HEARTS OF FIRE

The battle of Rembrandt/van Gogh saw the most bitter fighting of the

entire war. Even at Schiller, where the Coalition pilots were forced

to continue a battle they could not win, after perhaps the first three

hours came the grim realization, the last human outlet, that death

awaited them. Here there was no such comfort, nor did the torment end

after five hours only.

Here the collision of forces and opposing wills was so even---the

determination of the Coalition fighters to liberate, avenge and

overthrow, the determination of the Belgians and Swiss to survive, and

not be enslaved by the Soviets---that the conviction of the one and the

desperation of the other crashed together time and time again without

any clear result. And added to the white-hot intensity of their

struggle, was the question that for thirty-six hours could not by

either side be answered: was victory still possible?

If one is cold and hard enough to perceive it, he will see that in a

truly fatalistic world there is a limit to the terror of the wretched

souls caught inside it. Always death is there as a final end to all.

But where death is not an alternative, because hope remains, where the

questions: "Will I survive? Can I still live and find peace? Or is

my very struggle in the world of flesh ended forever?" remain

unanswered, tipping first one way and then the other on the blind

scales of Justice, or Fate, or some damnable, unnamable thing.....

Here, there is horror.

The world which the existentialists present to us---where all is

meaningless, nothing is lasting, and death and mutilation of dreams

inevitable---was here, as in countless battles of flesh and blood,

rendered empty and false. For where is the terror in such a

predetermined world? Let the man who sees the black truth, end his

life and have done. As if the multitude of Life and Universe around us

could be supported by some trick of cruel gods!

The true intensity of Man's existence---real, physical,

undeniable---lies in the fact that success and victory are possible, if

like everything else in our finite lives and understanding, limited and

passing. Health, happiness and love (in varying degrees, and depending

largely on outlook) are too many times evident in those around us to

merely to say, THERE IS NO HOPE, THERE IS NO CHANCE, THERE IS NO GOD.

The man dying of terminal disease, or imprisoned without hope of escape

in a living hell not of his own creation, has the right when pain and

fear become unbearable, to give in to despair. We have not. Because

for the rest of us, the fact remains that victory and success (if the

goal is just, and based on reality) ARE possible, however terrible the

price, or the roads which lead to it.

A man is forced to ask himself, as he is borne down the swift water-gap

of crisis, toward the razor knifing across his path, CAN I SURVIVE THE

VERY TIP OF THAT BLADE, AND PASS THROUGH? IS MY RAFT OF FLESH STRONG

ENOUGH, MY SHIELD OF WILL AND UNDERSTANDING SUFFICIENT? And while

caught on that blade, how multiplied the anguish by the fact that his

hope never leaves him. "Hope springs eternal in the human breast."

But even this would not make the struggle so overpowering, if it were a

false hope, and we knew it. But all around us there is the rumor of

triumph (and tragedy), of those who have survived personal hells,

accomplished the impossible, and stand now on a more permanent footing,

if only in posterity. How then can we, caught in the midst of the

fray, despair, and surrender our dreams? We cannot.

Age approaches us, inevitable death, suffering that cannot be avoided.

And yet there is also the eternal Spring of youth inside us, that hope,

that yearning, if not for peace in this world, then at least for some

last accomplishment before release into the great unknown: some reason

for having been here.

For this Battle is not fiction. It is not words, nor one man's

opinion. It is life: LIFE, the beautiful and terrible.

How can a man survive?

*

Olaf Brunner experienced more physical, emotional, and spiritual

torment in those thirty-six hours than he would have thought possible

for any man to bear, let alone himself, and in his weakened state. The

physical anguish came from sickness and fatigue, and from the

intolerable heat upon the wounded bridge, the emotional, from the loss

of ships and lives that had been given him to protect, and the

spiritual, from the Godless red carnage that lashed back and forth like

a writhing, bloodied serpent: the death and mutilation he saw with his

eyes and heard through the earpiece. And from the Goddamnable and

agonizing question of whether or not they could still break through.

