would grow up into a sweet, lovable woman; but you will have

to change a great deal, Hilary, if you are to do that! You will think

me cruel; but your mother is dead, and I must be truthful with you for

your own good. I think you have behaved very unkindly to your sisters

to-day. You have been away enjoying yourself while they were left at

home; they did their best to fill your place, and counted the days until

your return, and you have made them miserable from the moment of your

arrival. The house is as you left it; but even supposing you had

noticed a few things which were not to your taste, you could have put

them right quietly, or spoken of them in a pleasant, kindly manner.

Things have gone on smoothly and quietly while you were away--more

smoothly than when you are at home, my dear, for though Lettice is not

such a good manager, she has a sweet, amiable manner which makes the

servants anxious to please her by doing their best. You are very young,

Hilary, and you make the mistake of over-estimating your own importance,

and of thinking you are necessary to the welfare of the household. You

can easily make yourself so, if you wish, for you are a very clever

housekeeper; but if you continue to be as self-satisfied and as

regardless of the feelings of others as you are at present, I tell you

plainly that you will end in being a hindrance rather than a help. I am

not saying that the other girls are faultless, but instead of setting

them a good example, in nine cases out of ten you are the one to begin a

quarrel. You think me very cruel to speak like this--it's not easy to

do, Hilary--but you may thank me for it some day. Open your eyes, my

dear, and try to see yourself as you really are, before it is too late!"

Miss Briggs swept from the room in a flutter of agitation, and Hilary

sank into the nearest chair, and gazed blankly at the fire. Her heart

was beating in heavy thuds, and she put her hand to her head in

stupefied fashion. For several minutes she sat motionless, unable to

form any definite thought. She only felt a curious shattered sensation,

as though she had come through some devastating experience, which had

laid waste all her fondest delusions. _What_ had Miss Briggs said?

That the household arrangements had been managed _better_ in her absence

than when she was at home. That if she did not alter, she would end in

being a hindrance rather than a help. That she set a bad example to the

younger girls and was the instigator of quarrels!--Hilary's cheeks burnt

with a flush that was almost painful. Her pride was wounded in its most

sensitive point. She would have been ready enough to acknowledge that

she was not so sweet-tempered as Lettice, or so clever as Norah, but she

had been secure in her conviction that no one could touch her in her own

department--that she was a person of supreme importance, without whom

the whole fabric of the household would fall to pieces. And things had

gone on _better_ while she was away! _Better_! Hilary writhed in

humiliation, and the flush burnt more fiercely than before. If she

could only manage to disbelieve it all, and wave it aside as a piece of

foolish prejudice; but she could not do this, for her eyes were opened,

and she saw the meaning of many things which she had misread before.

Miss Carr's quizzical, disapproving glance; her father's anxious gaze;

the little scornful sniff on the face of the old cook as she took her

morning's orders. Could it be that they all felt the same, and were

condemning her in their hearts as a stupid, consequential little girl,

who had no importance whatever except in her own estimation? And--"_a

hindrance_!" The word brought with it a throb of something deeper than

wounded pride, for, with all her faults, Hilary was devoted to her

father and her brothers and sisters, and the thought stung like a whip

that they might not care for her--that the time could come when they

might even wish for her absence!

The light was growing dim in the deserted room, and, as Hilary laid her

head back in the old-fashioned chair, the tears which rose to her eyes

and trickled down her cheeks were the bitterest she had known in the

course of her short life.

CHAPTER NINE.

THE VIOLIN LESSON.

Three days after Mr Bertrand's return, Rex Freer arrived at the house

in a state of triumphant excitement. This was by no means his first

appearance since he had left Cloudsdale, for he never passed the house

on any of his numerous expeditions without running in for ten minutes'

chat, so that the girls were getting accustomed to see his head appear

at the window as they sat at work, or to hear the loud rat-tat on the

door which heralded his coming. They soon had practical demonstration

of his "managing powers," for more than once, after definitely making up

their minds that nothing would induce them to stir from the house, they

found themselves meekly putting on hats and jackets to join a

tobogganing party, and to accompany the young gentleman part of his way

home. Lettice was always easily influenced, but high-spirited Norah

made many protests against what she was pleased to call his "Indian

ways," and on one occasion even went so far as to dare a direct refusal.

Lettice had left the room to get ready for a walk along the snowy

lanes, but Miss Norah sat obstinately in her chair, the heel of one

slipper perched on the toe of the other, in an attitude which was a

triumph of defiance.

"Well!" said Mr Rex, putting his hands in his pockets, and standing

with his back to the fire in elderly gentleman fashion. "Why don't you

get on your coat? I can't wait many minutes, you know, or it will get

dark. Hurry up!"

"I'm not going. It's too cold. I don't like trudging over the snow. I

am going to stay at home."

