Chapter XI.

FIRST LOVE

As Ursula passed from girlhood towards womanhood, gradually the cloud

of self-responsibility gathered upon her. She became aware of herself,

that she was a separate entity in the midst of an unseparated

obscurity, that she must go somewhere, she must become something. And

she was afraid, troubled. Why, oh why must one grow up, why must one

inherit this heavy, numbing responsibility of living an undiscovered

life? Out of the nothingness and the undifferentiated mass, to make

something of herself! But what? In the obscurity and pathlessness to

take a direction! But whither? How take even one step? And yet, how

stand still? This was torment indeed, to inherit the responsibility of

one’s own life.

The religion which had been another world for her, a glorious sort of

play-world, where she lived, climbing the tree with the short-statured

man, walking shakily on the sea like the disciple, breaking the bread

into five thousand portions, like the Lord, giving a great picnic to

five thousand people, now fell away from reality, and became a tale, a

myth, an illusion, which, however much one might assert it to be true

an historical fact, one knew was not true—at least, for this

present—day life of ours. There could, within the limits of this life

we know, be no Feeding of the Five Thousand. And the girl had come to

the point where she held that that which one cannot experience in daily

life is not true for oneself.

So, the old duality of life, wherein there had been a weekday world of

people and trains and duties and reports, and besides that a Sunday

world of absolute truth and living mystery, of walking upon the waters

and being blinded by the face of the Lord, of following the pillar of

cloud across the desert and watching the bush that crackled yet did not

burn away, this old, unquestioned duality suddenly was found to be

broken apart. The weekday world had triumphed over the Sunday world.

The Sunday world was not real, or at least, not actual. And one lived

by action.

Only the weekday world mattered. She herself, Ursula Brangwen, must

know how to take the weekday life. Her body must be a weekday body,

held in the world’s estimate. Her soul must have a weekday value, known

according to the world’s knowledge.

Well, then, there was a weekday life to live, of action and deeds. And

so there was a necessity to choose one’s action and one’s deeds. One

was responsible to the world for what one did.

Nay, one was more than responsible to the world. One was responsible to

oneself. There was some puzzling, tormenting residue of the Sunday

world within her, some persistent Sunday self, which insisted upon a

relationship with the now shed-away vision world. How could one keep up

a relationship with that which one denied? Her task was now to learn

the week-day life.

How to act, that was the question? Whither to go, how to become

oneself? One was not oneself, one was merely a half-stated question.

How to become oneself, how to know the question and the answer of

oneself, when one was merely an unfixed something—nothing, blowing

about like the winds of heaven, undefined, unstated.

She turned to the visions, which had spoken far-off words that ran

along the blood like ripples of an unseen wind, she heard the words

again, she denied the vision, for she must be a weekday person, to whom

visions were not true, and she demanded only the weekday meaning of the

words.

There _were_ words spoken by the vision: and words must have a weekday

meaning, since words were weekday stuff. Let them speak now: let them

bespeak themselves in weekday terms. The vision should translate itself

into weekday terms.

“Sell all thou hast, and give to the poor,” she heard on Sunday

morning. That was plain enough, plain enough for Monday morning too. As

she went down the hill to the station, going to school, she took the

saying with her.

“Sell all thou hast, and give to the poor.”

Did she want to do that? Did she want to sell her pearl-backed brush

and mirror, her silver candlestick, her pendant, her lovely little

necklace, and go dressed in drab like the Wherrys: the unlovely

uncombed Wherrys, who were the “poor” to her? She did not.

She walked this Monday morning on the verge of misery. For she did want

to do what was right. And she didn’t want to do what the gospels said.

She didn’t want to be poor—really poor. The thought was a horror to

her: to live like the Wherrys, so ugly, to be at the mercy of

everybody.

“Sell that thou hast, and give to the poor.”

One could not do it in real life. How dreary and hopeless it made her!

Nor could one turn the other cheek. Theresa slapped Ursula on the face.

Ursula, in a mood of Christian humility, silently presented the other

side of her face. Which Theresa, in exasperation at the challenge, also

hit. Whereupon Ursula, with boiling heart, went meekly away.

But anger, and deep, writhing shame tortured her, so she was not easy

till she had again quarrelled with Theresa and had almost shaken her

sister’s head off.

“That’ll teach _you,”_ she said, grimly.

And she went away, unchristian but clean.

There was something unclean and degrading about this humble side of

Christianity. Ursula suddenly revolted to the other extreme.

“I hate the Wherrys, and I wish they were dead. Why does my father

leave us in the lurch like this, making us be poor and insignificant?

Why is he not more? If we had a father as he ought to be, he would be

Earl William Brangwen, and I should be the Lady Ursula? What right have

_I_ to be poor? crawling along the lane like vermin? If I had my rights

I should be seated on horseback in a green riding-habit, and my groom

would be behind me. And I should stop at the gates of the cottages, and

enquire of the cottage woman who came out with a child in her arms, how

did her husband, who had hurt his foot. And I would pat the flaxen head

of the child, stooping from my horse, and I would give her a shilling

from my purse, and order nourishing food to be sent from the hall to

the cottage.”

So she rode in her pride. And sometimes, she dashed into flames to

rescue a forgotten child; or she dived into the canal locks and

supported a boy who was seized with cramp; or she swept up a toddling

infant from the feet of a runaway horse: always imaginatively, of

course.

But in the end there returned the poignant yearning from the Sunday

world. As she went down in the morning from Cossethay and saw Ilkeston

smoking blue and tender upon its hill, then her heart surged with

far-off words:

“Oh, Jerusalem, Jerusalem—how often would I have gathered thy children

together as a hen gathereth her chickens under her wings, and ye would

not—”

The passion rose in her for Christ, for the gathering under the wings

of security and warmth. But how did it apply to the weekday world? What

could it mean, but that Christ should clasp her to his breast, as a

mother clasps her child? And oh, for Christ, for him who could hold her

to his breast and lose her there. Oh, for the breast of man, where she

should have refuge and bliss for ever! All her senses quivered with

passionate yearning.

Vaguely she knew that Christ meant something else: that in the

vision-world He spoke of Jerusalem, something that did not exist in the

everyday world. It was not houses and factories He would hold in His

bosom: nor householders nor factory-workers nor poor people: but

something that had no part in the weekday world, nor seen nor touched

with weekday hands and eyes.

Yet she _must_ have it in weekday terms—she must. For all her life was

a weekday life, now, this was the whole. So he must gather her body to

his breast, that was strong with a broad bone, and which sounded with

the beating of the heart, and which was warm with the life of which she

partook, the life of the running blood.

So she craved for the breast of the Son of Man, to lie there. And she

was ashamed in her soul, ashamed. For whereas Christ spoke for the

Vision to answer, she answered from the weekday fact. It was a

betrayal, a transference of meaning, from the vision world, to the

matter-of-fact world. So she was ashamed of her religious ecstasy, and

dreaded lest any one should see it.

Early in the year, when the lambs came, and shelters were built of

straw, and on her uncle’s farm the men sat at night with a lantern and

a dog, then again there swept over her this passionate confusion

between the vision world and the weekday world. Again she felt Jesus in

the countryside. Ah, he would lift up the lambs in his arms! Ah, and

she was the lamb. Again, in the morning, going down the lane, she heard

the ewe call, and the lambs came running, shaking and twinkling with

new-born bliss. And she saw them stooping, nuzzling, groping to the

udder, to find the teats, whilst the mother turned her head gravely and

sniffed her own. And they were sucking, vibrating with bliss on their

little, long legs, their throats stretched up, their new bodies

quivering to the stream of blood-warm, loving milk.

Oh, and the bliss, the bliss! She could scarcely tear herself away to

go to school. The little noses nuzzling at the udder, the little bodies

so glad and sure, the little black legs, crooked, the mother standing

still, yielding herself to their quivering attraction—then the mother

walked calmly away.

Jesus—the vision world—the everyday world—all mixed inextricably in a

confusion of pain and bliss. It was almost agony, the confusion, the

inextricability. Jesus, the vision, speaking to her, who was

non-visionary! And she would take his words of the spirit and make them

to pander to her own carnality.

This was a shame to her. The confusing of the spirit world with the

material world, in her own soul, degraded her. She answered the call of

the spirit in terms of immediate, everyday desire.

“Come unto me, all ye that labour and are heavy-laden, and I will give

you rest.”

It was the temporal answer she gave. She leapt with sensuous yearning

to respond to Christ. If she could go to him really, and lay her head

on his breast, to have comfort, to be made much of, caressed like a

child!

All the time she walked in a confused heat of religious yearning. She

wanted Jesus to love her deliciously, to take her sensuous offering, to

give her sensuous response. For weeks she went in a muse of enjoyment.

And all the time she knew underneath that she was playing false,

accepting the passion of Jesus for her own physical satisfaction. But

she was in such a daze, such a tangle. How could she get free?

She hated herself, she wanted to trample on herself, destroy herself.

How could one become free? She hated religion, because it lent itself

to her confusion. She abused everything. She wanted to become hard,

indifferent, brutally callous to everything but just the immediate

need, the immediate satisfaction. To have a yearning towards Jesus,

only that she might use him to pander to her own soft sensation, use

him as a means of reacting upon herself, maddened her in the end. There

was then no Jesus, no sentimentality. With all the bitter hatred of

helplessness she hated sentimentality.

At this period came the young Skrebensky. She was nearly sixteen years

old, a slim, smouldering girl, deeply reticent, yet lapsing into

unreserved expansiveness now and then, when she seemed to give away her

whole soul, but when in fact she only made another counterfeit of her

soul for outward presentation. She was sensitive in the extreme, always

tortured, always affecting a callous indifference to screen herself.

She was at this time a nuisance on the face of the earth, with her

spasmodic passion and her slumberous torment. She seemed to go with all

her soul in her hands, yearning, to the other person. Yet all the

while, deep at the bottom of her was a childish antagonism of distrust.

She thought she loved everybody and believed in everybody. But because

she could not love herself nor believe in herself, she mistrusted

everybody with the mistrust of a serpent or a captured bird. Her starts

of revulsion and hatred were more inevitable than her impulses of love.

So she wrestled through her dark days of confusion, soulless,

uncreated, unformed.

One evening, as she was studying in the parlour, her head buried in her

hands, she heard new voices in the kitchen speaking. At once, from its

apathy, her excitable spirit started and strained to listen. It seemed

to crouch, to lurk under cover, tense, glaring forth unwilling to be

seen.

There were two strange men’s voices, one soft and candid, veiled with

soft candour, the other veiled with easy mobility, running quickly.

Ursula sat quite tense, shocked out of her studies, lost. She listened

all the time to the sound of the voices, scarcely heeding the words.

The first speaker was her Uncle Tom. She knew the naïve candour

covering the girding and savage misery of his soul. Who was the other

speaker? Whose voice ran on so easy, yet with an inflamed pulse? It

seemed to hasten and urge her forward, that other voice.

“I remember you,” the young man’s voice was saying. “I remember you

from the first time I saw you, because of your dark eyes and fair

face.”

Mrs. Brangwen laughed, shy and pleased.

“You were a curly-headed little lad,” she said.

“Was I? Yes, I know. They were very proud of my curls.”

And a laugh ran to silence.

“You were a very well-mannered lad, I remember,” said her father.