The dual colonies having no substantial defense shields or stations

(those of the Dutch had been destroyed in conquest, and not

sufficiently rebuilt), the Bel-Swiss had chosen to counter-attack, and

to make their stand in the open Space around them. Meanwhile the

Soviets, epitomizing their policy of conditional help, held their own

forces back, lending only long-distance firepower in times of greatest

need.

After the first twenty-four hours, Brunner had realized grimly that his

poor physical health and personal trauma were no longer a

deterrent---that many men with strength and good fortune he did not

possess, would have faded and given up long before. And he knew also,

for all his introspection, that he BELONGED on that bridge, in that

fight. HE WAS NOT A QUITTER OR A LOSER! Like a savage wolf defending

its fallen mate he remained there, as rationality slipped farther and

farther from sight, till in the end he truly was a wolf, as the hyenas

around him lunged ravening about the helpless form of his wife, which

he alone defended.

And this feeling of desperate and unyielding righteousness communicated

itself not to him alone, or to the men who served under him. In those

late hours all the Coalition felt it, and the more unattainable victory

seemed, the more bitterly they steeled themselves to attain it. The

Belgians and Swiss began to waver, and at last the Soviet battleships

moved in.

The question had finally been answered. The field of battle and the

Islands beyond, belonged to those who had wanted them more desperately.

*

When the matter was clearly in hand, and those Alliance vessels which

could not flee had surrendered, Captain Brunner turned the helm back

over to his subordinates, placed his destroyer group (what remained of

it) under the command of Col. Liebenstein, and retired to his quarters.

Taking a sleeping lozenge he collapsed onto the bed, where his limbs

trembled slightly and his eyes moved feebly in their sockets, until it

began to take effect. Then at last his eyelids closed, and he knew

nothing more for three hours.

He was jolted back to life by a young officer tugging urgently at his

arm. "Commander Brunner. Commander."

He rose suddenly and, between the still pronounced effect of the drug

and the liquid-shock state of his nerves, felt certain that something

terrible had happened.

"What? What is it?" The victory of so few hours before seemed not at

all a sure memory. "Have the bastards broken through?"

The officer, himself as taut and fatigued as a violin-string on which

some mad symphony had been played, had no trouble interpreting his

words. "No, Commander. It's your wife."

These words did not at first make any impression on him, since he was

sure there was some mistake. If the man had told him that the stars

had all turned black, his mind could have accepted it more easily. But

slowly his eyes narrowed upon the serious face of the adjutant.

"Where?" He had not the courage to ask in what condition. And

besides, it could not possibly.....

"At the former headquarters of the Alliance High Command." These words

not seeming to make an impression, he added, "On Rembrandt. Our envoy

went to negotiate terms of surrender."

"Ara Heidi Brunner?" He pronounced the words slowly, with rising and

uncontrollable emotion. "You're sure?"

"Yes, sir. She asked for you specifically, if you would be allowed---"

"I've got to go to her!" He rose and started for the door, but lost

his balance and stumbled down on one knee. He pushed away the

adjutant, who was leaning over him.

"It's the sleeping pill. Tell the doctor I need a stimulant, and find

out about a landing craft." He waved his arm vaguely.

"Colonel Liebenstein has said to meet him aboard the Kythera in half an

hour. They will be sending a party to the capitol at that time."

"Have we a functioning shuttle?" The deja-vu was almost too powerful.

"Yes, Commander."

"Go. Go." The young man left the room as he strained to right himself

and recover some semblance of calm. Realizing the latter was

impossible, and that the stimulant would make it worse, being so far

beyond any choice..... He sat helpless on the edge of the bed, and

gave himself up to the Sea which had dashed him so mercilessly, yet now

was bearing him, heedless, toward all his desire. "If only she is all

right!" His head dipped again beneath the drowning swells, and he

struggled for breath.

A medic entered with a syringe and a distracted, irritated look on his

face. "Are you sure this is a good idea?" Brunner said nothing,

rolled up the sleeve and pointed to his upper arm. Shortly afterward

the adjutant returned. No longer shunning his help, he leaned heavily

against him, and after the first mad adrenalin rush, made his way as in

a three-legged race to the shuttledock.