Norah raised her thin, little face to his with an audacious glance,

whereat "the strange boy's" eyes dilated with the steely flash which she

knew so well.

"Then please go upstairs and tell Lettice not to trouble to get ready.

I can't allow her to come home alone, along the lonely roads," he said

quietly; and Norah slunk out of the room and put on her snow-shoes in

crestfallen silence, for it did Lettice good to have a daily walk, and

she could not be so selfish as to keep her at home.

This afternoon, however, the call was longer than usual, for Rex came as

the bearer of good news. "You have only to make up your mind to do

anything, and the rest is quite easy," he announced coolly. "The mater

has made a point of speaking to everyone she has seen about the music

lessons, and she has heard of a capital man in Lancaster who is willing

to come down for an afternoon once a fortnight. I met your father in

the village, and he agrees to the terms, so now there is nothing left

but to write and fill in the day to begin. Thursday suits him best. Do

you say Thursday first or Thursday fortnight?"

"Oh, the first Thursday. I don't want to wait a day longer than I can

help. Oh, how lovely! So it is really settled. I wanted it so badly

that I was afraid it would never come true. How am I to get over to

your house, I wonder?"

"I'll drive over and bring you back next morning. We might use our

bicycles, but the violin case would be rather a nuisance, and I suppose

you'll need a bag of some description. I'll be here at eleven, and then

we shall get home to lunch. Edna is in a great state of excitement at

the thought of seeing you."

Norah pulled a funny little face of embarrassment. "I'm rather shy, you

know," she said, laughing. "I've only seen your mother once, and the

other two are absolute strangers; it seems funny to be coming over to

stay. Is your father a formidable sort of old gentleman?"

"Humph--well--I think he is rather! He is awfully fond of getting his

own way," said Rex, in a tone which implied that he failed to understand

how anyone could be guilty of such a weakness. "But he is an awfully

decent sort if you take him the right way; and poor little Edna would

not frighten a mouse. You will feel at home with her in five minutes.

I only wish she knew Lettice. We must arrange for her to come over some

time."

Norah looked at him with a feeling of curiosity which was not altogether

agreeable. "Why do you wish that she knew Lettice! Do you think she

would like her better than me?"

"Oh, yes," said Rex easily. (He was just like other boys, Norah told

herself, and had not the slightest regard for a poor girl's feelings!)

"She is such a jolly, affectionate little thing, you know, that Edna

would take to her at once. And she has heard so much of `Lovely

Lettice'! I say, _isn't_ she pretty?"

"Yes, she is--lovely! It's a very good name for her." Norah spoke with

all the greater emphasis because, for the moment, she had been guilty of

an actual pang of envy of her beloved Lettice, for she regarded the

"strange boy" as her special friend, by virtue of having been the first

to make his acquaintance, and it was not agreeable to find her own

claims to popularity brushed aside in this unceremonious fashion.

"Lettice is a darling, and everyone likes her, because she is sweet-

tempered, and never says unkind things to make other people miserable,"

she added, not without the hope that Mr Rex would take the hint to

himself. He did nothing of the sort, however, but only yawned, thought

he must be going, and marched away with stoical unconsciousness of the

aching little heart which he had left behind.

On Thursday morning Rex duly drove up to the door in his father's dog-

cart. He was a little before his time, but Norah was waiting for him,

wrapped up in her warm scarlet coat; her violin case and bag ready on

the hall table. Before he came she had been lamenting loudly, because

she felt a conviction that something would happen to prevent his

arrival; but when it came to setting off, she was seized with an attack

of shyness, and hung back in hesitating fashion. "Oh, oh! I don't like

it a bit. I feel horrid. Don't you think father would drive over, and

bring me home to-night?"

"H-ush! No! Don't be foolish, Norie! You will enjoy it ever so much

when you get there. Remember everything to tell me to-morrow,"

whispered Lettice encouragingly, and Norah climbed up into the high seat

and waved her hand to her two sisters until a turn of the drive hid them

from sight.

"If you want to cry, don't mind me!" said Rex coolly, which remark

served better than anything else could possibly have done to rouse Miss

Norah to her usual composure. The saucy little nose was tilted into the

air at once, and the red lips curled in scornful fashion.

"I wonder how it is that schoolboys are always so rude and unpleasant?"

Mr Rex laughed, and gave the horse a flick with the whip, which sent

him spinning round the corner at break-neck speed. Norah understood

that he was proud of his driving, and wished to impress her with the

fact that it was very unlike a schoolboy performance. She pressed her

lips together to stifle an exclamation of dismay at his recklessness,

and her silence pleased Rex, who liked to see "a girl with some

courage," so that presently he began to talk in quite a confidential

strain. "The professor will be at the house about half-past two, so you

won't have too much time to spare. He is a tall, lanky fellow, six feet

two, with a straggling black beard, goggle eyes, and spectacles. He

looks awfully bad-tempered, but I suppose he can't do more than rap your

knuckles with a pencil, and they all go as far as that."