“Oh! did I ask you to stay the night? I always used to ask people to

stay the night. I believe it was rather trying for my mother.”

There was a general laugh. Ursula rose. She had to go.

At the click of the latch everybody looked round. The girl hung in the

doorway, seized with a moment’s fierce confusion. She was going to be

good-looking. Now she had an attractive gawkiness, as she hung a

moment, not knowing how to carry her shoulders. Her dark hair was tied

behind, her yellow-brown eyes shone without direction. Behind her, in

the parlour, was the soft light of a lamp upon open books.

A superficial readiness took her to her Uncle Tom, who kissed her,

greeting her with warmth, making a show of intimate possession of her,

and at the same time leaving evident his own complete detachment.

But she wanted to turn to the stranger. He was standing back a little,

waiting. He was a young man with very clear greyish eyes that waited

until they were called upon, before they took expression.

Something in his self-possessed waiting moved her, and she broke into a

confused, rather beautiful laugh as she gave him her hand, catching her

breath like an excited child. His hand closed over hers very close,

very near, he bowed, and his eyes were watching her with some

attention. She felt proud—her spirit leapt to life.

“You don’t know Mr. Skrebensky, Ursula,” came her Uncle Tom’s intimate

voice. She lifted her face with an impulsive flash to the stranger, as

if to declare a knowledge, laughing her palpitating, excited laugh.

His eyes became confused with roused lights, his detached attention

changed to a readiness for her. He was a young man of twenty-one, with

a slender figure and soft brown hair brushed up on the German fashion

straight from his brow.

“Are you staying long?” she asked.

“I’ve got a month’s leave,” he said, glancing at Tom Brangwen. “But

I’ve various places I must go to—put in some time here and there.”

He brought her a strong sense of the outer world. It was as if she were

set on a hill and could feel vaguely the whole world lying spread

before her.

“What have you a month’s leave from?” she asked.

“I’m in the Engineers—in the Army.”

“Oh!” she exclaimed, glad.

“We’re taking _you_ away from your studies,” said her Uncle Tom.

“Oh, no,” she replied quickly.

Skrebensky laughed, young and inflammable.

“She won’t wait to be taken away,” said her father. But that seemed

clumsy. She wished he would leave her to say her own things.

“Don’t you like study?” asked Skrebensky, turning to her, putting the

question from his own case.

“I like some things,” said Ursula. “I like Latin and French—and

grammar.”

He watched her, and all his being seemed attentive to her, then he

shook his head.

“I don’t,” he said. “They say all the brains of the army are in the

Engineers. I think that’s why I joined them—to get the credit of other

people’s brains.”

He said this quizzically and with chagrin. And she became alert to him.

It interested her. Whether he had brains or not, he was interesting.

His directness attracted her, his independent motion. She was aware of

the movement of his life over against hers.

“I don’t think brains matter,” she said.

“What does matter then?” came her Uncle Tom’s intimate, caressing,

half-jeering voice.

She turned to him.

“It matters whether people have courage or not,” she said.

“Courage for what?” asked her uncle.

“For everything.”

Tom Brangwen gave a sharp little laugh. The mother and father sat

silent, with listening faces. Skrebensky waited. She was speaking for

him.

“Everything’s nothing,” laughed her uncle.

She disliked him at that moment.

“She doesn’t practice what she preaches,” said her father, stirring in

his chair and crossing one leg over the other. “She has courage for

mighty little.”

But she would not answer. Skrebensky sat still, waiting. His face was

irregular, almost ugly, flattish, with a rather thick nose. But his

eyes were pellucid, strangely clear, his brown hair was soft and thick

as silk, he had a slight moustache. His skin was fine, his figure

slight, beautiful. Beside him, her Uncle Tom looked full-blown, her

father seemed uncouth. Yet he reminded her of her father, only he was

finer, and he seemed to be shining. And his face was almost ugly.

He seemed simply acquiescent in the fact of his own being, as if he

were beyond any change or question. He was himself. There was a sense

of fatality about him that fascinated her. He made no effort to prove

himself to other people. Let it be accepted for what it was, his own

being. In its isolation it made no excuse or explanation for itself.

So he seemed perfectly, even fatally established, he did not ask to be

rendered before he could exist, before he could have relationship with

another person.

This attracted Ursula very much. She was so used to unsure people who

took on a new being with every new influence. Her Uncle Tom was always

more or less what the other person would have him. In consequence, one

never knew the real Uncle Tom, only a fluid, unsatisfactory flux with a

more or less consistent appearance.

But, let Skrebensky do what he would, betray himself entirely, he

betrayed himself always upon his own responsibility. He permitted no

question about himself. He was irrevocable in his isolation.

So Ursula thought him wonderful, he was so finely constituted, and so

distinct, self-contained, self-supporting. This, she said to herself,

was a gentleman, he had a nature like fate, the nature of an

aristocrat.

She laid hold of him at once for her dreams. Here was one such as those

Sons of God who saw the daughters of men, that they were fair. He was

no son of Adam. Adam was servile. Had not Adam been driven cringing out

of his native place, had not the human race been a beggar ever since,

seeking its own being? But Anton Skrebensky could not beg. He was in

possession of himself, of that, and no more. Other people could not

really give him anything nor take anything from him. His soul stood

alone.

She knew that her mother and father acknowledged him. The house was

changed. There had been a visit paid to the house. Once three angels

stood in Abraham’s doorway, and greeted him, and stayed and ate with

him, leaving his household enriched for ever when they went.

The next day she went down to the Marsh according to invitation. The

two men were not come home. Then, looking through the window, she saw

the dogcart drive up, and Skrebensky leapt down. She saw him draw

himself together, jump, laugh to her uncle, who was driving, then come

towards her to the house. He was so spontaneous and revealed in his

movements. He was isolated within his own clear, fine atmosphere, and

as still as if fated.

His resting in his own fate gave him an appearance of indolence, almost

of languor: he made no exuberant movement. When he sat down, he seemed

to go loose, languid.

“We are a little late,” he said.

“Where have you been?”

“We went to Derby to see a friend of my father’s.”

“Who?”

It was an adventure to her to put direct questions and get plain

answers. She knew she might do it with this man.

“Why, he is a clergyman too—he is my guardian—one of them.”

Ursula knew that Skrebensky was an orphan.

“Where is really your home now?” she asked.

“My home?—I wonder. I am very fond of my colonel—Colonel Hepburn: then

there are my aunts: but my real home, I suppose, is the army.”

“Do you like being on your own?”

His clear, greenish-grey eyes rested on her a moment, and, as he

considered, he did not see her.

“I suppose so,” he said. “You see my father—well, he was never

acclimatized here. He wanted—I don’t know what he wanted—but it was a

strain. And my mother—I always knew she was too good to me. I could

feel her being too good to me—my mother! Then I went away to school so

early. And I must say, the outside world was always more naturally a

home to me than the vicarage—I don’t know why.”

“Do you feel like a bird blown out of its own latitude?” she asked,

using a phrase she had met.

“No, no. I find everything very much as I like it.”

He seemed more and more to give her a sense of the vast world, a sense

of distances and large masses of humanity. It drew her as a scent draws

a bee from afar. But also it hurt her.

It was summer, and she wore cotton frocks. The third time he saw her

she had on a dress with fine blue-and-white stripes, with a white

collar, and a large white hat. It suited her golden, warm complexion.

“I like you best in that dress,” he said, standing with his head

slightly on one side, and appreciating her in a perceiving, critical

fashion.

She was thrilled with a new life. For the first time she was in love

with a vision of herself: she saw as it were a fine little reflection

of herself in his eyes. And she must act up to this: she must be

beautiful. Her thoughts turned swiftly to clothes, her passion was to

make a beautiful appearance. Her family looked on in amazement at the

sudden transformation of Ursula. She became elegant, really elegant, in

figured cotton frocks she made for herself, and hats she bent to her

fancy. An inspiration was upon her.

He sat with a sort of languor in her grandmother’s rocking chair,

rocking slowly, languidly, backward and forward, as Ursula talked to

him.

“You are not poor, are you?” she said.

“Poor in money? I have about a hundred and fifty a year of my own—so I

am poor or rich, as you like. I am poor enough, in fact.”

“But you will earn money?”

“I shall have my pay—I have my pay now. I’ve got my commission. That is

another hundred and fifty.”

“You will have more, though?”

“I shan’t have more than £ 200 a year for ten years to come. I shall

always be poor, if I have to live on my pay.”

“Do you mind it?”

“Being poor? Not now—not very much. I may later. People—the officers,

are good to me. Colonel Hepburn has a sort of fancy for me—he is a rich

man, I suppose.”

A chill went over Ursula. Was he going to sell himself in some way?

“Is Colonel Hepburn married?”

“Yes—with two daughters.”

But she was too proud at once to care whether Colonel Hepburn’s

daughter wanted to marry him or not.

There came a silence. Gudrun entered, and Skrebensky still rocked

languidly on the chair.

“You look very lazy,” said Gudrun.

“I am lazy,” he answered.

“You look really floppy,” she said.

“I am floppy,” he answered.

“Can’t you stop?” asked Gudrun.

“No—it’s the _perpetuum mobile.”_

“You look as if you hadn’t a bone in your body.”

“That’s how I like to feel.”

“I don’t admire your taste.”

“That’s my misfortune.”

And he rocked on.

Gudrun seated herself behind him, and as he rocked back, she caught his

hair between her finger and thumb, so that it tugged him as he swung

forward again. He took no notice. There was only the sound of the

rockers on the floor. In silence, like a crab, Gudrun caught a strand

of his hair each time he rocked back. Ursula flushed, and sat in some

pain. She saw the irritation gathering on his brow.

At last he leapt up, suddenly, like a steel spring going off, and stood

on the hearthrug.

“Damn it, _why_ can’t I rock?” he asked petulantly, fiercely.

Ursula loved him for his sudden, steel-like start out of the languor.

He stood on the hearthrug fuming, his eyes gleaming with anger.

Gudrun laughed in her deep, mellow fashion.

“Men don’t rock themselves,” she said.

“Girls don’t pull men’s hair,” he said.

Gudrun laughed again.

Ursula sat amused, but waiting. And he knew Ursula was waiting for him.

It roused his blood. He had to go to her, to follow her call.

Once he drove her to Derby in the dog-cart. He belonged to the horsey

set of the sappers. They had lunch in an inn, and went through the

market, pleased with everything. He bought her a copy of _Wuthering

Heights_ from a bookstall. Then they found a little fair in progress

and she said:

“My father used to take me in the swingboats.”

“Did you like it?” he asked.

“Oh, it was fine,” she said.

“Would you like to go now?”

“Love it,” she said, though she was afraid. But the prospect of doing

an unusual, exciting thing was attractive to her.

He went straight to the stand, paid the money, and helped her to mount.

He seemed to ignore everything but just what he was doing. Other people

were mere objects of indifference to him. She would have liked to hang

back, but she was more ashamed to retreat from him than to expose

herself to the crowd or to dare the swingboat. His eyes laughed, and

standing before her with his sharp, sudden figure, he set the boat

swinging. She was not afraid, she was thrilled. His colour flushed, his

eyes shone with a roused light, and she looked up at him, her face like

a flower in the sun, so bright and attractive. So they rushed through

the bright air, up at the sky as if flung from a catapult, then falling

terribly back. She loved it. The motion seemed to fan their blood to

fire, they laughed, feeling the flames.

