"See, right here before us--that pool of water there--do you get that?
Now, that isn't silver-colored, as it's usually represented. It's a
prism. Don't you see the hundred points of light?"
I acknowledged the variety of color, which I had scarcely observed
before.
"You may think one would skip that in viewing a great scene, but the
artist mustn't. He must get all, whether you notice it or not. It gives
feeling, even when you don't see it."