I.--PUNCH'S UNDERSTUDY.

The first-class smoking compartment was the emptiest in the whole

train, and even this was hot to suffocation, because my only companion

denied me more than an inch of open window. His chest, he explained

curtly, was "susceptible." As we crawled westward through the glaring

country, the sun's rays reverberated on the carriage roof till I

seemed to be crushed under an anvil, counting the strokes. I had

dropped my book, and was staring listlessly out of the window. At the

other end of the compartment my fellow-passenger had pulled down the

blinds, and hidden his face behind the _Western Morning News_. He

was a red and choleric little man of about sixty, with a protuberant

stomach, a prodigious nose, to which he carried snuff about once in

two minutes, and a marked deformity of the shoulders. For comfort--and

also, perhaps, to hide this hump--he rested his back in the angle

by the window. He wore a black alpaca coat, a high stock, white

waistcoat, and trousers of shepherd's plaid. On these and a few other

trivial details I built a lazy hypothesis that he was a lawyer, and

unmarried.

Just before entering the station at Lostwithiel, our train passed

between the white gates of a level crossing. A moment before I had

caught sight of the George drooping from the church spire, and at the

crossing I saw it was regatta-day in the small town. The road was

thick with people and lined with sweet-standings; and by the near end

of the bridge a Punch-and-Judy show had just closed a performance. The

orchestra had unloosed his drum, and fallen to mopping the back of his

neck with the red handkerchief that had previously bound the panpipes

to his chin. A crowd still loitered around, and among it I noted

several men and women in black--ugly stains upon the pervading

sunshine.

The station platform was cram-full as we drew up, and it was clear at

once that all the carriages in the train would be besieged, without

regard to class. By some chance, however, ours was neglected, and

until the very last moment we seemed likely to escape. The guard's

whistle was between his lips when I heard a shout, then one or two

feminine screams, and a company of seven or eight persons came

charging out of the booking-office. Every one of them was apparelled

in black: they were, in fact, the people I had seen gaping at the

Punch-and-Judy show.

In a moment one of the men tore open the door of our compartment, and

we were invaded. One--two--four--six--seven--in they poured, tumbling

over my legs, panting, giggling inanely, exhorting each other to

hurry--an old man, two youths, three middle-aged women, and a little

girl about four years old. I heard a fierce guttural sound, and saw my

fellow-passenger on his feet, choking with wrath and gesticulating.

But the guard slammed the door on his resentment, and the train moved

on. As it gathered speed he fell back, all purple above his stock,

snatched his malacca walking-cane from under the coat-tails of a

subsiding youth, stuck it upright between his knees, and glared round

upon the intruders. They were still possessed with excitement over

their narrow escape, and unconscious of offence. One of the women

dropped into the corner seat, and took the little girl on her lap. The

child's dusty boots rubbed against the old gentleman's trousers. He

shifted his position, grunted, and took snuff furiously.

"That was nibby-jibby," observed the old man of the party, while his

eyes wandered round for a seat.

"I declare I thought I should ha' died," panted a robust-looking woman

with a wart on her cheek, and a yard of crape hanging from her bonnet.

"Can't 'een find nowhere to sit, uncle?"

"Reckon I must make shift 'pon your lap, Susannah."

This was said with a chuckle, and the woman tittered.

"What new-fang'd game be this o' the Great Western's? Arms to the

seats, I vow. We'll have to sit intimate, my dears."

"'Tis First Class," one of the young men announced in a chastened

whisper: "I saw it written on the door."

There was a short silence of awe.

"Well!" ejaculated Susannah: "I thought, when first I sat down, that

the cushions felt extraordinary plum. You don't think they'll fine

us?"

"It all comes of our stoppin' to gaze at that Punch-an'-Judy," the old

fellow went on, after I had shown them how to turn back the arm-seats,

and they were settled in something like comfort. "But I never _could_

refrain from that antic, though I feels condemned too, in a way, an'

poor Thomas laid in earth no longer ago than twelve noon. But in the

midst of life we are in death."

