THE WORLD A GLADIATORIAL AMPHITHEATRE.

The growing tendencies of mankind have been quickened by the

character of the present war, and the unexampled publicity with

which it has been waged. Never before were all nations, even those

separated by great spaces, whether of land or ocean, the daily and

excited spectators of the combat. The vast amphitheatre within

which the battle is fought, with the whole heavens for its roof,

is coextensive with civilization itself. The scene in that great

Flavian Amphitheatre, the famous Colosseum, is a faint type of

what we are witnessing; but that is not without its lesson. Bloody

games, where human beings contended with lions and tigers,

imported for the purpose, or with each other, constituted an

institution of ancient Rome, only mildly rebuked by Cicero,

[Footnote: "Crudele gladiatorum spectaculum et inhumanum nonnullis

videri solet: et hand scio an ita sit, ut nunc fit."_--Tusculanae

Quaestiones_, Lib. II. Cap. XVII. 41.] and adopted even by

Titus, in that short reign so much praised as unspotted by the

blood of the citizen. [Footnote: Suetonius: _Titus_, Cap. IX.

Merivale, History of the Romans under the Empire, (London, 1862,)

Ch. LX., Vol. VII. p. 56.] One hundred thousand spectators looked

on, while gladiators from Germany and Gaul joined in ferocious

combat; and then, as blood began to flow, and victim after victim

sank upon the sand, the people caught the fierce contagion. A

common ferocity ruled the scene. As Christianity prevailed, the

incongruity of such an institution was widely felt; but still it

continued. At last an Eastern monk, moved only by report,

journeyed a long way to protest against the impiety. With noble

enthusiasm he leaped into the arena, where the battle raged, in

order to separate the combatants. He was unsuccessful, and paid

with life the penalty of his humanity. [Footnote: St. Telemachus,

A. D. 401. Gibbon, Decline and Fall of the Roman Empire, ed.

Milman, (London, 1846,) Ch. XXX., Vol. III. p. 70. Smith, Dict.

Gr. and Rom. Biog. and Myth., art. TELEMACHUS.] But the martyr

triumphed where the monk had failed. Shortly afterwards, the

Emperor Honorius, by solemn decree, put an end to this horrid

custom. "The first Christian Emperor," says Gibbon, "may claim the

honor of the first edict which condemned the art and amusement of

shedding human blood." [Footnote: Decline and Fall of the Roman

Empire, _ubi supra_.] Our amphitheatre is larger than that of

Rome; but it witnesses scenes not less revolting; nor need any

monk journey a long way to protest against the impiety. That

protest can be uttered by every one here at home. We are all

spectators; and since by human craft the civilized world has

become one mighty Colosseum, with place for everybody, may we not

insist that the bloody games by which it is yet polluted shall

cease, and that, instead of mutual-murdering gladiators filling

the near-brought scene with death, there shall be a harmonious

people, of different nations, but one fellowship, vying together

only in works of industry and art, inspired and exalted by a

divine beneficence?

In presenting this picture I exaggerate nothing. How feeble is

language to depict the stupendous barbarism! How small by its side

the bloody games which degraded ancient Rome! How pygmy the one,

how colossal the other! Would you know how the combat is

conducted? Here is the briefest picture of the arena by a looker-

on:--

"Let your readers fancy masses of colored rags glued together with

blood and brains, and pinned into strange shapes by fragments of

bones,--let them conceive men's bodies without heads, legs without

bodies, heaps of human entrails attached to red and blue cloth,

and disembowelled corpses in uniform, bodies lying about in all

attitudes, with skulls shattered, faces blown off, hips smashed,

bones, flesh, and gay clothing all pounded together as if brayed

in a mortar extending for miles, not very thick in any one place,

but recurring perpetually for weary hours,--and then they cannot,

with the most vivid imagination, come up to the sickening reality

of that butchery." [Footnote: Scene after the Battle of Sedan:

Herald of Peace for 1870, October 1st, p. 121] Such a sight would

have shocked the Heathen of Rome. They could not have looked on

while the brave gladiator was thus changed into a bloody hash;

least of all could they have seen the work of slaughter done by

machinery. Nor could any German gladiator have written the letter

I proceed to quote from a German soldier:--

"I do not know how it is, but one wholly forgets the danger one is

in, and thinks only of the effect of one's own bullets, rejoicing

like a child at the sight of the enemy falling like skittles, and

having scarcely a compassionate glance to spare for the comrade

falling at one's side. One ceases to be a human being, and turns

into a brute, a complete brute."

Plain confession! And yet the duel continues. Nor is there death

for the armed man only. Fire mingles with slaughter, as at

Bazeilles. Women and children are roasted alive, filling the air

with suffocating odor, while the maddened combatants rage against

each other. All this is but part of the prolonged and various

spectacle, where the scene shifts only for some other horror.

Meanwhile the sovereigns of the world sit in their boxes, and the

people everywhere occupy the benches.

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