After the swingboats, they went on the roundabouts to calm down, he

twisting astride on his jerky wooden steed towards her, and always

seeming at his ease, enjoying himself. A zest of antagonism to the

convention made him fully himself. As they sat on the whirling

carousal, with the music grinding out, she was aware of the people on

the earth outside, and it seemed that he and she were riding carelessly

over the faces of the crowd, riding for ever buoyantly, proudly,

gallantly over the upturned faces of the crowd, moving on a high level,

spurning the common mass.

When they must descend and walk away, she was unhappy, feeling like a

giant suddenly cut down to ordinary level, at the mercy of the mob.

They left the fair, to return for the dog-cart. Passing the large

church, Ursula must look in. But the whole interior was filled with

scaffolding, fallen stone and rubbish were heaped on the floor, bits of

plaster crunched underfoot, and the place re-echoed to the calling of

secular voices and to blows of the hammer.

She had come to plunge in the utter gloom and peace for a moment,

bringing all her yearning, that had returned on her uncontrolled after

the reckless riding over the face of the crowd, in the fair. After

pride, she wanted comfort, solace, for pride and scorn seemed to hurt

her most of all.

And she found the immemorial gloom full of bits of falling plaster, and

dust of floating plaster, smelling of old lime, having scaffolding and

rubbish heaped about, dust cloths over the altar.

“Let us sit down a minute,” she said.

They sat unnoticed in the back pew, in the gloom, and she watched the

dirty, disorderly work of bricklayers and plasterers. Workmen in heavy

boots walking grinding down the aisles, calling out in a vulgar accent:

“Hi, mate, has them corner mouldin’s come?”

There were shouts of coarse answer from the roof of the church. The

place echoed desolate.

Skrebensky sat close to her. Everything seemed wonderful, if dreadful

to her, the world tumbling into ruins, and she and he clambering

unhurt, lawless over the face of it all. He sat close to her, touching

her, and she was aware of his influence upon her. But she was glad. It

excited her to feel the press of him upon her, as if his being were

urging her to something.

As they drove home, he sat near to her. And when he swayed to the cart,

he swayed in a voluptuous, lingering way, against her, lingering as he

swung away to recover balance. Without speaking, he took her hand

across, under the wrap, and with his unseeing face lifted to the road,

his soul intent, he began with his one hand to unfasten the buttons of

her glove, to push back her glove from her hand, carefully laying bare

her hand. And the close-working, instinctive subtlety of his fingers

upon her hand sent the young girl mad with voluptuous delight. His hand

was so wonderful, intent as a living creature skilfully pushing and

manipulating in the dark underworld, removing her glove and laying bare

her palm, her fingers. Then his hand closed over hers, so firm, so

close, as if the flesh knitted to one thing his hand and hers.

Meanwhile his face watched the road and the ears of the horse, he drove

with steady attention through the villages, and she sat beside him,

rapt, glowing, blinded with a new light. Neither of them spoke. In

outward attention they were entirely separate. But between them was the

compact of his flesh with hers, in the hand-clasp.

Then, in a strange voice, affecting nonchalance and superficiality he

said to her:

“Sitting in the church there reminded me of Ingram.”

“Who is Ingram?” she asked.

She also affected calm superficiality. But she knew that something

forbidden was coming.

“He is one of the other men with me down at Chatham—a subaltern—but a

year older than I am.”

“And why did the church remind you of him?”

“Well, he had a girl in Rochester, and they always sat in a particular

corner in the cathedral for their love-making.”

“How nice!” she cried, impulsively.

They misunderstood each other.

“It had its disadvantages though. The verger made a row about it.”

“What a shame! Why shouldn’t they sit in a cathedral?”

“I suppose they all think it a profanity—except you and Ingram and the

girl.”

“I don’t think it a profanity—I think it’s right, to make love in a

cathedral.”

She said this almost defiantly, in despite of her own soul.

He was silent.

“And was she nice?”

“Who? Emily? Yes, she was rather nice. She was a milliner, and she

wouldn’t be seen in the streets with Ingram. It was rather sad, really,

because the verger spied on them, and got to know their names and then

made a regular row. It was a common tale afterwards.”

“What did she do?”

“She went to London, into a big shop. Ingram still goes up to see her.”

“Does he love her?”

“It’s a year and a half he’s been with her now.”

“What was she like?”

“Emily? Little, shy-violet sort of girl with nice eyebrows.”

Ursula meditated this. It seemed like real romance of the outer world.

“Do all men have lovers?” she asked, amazed at her own temerity. But

her hand was still fastened with his, and his face still had the same

unchanging fixity of outward calm.

“They’re always mentioning some amazing fine woman or other, and

getting drunk to talk about her. Most of them dash up to London the

moment they are free.”

“What for?”

“To some amazing fine woman or other.”

“What sort of woman?”

“Various. Her name changes pretty frequently, as a rule. One of the

fellows is a perfect maniac. He keeps a suit-case always ready, and the

instant he is at liberty, he bolts with it to the station, and changes

in the train. No matter who is in the carriage, off he whips his tunic,

and performs at least the top half of his toilet.”

Ursula quivered and wondered.

“Why is he in such a hurry?” she asked.

Her throat was becoming hard and difficult.

“He’s got a woman in his mind, I suppose.”

She was chilled, hardened. And yet this world of passions and

lawlessness was fascinating to her. It seemed to her a splendid

recklessness. Her adventure in life was beginning. It seemed very

splendid.

That evening she stayed at the Marsh till after dark, and Skrebensky

escorted her home. For she could not go away from him. And she was

waiting, waiting for something more.

In the warm of the early night, with the shadows new about them, she

felt in another, harder, more beautiful, less personal world. Now a new

state should come to pass.

He walked near to her, and with the same, silent, intent approach put

his arm round her waist, and softly, very softly, drew her to him, till

his arm was hard and pressed in upon her; she seemed to be carried

along, floating, her feet scarce touching the ground, borne upon the

firm, moving surface of his body, upon whose side she seemed to lie, in

a delicious swoon of motion. And whilst she swooned, his face bent

nearer to her, her head was leaned on his shoulder, she felt his warm

breath on her face. Then softly, oh softly, so softly that she seemed

to faint away, his lips touched her cheek, and she drifted through

strands of heat and darkness.

Still she waited, in her swoon and her drifting, waited, like the

Sleeping Beauty in the story. She waited, and again his face was bent

to hers, his lips came warm to her face, their footsteps lingered and

ceased, they stood still under the trees, whilst his lips waited on her

face, waited like a butterfly that does not move on a flower. She

pressed her breast a little nearer to him, he moved, put both his arms

round her, and drew her close.

And then, in the darkness, he bent to her mouth, softly, and touched

her mouth with his mouth. She was afraid, she lay still on his arm,

feeling his lips on her lips. She kept still, helpless. Then his mouth

drew near, pressing open her mouth, a hot, drenching surge rose within

her, she opened her lips to him, in pained, poignant eddies she drew

him nearer, she let him come farther, his lips came and surging,

surging, soft, oh soft, yet oh, like the powerful surge of water,

irresistible, till with a little blind cry, she broke away.

She heard him breathing heavily, strangely, beside her. A terrible and

magnificent sense of his strangeness possessed her. But she shrank a

little now, within herself. Hesitating, they continued to walk on,

quivering like shadows under the ash trees of the hill, where her

grandfather had walked with his daffodils to make his proposal, and

where her mother had gone with her young husband, walking close upon

him as Ursula was now walking upon Skrebensky.

Ursula was aware of the dark limbs of the trees stretching overhead,

clothed with leaves, and of fine ash leaves tressing the summer night.

They walked with their bodies moving in complex unity, close together.

He held her hand, and they went the long way round by the road, to be

farther. Always she felt as if she were supported off her feet, as if

her feet were light as little breezes in motion.

He would kiss her again—but not again that night with the same

deep—reaching kiss. She was aware now, aware of what a kiss might be.

And so, it was more difficult to come to him.

She went to bed feeling all warm with electric warmth, as if the gush

of dawn were within her, upholding her. And she slept deeply, sweetly,

oh, so sweetly. In the morning she felt sound as an ear of wheat,

fragrant and firm and full.

They continued to be lovers, in the first wondering state of

unrealization. Ursula told nobody; she was entirely lost in her own

world.

Yet some strange affectation made her seek for a spurious confidence.

She had at school a quiet, meditative, serious-souled friend called

Ethel, and to Ethel must Ursula confide the story. Ethel listened

absorbedly, with bowed, unbetraying head, whilst Ursula told her

secret. Oh, it was so lovely, his gentle, delicate way of making love!

Ursula talked like a practiced lover.

“Do you think,” asked Ursula, “it is wicked to let a man kiss

you—_real_ kisses, not flirting?”

“I should think,” said Ethel, “it depends.”

“He kissed me under the ash trees on Cossethay hill—do you think it was

wrong?”

“When?”

“On Thursday night when he was seeing me home—but real kisses—real—. He

is an officer in the army.”

“What time was it?” asked the deliberate Ethel.

“I don’t know—about half-past nine.”

There was a pause.

“I think it’s wrong,” said Ethel, lifting her head with impatience.

“You don’t _know_ him.”

She spoke with some contempt.

“Yes, I do. He is half a Pole, and a Baron too. In England he is

equivalent to a Lord. My grandmother was his father’s friend.”

But the two friends were hostile. It was as if Ursula _wanted_ to

divide herself from her acquaintances, in asserting her connection with

Anton, as she now called him.

He came a good deal to Cossethay, because her mother was fond of him.

Anna Brangwen became something of a _grande dame_ with Skrebensky, very

calm, taking things for granted.

“Aren’t the children in bed?” cried Ursula petulantly, as she came in

with the young man.

“They will be in bed in half an hour,” said the mother.

“There is no peace,” cried Ursula.

“The children must _live,_ Ursula,” said her mother.

And Skrebensky was against Ursula in this. Why should she be so

insistent?

But then, as Ursula knew, he did not have the perpetual tyranny of

young children about him. He treated her mother with great courtliness,

to which Mrs. Brangwen returned an easy, friendly hospitality.

Something pleased the girl in her mother’s calm assumption of state. It

seemed impossible to abate Mrs. Brangwen’s position. She could never be

beneath anyone in public relation. Between Brangwen and Skrebensky

there was an unbridgeable silence. Sometimes the two men made a slight

conversation, but there was no interchange. Ursula rejoiced to see her

father retreating into himself against the young man.

She was proud of Skrebensky in the house. His lounging, languorous

indifference irritated her and yet cast a spell over her. She knew it

was the outcome of a spirit of _laisser-aller_ combined with profound

young vitality. Yet it irritated her deeply.

Notwithstanding, she was proud of him as he lounged in his lambent

fashion in her home, he was so attentive and courteous to her mother

and to herself all the time. It was wonderful to have his awareness in

the room. She felt rich and augmented by it, as if she were the

positive attraction and he the flow towards her. And his courtesy and

his agreement might be all her mother’s, but the lambent flicker of his

body was for herself. She held it.

She must ever prove her power.

“I meant to show you my little wood-carving,” she said.

“I’m sure it’s not worth showing, that,” said her father.

“Would you like to see it?” she asked, leaning towards the door.

And his body had risen from the chair, though his face seemed to want

to agree with her parents.

