CHAPTER III

RELIGIOUS EDUCATION

When Mark was grown up and looked back at his early childhood--he was

seven years old in the year in which his father was able to see the new

St. Wilfred's an edifice complete except for consecration--it seemed to

him that his education had centered in the prevention of his acquiring a

Cockney accent. This was his mother's dread and for this reason he was

not allowed to play more than Christian equality demanded with the boys

of Lima Street. Had his mother had her way, he would never have been

allowed to play with them at all; but his father would sometimes break

out into fierce tirades against snobbery and hustle him out of the house

to amuse himself with half-a-dozen little girls looking after a dozen

babies in dilapidated perambulators, and countless smaller boys and

girls ragged and grubby and mischievous.

"You leave that kebbidge-stalk be, Elfie!"

"Ethel! Jew hear your ma calling you, you naughty girl?"

"Stanlee! will you give over fishing in that puddle, this sminute. I'll

give you such a slepping, you see if I don't."

"Come here, Maybel, and let me blow your nose. Daisy Hawkins, lend us

your henkerchif, there's a love! Our Maybel wants to blow her nose. Oo,

she is a sight! Come here, Maybel, do, and leave off sucking that orange

peel. There's the Father's little boy looking at you. Hold your head up,

do."

Mark would stand gravely to attention while Mabel Williams' toilet was

adjusted, and as gravely follow the shrill raucous procession to watch

pavement games like Hop Scotch or to help in gathering together enough

sickly greenery from the site of the new church to make the summer

grotto, which in Lima Street was a labour of love, since few of the

passers by in that neighbourhood could afford to remember St. James'

grotto with a careless penny.

The fact that all the other little boys and girls called the Missioner

Father made it hard for Mark to understand his own more particular

relationship to him, and Lidderdale was so much afraid of showing any

more affection to one child of his flock than to another that he was

less genial with his own son than with any of the other children. It was

natural that in these circumstances Mark should be even more dependent

than most solitary children upon his mother, and no doubt it was through

his passion to gratify her that he managed to avoid that Cockney accent.

His father wanted his first religious instruction to be of the communal

kind that he provided in the Sunday School. One might have thought that

he distrusted his wife's orthodoxy, so strongly did he disapprove of her

teaching Mark by himself in the nursery.

"It's the curse of the day," he used to assert, "this pampering of

children with an individual religion. They get into the habit of

thinking God is their special property and when they get older and find

he isn't, as often as not they give up religion altogether, because it

doesn't happen to fit in with the spoilt notions they got hold of as

infants."

Mark's bringing up was the only thing in which Mrs. Lidderdale did not

give way to her husband. She was determined that he should not have a

Cockney accent, and without irritating her husband any more than was

inevitable she was determined that he should not gobble down his

religion as a solid indigestible whole. On this point she even went so

far as directly to contradict the boy's father and argue that an

intelligent boy like Mark was likely to vomit up such an indigestible

whole later on, although she did not make use of such a coarse

expression.

"All mothers think their sons are the cleverest in the world."

"But, James, he _is_ an exceptionally clever little boy. Most observant,

with a splendid memory and plenty of imagination."

"Too much imagination. His nights are one long circus."

"But, James, you yourself have insisted so often on the personal Devil;

you can't expect a little boy of Mark's sensitiveness not to be

impressed by your picture."

"He has nothing to fear from the Devil, if he behaves himself. Haven't I

made that clear?"

Mrs. Lidderdale sighed.

"But, James dear, a child's mind is so literal, and though I know you

insist just as much on the reality of the Saints and Angels, a child's

mind is always most impressed by the things that have power to frighten

it."

"I want him to be frightened by Evil," declared James. "But go your own

way. Soften down everything in our Holy Religion that is ugly and

difficult. Sentimentalize the whole business. That's our modern method

in everything."

This was one of many arguments between husband and wife about the

religious education of their son.

Luckily for Mark his father had too many children, real children and

grown up children, in the Mission to be able to spend much time with his

son; and the teaching of Sunday morning, the clear-cut uncompromising

statement of hard religious facts in which the Missioner delighted, was

considerably toned down by his wife's gentle commentary.

Mark's mother taught him that the desire of a bad boy to be a good boy

is a better thing than the goodness of a Jack Horner. She taught him

that God was not merely a crotchety old gentleman reclining in a blue

dressing-gown on a mattress of cumulus, but that He was an Eye, an

all-seeing Eye, an Eye capable indeed of flashing with rage, yet so

rarely that whenever her little boy should imagine that Eye he might

behold it wet with tears.

"But can God cry?" asked Mark incredulously.

"Oh, darling. God can do everything."

"But fancy crying! If I could do everything I shouldn't cry."

Mrs. Lidderdale perceived that her picture of the wise and compassionate

Eye would require elaboration.

"But do you only cry, Mark dear, when you can't do what you want? Those

are not nice tears. Don't you ever cry because you're sorry you've been

disobedient?"

"I don't think so, Mother," Mark decided after a pause. "No, I don't

think I cry because I'm sorry except when you're sorry, and that

sometimes makes me cry. Not always, though. Sometimes I'm glad you're

sorry. I feel so angry that I like to see you sad."

"But you don't often feel like that?"

"No, not often," he admitted.

"But suppose you saw somebody being ill-treated, some poor dog or cat

being teased, wouldn't you feel inclined to cry?"

"Oh, no," Mark declared. "I get quite red inside of me, and I want to

kick the people who is doing it."