"I don't remember a more successful buryin'," said the woman who held

the little girl.

"That was partly luck, as you may say, it bein' regatta-day an' the

fun o' the fair not properly begun. I counted a lot at the cemetery I

didn' know by face, an' I set 'em down for excursionists, that caught

sight of a funeral, an' followed it to fill up the time."

"It all added."

"Oh, aye; Thomas was beautifully interred."

By this time the heat in the carriage was hardly more overpowering

than the smell of crape, broadcloth, and camphor. The youth who had

wedged himself next to me carried a large packet of "fairing," which

he had bought at one of the sweet-stalls. He began to insert it into

his side pocket, and in his struggles drove an elbow sharply into my

ribs. I shifted my position a little.

"Tom's wife would ha' felt it a source o' pride, had she lived."

But I ceased to listen; for in moving I had happened to glance at the

further end of the carriage, and there my attention was arrested by

a curious little piece of pantomime. The little girl--a dark-eyed,

intelligent child, whose pallor was emphasised by the crape which

smothered her--was looking very closely at the old gentleman with the

hump--staring at him hard, in fact. He, on the other hand, was leaning

forward, with both hands on the knob of his malacca, his eyes bent on

the floor and his mouth squared to the surliest expression. He

seemed quite unconscious of her scrutiny, and was tapping one foot

impatiently on the floor.

After a minute I was surprised to see her lean forward and touch him

gently on the knee.

He took no notice beyond shuffling about a little and uttering a

slight growl. The woman who held her put out an arm and drew back

the child's hand reprovingly. The child paid no heed to this, but

continued to stare. Then in another minute she again bent forward, and

tapped the old gentleman's knee.

This time she fetched a louder growl from him, and an irascible glare.

Not in the least daunted, she took hold of his malacca, and shook it

to and fro in her small hand.

"I wish to heavens, madam, you'd keep your child to yourself!"

"For shame, Annie!" whispered the poor woman, cowed by his look.

But again Annie paid no heed. Instead, she pushed the malacca towards

the old gentleman, saying--

"Please, sir, will 'ee warm Mister Barrabel wi' this?"

He moved uneasily, and looked harshly at her without answering. "For

shame, Annie!" the woman murmured a second time; but I saw her lean

back, and a tear started and rolled down her cheek.

"If you please, sir," repeated Annie, "will 'ee warm Mister Barrabel

wi' this?"

The old gentleman stared round the carriage. In his eyes you could

read the question, "What in the devil's name does the child mean?" The

robust woman read it there, and answered him huskily--

"Poor mite! she's buried her father this mornin'; an' Mister Barrabel

is the coffin-maker, an' nailed 'en down."

"Now," said Annie, this time eagerly, "will 'ee warm him same as the

big doll did just now?"

Luckily, the old gentleman did not understand this last allusion. He

had not seen the group around the Punch-and-Judy show; nor, if he had,

is it likely he would have guessed the train of thought in the child's

mind. But to me, as I looked at my fellow-passenger's nose and the

deformity of his shoulders, and remembered how Punch treats the

undertaker in the immortal drama, it was all plain enough. I glanced

at the child's companions. Nothing in their faces showed that they

took the allusion; and the next moment I was glad to think that I

alone knew what had prompted Annie's speech.

For the next moment, with a beautiful change on his face, the old

gentleman had taken the child on his knee, and was talking to her as I

dare say he had never talked before.

"Are you her mother?" he asked, looking up suddenly, and addressing

the woman opposite.

"Her mother's been dead these two year. I'm her aunt, an' I'm takin'

her home to rear 'long wi' my own childer."

He was bending over Annie, and had resumed his chat. It was all

nonsense--something about the silver knob of his malacca--but it took

hold of the child's fancy and comforted her. At the next station I had

to alight, for it was the end of my journey. But looking back into

the carriage as I shut the door, I saw Annie bending forward over the

walking-stick, and following the pattern of its silverwork with her

small finger. Her face was turned from the old gentleman's, and behind

her little black hat his eyes were glistening.

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