“It is in the shed,” she said.

And he followed her out of the door, whatever his feelings might be.

In the shed they played at kisses, really played at kisses. It was a

delicious, exciting game. She turned to him, her face all laughing,

like a challenge. And he accepted the challenge at once. He twined his

hand full of her hair, and gently, with his hand wrapped round with

hair behind her head, gradually brought her face nearer to his, whilst

she laughed breathless with challenge, and his eyes gleamed with

answer, with enjoyment of the game. And he kissed her, asserting his

will over her, and she kissed him back, asserting her deliberate

enjoyment of him. Daring and reckless and dangerous they knew it was,

their game, each playing with fire, not with love. A sort of defiance

of all the world possessed her in it—she would kiss him just because

she wanted to. And a dare-devilry in him, like a cynicism, a cut at

everything he pretended to serve, retaliated in him.

She was very beautiful then, so wide opened, so radiant, so

palpitating, exquisitely vulnerable and poignantly, wrongly, throwing

herself to risk. It roused a sort of madness in him. Like a flower

shaking and wide-opened in the sun, she tempted him and challenged him,

and he accepted the challenge, something went fixed in him. And under

all her laughing, poignant recklessness was the quiver of tears. That

almost sent him mad, mad with desire, with pain, whose only issue was

through possession of her body.

So, shaken, afraid, they went back to her parents in the kitchen, and

dissimulated. But something was roused in both of them that they could

not now allay. It intensified and heightened their senses, they were

more vivid, and powerful in their being. But under it all was a

poignant sense of transience. It was a magnificent self-assertion on

the part of both of them, he asserted himself before her, he felt

himself infinitely male and infinitely irresistible, she asserted

herself before him, she knew herself infinitely desirable, and hence

infinitely strong. And after all, what could either of them get from

such a passion but a sense of his or of her own maximum self, in

contradistinction to all the rest of life? Wherein was something finite

and sad, for the human soul at its maximum wants a sense of the

infinite.

Nevertheless, it was begun now, this passion, and must go on, the

passion of Ursula to know her own maximum self, limited and so defined

against him. She could limit and define herself against him, the male,

she could be her maximum self, female, oh female, triumphant for one

moment in exquisite assertion against the male, in supreme

contradistinction to the male.

The next afternoon, when he came, prowling, she went with him across to

the church. Her father was gradually gathering in anger against him,

her mother was hardening in anger against her. But the parents were

naturally tolerant in action.

They went together across the churchyard, Ursula and Skrebensky, and

ran to hiding in the church. It was dimmer in there than the sunny

afternoon outside, but the mellow glow among the bowed stone was very

sweet. The windows burned in ruby and in blue, they made magnificent

arras to their bower of secret stone.

“What a perfect place for a _rendezvous,”_ he said, in a hushed voice,

glancing round.

She too glanced round the familiar interior. The dimness and stillness

chilled her. But her eyes lit up with daring. Here, here she would

assert her indomitable gorgeous female self, here. Here she would open

her female flower like a flame, in this dimness that was more

passionate than light.

They hung apart a moment, then wilfully turned to each other for the

desired contact. She put her arms round him, she cleaved her body to

his, and with her hands pressed upon his shoulders, on his back, she

seemed to feel right through him, to know his young, tense body right

through. And it was so fine, so hard, yet so exquisitely subject and

under her control. She reached him her mouth and drank his full kiss,

drank it fuller and fuller.

And it was so good, it was very, very good. She seemed to be filled

with his kiss, filled as if she had drunk strong, glowing sunshine. She

glowed all inside, the sunshine seemed to beat upon her heart

underneath, she had drunk so beautifully.

She drew away, and looked at him radiant, exquisitely, glowingly

beautiful, and satisfied, but radiant as an illumined cloud.

To him this was bitter, that she was so radiant and satisfied. She

laughed upon him, blind to him, so full of her own bliss, never

doubting but that he was the same as she was. And radiant as an angel

she went with him out of the church, as if her feet were beams of light

that walked on flowers for footsteps.

He went beside her, his soul clenched, his body unsatisfied. Was she

going to make this easy triumph over him? For him, there was now no

self-bliss, only pain and confused anger.

It was high summer, and the hay-harvest was almost over. It would be

finished on Saturday. On Saturday, however, Skrebensky was going away.

He could not stay any longer.

Having decided to go he became very tender and loving to her, kissing

her gently, with such soft, sweet, insidious closeness that they were

both of them intoxicated.

The very last Friday of his stay he met her coming out of school, and

took her to tea in the town. Then he had a motor-car to drive her home.

Her excitement at riding in a motor-car was greatest of all. He too was

very proud of this last _coup_. He saw Ursula kindle and flare up to

the romance of the situation. She raised her head like a young horse

snuffing with wild delight.

The car swerved round a corner, and Ursula was swung against

Skrebensky. The contact made her aware of him. With a swift, foraging

impulse she sought for his hand and clasped it in her own, so close, so

combined, as if they were two children.

The wind blew in on Ursula’s face, the mud flew in a soft, wild rush

from the wheels, the country was blackish green, with the silver of new

hay here and there, and masses of trees under a silver-gleaming sky.

Her hand tightened on his with a new consciousness, troubled. They did

not speak for some time, but sat, hand-fast, with averted, shining

faces.

And every now and then the car swung her against him. And they waited

for the motion to bring them together. Yet they stared out of the

windows, mute.

She saw the familiar country racing by. But now, it was no familiar

country, it was wonderland. There was the Hemlock Stone standing on its

grassy hill. Strange it looked on this wet, early summer evening,

remote, in a magic land. Some rooks were flying out of the trees.

Ah, if only she and Skrebensky could get out, dismount into this

enchanted land where nobody had ever been before! Then they would be

enchanted people, they would put off the dull, customary self. If she

were wandering there, on that hill-slope under a silvery, changing sky,

in which many rooks melted like hurrying showers of blots! If they

could walk past the wetted hay-swaths, smelling the early evening, and

pass in to the wood where the honeysuckle scent was sweet on the cold

tang in the air, and showers of drops fell when one brushed a bough,

cold and lovely on the face!

But she was here with him in the car, close to him, and the wind was

rushing on her lifted, eager face, blowing back the hair. He turned and

looked at her, at her face clean as a chiselled thing, her hair

chiselled back by the wind, her fine nose keen and lifted.

It was agony to him, seeing her swift and clean-cut and virgin. He

wanted to kill himself, and throw his detested carcase at her feet. His

desire to turn round on himself and rend himself was an agony to him.

Suddenly she glanced at him. He seemed to be crouching towards her,

reaching, he seemed to wince between the brows. But instantly, seeing

her lighted eyes and radiant face, his expression changed, his old

reckless laugh shone to her. She pressed his hand in utter delight, and

he abided. And suddenly she stooped and kissed his hand, bent her head

and caught it to her mouth, in generous homage. And the blood burned in

him. Yet he remained still, he made no move.

She started. They were swinging into Cossethay. Skrebensky was going to

leave her. But it was all so magic, her cup was so full of bright wine,

her eyes could only shine.

He tapped and spoke to the man. The car swung up by the yew trees. She

gave him her hand and said good-bye, naïve and brief as a schoolgirl.

And she stood watching him go, her face shining. The fact of his

driving on meant nothing to her, she was so filled by her own bright

ecstacy. She did not see him go, for she was filled with light, which

was of him. Bright with an amazing light as she was, how could she miss

him.

In her bedroom she threw her arms in the air in clear pain of

magnificence. Oh, it was her transfiguration, she was beyond herself.

She wanted to fling herself into all the hidden brightness of the air.

It was there, it was there, if she could but meet it.

But the next day she knew he had gone. Her glory had partly died

down—but never from her memory. It was too real. Yet it was gone by,

leaving a wistfulness. A deeper yearning came into her soul, a new

reserve.

She shrank from touch and question. She was very proud, but very new,

and very sensitive. Oh, that no one should lay hands on her!

She was happier running on by herself. Oh, it was a joy to run along

the lanes without seeing things, yet being with them. It was such a joy

to be alone with all one’s riches.

The holidays came, when she was free. She spent most of her time

running on by herself, curled up in a squirrel-place in the garden,

lying in a hammock in the coppice, while the birds came near—near—so

near. Oh, in rainy weather, she flitted to the Marsh, and lay hidden

with her book in a hay-loft.

All the time, she dreamed of him, sometimes definitely, but when she

was happiest, only vaguely. He was the warm colouring of her dreams, he

was the hot blood beating within them.

When she was less happy, out of sorts, she pondered over his

appearance, his clothes, the buttons with his regimental badge, which

he had given her. Or she tried to imagine his life in barracks. Or she

conjured up a vision of herself as she appeared in his eyes.

His birthday was in August, and she spent some pains on making him a

cake. She felt that it would not be in good taste for her to give him a

present.

Their correspondence was brief, mostly an exchange of post-cards, not

at all frequent. But with her cake she must send him a letter.

_“Dear Anton. The sunshine has come back specially for your birthday, I

think.

I made the cake myself, and wish you many happy returns of the day.

Don’t eat it if it is not good. Mother hopes you will come and see

us when you are near enough._

_“I am

“Your Sincere Friend,

“Ursula Brangwen.”_

It bored her to write a letter even to him. After all, writing words on

paper had nothing to do with him and her.

The fine weather had set in, the cutting machine went on from dawn till

sunset, chattering round the fields. She heard from Skrebensky; he too

was on duty in the country, on Salisbury Plain. He was now a second

lieutenant in a Field Troop. He would have a few days off shortly, and

would come to the Marsh for the wedding.

Fred Brangwen was going to marry a schoolmistress out of Ilkeston as

soon as corn-harvest was at an end.

The dim blue-and-gold of a hot, sweet autumn saw the close of the

corn-harvest. To Ursula, it was as if the world had opened its softest

purest flower, its chicory flower, its meadow saffron. The sky was blue

and sweet, the yellow leaves down the lane seemed like free, wandering

flowers as they chittered round the feet, making a keen, poignant,

almost unbearable music to her heart. And the scents of autumn were

like a summer madness to her. She fled away from the little, purple-red

button-chrysanthemums like a frightened dryad, the bright yellow little

chrysanthemums smelled so strong, her feet seemed to dither in a

drunken dance.

Then her Uncle Tom appeared, always like the cynical Bacchus in the

picture. He would have a jolly wedding, a harvest supper and a wedding

feast in one: a tent in the home close, and a band for dancing, and a

great feast out of doors.

Fred demurred, but Tom must be satisfied. Also Laura, a handsome,

clever girl, the bride, she also must have a great and jolly feast. It

appealed to her educated sense. She had been to Salisbury Training

College, knew folk-songs and morris-dancing.

So the preparations were begun, directed by Tom Brangwen. A marquee was

set up on the home close, two large bonfires were prepared. Musicians

were hired, feast made ready.

Skrebensky was to come, arriving in the morning. Ursula had a new white

dress of soft crepe, and a white hat. She liked to wear white. With her

black hair and clear golden skin, she looked southern, or rather

tropical, like a Creole. She wore no colour whatsoever.

She trembled that day as she appeared to go down to the wedding. She

was to be a bridesmaid. Skrebensky would not arrive till afternoon. The

wedding was at two o’clock.