"Well, now you can understand why God sometimes gets angry. But even if

He gets angry," Mrs. Lidderdale went on, for she was rather afraid of

her son's capacity for logic, "God never lets His anger get the better

of Him. He is not only sorry for the poor dog, but He is also sorry for

the poor person who is ill-treating the dog. He knows that the poor

person has perhaps never been taught better, and then the Eye fills with

tears again."

"I think I like Jesus better than God," said Mark, going off at a

tangent. He felt that there were too many points of resemblance between

his own father and God to make it prudent to persevere with the

discussion. On the subject of his father he always found his mother

strangely uncomprehending, and the only times she was really angry with

him was when he refused out of his basic honesty to admit that he loved

his father.

"But Our Lord _is_ God," Mrs. Lidderdale protested.

Mark wrinkled his face in an effort to confront once more this eternal

puzzle.

"Don't you remember, darling, three Persons and one God?"

Mark sighed.

"You haven't forgotten that clover-leaf we picked one day in Kensington

Gardens?"

"When we fed the ducks on the Round Pond?"

"Yes, darling, but don't think about ducks just now. I want you to think

about the Holy Trinity."

"But I can't understand the Holy Trinity, Mother," he protested.

"Nobody can understand the Holy Trinity. It is a great mystery."

"Mystery," echoed Mark, taking pleasure in the word. It always thrilled

him, that word, ever since he first heard it used by Dora the servant

when she could not find her rolling-pin.

"Well, where that rolling-pin's got to is a mystery," she had declared.

Then he had seen the word in print. The Coram Street Mystery. All about

a dead body. He had pronounced it "micetery" at first, until he had been

corrected and was able to identify the word as the one used by Dora

about her rolling-pin. History stood for the hard dull fact, and mystery

stood for all that history was not. There were no dates in "mystery:"

Mark even at seven years, such was the fate of intelligent precocity,

had already had to grapple with a few conspicuous dates in the immense

tale of humanity. He knew for instance that William the Conqueror landed

in 1066, and that St. Augustine landed in 596, and that Julius Cæsar

landed, but he could never remember exactly when. The last time he was

asked that date, he had countered with a request to know when Noah had

landed.

"The Holy Trinity is a mystery."

It belonged to the category of vanished rolling-pins and dead bodies

huddled up in dustbins: it had no date.

But what Mark liked better than speculations upon the nature of God were

the tales that were told like fairy tales without its seeming to matter

whether you remembered them or not, and which just because it did not

matter you were able to remember so much more easily. He could have

listened for ever to the story of the lupinseeds that rattled in their

pods when the donkey was trotting with the boy Christ and His mother and

St. Joseph far away from cruel Herod into Egypt and how the noise of the

rattling seeds nearly betrayed their flight and how the plant was cursed

for evermore and made as hungry as a wolf. And the story of how the

robin tried to loosen one of the cruel nails so that the blood from the

poor Saviour drenched his breast and stained it red for evermore, and of

that other bird, the crossbill, who pecked at the nails until his beak

became crossed. He could listen for ever to the tale of St. Cuthbert who

was fed by ravens, of St. Martin who cut off his cloak and gave it to a

beggar, of St. Anthony who preached to the fishes, of St. Raymond who

put up his cowl and floated from Spain to Africa like a nautilus, of St.

Nicolas who raised three boys from the dead after they had been killed

and cut up and salted in a tub by a cruel man that wanted to eat them,

and of that strange insect called a Praying Mantis which alighted upon

St. Francis' sleeve and sang the _Nunc Dimittis_ before it flew away.

These were all stories that made bedtime sweet, stories to remember and

brood upon gratefully in the darkness of the night when he lay awake and

when, alas, other stories less pleasant to recall would obtrude

themselves.

Mark was not brought up luxuriously in the Lima Street Mission House,

and the scarcity of toys stimulated his imagination. All his toys were

old and broken, because he was only allowed to have the toys left over

at the annual Christmas Tree in the Mission Hall; and since even the

best of toys on that tree were the cast-offs of rich little children

whose parents performed a vicarious act of charity in presenting them to

the poor, it may be understood that Mark's share of these was not

calculated to spoil him. His most conspicuous toy was a box of mutilated

grenadiers, whose stands had been melted by their former owner in the

first rapture of discovering that lead melts in fire and who in

consequence were only able to stand up uncertainly when stuck into

sliced corks.

Luckily Mark had better armies of his own in the coloured lines that

crossed the blankets of his bed. There marched the crimson army of St.

George, the blue army of St. Andrew, the green army of St. Patrick, the

yellow army of St. David, the rich sunset-hued army of St. Denis, the

striped armies of St. Anthony and St. James. When he lay awake in the

golden light of the morning, as golden in Lima Street as anywhere else,

he felt ineffably protected by the Seven Champions of Christendom; and

sometimes even at night he was able to think that with their bright

battalions they were still marching past. He used to lie awake,

listening to the sparrows and wondering what the country was like and

most of all the sea. His father would not let him go into the country

until he was considered old enough to go with one of the annual school

treats. His mother told him that the country in Cornwall was infinitely

more beautiful than Kensington Gardens, and that compared with the sea

the Serpentine was nothing at all. The sea! He had heard it once in a

prickly shell, and it had sounded beautiful. As for the country he had

read a story by Mrs. Ewing called _Our Field_, and if the country was

the tiniest part as wonderful as that, well . . . meanwhile Dora brought

him back from the greengrocer's a pot of musk, which Mark used to sniff

so enthusiastically that Dora said he would sniff it right away if he

wasn't careful. Later on when Lima Street was fetid in the August sun he

gave this pot of musk to a little girl with a broken leg, and when she

died in September her mother put it on her grave.

The Altar Steps · 第 3 / 32 章