FROM THE PAINTING MADE FOR THE CENTURY BY JULES GUÉRIN]

What is the magic of pastoral Greece? What is it that gives to you

a sensation of being gently released from the cares of life and the

boredom of modern civilization, with its often unmeaning complications,

its unnecessary luxuries, its noisy self-satisfactions? This is not

the tremendous, the spectacular release of the desert, an almost

savage tearing away of bonds. Nothing in the Greece I saw is savage;

scarcely anything is spectacular. But, oh, the bright simplicity of

the life and the country along the way to Marathon! It was like an

early world. One looked, and longed to live in those happy woods like

the Turkish Gipsies. Could life offer anything better? The pines are

small, exquisitely shaped, with foliage that looks almost as though

it had been deftly arranged by a consummate artist. They curl over

the slopes with a lightness almost of foam cresting a wave. Their

color is quite lovely. The ancient Egyptians had a love color: well,

the little pine-trees of Greece are the color of happiness. You smile

involuntarily when you see them. And when, descending among them, you

are greeted by the shining of the brilliant-blue sea, which stretches

along the edge of the plain of Marathon, you know radiance purged of

fierceness.

The road winds down among the pines till, at right angles to it,

appears another road, or rough track just wide enough for a carriage.

This leads to a large mound which bars the way. Upon this mound a

habitation was perched. It was raised high above the ground upon a sort

of tripod of poles. It had yellow walls of wheat, and a roof and floor

of brushwood and maize. A ladder gave access to it, and from it there

was a wide outlook over the whole crescent-shaped plain of Marathon.

This dwelling belonged to a guardian of the vineyards, and the mound is

the tomb of those who died in the great battle.

I sat for a long time on this strange tomb, in the shadow of the

rustic watch-house, and looked out over the plain. It is quite flat,

and is now cultivated, though there are some bare tracts of unfruitful

ground. In all directions I saw straggling vines. Not far away was

one low, red-tiled house belonging to a peasant, whose three small,

dirty, and unhealthy-looking children presently approached, and gazed

at me from below. In the distance a man on a white horse rode slowly

toward the pine-woods, and to my left I saw a group of women bending

mysteriously to accomplish some task unknown to me. No other figures

could I see between me and the bright-blue waters that once bore up

the fleet of Persia. Behind me were stony and not very high hills,

ending in the slopes down which Miltiades made his soldiers advance

“at a running pace.” One hundred and ninety-two brave men gone to dust

beneath me; instead of the commemorative lion, the little watch-house

of brushwood and wheat and maize, silence the only epitaph. The

mound, of hard, sun-baked earth, was yellow and bare. On one side a

few rusty-looking thorn-bushes decorated it harshly. But about it grew

aloes, and the wild oleander, with its bright-pink flowers, and near

by were many great fig-trees. A river intersects the plain, and its

course is marked by sedges and tall reeds. Where the land is bare, it

takes a tawny-yellow hue. Some clustering low houses far off under the

hills form the Albanian village of Marathon. Just twenty-two miles

from Athens, this place of an ancient glory, this tomb of men who, I

suppose, will not be forgotten so long as the Hellenic kingdom lasts,

seems very far away, hidden from the world between woods and waters,

solitary, but not sad. Beyond the plain and the sea are ranges of

mountains and the island of Eubœa.

A figure slowly approaches. It is the guardian of the vineyards,

coming back to his watch-house above the grave of his countrymen,

smiling, with a cigarette between his white teeth. As I go, he calls

out “Addio!” Then he mounts his ladder carefully and withdraws to his

easy work. How strange to be a watcher of vineyards upon the tumulus of

Marathon!

If you care at all for life in the open, if you have the love of

camping in your blood, Greece will call to you at every moment to throw

off the dullness of houses, to come and stay under blue heaven and be

happy. Yet I suppose the season for all such joys was over when I was

in Greece, for I never met any citizens of Athens taking their pleasure

in the surrounding country. In Turkey and Asia Minor, near any large

town, when the weather is hot and fine, one may see cheerful parties of

friends making merry in the open air, under trees and in arbors; or men

dreaming idly in nooks that might have made old Omar’s delight, shaded,

and sung to by a stream. In Greece it is not so. Once you are out in

the country, you come upon no one but peasants, shepherds, goatherds,

Gipsies, turkey-drivers, and, speaking generally, “sons of the soil.”

[Illustration: THE TEMPLE OF ATHENE, ISLAND OF ÆGINA

The Century Illustrated Monthly Magazine (May 1913) Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913 · 第 113 / 166 题