As the wedding-party returned home, Skrebensky stood in the parlour at

the Marsh. Through the window he saw Tom Brangwen, who was best man,

coming up the garden path most elegant in cut-away coat and white slip

and spats, with Ursula laughing on his arm. Tom Brangwen was handsome,

with his womanish colouring and dark eyes and black close-cut

moustache. But there was something subtly coarse and suggestive about

him for all his beauty; his strange, bestial nostrils opened so hard

and wide, and his well-shaped head almost disquieting in its nakedness,

rather bald from the front, and all its soft fulness betrayed.

Skrebensky saw the man rather than the woman. She saw only the slender,

unchangeable youth waiting there inscrutable, like her fate. He was

beyond her, with his loose, slightly horsey appearance, that made him

seem very manly and foreign. Yet his face was smooth and soft and

impressionable. She shook hands with him, and her voice was like the

rousing of a bird startled by the dawn.

“Isn’t it nice,” she cried, “to have a wedding?”

There were bits of coloured confetti lodged on her dark hair.

Again the confusion came over him, as if he were losing himself and

becoming all vague, undefined, inchoate. Yet he wanted to be hard,

manly, horsey. And he followed her.

There was a light tea, and the guests scattered. The real feast was for

the evening. Ursula walked out with Skrebensky through the stackyard to

the fields, and up the embankment to the canal-side.

The new corn-stacks were big and golden as they went by, an army of

white geese marched aside in braggart protest. Ursula was light as a

white ball of down. Skrebensky drifted beside her, indefinite, his old

form loosened, and another self, grey, vague, drifting out as from a

bud. They talked lightly, of nothing.

The blue way of the canal wound softly between the autumn hedges, on

towards the greenness of a small hill. On the left was the whole black

agitation of colliery and railway and the town which rose on its hill,

the church tower topping all. The round white dot of the clock on the

tower was distinct in the evening light.

That way, Ursula felt, was the way to London, through the grim,

alluring seethe of the town. On the other hand was the evening, mellow

over the green water-meadows and the winding alder trees beside the

river, and the pale stretches of stubble beyond. There the evening

glowed softly, and even a pee-wit was flapping in solitude and peace.

Ursula and Anton Skrebensky walked along the ridge of the canal

between. The berries on the hedges were crimson and bright red, above

the leaves. The glow of evening and the wheeling of the solitary

pee-wit and the faint cry of the birds came to meet the shuffling noise

of the pits, the dark, fuming stress of the town opposite, and they two

walked the blue strip of water-way, the ribbon of sky between.

He was looking, Ursula thought, very beautiful, because of a flush of

sunburn on his hands and face. He was telling her how he had learned to

shoe horses and select cattle fit for killing.

“Do you like to be a soldier?” she asked.

“I am not exactly a soldier,” he replied.

“But you only do things for wars,” she said.

“Yes.”

“Would you like to go to war?”

“I? Well, it would be exciting. If there were a war I would want to

go.”

A strange, distracted feeling came over her, a sense of potent

unrealities.

“Why would you want to go?”

“I should be doing something, it would be genuine. It’s a sort of

toy-life as it is.”

“But what would you be doing if you went to war?”

“I would be making railways or bridges, working like a nigger.”

“But you’d only make them to be pulled down again when the armies had

done with them. It seems just as much a game.”

“If you call war a game.”

“What is it?”

“It’s about the most serious business there is, fighting.”

A sense of hard separateness came over her.

“Why is fighting more serious than anything else?” she asked.

“You either kill or get killed—and I suppose it is serious enough,

killing.”

“But when you’re dead you don’t matter any more,” she said.

He was silenced for a moment.

“But the result matters,” he said. “It matters whether we settle the

Mahdi or not.”

“Not to you—nor me—we don’t care about Khartoum.”

“You want to have room to live in: and somebody has to make room.”

“But I don’t want to live in the desert of Sahara—do you?” she replied,

laughing with antagonism.

“_I_ don’t—but we’ve got to back up those who do.

“Why have we?”

“Where is the nation if we don’t?”

“But we aren’t the nation. There are heaps of other people who are the

nation.”

“They might say _they_ weren’t either.”

“Well, if everybody said it, there wouldn’t be a nation. But I should

still be myself,” she asserted brilliantly.

“You wouldn’t be yourself if there were no nation.”

“Why not?”

“Because you’d just be a prey to everybody and anybody.”

“How a prey?”

“They’d come and take everything you’d got.”

“Well, they couldn’t take much even then. I don’t care what they take.

I’d rather have a robber who carried me off than a millionaire who gave

me everything you can buy.”

“That’s because you are a romanticist.”

“Yes, I am. I want to be romantic. I hate houses that never go away,

and people just living in the houses. It’s all so stiff and stupid. I

hate soldiers, they are stiff and wooden. What do you fight for,

really?”

“I would fight for the nation.”

“For all that, you aren’t the nation. What would you do for yourself?”

“I belong to the nation and must do my duty by the nation.”

“But when it didn’t need your services in particular—when there is no

fighting? What would you do then?”

He was irritated.

“I would do what everybody else does.”

“What?”

“Nothing. I would be in readiness for when I was needed.”

The answer came in exasperation.

“It seems to me,” she answered, “as if you weren’t anybody—as if there

weren’t anybody there, where you are. Are you anybody, really? You seem

like nothing to me.”

They had walked till they had reached a wharf, just above a lock. There

an empty barge, painted with a red and yellow cabin hood, but with a

long, coal-black hold, was lying moored. A man, lean and grimy, was

sitting on a box against the cabin-side by the door, smoking, and

nursing a baby that was wrapped in a drab shawl, and looking into the

glow of evening. A woman bustled out, sent a pail dashing into the

canal, drew her water, and bustled in again. Children’s voices were

heard. A thin blue smoke ascended from the cabin chimney, there was a

smell of cooking.

Ursula, white as a moth, lingered to look. Skrebensky lingered by her.

The man glanced up.

“Good evening,” he called, half impudent, half attracted. He had blue

eyes which glanced impudently from his grimy face.

“Good evening,” said Ursula, delighted. “_Isn’t_ it nice now?”

“Ay,” said the man, “very nice.”

His mouth was red under his ragged, sandy moustache. His teeth were

white as he laughed.

“Oh, but—” stammered Ursula, laughing, “it _is_. Why do you say it as

if it weren’t?”

“’Appen for them as is childt-nursin’ it’s none so rosy.”

“May I look inside your barge?” asked Ursula.

“There’s nobody’ll stop you; you come if you like.”

The barge lay at the opposite bank, at the wharf. It was the _Annabel,_

belonging to J. Ruth of Loughborough. The man watched Ursula closely

from his keen, twinkling eyes. His fair hair was wispy on his grimed

forehead. Two dirty children appeared to see who was talking.

Ursula glanced at the great lock gates. They were shut, and the water

was sounding, spurting and trickling down in the gloom beyond. On this

side the bright water was almost to the top of the gate. She went

boldly across, and round to the wharf.

Stooping from the bank, she peeped into the cabin, where was a red glow

of fire and the shadowy figure of a woman. She _did_ want to go down.

“You’ll mess your frock,” said the man, warningly.

“I’ll be careful,” she answered. “May I come?”

“Ay, come if you like.”

She gathered her skirts, lowered her foot to the side of the boat, and

leapt down, laughing. Coal-dust flew up.

The woman came to the door. She was plump and sandy-haired, young, with

an odd, stubby nose.

“Oh, you _will_ make a mess of yourself,” she cried, surprised and

laughing with a little wonder.

“I did want to see. Isn’t it lovely living on a barge?” asked Ursula.

“I don’t live on one altogether,” said the woman cheerfully.

“She’s got her parlour an’ her plush suite in Loughborough,” said her

husband with just pride.

Ursula peeped into the cabin, where saucepans were boiling and some

dishes were on the table. It was very hot. Then she came out again. The

man was talking to the baby. It was a blue-eyed, fresh-faced thing with

floss of red-gold hair.

“Is it a boy or a girl?” she asked.

“It’s a girl—aren’t you a girl, eh?” he shouted at the infant, shaking

his head. Its little face wrinkled up into the oddest, funniest smile.

“Oh!” cried Ursula. “Oh, the dear! Oh, how nice when she laughs!”

“She’ll laugh hard enough,” said the father.

“What is her name?” asked Ursula.

“She hasn’t got a name, she’s not worth one,” said the man. “Are you,

you fag-end o’ nothing?” he shouted to the baby. The baby laughed.

“No we’ve been that busy, we’ve never took her to th’ registry office,”

came the woman’s voice. “She was born on th’ boat here.”

“But you know what you’re going to call her?” asked Ursula.

“We did think of Gladys Em’ly,” said the mother.

“We thought of nowt o’ th’ sort,” said the father.

“Hark at him! What _do_ you want?’ cried the mother in exasperation.

“She’ll be called Annabel after th’ boat she was born on.”

“She’s not, so there,” said the mother, viciously defiant.

The father sat in humorous malice, grinning.

“Well, you’ll see,” he said.

And Ursula could tell, by the woman’s vibrating exasperation, that he

would never give way.

“They’re all nice names,” she said. “Call her Gladys Annabel Emily.”

“Nay, that’s heavy-laden, if you like,” he answered.

“You see!” cried the woman. “He’s that _pig-headed!_”

“And she’s so nice, and she laughs, and she hasn’t even got a name,”

crooned Ursula to the child.

“Let me hold her,” she added.

He yielded her the child, that smelt of babies. But it had such blue,

wide, china blue eyes, and it laughed so oddly, with such a taking

grimace, Ursula loved it. She cooed and talked to it. It was such an

odd, exciting child.

“What’s _your_ name?” the man suddenly asked of her.

“My name is Ursula—Ursula Brangwen,” she replied.

“Ursula!” he exclaimed, dumbfounded.

“There was a Saint Ursula. It’s a very old name,” she added hastily, in

justification.

“Hey, mother!” he called.

There was no answer.

“Pem!” he called, “can’t y’hear?”

“What?” came the short answer.

“What about ‘Ursula’?” he grinned.

“What about _what?_” came the answer, and the woman appeared in the

doorway, ready for combat.

“Ursula—it’s the lass’s name there,” he said, gently.

The woman looked the young girl up and down. Evidently she was

attracted by her slim, graceful, new beauty, her effect of white

elegance, and her tender way of holding the child.

“Why, how do you write it?” the mother asked, awkward now she was

touched. Ursula spelled out her name. The man looked at the woman. A

bright, confused flush came over the mother’s face, a sort of luminous

shyness.

“It’s not a _common_ name, is it!” she exclaimed, excited as by an

adventure.

“Are you goin’ to have it then?” he asked.

“I’d rather have it than Annabel,” she said, decisively.

“An’ I’d rather have it than Gladys Em’ler,” he replied.

There was a silence, Ursula looked up.

“Will you really call her Ursula?” she asked.

“Ursula Ruth,” replied the man, laughing vainly, as pleased as if he

had found something.

It was now Ursula’s turn to be confused.

“It _does_ sound awfully nice,” she said. “I _must_ give her something.

And I haven’t got anything at all.”

She stood in her white dress, wondering, down there in the barge. The

lean man sitting near to her watched her as if she were a strange

being, as if she lit up his face. His eyes smiled on her, boldly, and

yet with exceeding admiration underneath.

“Could I give her my necklace?” she said.