"No one ever rapped my knuckles," said Norah loftily. "You told Hilary

a few minutes ago that none of you had seen him, and that your mother

had engaged him entirely on her friends' recommendation. So you can't

know what he is like, or anything about him!"

"How do you know that the friends did not describe him?" cried Rex

quickly. "You can't know what they said. I tell you he is a tall,

cadaverous fellow, with a stoop in his back and a white beard."

"Black! black! You said black last time," cried Norah in triumph. "You

are making it up, and I could imagine what he is like as well as you, if

I liked, but I won't, because it is so horribly uncomfortable when you

really meet. I tried that trick with Lettice once, when a friend of

Miss Briggs came to visit us. She was a very nice old lady, and awfully

kind (she made me a sweet little pin-cushion for my room), but she _was_

ugly! She looked just like a fat, good-natured frog, with light eyes

very far apart, big, big freckles spotted over her face, and such a

great, wide mouth. Well, I saw her first, and then I went upstairs, and

Lettice met me and asked me what she was like. I felt mischievous, so I

said that she was dark, and tall, and stately, with a long, thin face,

and beautiful, melancholy eyes. Lettice went rushing downstairs, and

when she saw her she stopped quite short, and began to choke and gurgle

as if she were going to have a fit. She pretended that she was laughing

at something Raymond was doing in the garden; but it was horribly

awkward, and I vowed I'd never do it again. I should hate people to

laugh at me, and it's unkind to do things that you wouldn't like other

people to do to you--I mean--you know what I mean!"

"I know," said Rex gravely. He looked quite serious and impressed, and

Norah cast inquiring glances at his face, wondering what he could be

thinking of, to make him so solemn all of a sudden.

At last, "Look here," he said, "talking of meeting strangers, don't

stare at poor little Edna when you meet! There is--er--something--about

her eyes, and she is very sensitive about it. Try and look as if you

don't notice it, you know."

"Oh, I will!" cried Norah gushingly. She knitted her brows together,

trying to think what the "something" could be. Something wrong with her

lungs, and something wrong with her eyes--poor Edna! she was indeed to

be pitied! "I am glad he told me, for I wouldn't hurt her feelings for

the world," she said to herself; and many times over, during the course

of the next hour, did her thoughts wander sympathetically towards her

new companion.

It was a long, cold drive, but Norah could have found it in her heart to

wish it were longer, as the dog-cart turned in at the gate of the Manor

House and drew up before the grey stone porch. Mrs Freer came into the

hall to welcome her guest, with a grey woollen shawl wrapped round her

shoulders, and her little face pinched with cold.

"How do you do, dear? I'm afraid you are quite starved. Come away to

the fire and get thawed before you go upstairs," she said cordially; and

Norah followed, conscious that a girl's head had peeped out of the door

to examine her, and then been cautiously withdrawn. When they entered

the room, however, Miss Edna was seated demurely behind a screen, and

came forward in the most proper way to shake hands with the new-comer.

Norah was only conscious that she was tall, with narrow shoulders, and

brown hair hanging in a long plait down her back, for the fear of

seeming to stare at the "something" in her eyes about which she was so

sensitive, kept her from giving more than the most casual of glances.

Conversation languished under these circumstances, and presently Mrs

Freer took Norah upstairs to her room to get ready for lunch. Before

that meal was served, however, there was another painful ten minutes to

go through downstairs, when the mistress of the house was out of the

room and Rex came in to take her place. Edna was reported to be shy,

but in this instance it was Norah who was tongue-tied, and the other who

made the advances. It is so extremely difficult to speak to a person at

whom one is forbidden to look. Norah fixed her eyes on Edna's brooch,

and said, "Yes, oh yes, she was fond of skating." Questioned a little

further, she gave a rapid glance so far upward as to include a mouth and

chin, and was so much abashed by her own temerity that she contradicted

herself hopelessly, and stammered out a ridiculous statement to the

effect that she never used a bicycle, that is to say always--when it was

fine. Edna sat silent, dismayed at the reality of the sprightly girl of

whom she had heard so much, and it did not add to Norah's comfort to

hear unmistakable sounds of chuckling from the background. She darted

an angry glance at Rex, scented mischief in his twitching smile, and

turned at bay to stare fixedly into Edna's face. A broad forehead, thin

cheeks, a delicate pink and white complexion, dark grey eyes, wide open

with curiosity, but as free from any disfigurement about which their

owner could be "sensitive" as those of the visitor herself.

"Oh--oh!" gasped Norah. Rex burst into a roar of laughter, and Edna

pleaded eagerly to be told of the reason of their excitement.

