I opened my eyes and stopped typing. I looked at what I'd written.

_The day was crisp and clear, with the promise of a mild afternoon

in the air. It was the beginning of April, and Spring rustled her

greenness and yawned leisurely. I walked along happily._

"Well, I'll be damned," I said.

I leaned back, fully expecting some answer from the machine. There

was none. I poked my forefinger at the shift key, tapped the space bar

tentatively, rolled the roller, swung the carriage, sniffed at the

ribbon.

"Have you gone?" I asked the typewriter.

There was no answer. I sighed happily and started to work, typing

twelve pages of lousy prose which I tossed into the wastebasket. But I

was happier than I'd been since I bought the infernal machine.

* * * * *

After a glass of orange juice, a cup of coffee, and a slice of burnt

toast the next morning, I tackled the machine again.

This time, I was hot.

There was nothing to stop me. The words ran from my brain to my

fingers, onto the keys, spilling onto the clean sheets of paper. I

typed furiously, feeling right about my work, knowing I was doing well.

It was as if the machine and I were one, as if my fingers had become

an extension of the keys. I didn't stop to think once. As soon as I'd

taken one sheet of paper from the machine, I rolled in another and kept

going. The delay of changing paper was almost too much to bear. The

words just tumbled out of me, and they were good words, and it was a

good story.

I read it through when I finished it, sitting back and puffing happily

on a cigarette. Then I put a clip on the pages, patted them fondly and

went next door to see Perry. He was a sculptor, and he had his hands

full of clay, and his stand full of what looked like a head.

"Wash your hands," I said.

"Why?" He gouged his thumb at the blob of clay on his stand, and an eye

socket magically appeared.

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