It was the little necklace made of pieces of amethyst and topaz and

pearl and crystal, strung at intervals on a little golden chain, which

her Uncle Tom had given her. She was very fond of it. She looked at it

lovingly, when she had taken it from her neck.

“Is it valuable?” the man asked her, curiously.

“I think so,” she replied.

“The stones and pearl are real; it is worth three or four pounds,” said

Skrebensky from the wharf above. Ursula could tell he disapproved of

her.

“I _must_ give it to your baby—may I?” she said to the bargee.

He flushed, and looked away into the evening.

“Nay,” he said, “it’s not for me to say.”

“What would your father and mother say?” cried the woman curiously,

from the door.

“It is my own,” said Ursula, and she dangled the little glittering

string before the baby. The infant spread its little fingers. But it

could not grasp. Ursula closed the tiny hand over the jewel. The baby

waved the bright ends of the string. Ursula had given her necklace

away. She felt sad. But she did not want it back.

The jewel swung from the baby’s hand and fell in a little heap on the

coal-dusty bottom of the barge. The man groped for it, with a kind of

careful reverence. Ursula noticed the coarsened, blunted fingers

groping at the little jewelled heap. The skin was red on the back of

the hand, the fair hairs glistened stiffly. It was a thin, sinewy,

capable hand nevertheless, and Ursula liked it. He took up the necklace

carefully, and blew the coal-dust from it, as it lay in the hollow of

his hand. He seemed still and attentive. He held out his hand with the

necklace shining small in its hard, black hollow.

“Take it back,” he said.

Ursula hardened with a kind of radiance.

“No,” she said. “It belongs to little Ursula.”

And she went to the infant and fastened the necklace round its warm,

soft, weak little neck.

There was a moment of confusion, then the father bent over his child:

“What do you say?” he said. “Do you say thank you? Do you say thank

you, Ursula?”

“Her name’s Ursula _now_,” said the mother, smiling a little bit

ingratiatingly from the door. And she came out to examine the jewel on

the child’s neck.

“It is Ursula, isn’t it?” said Ursula Brangwen.

The father looked up at her, with an intimate, half-gallant,

half-impudent, but wistful look. His captive soul loved her: but his

soul was captive, he knew, always.

She wanted to go. He set a little ladder for her to climb up to the

wharf. She kissed the child, which was in its mother’s arms, then she

turned away. The mother was effusive. The man stood silent by the

ladder.

Ursula joined Skrebensky. The two young figures crossed the lock, above

the shining yellow water. The barge-man watched them go.

“I _loved_ them,” she was saying. “He was so gentle—oh, so gentle! And

the baby was such a dear!”

“Was he gentle?” said Skrebensky. “The woman had been a servant, I’m

sure of that.”

Ursula winced.

“But I loved his impudence—it was so gentle underneath.”

She went hastening on, gladdened by having met the grimy, lean man with

the ragged moustache. He gave her a pleasant warm feeling. He made her

feel the richness of her own life. Skrebensky, somehow, had created a

deadness round her, a sterility, as if the world were ashes.

They said very little as they hastened home to the big supper. He was

envying the lean father of three children, for his impudent directness

and his worship of the woman in Ursula, a worship of body and soul

together, the man’s body and soul wistful and worshipping the body and

spirit of the girl, with a desire that knew the inaccessibility of its

object, but was only glad to know that the perfect thing existed, glad

to have had a moment of communion.

Why could not he himself desire a woman so? Why did he never really

want a woman, not with the whole of him: never loved, never worshipped,

only just physically wanted her.

But he would want her with his body, let his soul do as it would. A

kind of flame of physical desire was gradually beating up in the Marsh,

kindled by Tom Brangwen, and by the fact of the wedding of Fred, the

shy, fair, stiff-set farmer with the handsome, half-educated girl. Tom

Brangwen, with all his secret power, seemed to fan the flame that was

rising. The bride was strongly attracted by him, and he was exerting

his influence on another beautiful, fair girl, chill and burning as the

sea, who said witty things which he appreciated, making her glint with

more, like phosphorescence. And her greenish eyes seemed to rock a

secret, and her hands like mother-of-pearl seemed luminous,

transparent, as if the secret were burning visible in them.

At the end of supper, during dessert, the music began to play, violins,

and flutes. Everybody’s face was lit up. A glow of excitement

prevailed. When the little speeches were over, and the port remained

unreached for any more, those who wished were invited out to the open

for coffee. The night was warm.

Bright stars were shining, the moon was not yet up. And under the stars

burned two great, red, flameless fires, and round these lights and

lanterns hung, the marquee stood open before a fire, with its lights

inside.

The young people flocked out into the mysterious night. There was sound

of laughter and voices, and a scent of coffee. The farm-buildings

loomed dark in the background. Figures, pale and dark, flitted about,

intermingling. The red fire glinted on a white or a silken skirt, the

lanterns gleamed on the transient heads of the wedding guests.

To Ursula it was wonderful. She felt she was a new being. The darkness

seemed to breathe like the sides of some great beast, the haystacks

loomed half-revealed, a crowd of them, a dark, fecund lair just behind.

Waves of delirious darkness ran through her soul. She wanted to let go.

She wanted to reach and be amongst the flashing stars, she wanted to

race with her feet and be beyond the confines of this earth. She was

mad to be gone. It was as if a hound were straining on the leash, ready

to hurl itself after a nameless quarry into the dark. And she was the

quarry, and she was also the hound. The darkness was passionate and

breathing with immense, unperceived heaving. It was waiting to receive

her in her flight. And how could she start—and how could she let go?

She must leap from the known into the unknown. Her feet and hands beat

like a madness, her breast strained as if in bonds.

The music began, and the bonds began to slip. Tom Brangwen was dancing

with the bride, quick and fluid and as if in another element,

inaccessible as the creatures that move in the water. Fred Brangwen

went in with another partner. The music came in waves. One couple after

another was washed and absorbed into the deep underwater of the dance.

“Come,” said Ursula to Skrebensky, laying her hand on his arm.

At the touch of her hand on his arm, his consciousness melted away from

him. He took her into his arms, as if into the sure, subtle power of

his will, and they became one movement, one dual movement, dancing on

the slippery grass. It would be endless, this movement, it would

continue for ever. It was his will and her will locked in a trance of

motion, two wills locked in one motion, yet never fusing, never

yielding one to the other. It was a glaucous, intertwining, delicious

flux and contest in flux.

They were both absorbed into a profound silence, into a deep, fluid

underwater energy that gave them unlimited strength. All the dancers

were waving intertwined in the flux of music. Shadowy couples passed

and repassed before the fire, the dancing feet danced silently by into

the darkness. It was a vision of the depths of the underworld, under

the great flood.

There was a wonderful rocking of the darkness, slowly, a great, slow

swinging of the whole night, with the music playing lightly on the

surface, making the strange, ecstatic, rippling on the surface of the

dance, but underneath only one great flood heaving slowly backwards to

the verge of oblivion, slowly forward to the other verge, the heart

sweeping along each time, and tightening with anguish as the limit was

reached, and the movement, at crises, turned and swept back.

As the dance surged heavily on, Ursula was aware of some influence

looking in upon her. Something was looking at her. Some powerful,

glowing sight was looking right into her, not upon her, but right at

her. Out of the great distance, and yet imminent, the powerful,

overwhelming watch was kept upon her. And she danced on and on with

Skrebensky, while the great, white watching continued, balancing all in

its revelation.

“The moon has risen,” said Anton, as the music ceased, and they found

themselves suddenly stranded, like bits of jetsam on a shore. She

turned, and saw a great white moon looking at her over the hill. And

her breast opened to it, she was cleaved like a transparent jewel to

its light. She stood filled with the full moon, offering herself. Her

two breasts opened to make way for it, her body opened wide like a

quivering anemone, a soft, dilated invitation touched by the moon. She

wanted the moon to fill in to her, she wanted more, more communion with

the moon, consummation. But Skrebensky put his arm round her, and led

her away. He put a big, dark cloak round her, and sat holding her hand,

whilst the moonlight streamed above the glowing fires.

She was not there. Patiently she sat, under the cloak, with Skrebensky

holding her hand. But her naked self was away there beating upon the

moonlight, dashing the moonlight with her breasts and her knees, in

meeting, in communion. She half started, to go in actuality, to fling

away her clothing and flee away, away from this dark confusion and

chaos of people to the hill and the moon. But the people stood round

her like stones, like magnetic stones, and she could not go, in

actuality. Skrebensky, like a load-stone weighed on her, the weight of

his presence detained her. She felt the burden of him, the blind,

persistent, inert burden. He was inert, and he weighed upon her. She

sighed in pain. Oh, for the coolness and entire liberty and brightness

of the moon. Oh, for the cold liberty to be herself, to do entirely as

she liked. She wanted to get right away. She felt like bright metal

weighted down by dark, impure magnetism. He was the dross, people were

the dross. If she could but get away to the clean free moonlight.

“Don’t you like me to-night?” said his low voice, the voice of the

shadow over her shoulder. She clenched her hands in the dewy brilliance

of the moon, as if she were mad.

“Don’t you like me to-night?” repeated the soft voice.

And she knew that if she turned, she would die. A strange rage filled

her, a rage to tear things asunder. Her hands felt destructive, like

metal blades of destruction.

“Let me alone,” she said.

A darkness, an obstinacy settled on him too, in a kind of inertia. He

sat inert beside her. She threw off her cloak and walked towards the

moon, silver-white herself. He followed her closely.

The music began again and the dance. He appropriated her. There was a

fierce, white, cold passion in her heart. But he held her close, and

danced with her. Always present, like a soft weight upon her, bearing

her down, was his body against her as they danced. He held her very

close, so that she could feel his body, the weight of him sinking,

settling upon her, overcoming her life and energy, making her inert

along with him, she felt his hands pressing behind her, upon her. But

still in her body was the subdued, cold, indomitable passion. She liked

the dance: it eased her, put her into a sort of trance. But it was only

a kind of waiting, of using up the time that intervened between her and

her pure being. She left herself against him, she let him exert all his

power over her, to bear her down. She received all the force of his

power. She even wished he might overcome her. She was cold and unmoved

as a pillar of salt.

His will was set and straining with all its tension to encompass him

and compel her. If he could only compel her. He seemed to be

annihilated. She was cold and hard and compact of brilliance as the

moon itself, and beyond him as the moonlight was beyond him, never to

be grasped or known. If he could only set a bond round her and compel

her!

So they danced four or five dances, always together, always his will

becoming more tense, his body more subtle, playing upon her. And still

he had not got her, she was hard and bright as ever, intact. But he

must weave himself round her, enclose her, enclose her in a net of

shadow, of darkness, so she would be like a bright creature gleaming in

a net of shadows, caught. Then he would have her, he would enjoy her.

How he would enjoy her, when she was caught.

At last, when the dance was over, she would not sit down, she walked

away. He came with his arm round her, keeping her upon the movement of

his walking. And she seemed to agree. She was bright as a piece of

moonlight, as bright as a steel blade, he seemed to be clasping a blade

that hurt him. Yet he would clasp her, if it killed him.

They went towards the stackyard. There he saw, with something like

terror, the great new stacks of corn glistening and gleaming

transfigured, silvery and present under the night-blue sky, throwing

dark, substantial shadows, but themselves majestic and dimly present.