"He told me I was not to look at you. He told me--there was something--

wrong--with your eyes; that you didn't like people to stare at you. I--

I was afraid to move," panted Norah in indignation.

"Something wrong with my eyes! But there isn't, is there? They are all

right?" cried Edna in alarm, opening the maligned eyes to about twice

their usual size, and staring at Norah in beseeching fashion. "How

_could_ he say anything so untrue!"

"I never said there was anything `wrong.' I was very particular how I

put it. I said there was `something' about your eyes, and that you were

sensitive about meeting strangers, and did not like to be stared at.

All quite true, isn't it? It's not my fault if Norah chose to think you

squinted," declared Rex, jetting the best of the argument as usual, and

nodding his head at Norah with the air of triumph which she found so

exasperating.

Edna looked from one to the other in startled fashion, as though she

were afraid that such flashing looks must be the commencement of a

quarrel, and drew a sigh of relief when Norah's dignity gave way to

giggles of uncontrollable amusement.

The Squire made his appearance at the luncheon table, an irascible-

looking old gentleman, with red, weather-beaten face, grey hair, and

fierce white whiskers sticking out on either side. The ribbons on his

wife's cap trembled every time he spoke to her, and she said, "Yes,

love, yes!" and "No, love, no!" to everything he said, as if afraid to

differ from him on any subject. Norah jumped on her seat the first time

he spoke to her, for his voice sounded so loud and angry. He said, "I

am afraid you have had a cold drive," in much the same tone as that in

which the villain on the stage would cry--"Base villain, die a thousand

deaths!" and when he called for mustard, the very rafters seemed to

ring. "What on earth must he be like when he is really angry, if he is

like this when he is pleased?" asked Norah of herself; but there was

something in the Squire's keen, blue eyes which took her fancy, despite

his fierceness, and she noticed that when he spoke to his little

daughter his face softened, while each time that she coughed, he knitted

his brows and stared at her with undisguised anxiety. Edna was

evidently his darling, and her delicate health the cause of much

anxiety.

At two o'clock the two girls ensconced themselves behind the window

curtains and exchanged confidences while watching for the first

appearance of the Professor from Lancaster. Edna told Norah about the

school which she left; how grieved she had been to say good-bye to her

friends, and how sadly she missed their bright society, and Norah

comforted her in warm-hearted fashion. "Never mind, I am coming every

fortnight, and when the bright days are here you will be able to drive

over and see us. I hope you will like me, for I think I shall like you

very much indeed, in spite of your eyes." Then they pinched each other,

and crouched together with "Oh's!" and "Ah's!" of excitement, as a

small, wiry figure came hurrying towards the house. It was Mr Morris,

of course, but the collar of his coat was turned up and his hat pulled

over his face, so that it was impossible to tell what he was really

like. Only one thing was certain--he had neither a white nor a black

beard, as Mr Rex had predicted.

"Let me have the first lesson! He won't think I am so bad if he hears

me first," pleaded Edna; and at the end of an hour she came out of the

drawing-room, to announce that Mr Morris was rather terrible, but that

she was sure he was a good teacher, and that she had not been so

frightened as she expected. Then it was Norah's turn. She played her

favourite pieces, one after the other, while Mr Morris sat at the edge

of the table, watching and listening. Never a word of praise or blame

did he say until she had finished the third selection. Then he looked

at her fixedly with his light, grey eyes (they _were_ rather goggled,

after all!), and said quietly, "Well, and what do you mean to do?"

"Mean to do? I--I don't think I understand."

"Are you content to be a young lady amateur who plays well enough to

entertain her friends in her own drawing-room, or do you mean to work

seriously, and make a first-rate performer? You can do as you like.

You have the talent. It is for yourself to decide."

Norah's face was a study in its raptured excitement. "Oh-oh!" she cried

breathlessly, "I'll work--I don't care _how_ hard I work! I love it so

much. I want to do my very, very best."

"Then I'll work too, and do all I can to help you!" said Mr Morris in

return. He jumped off the table as he spoke, and advanced towards her,

rubbing his hands as one who prepares for a pleasant task. "Now then!"

he cried; and for the next hour Norah was kept hard at work, with never

another word of praise, but with many sharp corrections and reminders to

call attention to hitherto unsuspected faults. She was radiantly happy,

nevertheless, for the first step towards correcting a fault was to

discover its existence, and what was the good of a teacher who did not

point out what was wrong? At four o'clock Mr Morris took his

departure, and Norah found that Edna had retired to her room to rest, as

was her custom every afternoon. Mrs Freer was also invisible, but Rex

came to join her in the drawing-room, looking particularly cheerful and

self-satisfied.

Sisters Three · 第 4 / 13 段