THEATER OF DIONYSUS ON THE SOUTHERN SLOPE OF THE ACROPOLIS]

The outer walls are barbarically huge and heavy, and superb in color.

They gleam with a fierce-red gold, and are conspicuous from afar. The

almost monstrous, but impressive, solidity of Rome, heavy and bold,

indeed almost crudely imperious, is shown forth by them--a solidity

absolutely different from the Greek massiveness, which you can study

in the Doric temples, and far less beautiful. When you pass beyond and

this towering façade, which might well be a section of the Colosseum

transferred from gladiatorial Rome to intellectual Athens, you find

yourself in a theater which looks oddly, indeed, almost meanly, small

and pale and graceful. With a sort of fragile timidity it seems to be

cowering behind the flamboyant walls. When all its blanched marble

seats were crowded with spectators it contained five thousand persons.

As you approach the outer walls, you expect to find a building that

might accommodate perhaps twenty-five thousand. There is something

bizarre in the two colors, fierce and pale, in the two sizes, huge

and comparatively small, that are united in the odeum. Though very

remarkable, it seems to me to be one of the most inharmonious ruins in

Greece.

The modern Athenians are not very fond of hard exercise, and except in

the height of summer, when many of them go to Kephisia and Phalerum,

and others to the islands, or to the baths near Corinth for a “cure,”

they seem well content to remain within their city. They are governed,

it seems, by fashion, like those who dwell in less-favored lands. When

I was in Athens the weather was usually magnificent and often very

hot. Yet Phalerum, perhaps half an hour by train from Constitution

Square, was deserted. In the vast hotel there I found only two or three

children, in the baths half a dozen swimmers. The pleasure-boats lay

idle by the pier. I asked the reason of this--why at evening dusty

Athens was crammed with strollers, and the pavements were black with

people taking coffee and ices, while delightful Phalerum, with its

cooler air and its limpid waters, held no one but an English traveler?

“The season is over,” was the only reply I received, delivered with a

grave air of finality. I tried to argue the matter, and suggested that

anxiety about the war had something to do with it. But I was informed

that the “season” closed on a certain day, and that after that day the

Athenians gave up going to Phalerum.

The season for many things seemed “over” when I was in Athens.

Round-about the city, and within easy reach of it, there is fascinating

country--country that seems to call you with a smiling decision to

enjoy all Arcadian delights; country, too, that has great associations

connected with it. From Athens you can go to picnic at Marathon or at

Salamis, or you can carry a tea-basket to the pine-woods which slope

down to the Convent of Daphni, and come back to it after paying a visit

to Eleusis. Or, if you are not afraid of a “long day,” you can motor

out and lunch in the lonely home of the sea-god under the columns at

Sunium. If you wish to go where a king goes, you can spend the day

in the thick woods at Tatoï. If you are full of social ambition, and

aim at “climbing,” a train in not many minutes will set you down at

Kephisia, the summer home of “the fifty-two” on the slope of a spur of

Mount Pentelicus.

Thither I went one bright day. But, as at Phalerum, I found a deserted

paradise. The charming gardens and arbors were empty. The villas,

Russian, Egyptian, Swiss, English, French, and even now and then

Greek in style, were shuttered and closed. All in vain the waterfalls

sang, all in vain the silver poplars and the yellow-green pines gave

their shade. No one was there. I went at length to a restaurant to

get something to eat. Its door was unlocked, and I entered a large,

deserted room, with many tables, a piano, and a terrace. No one came.

I called, knocked, stamped, and at length evoked a thin elderly lady

in a gray shawl, who seemed alarmed at the sight of me, and in a frail

voice begged to know what I wanted. When I told her, she said there

was nothing to eat except what they were going to have themselves. The

season was over. Eventually she brought me _mastika_ and part of her

own dinner to the terrace, which overlooked a luxuriant and deserted

garden. And there I spent two happy, golden hours. I had sought the

heart of fashion, and found the exquisite peace that comes to places

when fashion has left them. Henceforth I shall always associate

beautiful Kephisia with silence, flowers, and one thin old woman in a

gray shawl.

[Illustration: THE TEMPLE OF POSEIDON AND ATHENE AT SUNIUM

The Century Illustrated Monthly Magazine (May 1913) Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913 · 第 108 / 166 题