She, like glimmering gossamer, seemed to burn among them, as they rose

like cold fires to the silvery-bluish air. All was intangible, a

burning of cold, glimmering, whitish-steely fires. He was afraid of the

great moon-conflagration of the cornstacks rising above him. His heart

grew smaller, it began to fuse like a bead. He knew he would die.

She stood for some moments out in the overwhelming luminosity of the

moon. She seemed a beam of gleaming power. She was afraid of what she

was. Looking at him, at his shadowy, unreal, wavering presence a sudden

lust seized her, to lay hold of him and tear him and make him into

nothing. Her hands and wrists felt immeasurably hard and strong, like

blades. He waited there beside her like a shadow which she wanted to

dissipate, destroy as the moonlight destroys a darkness, annihilate,

have done with. She looked at him and her face gleamed bright and

inspired. She tempted him.

And an obstinacy in him made him put his arm round her and draw her to

the shadow. She submitted: let him try what he could do. Let him try

what he could do. He leaned against the side of the stack, holding her.

The stack stung him keenly with a thousand cold, sharp flames. Still

obstinately he held her.

And timorously, his hands went over her, over the salt, compact

brilliance of her body. If he could but have her, how he would enjoy

her! If he could but net her brilliant, cold, salt-burning body in the

soft iron of his own hands, net her, capture her, hold her down, how

madly he would enjoy her. He strove subtly, but with all his energy, to

enclose her, to have her. And always she was burning and brilliant and

hard as salt, and deadly. Yet obstinately, all his flesh burning and

corroding, as if he were invaded by some consuming, scathing poison,

still he persisted, thinking at last he might overcome her. Even, in

his frenzy, he sought for her mouth with his mouth, though it was like

putting his face into some awful death. She yielded to him, and he

pressed himself upon her in extremity, his soul groaning over and over:

“Let me come—let me come.”

She took him in the kiss, hard her kiss seized upon him, hard and

fierce and burning corrosive as the moonlight. She seemed to be

destroying him. He was reeling, summoning all his strength to keep his

kiss upon her, to keep himself in the kiss.

But hard and fierce she had fastened upon him, cold as the moon and

burning as a fierce salt. Till gradually his warm, soft iron yielded,

yielded, and she was there fierce, corrosive, seething with his

destruction, seething like some cruel, corrosive salt around the last

substance of his being, destroying him, destroying him in the kiss. And

her soul crystallized with triumph, and his soul was dissolved with

agony and annihilation. So she held him there, the victim, consumed,

annihilated. She had triumphed: he was not any more.

Gradually she began to come to herself. Gradually a sort of daytime

consciousness came back to her. Suddenly the night was struck back into

its old, accustomed, mild reality. Gradually she realized that the

night was common and ordinary, that the great, blistering, transcendent

night did not really exist. She was overcome with slow horror. Where

was she? What was this nothingness she felt? The nothingness was

Skrebensky. Was he really there?—who was he? He was silent, he was not

there. What had happened? Had she been mad: what horrible thing had

possessed her? She was filled with overpowering fear of herself,

overpowering desire that it should not be, that other burning,

corrosive self. She was seized with a frenzied desire that what had

been should never be remembered, never be thought of, never be for one

moment allowed possible. She denied it with all her might. With all her

might she turned away from it. She was good, she was loving. Her heart

was warm, her blood was dark and warm and soft. She laid her hand

caressively on Anton’s shoulder.

“Isn’t it lovely?” she said, softly, coaxingly, caressingly. And she

began to caress him to life again. For he was dead. And she intended

that he should never know, never become aware of what had been. She

would bring him back from the dead without leaving him one trace of

fact to remember his annihilation by.

She exerted all her ordinary, warm self, she touched him, she did him

homage of loving awareness. And gradually he came back to her, another

man. She was soft and winning and caressing. She was his servant, his

adoring slave. And she restored the whole shell of him. She restored

the whole form and figure of him. But the core was gone. His pride was

bolstered up, his blood ran once more in pride. But there was no core

to him: as a distinct male he had no core. His triumphant, flaming,

overweening heart of the intrinsic male would never beat again. He

would be subject now, reciprocal, never the indomitable thing with a

core of overweening, unabateable fire. She had abated that fire, she

had broken him.

But she caressed him. She would not have him remember what had been.

She would not remember herself.

“Kiss me, Anton, kiss me,” she pleaded.

He kissed her, but she knew he could not touch her. His arms were round

her, but they had not got her. She could feel his mouth upon her, but

she was not at all compelled by it.

“Kiss me,” she whispered, in acute distress, “kiss me.”

And he kissed her as she bade him, but his heart was hollow. She took

his kisses, outwardly. But her soul was empty and finished.

Looking away, she saw the delicate glint of oats dangling from the side

of the stack, in the moonlight, something proud and royal, and quite

impersonal. She had been proud with them, where they were, she had been

also. But in this temporary warm world of the commonplace, she was a

kind, good girl. She reached out yearningly for goodness and affection.

She wanted to be kind and good.

They went home through the night that was all pale and glowing around,

with shadows and glimmerings and presences. Distinctly, she saw the

flowers in the hedge-bottoms, she saw the thin, raked sheaves flung

white upon the thorny hedge.

How beautiful, how beautiful it was! She thought with anguish how

wildly happy she was to-night, since he had kissed her. But as he

walked with his arm round her waist, she turned with a great offering

of herself to the night that glistened tremendous, a magnificent godly

moon white and candid as a bridegroom, flowers silvery and transformed

filling up the shadows.

He kissed her again, under the yew trees at home, and she left him. She

ran from the intrusion of her parents at home, to her bedroom, where,

looking out on the moonlit country, she stretched up her arms, hard,

hard, in bliss, agony offering herself to the blond, debonair presence

of the night.

But there was a wound of sorrow, she had hurt herself, as if she had

bruised herself, in annihilating him. She covered up her two young

breasts with her hands, covering them to herself; and covering herself

with herself, she crouched in bed, to sleep.

In the morning the sun shone, she got up strong and dancing. Skrebensky

was still at the Marsh. He was coming to church. How lovely, how

amazing life was! On the fresh Sunday morning she went out to the

garden, among the yellows and the deep-vibrating reds of autumn, she

smelled the earth and felt the gossamer, the cornfields across the

country were pale and unreal, everywhere was the intense silence of the

Sunday morning, filled with unacquainted noises. She smelled the body

of the earth, it seemed to stir its powerful flank beneath her as she

stood. In the bluish air came the powerful exudation, the peace was the

peace of strong, exhausted breathing, the reds and yellows and the

white gleam of stubble were the quivers and motion of the last

subsiding transports and clear bliss of fulfilment.

The church-bells were ringing when he came. She looked up in keen

anticipation at his entry. But he was troubled and his pride was hurt.

He seemed very much clothed, she was conscious of his tailored suit.

“Wasn’t it lovely last night?” she whispered to him.

“Yes,” he said. But his face did not open nor become free.

The service and the singing in church that morning passed unnoticed by

her. She saw the coloured glow of the windows, the forms of the

worshippers. Only she glanced at the book of Genesis, which was her

favourite book in the Bible.

“And God blessed Noah and his sons, and said unto them, Be fruitful and

multiply and replenish the earth.

“And the fear of you and the dread of you shall be upon every beast of

the earth, and upon every fowl of the air, upon all that moveth upon

the earth, and upon all the fishes in the sea; into your hand are they

delivered.

“Every moving thing that liveth shall be meat for you; even as the

green herb have I given you all things.”

But Ursula was not moved by the history this morning. Multiplying and

replenishing the earth bored her. Altogether it seemed merely a vulgar

and stock-raising sort of business. She was left quite cold by man’s

stock-breeding lordship over beast and fishes.

“And you, be ye fruitful and multiply; bring forth abundantly in the

earth, and multiply therein.”

In her soul she mocked at this multiplication, every cow becoming two

cows, every turnip ten turnips.

“And God said; This is the token of the covenant which I make between

me and you and every living creature that is with you, for perpetual

generations;

“I do set my bow in the cloud, and it shall be a token of a covenant

between me and the earth.

“And it shall come to pass, when I bring a cloud over the earth, that a

bow shall be seen in the cloud;

“And I will remember my covenant, which is between me and you and every

living creature of all flesh, and the waters shall no more become a

flood to destroy all flesh.”

“Destroy all flesh,” why “flesh” in particular? Who was this lord of

flesh? After all, how big was the Flood? Perhaps a few dryads and fauns

had just run into the hills and the farther valleys and woods,

frightened, but most had gone on blithely unaware of any flood at all,

unless the nymphs should tell them. It pleased Ursula to think of the

naiads in Asia Minor meeting the nereids at the mouth of the streams,

where the sea washed against the fresh, sweet tide, and calling to

their sisters the news of Noah’s Flood. They would tell amusing

accounts of Noah in his ark. Some nymphs would relate how they had hung

on the side of the ark, peeped in, and heard Noah and Shem and Ham and

Japeth, sitting in their place under the rain, saying, how they four

were the only men on earth now, because the Lord had drowned all the

rest, so that they four would have everything to themselves, and be

masters of every thing, sub-tenants under the great Proprietor.

Ursula wished she had been a nymph. She would have laughed through the

window of the ark, and flicked drops of the flood at Noah, before she

drifted away to people who were less important in their Proprietor and

their Flood.

What was God, after all? If maggots in a dead dog be but God kissing

carrion, what then is not God? She was surfeited of this God. She was

weary of the Ursula Brangwen who felt troubled about God. What ever God

was, He was, and there was no need for her to trouble about Him. She

felt she had now all licence.

Skrebensky sat beside her, listening to the sermon, to the voice of law

and order. “The very hairs of your head are all numbered.” He did not

believe it. He believed his own things were quite at his own disposal.

You could do as you liked with your own things, so long as you left

other people’s alone.

Ursula caressed him and made love to him. Nevertheless he knew she

wanted to react upon him and to destroy his being. She was not with

him, she was against him. But her making love to him, her complete

admiration of him, in open life, gratified him.

She caught him out of himself, and they were lovers, in a young,

romantic, almost fantastic way. He gave her a little ring. They put it

in Rhine wine, in their glass, and she drank, then he drank. They drank

till the ring lay exposed at the bottom of the glass. Then she took the

simple jewel, and tied it on a thread round her neck, where she wore

it.

He asked her for a photograph when he was going away. She went in great

excitement to the photographer, with five shillings. The result was an

ugly little picture of herself with her mouth on one side. She wondered

over it and admired it.

He saw only the live face of the girl. The picture hurt him. He kept

it, he always remembered it, but he could scarcely bear to see it.

There was a hurt to his soul in the clear, fearless face that was

touched with abstraction. Its abstraction was certainly away from him.

Then war was declared with the Boers in South Africa, and everywhere

was a fizz of excitement. He wrote that he might have to go. And he

sent her a box of sweets.

She was slightly dazed at the thought of his going to the war, not

knowing how to feel. It was a sort of romantic situation that she knew

so well in fiction she hardly understood it in fact. Underneath a top

elation was a sort of dreariness, deep, ashy disappointment.

However, she secreted the sweets under her bed, and ate them all

herself, when she went to bed, and when she woke in the morning. All

the time she felt very guilty and ashamed, but she simply did not want

to share them.