"Can you fly a shuttle?" he asked as they entered. But seeing a pilot

already at the helm, he asked instead, "Can you be spared from your

duties?"

"Yes, sir. If you wish---"

"I do." A complex series of emotions, such as only real life can

provide, made him not want to be parted from this lad, so very little

more than a boy.

The shuttle made its way to the Kythera, from which her summons had

come. Upon arrival he and the boy boarded the larger landing craft,

which then made for the soft and flowing hues of Dutch Rembrandt.

Brunner's last rational thought of that voyage was that planets had

been misnamed, since van Gogh at its distance was all of gold and black.

*

The vessel touched down before the vast, geodesic Headquarters

building, after first passing through the airlock of the encircling

dome. It took some time before the soldiers in the broad entranceway

could be made to understand what was wanted of them in relation to the

strange, grizzled and begrimed Captain. The detachment to escort the

prisoners they expected, and Liebenstein's name they knew..... Finally

after several attempts on the com-line, during which a voice on the

other side could be heard to utter clearly, "There must be some

mistake," a sympathetic looking officer of indistinguishable rank

emerged form an elevator and said:

"Group Commander Brunner? Please come with me."

He followed lifeless, along with the boy. They went up in the sealed

capsule, and then across and then, for some reason, down again. The

motioned stopped. Two doors slid apart.

They walked down a short hallway, and entered a room. There were three

people in it. A military policeman, a Belgian officer, and a woman

with dark hair.

That the woman was his wife he slowly realized, because she came up and

embraced him gently. But his mind was so uncertain, and his body so

weak that he wondered if he were awake, or it was all a trick, or.....

She looked up at him with shining eyes, kissed his unmoving lips, and

said: "Olaf, are you all right?"

"Who is the man?" he said, as to a stranger. And at this some kind of

life began to revive inside him. But it was not love. An ember caught

to flame and, smoldering, began to rise.

The man in question rose, looking apologetic and unsure. He came

nearer and offered his hand, which Brunner left dangling. Then with a

heavy accent and sudden coldness he said. "I am the man who brought

your wife here. I am General....." and his mouth produced some name.

WHILE A BELGIAN OFFICER WAS RAPING YOUR WIFE. RAPING YOU WHILE A

BELGIAN OFFICER WAS RAPING YOUR WIFE. RAPING YOUR WIFE, was all that

his mind and last instinct understood.

Something savage took hold of him. He struck the man with such a

sudden, vicious blow that even in his weakened state it nearly broke

both jaw and hand, as the general staggered and fell back.

The MP came towards him and his wife caught his arm, which was raised

to strike again. "Olaf, what are you doing?" she pleaded. But he

could not perceive what was happening and shook free of her grasp, and

with starvation violence moved toward his foe again. But the MP stood

between them.

His wife turned his numb and again lifeless form toward her, and with

tears in her eyes, said words that almost made it through to his mind.

"Olaf, please. He never touched me."

And then in a simple, childlike sob he said her name.

"Ara?"

"Yes, it's me. It's me, it's all right."

And again she embraced him, instinctively and with all the love she

could muster massaging his back, the taut muscles of his neck. He

stepped back after a time and held her arms, confused.

"Then why....."

"To be a governess for his children, and to keep me from the prison

colonies."

"To protect you? Why?"

"Because I'm pregnant."

"I thought you said he never....." It was all too much. He looked

hard at her figure, perhaps a little fuller, tried to reckon the

months. All useless. He did not understand. He did not understand.

Then it was his eyes that pleaded, and he felt himself beginning to

pass out.

"Ara?" His last hope. "What is happening?"

"I had the child, Olaf. A son. YOUR SON."

At this he let out a piteous groan, as the lance pierced his heart.

And he stumbled, then collapsed into a corner, weeping uncontrollably,

oblivious of his wife's caressing hands.

Oberheim (Voices): A Chronicle of War · 第 97 / 105 题