That box of sweets remained stuck in her mind afterwards. Why had she

secreted them and eaten them every one? Why? She did not feel

guilty—she only knew she ought to feel guilty. And she could not make

up her mind. Curiously monumental that box of sweets stood up, now it

was empty. It was a crux for her. What was she to think of it?

The idea of war altogether made her feel uneasy, uneasy. When men began

organized fighting with each other it seemed to her as if the poles of

the universe were cracking, and the whole might go tumbling into the

bottomless pit. A horrible bottomless feeling she had. Yet of course

there was the minted superscription of romance and honour and even

religion about war. She was very confused.

Skrebensky was busy, he could not come to see her. She asked for no

assurance, no security. What was between them, was, and could not be

altered by avowals. She knew that by instinct, she trusted to the

intrinsic reality.

But she felt an agony of helplessness. She could do nothing. Vaguely

she knew the huge powers of the world rolling and crashing together,

darkly, clumsily, stupidly, yet colossal, so that one was brushed along

almost as dust. Helpless, helpless, swirling like dust! Yet she wanted

so hard to rebel, to rage, to fight. But with what?

Could she with her hands fight the face of the earth, beat the hills in

their places? Yet her breast wanted to fight, to fight the whole world.

And these two small hands were all she had to do it with.

The months went by, and it was Christmas—the snowdrops came. There was

a little hollow in the wood near Cossethay, where snowdrops grew wild.

She sent him some in a box, and he wrote her a quick little note of

thanks—very grateful and wistful he seemed. Her eyes grew childlike and

puzzled. Puzzled from day to day she went on, helpless, carried along

by all that must happen.

He went about at his duties, giving himself up to them. At the bottom

of his heart his self, the soul that aspired and had true hope of

self-effectuation lay as dead, still-born, a dead weight in his womb.

Who was he, to hold important his personal connection? What did a man

matter personally? He was just a brick in the whole great social

fabric, the nation, the modern humanity. His personal movements were

small, and entirely subsidiary. The whole form must be ensured, not

ruptured, for any personal reason whatsoever, since no personal reason

could justify such a breaking. What did personal intimacy matter? One

had to fill one’s place in the whole, the great scheme of man’s

elaborate civilization, that was all. The Whole mattered—but the unit,

the person, had no importance, except as he represented the Whole.

So Skrebensky left the girl out and went his way, serving what he had

to serve, and enduring what he had to endure, without remark. To his

own intrinsic life, he was dead. And he could not rise again from the

dead. His soul lay in the tomb. His life lay in the established order

of things. He had his five senses too. They were to be gratified. Apart

from this, he represented the great, established, extant Idea of life,

and as this he was important and beyond question.

The good of the greatest number was all that mattered. That which was

the greatest good for them all, collectively, was the greatest good for

the individual. And so, every man must give himself to support the

state, and so labour for the greatest good of all. One might make

improvements in the state, perhaps, but always with a view to

preserving it intact.

No highest good of the community, however, would give him the vital

fulfilment of his soul. He knew this. But he did not consider the soul

of the individual sufficiently important. He believed a man was

important in so far as he represented all humanity.

He could not see, it was not born in him to see, that the highest good

of the community as it stands is no longer the highest good of even the

average individual. He thought that, because the community represents

millions of people, therefore it must be millions of times more

important than any individual, forgetting that the community is an

abstraction from the many, and is not the many themselves. Now when the

statement of the abstract good for the community has become a formula

lacking in all inspiration or value to the average intelligence, then

the “common good” becomes a general nuisance, representing the vulgar,

conservative materialism at a low level.

And by the highest good of the greatest number is chiefly meant the

material prosperity of all classes. Skrebensky did not really care

about his own material prosperity. If he had been penniless—well, he

would have taken his chances. Therefore how could he find his highest

good in giving up his life for the material prosperity of everybody

else! What he considered an unimportant thing for himself he could not

think worthy of every sacrifice on behalf of other people. And that

which he would consider of the deepest importance to himself as an

individual—oh, he said, you mustn’t consider the community from that

standpoint. No—no—we know what the community wants; it wants something

solid, it wants good wages, equal opportunities, good conditions of

living, that’s what the community wants. It doesn’t want anything

subtle or difficult. Duty is very plain—keep in mind the material, the

immediate welfare of every man, that’s all.

So there came over Skrebensky a sort of nullity, which more and more

terrified Ursula. She felt there was something hopeless which she had

to submit to. She felt a great sense of disaster impending. Day after

day was made inert with a sense of disaster. She became morbidly

sensitive, depressed, apprehensive. It was anguish to her when she saw

one rook slowly flapping in the sky. That was a sign of ill-omen. And

the foreboding became so black and so powerful in her, that she was

almost extinguished.

Yet what was the matter? At the worst he was only going away. Why did

she mind, what was it she feared? She did not know. Only she had a

black dread possessing her. When she went at night and saw the big,

flashing stars they seemed terrible, by day she was always expecting

some charge to be made against her.

He wrote in March to say that he was going to South Africa in a short

time, but before he went, he would snatch a day at the Marsh.

As if in a painful dream, she waited suspended, unresolved. She did not

know, she could not understand. Only she felt that all the threads of

her fate were being held taut, in suspense. She only wept sometimes as

she went about, saying blindly:

“I am so fond of him, I am so fond of him.”

He came. But why did he come? She looked at him for a sign. He gave no

sign. He did not even kiss her. He behaved as if he were an affable,

usual acquaintance. This was superficial, but what did it hide? She

waited for him, she wanted him to make some sign.

So the whole of the day they wavered and avoided contact, until

evening. Then, laughing, saying he would be back in six months’ time

and would tell them all about it, he shook hands with her mother and

took his leave.

Ursula accompanied him into the lane. The night was windy, the yew

trees seethed and hissed and vibrated. The wind seemed to rush about

among the chimneys and the church-tower. It was dark.

The wind blew Ursula’s face, and her clothes cleaved to her limbs. But

it was a surging, turgid wind, instinct with compressed vigour of life.

And she seemed to have lost Skrebensky. Out there in the strong, urgent

night she could not find him.

“Where are you?” she asked.

“Here,” came his bodiless voice.

And groping, she touched him. A fire like lightning drenched them.

“Anton?” she said.

“What?” he answered.

She held him with her hands in the darkness, she felt his body again

with hers.

“Don’t leave me—come back to me,” she said.

“Yes,” he said, holding her in his arms.

But the male in him was scotched by the knowledge that she was not

under his spell nor his influence. He wanted to go away from her. He

rested in the knowledge that to-morrow he was going away, his life was

really elsewhere. His life was elsewhere—his life was elsewhere—the

centre of his life was not what she would have. She was different—there

was a breach between them. They were hostile worlds.

“You will come back to me?” she reiterated.

“Yes,” he said. And he meant it. But as one keeps an appointment, not

as a man returning to his fulfilment.

So she kissed him, and went indoors, lost. He walked down to the Marsh

abstracted. The contact with her hurt him, and threatened him. He

shrank, he had to be free of her spirit. For she would stand before

him, like the angel before Balaam, and drive him back with a sword from

the way he was going, into a wilderness.

The next day she went to the station to see him go. She looked at him,

she turned to him, but he was always so strange and null—so null. He

was so collected. She thought it was that which made him null.

Strangely nothing he was.

Ursula stood near him with a mute, pale face which he would rather not

see. There seemed some shame at the very root of life, cold, dead shame

for her.

The three made a noticeable group on the station; the girl in her fur

cap and tippet and her olive green costume, pale, tense with youth,

isolated, unyielding; the soldierly young man in a crush hat and a

heavy overcoat, his face rather pale and reserved above his purple

scarf, his whole figure neutral; then the elder man, a fashionable

bowler hat pressed low over his dark brows, his face warm-coloured and

calm, his whole figure curiously suggestive of full-blooded

indifference; he was the eternal audience, the chorus, the spectator at

the drama; in his own life he would have no drama.

The train was rushing up. Ursula’s heart heaved, but the ice was frozen

too strong upon it.

“Good-bye,” she said, lifting her hand, her face laughing with her

peculiar, blind, almost dazzling laugh. She wondered what he was doing,

when he stooped and kissed her. He should be shaking hands and going.

“Good-bye,” she said again.

He picked up his little bag and turned his back on her. There was a

hurry along the train. Ah, here was his carriage. He took his seat. Tom

Brangwen shut the door, and the two men shook hands as the whistle

went.

“Good-bye—and good luck,” said Brangwen.

“Thank you—good-bye.”

The train moved off. Skrebensky stood at the carriage window, waving,

but not really looking to the two figures, the girl and the

warm-coloured, almost effeminately-dressed man. Ursula waved her

handkerchief. The train gathered speed, it grew smaller and smaller.

Still it ran in a straight line. The speck of white vanished. The rear

of the train was small in the distance. Still she stood on the

platform, feeling a great emptiness about her. In spite of herself her

mouth was quivering: she did not want to cry: her heart was dead cold.

Her Uncle Tom had gone to an automatic machine, and was getting

matches.

“Would you like some sweets?” he said, turning round.

Her face was covered with tears, she made curious, downward grimaces

with her mouth, to get control. Yet her heart was not crying—it was

cold and earthy.

“What kind would you like—any?” persisted her uncle.

“I should love some peppermint drops,” she said, in a strange, normal

voice, from her distorted face. But in a few moments she had gained

control of herself, and was still, detached.

“Let us go into the town,” he said, and he rushed her into a train,

moving to the town station. They went to a café to drink coffee, she

sat looking at people in the street, and a great wound was in her

breast, a cold imperturbability in her soul.

This cold imperturbability of spirit continued in her now. It was as if

some disillusion had frozen upon her, a hard disbelief. Part of her had

gone cold, apathetic. She was too young, too baffled to understand, or

even to know that she suffered much. And she was too deeply hurt to

submit.

She had her blind agonies, when she wanted him, she wanted him. But

from the moment of his departure, he had become a visionary thing of

her own. All her roused torment and passion and yearning she turned to

him.

She kept a diary, in which she wrote impulsive thoughts. Seeing the

moon in the sky, her own heart surcharged, she went and wrote:

“If I were the moon, I know where I would fall down.”

It meant so much to her, that sentence—she put into it all the anguish

of her youth and her young passion and yearning. She called to him from

her heart wherever she went, her limbs vibrated with anguish towards

him wherever she was, the radiating force of her soul seemed to travel

to him, endlessly, endlessly, and in her soul’s own creation, find him.

But who was he, and where did he exist? In her own desire only.

She received a post-card from him, and she put it in her bosom. It did

not mean much to her, really. The second day, she lost it, and never

even remembered she had had it, till some days afterwards.

The long weeks went by. There came the constant bad news of the war.

And she felt as if all, outside there in the world, were a hurt, a hurt

against her. And something in her soul remained cold, apathetic,

unchanging.

Her life was always only partial at this time, never did she live

completely. There was the cold, unliving part of her. Yet she was madly

sensitive. She could not bear herself. When a dirty, red-eyed old woman

came begging of her in the street, she started away as from an unclean

thing. And then, when the old woman shouted acrid insults after her,

she winced, her limbs palpitated with insane torment, she could not

bear herself. Whenever she thought of the red-eyed old woman, a sort of

madness ran in inflammation over her flesh and her brain, she almost

wanted to kill herself.

And in this state, her sexual life flamed into a kind of disease within

her. She was so overwrought and sensitive, that the mere touch of

coarse wool seemed to tear her nerves.